Yesterday, I offered libations and a pancarpia of dried fruits to the heroines, as done at ancient Erchia on this date. The ancient Erchians did this twice a year, once on the 19th of Metageitnion, and once on the 14th of Pyanepsion. Certain heroines--like Basile--were worshipped separately from the group as well, most likely because they were local heroines instead of universally accepted heroines like Atalanta, who hunted the Calydonian boar, slew Centaurs, defeated Peleus in wrestling, or Kallisto, who was an Arcadian princess and hunting companion of the Goddess Artemis. The Heroines recieved a white sheep in sacrifice, of which the meat was partly sacrificed and partly eaten by those who came out to sacrifice. the offering was to remain on the altar for an extended period of time and not to be cleaned off. The skin of the animal went towards the priestess.

Heroes and heroines have a special place in Hellenismos, as they had in ancient Hellas. These were humans--most with at least a part divine heritage--who were considered so brave, so skillful, so extraordinary in their lifetime that they became revered. Some were priests or priestesses of a temple, some excelled in battle, others were skilled healers or good rulers. Once they passed to the realm of Hades, their names were remembered at least once a year on a special ocassion, because the ancient Hellenes believed that if the name and deeds of a person were remembered, they would live forever and potentially look out for those they had looked out for before.

Although linked, hero worship in ancient Hellas was not the same as ancestoral worship; heroes and heroines transcended family bonds--although being related to a hero was most certainly something to boast about. Ask the Athenians.

Archeological evidence suggests that hero worship was closer to Khthonic sacrifices in execution than Ouranic ones the further back in time you go; especially in the archaic period, it seems that hero worship consisted of destructive sacrifices--sometimes in the form of a holókaustos where the entire animal was burned, sometimes in a sacrifice where only a part (most often 'a ninth' of the animal) was burned and the rest remained on the altar for the heroes to eat from until gone. The scrifices were generally burned in an offering pit known as a bothros. The food offered to heroes consisted of meat, blood, and 'food eaten by men' like grains, fruits and other every-day dishes. These were usually offered to the heroes on a table--known as a trapeza--and the heroes were sometimes offered chairs or a bench to sit on. As time went on, the living began to eat part of the meal laid out for the heroes, joining them in celebration.

Hero worship is a hot issue these days; not so much in the Hellenistic community, but more so in the general Pagan one. It reeks of Christianity, I fear, where a mortal man became holy. Heroes and heroines, however, were never revered. They were part of the tapestry of life: ideals to live up to, reminders of hard times in the past; some were their time's Matthew Shepard and stood as reminders against hate. Others were remembered for contributions to society, or for a whole scope of other reasons that made their lives important enough to remember.

We tend to forget about heroes, but unlike Gods, new heroes and heroines arise every day. I'm not just talking about people like Martin Luther King and Malala Yousafzai but people in your own life and your own community. The founder of the food program for the poor in your neighboorhood, the guy who stopped a robbery, the woman who saved a child from drowning. These are events that change lives and communities and while I am vehemently against adding Gods to the pantheon, I feel we must add heroes to it whenever we can. There is a lot of pain and suffering in the world; anyone who stands up against that, who goes out and does something extraordinary, needs to be honored and thanked, both when they are alive and after they have passed. There are people who change our lives and communities--we all know them. Remember and honor them every once in a while, for their actions, for what they taught you, and for what they have inspired to bring into the world.
I'm in a terrible rush today, so I will have to keep this short. Sorry, sometimes life does this thing where it demands attention above all else. Today is one of those days.

I wanted to share the efforts of Hellas' government to get the Parthenon statues returned to them as soon as possible. The Archaeology News Network shares that UNESCO, the United Nations Educational, Scientific and Cultural Organization, has sent a letter to the British Foreign Secretary, informing him of Hellas' request for the return of the Parthenon Marbles.

[Credit: TANN]

According to the Archaeology News Network "the British officials were informed officially about the request of the Greek side to proceed to the process of mediation in order to reach a settlement on the issue of Parthenon Sculptures."

The network further reports that the issue of the Parthenon Sculptures has, since 1987, steadily been in the agenda of any conference of the UNESCO Intergovernmental Committee for Promoting the Return of Cultural Property to its Countries of Origin or repatriation in case of illegal possessions, and that, if the British side agree to conduct this process, it will be the first time that UNESCO will enable this institution to resolve cultural differences between two countries.

Recipients of the letter were British Foreign Minister William Chag , the British Minister for Culture Ms Maria Miller and the Director of the British Museum Mr. Robert Neil McGregor. No word yet on their answer, but I will keep you informed. Naturally, I feel the marbles should be returned home and hope the British government will agree. Backed by UNESCO, Hellas' claim has been backed with a lot of power, so here is to hoping!
Anyone who frequents this blog knows I am passionate about bringing the Hellenistic community together in some way; to facilitate conversation and hope for face-to-face meetings. Today I am very proud to announce two new initiatives for the Hellenistic community. The first is a pet project of mine, but the second surged up from the community, and I am proud to facilitate.


The Hellenistic Festival Schedule:
In an effort to connect the community and make resources available to seekers, Baring the Aegis keeps an updated calendar of upcoming public festivals and celebrations of Hellenistic groups. Contact information is provided where known. If you want your event featured on the calendar, message me on Facebook or send an e-mail to the gmail address 'baring.the.aegis' with the following information:
  • Name of the event
  • Date and time of the event
  • Location of the event
  • Level of reconstruction (Neo-Pagan/non-Traditional/Traditional/etc.)
  • Contact information and/or a link for more information
  • Special rules or necessary information where needed, including entree prices if applicable

Pandora's Kharis:
Pandora's Kharis is a movement which aroze from within the Hellenistic Polytheistic community, and sponsored by Hellenistic Polytheistic organization Elaion. Its goal is to come together as Hellenists--followers of the ancient Hellenic (Greek) Gods--and collect funds monthly to support a worthy cause, decided upon by vote from the members of the group. Donations will be collected throughout the month and provided to the organization on the Noumenia; the religious beginning of the new month, which coicides with the return of the moon after it's just gone through its dark phase. It is a time of hope and promise, and Pandora's remaining gift after the aphora was opened was exactly that. As such, she has been elected to represent what we stand for: to keep an open eye of wonder towards the world, to see the good in it, and to offer hope to those in need.

The goup is closed to insure the privacy of group members; pitches of worthy causes can get quite personal, and discussions can land on the financial; both of which, Elaion's admins would like to facilitate a safe discussion of. If you follow the Hellenic Gods in any way and want to contribute to a couse--even if it's just with the sole dollar you can spare--then please join this group. You will never be forced to make a donation, but we will be very grateful if you do.

Pandora's Kharis was founded after a reader question by Baring the Aegis reader Alice Liddell, who recently commented on my blog with the following:

"It would be wonderful if a monthly online giving circle could be arranged for Greek recons (of all varieties). If there was a blog or facebook page that could hold voting throughout the month for which charity or interest group to contribute to, then at the Deipnon, all the participants could donate a certain amount to the winning charity at once, maximizing the impact. Organized, intentional giving would really bring the community together."

And she was right. The only thing we changed was the date of donation, but the rest of her sentiment remains intact. So if there is a cause you are passionate about and would like to see money go towards, then join us and pitch your cause!
Welcome to another installment of the Constellation series, mostly because I am Fasting today (so far, so good on that one) and because our shower sprung a leak yesterday and there are now plumbers working to fix the damage, which requires attention from me. In short, this will be short and sweet; quite a feat as the Lyre is actually a complicated constellation.


There are actually a good few interpretations of why the lyre was placed into the sky, but they almost exclusively trace back to Orpheus. Hyginus describes most of the theories in his 'Astronomica'. I'm going to quote the whole thing and then disect it later on:
 
"The Lyre was put among the constellations for the following reason, as Eratosthenes says. Made at first by Mercury [Hermes] from a tortoise shell, it was given to Orpheus, son of Calliope and Oeagrus, who was passionately devoted to music. It is thought that by his skill he could charm even wild beasts to listen. When, grieving for his wife Eurydice, he descended to the Lower World, he praised the children of the gods in his song, all except Father Liber [Dionysos]; him he overlooked and forgot, as Oeneus did Diana [Artemis] in sacrifice. Afterwards, then, when Orpheus was taking delight in song, seated, as many say, on Mt. Olympus, which separates Macedonia from Thrace, or on Pangaeum, as Eratosthenes says, Liber is said to have roused the Bacchanals against him. They slew him and dismembered his body. But others say that this happened because he had looked on the rites of Liber. The Muses gathered the scattered limbs and gave them burial, and as the greatest favour they could confer, they put as a memorial his lyre, pictured with stars, among the constellations. Apollo and Jove consented, for Orpheus had praised Apollo highly, and Jupiter granted this favour to his daughter.
 
Others say that when Mercury first made the lyre on Mount Cyllene in Arcadia, he made it with seven strings to correspond to the number of Atlantides, since Maia, his mother, was of their company. Later, when he had driven away the cattle of Apollo and had been caught in the act, to win pardon more easily, at Apollo’s request he gave him permission to claim the invention of the lyre, and received from him a certain staff as reward. When Mercury, holding it in his hand, was journeying to Arcadia and saw two snakes with bodies intertwined, apparently fighting, he put down the staff between them. They separated then, and so he said that the staff had been appointed to bring peace. Some, in making caducei, put two snakes intertwined on the rod, because this seemed to Mercury a bringer of peace. Following his example, they use the staff in athletic contests and other contests of this kind.

But to return to the subject at hand. Apollo took the lyre, and is said to have taught Orpheus on it, and after he himself had invented the cithara, he gave the lyre to Orpheus."
 
Some also have said that Venus and Proserpina came to Jove for his decision, asking him to which of them he would grant Adonis. Calliope, the judge appointed by Jove, decided that each should posses him half of the year. But Venus, angry because she had not been granted what she thought was her right, stirred the women in Thrace by love, each to seek Orpheus for herself, so that they tore him limb from limb. His head, carried down from the mountain into the sea, was cast by the waves upon the island of Lesbos. It was taken up and buried by the people of Lesbos, and in return for this kindness, they have the reputation of being exceedingly skilled in the art of music. The lyre, as we have said, was put by the Muses among the stars.
 
Some say that because Orpheus first favored love for youths, he seemed to insult women, and for this reason they killed him." [II.7]

According to myth, Orpheus (Ὀρφεύς) was a legendary musician, poet, and prophet, who was literally so good with the lyre, he could charm anyone with his music. He is so good, in fact, that when his wife dies of a snakebite, Orpheus travels to the Underworld, charmes everyone in it, talks to Hades, and brokers a deal: if he trusts Hades to send his wife Euridice after him, up to the surface, he will have her back. Orpheus needs to look straight ahead--never back. He amost makes it to the surface before he does check to see if his wife is there; she is, but has to return to the Underworld now Orpheus broke his end of the deal.

Hyginus describes quite well how the lyre came to be and how it came in Orpheus' possession. The last sentence needs some more explination, though. Hyginus mentions what happens to Orpheus in the first paragraph, but not very clearly.

After his failed attempt to resque his wife, only music brought joy to Orpheus. He rejected the Gods--all but Apollon, whom he saw as the sun. Orpheus became a wanderer, moving about to bring his music to people. One day, he stumbled upon Maenads--female followers of the God Dionysos--who scorned him for not worshipping their God anymore and tore him to shreds. It is said that his head still sung, even after it was torn off.

Orpheus inspired an entire cult movement, and his impact on the ancient Hellenic religion is notable even today. Many of the mystery cult's works--including the Orphic Hymns--remain. I must now return to the plumber, but hope the constellation Lyra can keep you entertained for the time being!
When Hesiod wrote his Theogony, he was adament about the sequence the Gods appeared from Khaos. He knew the generations of Gods that came before the Olympians, and respected Them for being in that line.

"Verily at the first Chaos came to be, but next wide-bosomed Earth, the ever-sure foundations of all the deathless ones who hold the peaks of snowy Olympus, and dim Tartarus in the depth of the wide-pathed Earth, and Eros (Love), fairest among the deathless gods, who unnerves the limbs and overcomes the mind and wise counsels of all gods and all men within them. From Chaos came forth Erebus and black Night; but of Night were born Aether and Day, whom she conceived and bare from union in love with Erebus. And Earth first bare starry Heaven, equal to herself, to cover her on every side, and to be an ever-sure abiding-place for the blessed gods. And she brought forth long Hills, graceful haunts of the goddess-Nymphs who dwell amongst the glens of the hills. She bare also the fruitless deep with his raging swell, Pontus, without sweet union of love. But afterwards she lay with Heaven and bare deep-swirling Oceanus, Coeus and Crius and Hyperion and Iapetus, Theia and Rhea, Themis and Mnemosyne and gold-crowned Phoebe and lovely Tethys. After them was born Cronos the wily, youngest and most terrible of her children, and he hated his lusty sire.

[...] But Rhea was subject in love to Cronos and bare splendid children, Hestia, Demeter, and gold-shod Hera and strong Hades, pitiless in heart, who dwells under the earth, and the loud-crashing Earth-Shaker, and wise Zeus, father of gods and men, by whose thunder the wide earth is shaken. These great Cronos swallowed as each came forth from the womb to his mother's knees with this intent, that no other of the proud sons of Heaven should hold the kingly office amongst the deathless gods. For he learned from Earth and starry Heaven that he was destined to be overcome by his own son, strong though he was, through the contriving of great Zeus."

There are about fourty names inbetween those two parts, but for this post, I wanted to focus on these: the ancient Gods that make up our universe--the pre-Olympians. Yesterday, Facebook brought me a wonderful discussion about Them, and I discovered that not everyone realizes the importance the pre-Olympian Gods have on our world. Contrary to the Olympians, the pre-Olympians are actually of the world; They, together, form the tapistry of earth and life. They literally make up our universe.

The Protogenoi (Πρωτογενοι) are the First Born Deities of the Hellenic Kosmos. They are the building blocks of the universe, primordial Deities. The Protogenoi we know of are: Aether (Αἰθήρ, 'Light'), Ananke (Ἀνάγκη, 'Fate' or 'Compulsion'), Khronos (Χρόνος, 'Time'), Erebos (Ἔρεβος, 'Darkness'), Eros (Ἔρως, 'Desire' or 'Love'), Gaea (Γαῖα, 'Earth'), Hemera (Ἡμέρα, 'Day'), Hydros (Ὑδρος, 'Primordial Waters'), Khaos (χάος, 'Chaos' or 'Air'), Nêsoi (Νησοι, 'Islands'), Nyx (Νύξ, 'Night'), Ôkeanos (Ωκεανος, 'Water'), Ourea (Oὔρεα, 'Mountains'), Phanes (Φάνης 'Procreation'), Pontos (Πόντος, 'Sea'), Phusis (φύσις, 'Nature'), Tartaros (Τάρταρος), Thalassa (Θάλασσα, 'Sea'), Thesis (Θεσις, 'Creation'), Uranos (Οὐρανός, 'Sky').

Then came the Titanes Gods (Τιτανες Θεοι): the twelve Uranides; Kronus (Κρονος, who rules of time and the ages), Okeanos (Ωκεανος, God of the great earth-encircling river Okeanos, the font of all the earth's fresh-water), Iapetos (Ιαπετος, God of the mortal life-span), Hyperion (Ὑπεριων, God of Light), Krios (Κριως, God of the constellations), Koios (Κοιος, God of the inquisitive mind), Rhea (Ρεα, Goddess of female fertility and the wild mountains), Tethys (Τηθυς, Goddess of nursing and of the underground sources of fresh-water), Theia (Θεια, Goddess of sight and precious gemstones), Phoebe (Φοιβη, Goddess of intellect), Themis (Θεμις, Goddess of natural order, divine law and tradition) and Mnemosyne (Μνημοσυνη, Goddess of memory, words and language), and the four Iapetionides; Atlas (Ατλας, God of astronomy and navigation), Prometheus (Προμηθευς, God of forethought and crafty counsel), Epimetheus (Επιμηθευς, God of afterthought) and Menoitios (Μενοιτιος, God of violent anger and rash action).

Another generation down are other Titanes: Ankhialê (Αγχιαλη, Goddess of the warming heat of fire), Asteria (Αστερια,Ggoddess of the oracles and prophecies of night), Astraios (Αστραιος, God of the stars and planets, and the art of astrology), Aura (Αυρα, Goddess of the breeze and the fresh, cool air of early morning), Klymenê (Κλυμηνη, goddess of renown, fame and infamy), Diônê (Διωνη, Goddess of the oracle of Dodona), Êôs (Ηως, Goddess of dawn), Eurybia (Ευρυβια, Goddess of the mastery of the seas), Eurynomê (Ευρυνομη, Goddess of water-meadows and pasturelands), Helios (Ἡλιος, God of the sun, oaths and sight), Hekatê (Ἑκατη, goddess of (the protection against) magic, witchcraft, the night, moon, ghosts and necromancy), Lêlantos (Ληλαντος, God of air and stalking prey), Lêtô (Λητω, Goddess of motherhood and protectress of the young), Melisseus (Μελισσευς, God of honey), Mêtis (Μητις, Goddess of good counsel, advise, planning, cunning, craftiness and wisdom), the (Elder) Mousai (Μουσαι, Goddesses of music), Pallas (Παλλας, God of warcraft and the Greek campaign season of late spring and early summer), Persaios (Περσαιος, God of destruction), Phorkys (Φορκυς, God who presides over the hidden dangers of the deep sea), Selênê (Σεληνη, Goddess of the moon), and Styx (Στυξ, Goddess of the Underworld River Styx and of hatred).

Many of these presided over the building blocks of the previous generation, like the Olypmians preside over the building blocks of all three. Looking over the list, it's easy to trace the domains of the Olympians back to their predecessors--or even the God or Goddess They hold sway over directly.

The Olympians did not come to power in a vacuum, and I think to banish all who came before from your worldview and religious life is a disservice not to just the Protogenoi and Titanes, but the Olympians as well. The Old Gods are just as Deathless, just as present, as the Olympians. They are more passive, surely, than the Olympians, but no less worthy of honor for making this world such a beautiful place to live in. They don't have festivals, and They recieve less honor than the Olympians, but when I look at Helios, I thank Him for His warmth and for the growth of the crops, when I look at the starry dome of the night's sky, I remember that without Ouranos, we would have no atmosphere (modern scientific interpretation alert) to breath. While the Olympian generation of Gods rules my daily life, They operate in the framework of the Titans and the Protogenoi. Do I honor all of them regularly? No, defintely not, but some of them? Yes. Most certainly.
Today at dusk, the Thesmophoria starts, and lasts until dusk on Friday. During the Thesmophoria, there was a male and female encampment at the Thesmophorian and the division was clearly set; no men were allowed in the female encampment, and no women in the male encampment. Sex was not allowed. All free women, except for maidens, were allowed to participate.

On the first day, called Anodos ('ascent') and Kathodos ('descent'), the women sacrificed the rotting piglets to Demeter and Persephone. The remains were mixed with seeds and would be plowed into the earth after the festival to assure a good harvest. The second day was called Nēsteia ('feast of lamentation'). On this day, the women did not eat. They recreated the time before Demeter taught humankind to cultivate the fields. The third day, Kalligeneia ('she who is of beautiful birth'), was a happy one. The women prayed to Demeter and Persephone for fertility for themselves, their loved ones and the earth. They celebrated the magic of new life, fertility and the kindness of the Gods.

For more information, please see: Stenia, Skirophoria and the Thesmophoria: festivals of Demeter and Persephone, as these festivals were very much linked.
Back in ancient Hellas, festival days were days where you did not go to work if your work permitted it. The governement did not assemble, shops were closed, only farmers pant priests (generalizing here) worked on festival days. Beyond that, ritual tools were readily available, and everyone practiced pretty much the same faith, making it infinately easier to practice yours. Honoring the Gods in ancient Hellas was part of daily life, and no one thought twice about it.

Obviously, that time has passed, and we squeeze festivals and even daily worship inbetween busy jobs, unruly kids, holidays of other religions and a host of other distractions. We also tend to celebrate our festivals alone, or at least part of them.

In and of itself, this is not an issue; we work around the things we cannot change or postpone and because many festivals can't be fully reconstructed anyway, we do the best we can. I'm currently facing a situation like this. In the last few months, I have what I call and what the doctor still needs to figure out, developed an acute intolerance for grain. Needless to say, this has thrown my entire diet into disarray. For all intents and purposes, I now eat a low-meat Paleo diet with cheese. I guess that makes it more Primal, huh? Well, anyway... now I only eat unproccessed foods my body reacts to as it should, I no longer overeat, and I have absolutely no reserve.

A typical eating day for me--sorry, I am going somewhere with this--is that I wake up in the morning at eight, needing food. I eat some fruit, then eat a snack of nuts or cheese around 10:30, because that's when I'm about to go hungry again. Around noon to one, I usually eat eggs, some type of fruit or vegetable, and maybe a few nuts, some cheese, or sausage. This tides me over until three or four for another snack--usually sweeter like fruit, sometimes dried, and when I have dinner around six, I eat lots of vegetables, sometimes meat, lots of fish, and cheese of some kind. Mostly vegetables, though. Afterwards, I am usually full up and don't eat anything before bed, and in the morning, the process starts again, like clockwork. Throughout the day, I tend to only drink water and tea.

Now, the Thesmophoria is coming up, which I celebrated last year by one day of light eating, a second day to fast, and a third day to celebrate. Off of the menu for festivals having to do with the Mysteries? Pomegranates, apples, eggs, fowls, and some varieties of fish. You can see how this is an issue. I still have enough to eat when I am allowed to eat, but my main protein bases are cut. Lots of nuts in my near future.

A second issue is that I have no reserves anymore. I used to fast fairly easily, and a day to even three days went by without trouble. Now, I wake up hungry. When I still ate pasta, rice, and bread, this didn't really happen. Oftentimes, I only got hungry around noon. Now, I recognise that may have been because my body was hating what I was putting into it and it took forever to get through it, but still. Prior to my intolerance flaring up, I had dinner and afterwards, I usually had some type of snack, and I went to bed bloated and unhappy. That's also how I woke up and eventually my stomach settled and I could eat again. Especially for one day fasts, I really only conciously abstained from food for about four to five hours. Now, I am looking at a good few more, and I have already discovered that if I skip any meal moments throughout the day, I get shaky, nausious, dizzy, and develop a headache.

At this point, I am less than thrilled about the coming two days. I think the Thesmophoria is a really important and beautiful festival that I want to observe very much. And I will. Yet, my dietary necessities are a hinderance to my practice and I'm a little worried about getting through Thursday especially. It's an odd feeling because I rarely feel that way about fasting--a practice that I used to really like.

I will attempt my fast, but have some security blankets in place: fruit/vegetable juice will be allowed when needed, and if I want out, I can get out. I will abstain from pomegranates, apples, eggs, fowls, and fish, though, no matter what. I must learn to manage this inconvenience, if I want to practice my faith, just like I would have to learn to combine my religion with a busy job or a house full of kids. These things take time and effort, and it involves making a priority out of every single religious action. Because our lives are hectic, and our society does not nessesarily support the persual of religion. For some--like me--even our bodies have difficulties with our religious lifestyle--honey cakes are off the menu for me, after all. That said, religion goes beyond the physical; the Theoi are constantly on my mind, and worshipping Them influences my life far beyond my dietary choices and daily rituals. These trouble areas are merely a part of my religion--and not the defining ones.

I'll be fine during the Thesmophoria, and look forward to the festival itself. I will keep you up-to-date about how the fast went, and next time, I will know if fasting is still a tool I can use. Are there any issues, perhaps unforseen, that you struggle with? That makes religion inconvenient, or perhaps inconveniences your religion (perspective is a thing, after all)? How do you deal with these inconveniences? I'd love to know.