Plutarch on heroes

I'm sorry guys, I literally have no time to write anything for the blog today. Juggling four jobs sucks sometimes. As such, I am going to quote a few interesting bits and pieces from the 'Quaestiones Graecae' by Plutarch. He was a Hellenic historian, biographer, and essayist, who later in his life became a Roman citizen. As such, he was extraordinarily qualified to write two standard works: the 'Quaestiones Graecae' (Αἴτια Ἑλληνικά, or 'Greek Questions'), and the 'Quaestiones Romanae' (Αἴτια Ῥωμαϊκά, or 'Roman Questions'). These essays are part of the book series 'Moralia' (Ἠθικά, loosely translatable as 'Matters relating to customs and mores'), and can be found in book IV of the series. The Greek Questions contain fifty-nine questions, the Roman version hundred-thirteen, and all pertain to matters concerned with their respective culture. Many of the answers are names or customs, and because Plutarch often refers (back) to Hellenic customs, both are extremely valuable for research on ancient Hellenic life. Today, I am focussing on the questions dealing with ancient Hellenic heroes.

27. Why is it that among the Rhodians a herald does not enter the shrine of the hero Ocridion?

"Is it because Ochimus affianced his daughter Cydippê to Ocridion? But Cercaphus, who was the brother of Ochimus, was in love with the maiden and persuaded the herald (for it used to be the custom to use heralds to fetch the brides), when he should receive Cydippê, to bring her to him. When this had been accomplished, Cercaphus fled with the maiden; but later, when Ochimus had grown old, Cercaphus returned to his home again. But the custom became established among the Rhodians that a herald should not approach the shrine of Ocridion because of the wrong that had been done."


28. Why is it that among the inhabitants of Tenedos a flute-player may not enter the shrine of Tenes, nor may anyone mention Achilles' name within the shrine?

"Is it that, when Tenes’ stepmother falsely accused him of wishing to lie with her, Molpus the flute-player bore false witness against him, and because of this it came about that Tenes had to flee to Tenedos with his sister? But as for Achilles, it is said that his mother Thetis straitly forbade him to kill Tenes, since Tenes was honoured by Apollo; and she commissioned one of the servants to be on guard, and to remind Achilles lest he should unwittingly slay Tenes. But when Achilles was overrunning Tenedos and was pursuing Tenes’ sister, who was a beautiful maiden, Tenes met him and defended his sister; and she escaped, though Tenes was slain. When he had fallen, Achilles recognized him, and slew the servant because he had, although present, not reminded him; and he buried Tenes where his shrine now stands and neither does a flute-player enter it nor is Achilles mentioned there by name."

40. Who was the hero Eunostus in Tanagra, and why may no women enter his grove?

"Eunostus was the son of Elieus, who was the son of Cephisus, and Scias. They relate that he acquired his name because he was brought up by the nymph Eunosta. Handsome and righteous as he was, he was no less virtuous and ascetic. They say that Ochnê, his cousin, one of the daughters of Colonus, became enamoured of him; but when Eunostus repulsed her advances and, after upbraiding her, departed to accuse her to her brothers, the maiden forestalled him by doing this very thing against him. She incited her brothers, Echemus, Leon, and Bucolus, to kill Eunostus, saying that he had consorted with her by force. They, accordingly, lay in ambush for the young man and slew him. Then Elieus put them in bonds; but Ochnê repented, and was filled with trepidation and, wishing to free herself from the torments caused by her love, and also feeling pity for her brothers, reported the whole truth to Elieus, and he to Colonus. And when Colonus had given judgement, Ochnê's brothers were banished, and she threw herself from a precipice, as Myrtis, a the lyric poetess of Anthedon, has related.

But the shrine and the grove of Eunostus were so strictly guarded against entry and approach by women that, often, when earthquakes or droughts or other signs from heaven occurred, the people of Tanagra were wont to search diligently and to be greatly concerned lest any woman might have approached the place undetected; and some relate, among them Cleidamus, a man of prominence, that Eunostus met them on his way to the sea to bathe because a woman had set foot within the sacred precinct. And Diodes a also, in his treatise upon the Shrines of Heroes, quotes a decree of the people of Tanagra concerning the matters which Cleidamus reported."


58. Why is it that among the Coans the priest of Heracles at Antimacheia dons a woman's garb, and fastens upon his head a woman's head-dress before he begins the sacrifice?

"Heracles, putting out with his six ships from Troy, encountered a storm; and when his other ships had been destroyed, with the only one remaining he was driven by the gale to Cos. He was cast ashore upon the Laceter, as the place is called, with nothing salvaged save his arms and his men. Now he happened upon some sheep and asked for one ram from the shepherd. This man, whose name was Antagoras, was in the prime of bodily strength, and bade Heracles wrestle with him; if Heracles could throw him, he might carry off the ram. And when Heracles grappled with him, the Meropes came to the aid of Antagoras, and the Greeks to help Heracles, and they were soon engaged in a mighty battle. In the struggle it is said that Heracles, being exhausted by the multitude of his adversaries, fled to the house of a Thracian woman; there, disguising himself in feminine garb, he managed to escape detection. But later, when he had overcome the Meropes in another encounter, and had been purified, he married Chalciopê and assumed a gay-coloured raiment. Wherefore the priest sacrifices on the spot where it came about that the battle was fought, and bridegrooms wear feminine raiment when they welcome their brides."