When I was younger, I firmly believed that Zeus freed His siblings from His father's belly, led the Titanomanchy, and married Hera as His one and only wife. Imagine my surprise when I came upon the works of Hesiod and found out there had been others before Her. We've already discussed the many liaisons of Zeus through His offspring, but today we look at the distinction between lover and wife.

We have established before that marriage was often a matter of moving in together, and consummating the relationship. Within the lives of ancient Hellenes, marriage was an arranged affair, usually by the parents of the two who were to be wed. The Theoi are, of course, a little different, and all we have to go on when it comes to Them are the ancient writers. Hesiod, for example, gives us a list of the lovers Zeus had before Hera: Metis, Themis, Eurynome, Demeter, Mnemosyne, and Leto. Only two of those are described as 'wife' or as 'having been married' (Metis and Themis), although it is implied for the others (Theogony 886-923). There is no mention of divorce, however, and in the text that follows, Hesiod relies more on euphemisms for sex than marriage to describe the relationships between Zeus and these women.

For Metis, for example, Hesiod first uses:

"Now Zeus, king of the gods, made Metis his wife first, and she was wisest among gods and mortal men. But when she was about to bring forth the goddess bright-eyed Athene, Zeus craftily deceived her with cunning words and put her in his own belly." (886-900)

But then elaborates a little bit later:

"[Zeus], apart from Hera, had lain in love with a fair-faced daughter of Okeanos and lovley-haired Tethys, Metis, whom he deceived, for all she was so resourceful, for he snatched her up in his hands and put her inside his belly for fear that she might bring forth a thunderbolt stronger than his own." (929a-929t)

So, which one is true? Was Zeus married to others before Hera? Personally, I believe that the unions with anyone but Hera were to either establish divine offspring, or to give Zeus dominion over areas He would not otherwise have dominion over. His liaisons prior to, and including, Hera, help to make Him the most powerful of Theoi, capable of proclaiming law, and justice, of influencing the seasons and many other feats He would not have been capable of if it were not for His involvement with these other divine women.

Hera remains Zeus' one and only true wife, and although Zeus' liaisons with others are legendary, He returns to Her in the end. She is His true wife, Queen of the Theoi, and while His affairs are usually of great importance, I strongly feel Zeus' relationship with Hera tops them all.
Yesterday night, I made my Deipnon offerings to Hekate, and I had to smile at not only the familiarity of the actions, but also the familiarity of the scents that came with the offerings. I burn pretty much all my offerings, and most of them have a very specific smell that I have come to associate with Hellenismos.

In my previous practice, I really only associated the smells of incense, burning paper, and candle wax with religion. Now, the most religious of smells is the scent of wine as the water is boiled out of it. It's the scent of incense, still, but at the Deipnon, it's the smell of sweet lavender added to the scent of burning wood, wine and wax. On the Noumenia, it's the scent of sweet cakes burning on the fire, and the scent of the honey that is poured over it.

I go to bed with the scent of wine in my nostrils every night, and every morning, I get to smell it again. It's almost like a security blanket, a reference point for the day. The scent of it grounds me and makes me feel connected to the Theoi and my faith.

I often underestimate the importance of scent in rituals. It's the acts that matter; the prayers, the offerings. Yet, it's the scent that lingers, like a personification of the Theoi. Each offering has a unique smell, be it wine, honey, lavender, foodstuffs, wax, milk, or olive oil. They have become triggers for me that ground me and pull me into the experience.

Even if I would stop practicing tomorrow, I know these scents would always remind me of the Theoi: they have become engraved in my mind, in my nose. They bring forth images of countless libations, or pious sacrifice, of clearly voiced praise and prayer. Triggers. Wonderful triggers, that will always remind me of the beauty of religion.
Because it's been a while since the last constellation, and yesterday's blog post hardly counted, I'm going to give you not one but two constellations today (also because it's much easier to describe both in one post, seeing as the mythology surrounding these two has mixed throughout the years, so I'm really just making it easier on myself).


The Corona Australis, the southern crown, is located in the southern hemisphere, next to the constellation Sagittarius. As such, it is often linked to that constellation and regarded as the wreath that fell off of the head of one of the kéntauros that particular constellation is linked to. In the same regard, it is also linked to the kéntauros 'Centaurus'.

Corona Australis is most often regarded as a wreath, but in some descriptions and depictions, the Corona Australis is a crown. There is, however, one myth in which the Corona Australis does not depict a wreath or crown: in this myth, the constellation represents Ixion, king of the Lapits, who fell in love with Hera after being invited up to Olympos by Zeus. Zeus decided to test his integrity after He discovered His guest' lust for Hera, but Ixion failed miserably. Ixion was expelled from Olympus and blasted with a thunderbolt for failing his test. Zeus then ordered Hermes to bind Ixion to a winged fiery wheel that was always spinning. Therefore, Ixion is bound to a burning solar wheel for all eternity, at first spinning across the heavens, then into Tartaros. The Corona Australis is this very wheel, with Ixion tied to it.

The most famous of myths associated with the Corona Australis is the story of the birth of Dionysos, and the death of His mother Semele. In this version of the myth, Dionysos is born from Semele and Zeus, and while Semele is pregnant with Him, Hera plants seeds of doubt in her mind about the father of the child truly being Zeus. Semele asks Zeus to reveal Himself to her in His true form, and when He is left with no other option, He does so, killing her in the process. Zeus takes pity on His child, and takes Him into either His thigh or testicle, where He is eventually born from. When Dionysos grows up, He raises Semele to Olympos and grants her eternal life. He also places a wreath into the sky to honor her. The wreath would be made of myrtle leaves, for Dionysos left a gift of myrtle in the Underworld in return for His mother, and the followers of Dionysos wore crowns of myrtle.

Interestingly enough, Roman author Hyginus ascribes this myth to the Corona Borealis, and adds that Dionysos first received this wreath--now a golden crown--from Aphrodite. He gave it to His beloved Ariadne, daughter of Minos. According to Hyginus, it was the light that reflected off of this crown, that led Theseus from the labyrinth after slaying the minotaur. Hyginus then goes on to retell the story above, and says that Dionysos did not want to take the crown into the Underworld in fear of it being contaminated with miasma. When He returned from the Underworld, he threw the golden crown into the sky as a memorial.

Hyginus also gives another account for the the northern crown, the Corona Borealis:

"It is said that when Theseus came to Crete to Minos with seven maidens and six youths, Minos, inflamed by the beauty of one of the maidens, Eriboea by name, wished to lie with her. Theseus, as was fitting for a son of Neptune[Poseidon], and one able to strive against a tyrant for a girl’s safety, refused to allow this. So when the dispute became one not about the girl but about the parentage of Theseus, whether he was the son of Neptune or not, Minos is said to have drawn a gold ring from his finger and cast it into the sea. 

He bade Theseus bring it back, if he wanted him to believe he was a son of Neptune; as for himself, he could easily show he was a son of Jove [Zeus]. So, invoking his father, he asked for some sign to prove he was his son, and straightway thunder and lightning gave token of assent. For a similar reason, Theseus, without any invoking of his father or obligation of an oath, cast himself into the sea. And at once a great swarm of dolphins, tumbling forward over the sea, led him through gently swelling waves to the Nereids. 

From them he brought back the ring of Minos and a crown, bright with many gems, from Thetis, which she had received at her wedding as a gift from Venus [Aphrodite]. Others say that the crown came from the wife of Neptune, and Theseus is said to have given it to Ariadne as a gift, when on account of his valor and courage she was given to him in marriage. After Ariadne’s death, Liber [Dionysos] placed it among the constellations."

As you can see, there are many myths surrounding the two crowns. The Hellenic poet Aratos named them 'Stephanoi' (Στεφάνοι) around 300 BC, but did not differnetiate between the two, although they are not placed close together. As such, the Stephanoi are visible and best viewed at different times throughout the year. The Corona Australis is visible at latitudes between +40° and −90°, and best visible at 21:00 (9 p.m.) during the month of August. The Corona Borealis, located near the constellations of Hēraklēs and Boötes, is visible at latitudes between +90° and −50°, and best visible at 21:00 (9 p.m.) during the month of July.
Currently, I am completely swamped, so I'm going to have to take the day off. I'll be back tomorrow with actual words that say something meaningful about Hellenismos, but for today, please accept this comic by AT&T (of all companies!), with my apologies. It comes from here, and is hilarious. Note my views on Perseus and Médousa, please.


(click to enlarge)
Today, I'm posting a mix-tape for Hēphaistos. This idea is not mine; it's a combination of a wonderful idea by Sannion and Hellenion's monthly libation schedule.Hellenion is a Hellenistic organization from America and I used their wonderful calender and the great store of information they have gathered to start my own practice. Every month, Hellenion members pour a libation to a different Hellenic God or Goddess. This month, it's Hēphaistos' turn, and while I will not be continuing this practice in the next Hellenic year, I will most certainly keep up the practice until then. To make the day more special, I have created a mix-tape of songs which either describe or would speak to Him.

I have a deep love and respect for Hēphaistos. I feel He is one of the most undervalued of all Olympian Theoi. Hēphaistos is a builder, a doer, one of brilliant mind. A hard worker, an engineer, a crafter, and a Theos of the common folk. The ancient Hellenes had a deep love for Him as well, because His worship was widespread, and every epicenter of worship developed different mythology about Him, causing a tangled mess of wives and children to be linked to Him.

Most famous of His wives is Aphrodite, who was given to Him after Hēphaistos took revenge on Hera for casting Him off of Olympos due to His lameness. Hēphaistos trapped Hera on a golden throne of His design and refused to let Her up again. Dionysos eventually drugged Him and took Him back to Olympos where Hera's freedom was traded for Aphrodite. Aphrodite, famously, resented the marriage, and had multiple affairs. This may have caused the couple to divorce. Other wives and lovers include the Kharite Aglaia, the nymph Kabeiro on the island of Lemnos, the nymph Aitna in Sicily, Thalia, and mortal women Antikleia, Atthis, and Okresia.


 Edie Carey - With Our Hands

Sorry for the crappy quality; that's what happens when you find inspiration in artists who are relatively unknown. This song is about love. I really wanted a love song in here. Hēphaistos, to me, is a wonderfully strong and skilled God, but His love for Aphodite has always been His weak point. The most notable of Her affairs is, of course, Ares. Still, Hēphaistos takes Her back whenever She comes to his palace on Olympus. Edie's song is equal parts romantic and sad; there is a need to be loved hidden in the words that I can see in Hēphaistos as a part He keeps locked away as much as possible but which must come out when He discovers a new affair of His beloved.


Kensington - So Am I

The link I have to Hēphaistos with this song is visceral. The drum rhythm matches up with the beating of His heart, with the ring as the hammer comes down on the metal, with the frustration of His marriage to Aphrodite--and its coming end--with the feeling of getting lost in repetition, a melody to ease the mind.

Secondly, in some of the vulcano-rich places of the Hellenic world, Hēphaistos was linked to the local Theoi preciding over the mountains. The Edna, for example. Especially with the frequent mention of fire and fire bursting from the earth, I think this song is perfect for Hēphaistos.

"The fire's faded, now the smoke we're in / Will leave us nothing more than scalded skin / Our memories in the ashes Fires we burned up, burst from the centre of the earth / We're the centre of the earth / It's strange how it gets me / It's fate if you ask me"


Carina Round - Do You

The song is intended as a romantic love song, but please take that element out of it when listening to it. Think, instead, of Hēphaistos, as He speaks to His mother, a tale of the sting of rejection, and the love a child has for their mother, regardless of what has happened in the past. Regular readers of this blog know I have a troubled relationship with my mother, so I identify with this side of Hēphaistos, although I think He has come fully into His own after getting His revenge on Hera.

"See those wings you gave me / Watch me fly across the sea / Count the ways you made me The hurt that the head forgets / the heart will always remember / The hold that the hand regrets / the heart remembers forever"


Alan Jackson - Hard Hat and a Hammer

For true blue, average Joe, music, you need to go to the Country genre. I have a secret love for country. I love the simplicity, the common folk vibe. Take this song, about a man who takes pride in his working man job, and asks his God to bless him and others like him. Kinda fitting, don't you think?

"But there's nothing wrong with a hard hat and a hammer / Kind of glue that sticks this world together / Hands of steel and cradle of the Promised Land / God bless the working man... And woman"


Zac Brown band - Chicken Fried

I want to end this mix-tape on a positive note, because I feel Hēphaistos is a positive Theos. He's content in life, is married happily in a lot of the myths--especially the ones where He lives away from Olympos with anyone but Aphrodite--and he works hard. I imagine that when He comes home, he wouldn't mind a kylix of home-made wine, and a bit of fried chicken. Also, and I love that this is in the song, there is nothing as wonderful as a mother's love, and at the end of the day, Hēphaistos sits in the great hall of snowy Olympos, near His mother, working well together.
A week ago, I wrote an introduction to the Eleusinian mysteries, with the promise I would talk about the festivals linked to the mysteries in my next Pagan blog Project post. It will come as no surprise that this blog post will be about exactly that. Now, I have written about many of the festivals linked to the mysteries before on this blog, so a description of those will consist of a summary and a link to lots and lots more information. A few, I have not written about before, so I will make a slightly longer summary, with the promise I will create a full blog post for them when they roll around.

The Eleusinian mysteries consist mostly of two festivals, but the worship of Demeter and Persephone consist of a cycle of seven festivals: the Greater Mysteries (13-23 Boedromion), Proerosia (6 Pyanepsion), Stenia (9 Pyanepsion), Thesmophoria (11-13 Pyanepsion), Haloa (26 Poseideon), the Lesser Mysteries (20-26 Anthesterion),  and the Skiraphoria (12 Skirophorion). These are placed in sequence of the Athenian year.


Greater Mysteries
The Greater Mysteries were the main event of the whole of the mysteries. When they roll around again, I will give a lengthy exposition on them, but for the purpose of this post, I will give a summary of the festivities. The Greater Mysteries lasted ten days, celebrated every five years in the beginning, but celebrated every year from 'before the time of Herodotos'. The Greater Mysteries most likely commemorated either Persephone's original kidnapping by Hades, her descent to the Underworld, or her return to the surface. The Hellenic agricultural season would led one to assume Persephone returned to the surface world during or around the time of the Greater Mysteries, but there is a reference in the Homeric Hymn to Demeter which indicated Persephone returned in the Spring. As such, the Greater Mysteries might also have focussed on Persephone's descent into the underworld:

"But when the earth shall bloom with the fragrant flowers of spring in every kind, then from the realm of darkness and gloom thou shalt come up once more to be a wonder for gods and mortal men. And now tell me how he rapt you away to the realm of darkness and gloom, and by what trick did the strong Host of Many beguile you?"

The other, major, focus was the initiation of the mystai, who were prepared at the Lesser Mysteries. On the thirteenth of the month, epheboi (youths) traveled to Eleusis, and back to Athens the day after, to bring the Ta Hiera (the Holy Things) to Athens, where they were received at the shrine to Demeter (Eleusinion) on the Acropolis.

On the first, actual, day of the Mysteries, the mystai were called forward by a herald (the Kerukes), and names were taken to ensure all who came to be innitiated, would be innitiated during the festival. The rest of the day, the innitiates would have spent preparing through spiritual exercises. On the second day, they would be purified by bathing in the sea, along with an offerign to Demeter. In early times, this was a pig, supplied by the state, which would be sacrificed that night. The mystai would be sprinkled with the pig's blood after the animal was killed.

Day three is recorded as a day of sacrifice to both Demeter and Persephone, and day four was spent preparing for recieving the mysteries. This day was called the Epidauria. Sacrifices to Asklepius and Hygieia would also have taken place on this day. On day five, the Ta Hiera were transported back to Eleusis by the mystai and their guides, the initiated mystai known as 'mystagogoi'. The procession would have started from the shine of Iakkhos, and Iakkhos was invited to come along to Eleusis by those in the procession. The mystai would sacrifice at all shrines along the way. The mystai would arrive in darkness, or at least guided by torchlight, as Demeter searched for Her daughter with a torch in hand. Upon arrival, sacrifices were made to Demeter.

On days six and seven, the initiation took place. There was a fast in the daylight hours, and the initiation itself took place at night. The mystai were given a kykeon to drink (see Proerosia below) which possibly contained some form of drug to heighten the experience. What happened during the initiation was regarded as the biggest secret, and the penalty of revealing this information was death. In the daylight hours of the seventh day, the last of the sacrifices were completed by the mystai: the tipping out of two water-filled amphorai, while reciting a spell or verse known only to those initiated. We are unsure about the eighth day.

Days nine and ten were used to round off the festival, make personal sacrifices, pack up belongings and go. There were state meetings both at Eleusis as in Athens, perhaps to evaluate how the ceremonies went. During these days, people left Eleusis and traveled back to Athens or their home much further away.


Proerosia
The Proerosia (Προηροσία) was a festival for Demeter’s blessings in preparation for the ploughing and sowing at the beginning of the agricultural season. In ancient times it was held at Eleusis. The name serves to convey the essence of the rites: 'sacrifice before ploughing'.

The myth goes that the whole of Hellas was suffering from a terrible famine or plague, and the oracle of Delphi was visited to ask how to stop this terrible affair, and the Delphic Oracle said that Apollo ordered a tithe to Demeter of the first harvest on behalf of all Hellenes. Except for disruptions during the Peloponnesian War, offerings arrived annually at Eleusis from all over Hellas. While Athens wasn't a big contributor to the rites--perhaps because they already made their own offerings of grain and first fruits to Demeter--most other city-states contributed generously, and the Athenians were welcome during the rites. For His help, Pythian Apollon also receives an offering during the Proerosia.

There is some confusion over the dating of the festival. Many modern sources date the festival on the fifth of Pyanpesion, but new research shows that, because of the placement of the Pyanepsia festival, in honor of Apollon and Theseus, the Proerosia could only have been celebrated in the daylight hours of the sixth.

The festival can be celebrated with first fruit-offerings, any offering related to grains (like bread, cakes, or pancakes), or a kykeon libation. The kykeon was made of barley, water, herbs, and ground goat cheese. Sometimes honey was added. Herbs that are described as part of the kykeon are mint, pennyroyal and thyme, although it seems any herb that was found to flavor the drink, was acceptable.


This festival was dedicated solely to Demeter and Persephone and was held three days before the Thesmophoria. During the Stenia, women came together and begun the extensive purification rituals needed to partake in the Thesmophoria. How, exactly, the women purified themselves is unknown but it is known that the women engaged in Aiskhrologia, insulting each other and using foul language, in honor of Iambe, who cheered up a grieving Demeter by either lifting her skirts or making a dirty joke. 

At the Stenia, some women, called 'Bailers', hiked to the chasm where the piglets had been thrown into months ago. Then, in a gruesome display of devotion, the women hauled out the rotting corpses of the piglets and carried them to the Thesmophorion, a site probably on the hillside of the Pnyx.


Thesmophoria
During the Thesmophoria, there was a male and female encampment at the Thesmophorian and the division was clearly set; no men were allowed in the female encampment, and no women in the male encampment. Sex was not allowed. All free women, except for maidens, were allowed to participate.

On the first day, called Anodos ('ascent') and Kathodos ('descent'), the women sacrificed the rotting piglets to Demeter and Persephone. The remains were mixed with seeds and would be plowed into the earth after the festival to assure a good harvest. The second day was called Nēsteia ('feast of lamentation'). On this day, the women did not eat. They recreated the time before Demeter taught humankind to cultivate the fields. The third day, Kalligeneia ('she who is of beautiful birth'), was a happy one. The women prayed to Demeter and Persephone for fertility for themselves, their loved ones and the earth. They celebrated the magic of new life, fertility and the kindness of the Gods.


Haloa
This ancient Hellenic festival was held in honor of Demeter, Dionysos and a little bit in honor of Persephone. Like all festivals of Demeter and Persephone's 'Kore' persona, women were the only ones who were allowed to handle the religious and sacrificial side of it. For the men, the Haloa might have had an extra ritual part; honoring Poseidon as an agricultural Theos.

It was a rural festival, meaning it wasn't state-organized and widely spread, so most details are incredibly fuzzy. The Haloa is assumed to be a celebration of the pruning of the vines and the tasting of the wine after its first fermentation, or it may be to encourage the growth of corn from the seed. It is named after the hálōs (ἅλως), which means both threshing floor and garden. Since the first sense of the word would be inapplicable to a festival celebrated in January, scholars--including Nilsson in his 'Greek Popular Religion'--insist it must have been a gardening festival.

Some time during the festival, the entire population was invited by the priests of Dionysos and the priestesses of Demeter and Kore to give sacrifice to these Theos; to Demeter and Kore for the fertility of the earth in which the grapevines grew, and to Dionysos in remembrance of Ikários, who was such a fine winemaker that he could produce wine so strong, those who drank it appeared to be poisoned. Women danced, ate and drank together, and afterwards, the men who had been waiting outside of Eleusis were admitted to the grounds, and the women were encouraged by each other--including the priestesses--to take secret lovers for the night. A priest and priestess--with torches representing Demeter and Persephone--apparently sat watch on chests as they presided over the fertility celebration.


Lesser Mysteries
In ancient texts, the rituals of the Lesser Mysteries were often referred to as 'myesis', as opposed to the rites of the Greater, which were referred to as 'epopteia'. The word myesis means 'to teach', as well as 'to initiate', while epopteia has a similar meaning, but with an important difference; it means 'to witness', as well as 'to be initiated'. This difference equates the major difference between the two rites: in the Lesser Mysteries, candidates underwent a teaching course. They were educated on the gifts of Demeter, on the mythology surrounding Her and Her daughter, and on the mysteries. They went through a rite of purification--possibly in the river, and made sacrifices to Demeter and Persephone. Upon completion of the Lesser Mysteries, participants were deemed mystai ('initiates') worthy of witnessing the Greater Mysteries.

Skiraphoria
The Skiraphoria was one of the few days when the women of ancient Athens would gather in public to honor Demeter and bless the harvest. They refused to sleep with the men on this day and took part in a very odd tradition: casting piglets down into a chasm where they were left to rot until the Stenia.
There is a difference between the two, and although neither is 'better', or 'more valuable', it is something to consider, at least. Figuring out this question for yourself will come with a lot of clarity. That I can assure you. So, what is the difference? Religion is an interesting thing. For me, who grew up in a non-religious household, religion was something I had to learn. I started out not believing, then I wanted to believe, and over the years, I found myself religious. It took a while, to be honest. I grew up with the sense there was something there, something to explain some of the most important aspects of my life, but what (which eventually turned into 'who') was there, was a question that felt very foreign.

Religion is like a muscle; you can train it. It involves training your brain to see the divine in everything. This has nothing to do with you eyes, by the way. Eyes see--or don't see--everything. It's the brain that filters. And even if you're blind (in whatever way), there is no reason why you cannot invest in the mental pathways to a religious life. To live a religious life means to see the divine in everything, to live a life with the Gods always in mind. To shape yourself in the image They desire of you, to perform pious rites of your own free will, and to spread their message to whomever wants to hear it.

Followers of this blog are well aware I'm a very religious person. I practice to serve the Theoi. They are always on my mind, and I try to honor them with everything I do. I try to keep Their lessons in mind always, and base my life off of that. I'm not sure if that makes me a fundamentalist. I don't think it does, as I suspect the root of that entire conversation lies in people reacting strongly to being told what they should or should not do. If it does, though, I really hope my fundamentalism doesn't bother anyone; I've been very clear that I do not have a patent to the One True Way™, nor would I ever want to impose my views upon anyone. I might share them with you, but never with the intention of imposing them on you. Also, if you don't like my blog, or my person, you do not have to return to it. It would sadden me to see you go, but I would understand it.

I don't like the word 'fundamentalism', and I wish Sabina Magliocco had chosen another term. I understand wanting to be controversial--it's a sure-fire way to get readers or listeners--but putting the label 'fundamentalist' on something or someone tends to demonize them, as well as put an end to any kind of discussion. I also wish Magliocco had been clearer about the group she's talking about. I usually would not encourage finger pointing, but right now all the Pagan groups are accusing each other and the rifts that were already emerging within the community are only getting bigger. If Magliocco had a clear group in mind, I really wish she would have just come out and name it. Accuse one who is present, and all.

Magliocco and fundamentalism aside, there is a second way to honor the Gods: by being religious in life. By acknowledging the Gods and following a calendar that suits you, by making Them a part of your life, but not the main event. Religion, as a path to happiness. Obviously, this is not my way, but I support anyone for whom this manner of worship feels right. As I have said before, I don't have knowledge of the One True Way™, I just know what works for me.

Figuring out what place the Gods take in your life brings clarity and peace of mind; you can try to follow a different path, but if it does not suit you, you won't find much happiness in it. This can be a bit of a search, however, and it'll involve asking yourself the hard questions. Sometimes, it means taking some flack for your ideas. In the end, it'll be worth it, though, because not only will you have discovered something about yourself, you will have discovered a way to honor the Gods that you can stick with for years.