A few days ago I posted a short reaction Robert Clark, co-founder of Elaion, had sent me on one of my blog posts. I enjoyed reading his views, and he graced me with another piece he did, which I would like to post for you today. It's entitled 'Greek religion as a catalyst for achievement'. Enjoy!


Greek Religion as a Catalyst for Achievement
Robert A. Clark

Greek religion, as the spiritual framework of society, provided the values and stimulus for the remarkable achievements of ancient Greece. These timeless classic values have been an inspiration in shaping Western Civilization throughout the centuries and are especially essential today in meeting the environmental and social challenges ahead.

What is the role of Greek religion in bringing about the remarkable achievements of the ancient Greeks? There appears to be little scholarly discussion of what must have been a profound influence. This, I suspect, is due to modern categorization, a compartmentalizing of subjects and ideas and the assumption that Christianity is inherently superior which encourages a blind acceptance of Christianity over the former religion. Although we recognize the interaction and relevance between subject matter, we tend to dominate our thinking in terms of subjects rather than interactions between them. Scholars discuss Greek athletics, architecture, tragedy, comedy, literature, poetry, ethics, thought, and religion, but rarely do we find a discussion of the integration of subject matter and especially of the role of religion not only as a catalyst but as the driving force which produced the remarkable achievements of the Greeks. Even when we find great praise for the achievements of the Greeks we find references to the religion as 'primitive' or 'childish,' attitudes which predispose authors from recognizing the true role of religion in all Greek accomplishments.

The Greeks were and are today very religious people, but there has been a fundamental change between then and now and that is the major religion practiced. Edith Hamilton in The Greek Way (W. W. Norton & Company, 1942) says, pages 32-33:

"To rejoice in life, to find the world beautiful and delightful to live in, was a mark of the Greek spirit which distinguished it from all that had gone before. It is a vital distinction. The joy of life is written upon everything the Greeks left behind and they who leave it out of account fail to reckon with something that is of first importance in understanding how the Greek achievement came to pass in the world of antiquity. [...] The Greeks knew to the full how bitter life is as well as how sweet. Joy and sorrow, exultation and tragedy, stand hand in hand in Greek literature. [...] The Greeks were keenly aware, terribly aware, of life's uncertainty and the imminence of death. [...] But never, not even in their darkest moments, do they lose their taste for life. It is always a wonder and a delight, the world a place of beauty, and they themselves rejoicing to be alive in it."

From my all too brief time spent in Greece, I found it a productive land in many respects. The climate allows a very long growing season and, although labor intensive, a plot of land and a few animals can provide the bounty to enable a life of goodness. It is not a harsh or inhospitable land nor is it the lush and productive land of Egypt or Persia. For those who work the soil or depend on the animals they raise, the land becomes part of their very fabric. They are a product of the land as much as they help shape the land for their living. Thus, a harmony between people and the land becomes a major force in how they perceive life. 

A particular feature of Greek religion was the absence of a centralized, hierarchical priesthood as Tim Gamble recently pointed out, unlike Egypt, the Middle East, and Eastern religions with a large organized priestly caste. Not that there were not numerous priests or families who inherited priestly positions, but there was no centralized hierarchy such as the Christians adopted in later times. There was no priestly class to enforce dogma, rather the priests worked locally with people and shared in their lives, aspirations, spiritual needs, and thinking. They were part of the communities in which they lived. 

All this still does not explain why the ancient Greeks were different from all the other peoples.  What was the impetus for their many achievements?  Religion is the one element that gives a society its outlook on life, its spiritual relationship to the world around them. Again, Edith Hamilton in The Greek Way says, pages 18-20:

"By universal consent the Greeks belong to the ancient world. [...] But they are in it as a matter of centuries only; they have not the hall-marks that give title to a place there. [...] With them something completely new came into the world. They were the first Westerners, the spirit of the West, the modern spirit, is a Greek discovery and the place of the Greeks is in the modern world."

"[...] The Greeks were the first intellectualists. In a world where the irrational had played the chief role, they came forward as the protagonists of the mind."

Why?  Even Edith Hamilton refers to Greek religion as 'childish.' She does not make the connection between their religion and their perspective on life. What shaped Edith Hamilton's perspective on life and what shapes everyone's perspective on life? Religion! It is religion whether science becomes a defacto religion or something else does, it is that element that shapes an individual's or a peoples' perspective on life. 

All the accomplishments of Greece are integral with the religion.  Most were religious events such as theater, athletics, and poetry contests. Others are inseparable from religion. Greek religion was not a religion that one believed in. It was a religion of recognition, a religion of practice. The Gods were not the product of a mythology but the reverse; mythology and the poetry and literature surrounding it was a means to express the nature of the Gods in an understandable and recognizable way to the people. The Gods were not aspects of life, they embodied the aspects of reality and life. There was no dogma of belief, but a mandate for learning and inquiry. Reason, understanding, and inquiry were perspectives encouraged and supported by their religion. As Aeschylus so aptly states in his Agamemnon:

"But whoever willingly sings a victory song for Zeus, he shall gain wisdom altogether,--Zeus, who sets mortals on the path to understanding, Zeus, who has established as a fixed law that 'wisdom comes by suffering.'  But even as trouble, bringing memory of pain, drips over the mind in sleep, so wisdom comes to men, whether they want it or not. Harsh, it seems to me, is the grace of gods enthroned upon their awful seats."

For the vast majority of people anywhere in the world and during any time period, religion shapes their perspective on life more than any other factor. We should bare this in mind. Our ancient religion is about life and how we should live it. It is about kharis, arete, eusebia, paradosis, xenia, all of which speak to sharing, accomplishment, and understanding. Ours is a rational religion that encompasses all aspects of life and encourages inquiry and knowledge. It is a religion that is as timely today and as important as it was 2500 years ago in shaping the understanding and perspective of the ancient Greeks.  It should be a beacon to dispel the darkness of the fundamentalists with their narrow and myopic outlook that denies the very nature of life. Ours is the religion of reason, a celebration of life, understanding, and knowledge. It is a religion that seeks truth, verifiable truth. It is as timeless as any of the classics as it speaks to peoples of all times. This is the message we need to incorporate into our lives and portray to others. We need to dispel the distortions that have been perpetrated on our religion and share the values that shaped the achievements of the ancient Greeks and continue to shape progress, reason, and knowledge today.
I've always been a little intrigued with the two-time creation of humanity in Hellenic mythology. While Christianity's end of humanity by way of deluge is much more well-known, and everyone knows about Noah and his ark, humanity in Hellenic mythology also ended and was revived. Story time:

After the Titanomachy--the war in which the Olympic Gods took control from the elder generation of Gods, the Titans--ended, Zeus claimed His throne as rightful King to the Deathless Ones. Humanity did not yet exist. While most Titans were locked away in Tartarus by Zeus, the Titans Prometheus and Epimetheus--who were brothers--had been either neutral or on the side of Zeus during the Titan War and were therefor given a task. Prometheus was given the task of creating man and Epimetheus was ordered to give good qualities to all creatures of earth. So did Prometheus and Epimetheus. Prometheus shaped man out of clay and Athena breathed life into him. Epimetheus spread swiftness, cunning, fur and wings but ran out of gifts when he came to man. Prometheus remedied the situation by allowing men to walk upright and gave them fire.

It soon became apparent that Prometheus loved man more than the Olympians. When Zeus decreed that man must give sacrifice to the Deathless Ones, Prometheus stood ready to aid humanity. He butchered an animal and divided it into piles; the bones and fat formed one of them, the good meat wrapped in the hide of the animal, the other. Zeus vowed that he would abide by the choice of sacrifice He made now, and picked the tasty looking pile of bones. Zeus was angered but could not take back his vow: from that point on, the Gods would get the fat and the bones from a sacrificed animal. The humans were entitled to the meat and the hide. What He could take back was the gift of fire, and this He did.

Mankind suffered greatly without fire and Prometheus traveled either to the sun or Olympus to reclaim fire for his beloved mankind. This, of course, angered Zeus even further and so He devised a plan. First, He imprisoned Prometheus. He ordered Hermes to tie Prometheus to a mountain and had a giant eagle come every day to eat his liver. As an immortal, Prometheus' liver grew back over night so his torment was endless. Before Prometheus had been taken prisoner, however, he had told his brother Epimetheus never to accept a gift from Zeus, as Zeus' wrath would undoubtedly also extend to the mortal race He had created.

And Zeus, indeed, was not done with His punishment. After imprisoning Prometheus, Zeus assembled the Theoi. He told Hēphaistos to fashion a woman out of water and clay. Hēphaistos did and brought the statue before Zeus. Zeus then asked Aphrodite to bless the woman with a beauteous face and feminine whiles. He asked Athena to dress her modestly and give her the ability to weave and craft, Demeter taught her to tend the garden. From Apollon, she received the ability to make music and sing. All Gods gave her treacherous gifts, including Hera, who made her curious, and Hermes, who made her cunning and quick of the tongue. Then, Zeus named her Pandôra (Πανδωρα), All-Giving, and breathed life into her. He then bade Hermes to deliver her to Epimetheus, along with a vase (pithos) Pandôra was never allowed to open.

Epimetheus had been warned by Prometheus never to open or accept a gift from Zeus, but he laid eyes on Pandôra's beauty and fell in love too deeply to reject her. He took her into his home amongst men and wedded her right away. Pandôra loved Epimetheus, because he was a good man and good husband. She worked tirelessly to please him and helped him keep the home. Yet, she found herself drawn to the pithos she was told never to open. Her eyes would wander to it constantly and Hera's gift eventually prevented her from holding to her promise.

On a day when Epimetheus was away from the home, Pandôra decided to risk a sneak peak at the contents she had fantasized about so often. She pulled the lid off of the pithos and out flew dark spirits of disease, death and the destruction of humanity. Pandôra hastened to seal the jar but managed to trap only Hope (Elpis)--by Zeus' decree or by mere accident.

Mankind was now plagued with illness, with failing crops, with all that makes life hard. But they had Hope and soon, Pyrrha (Fire) was born to Epimetheus and Pandôra. Prometheus had a son, Deukalion, with Pronoia, an Okeanid nymph of Mount Parnassos in Phokis. They lived in the time of the Bronze Race of Man, a corrupt age in which the Gods were rarely worshipped. Zeus was angered by their hubris and decided to end this race of man. He sent a great deluge, killing everyone but Deukalion and Pyrrha, who were warned of the flood by Prometheus. They did not build a boat, but clung to a chest, eventually sailing to the mountain peaks of Parnassos. 

Once Zeus caused the water to recede, Deukalion and Pyrrha travelled to the oracle of Delphi and begged to learn how they could bring back mankind. They were told that they needed to cast the bones of their mother over their shoulders, and they understood that they needed to pick up stoned and toss them, because Gaia, the earth, is everyone's mother. Where the pebbles landed, humans rose from the earth. Deukalion created the men and Pyrrha the women, and from their efforts, humankind once more arose to populate the earth.

There are more flood myths in Hellenic mythology--Philemon and Baucis, for example--but none as all-consuming as this one, sent by Zeus. This severe example acts as a warning to mankind: the ultimate display of destructive power by the Gods should mankind disobey Them. In this case, human kind was unethical, did not give to the Gods, and overstepped their bounds. Autochthonous births (αὐτός χθών, 'earth-born') are also well-known in Hellenic mythology. Many ancient Hellenic kings traced their line back to Gaia in this way. These two themes give us an ethical standard to live up to, explain our place in the universe, and connect us to the divine in a beautiful and enlightening way. These are the major reasons why I enjoy this myth so much.
I get a lot of questions from readers, and most of the time, the answers are fairly short. When I feel the question or the reply would be valuable to others as well, I make a post with a collection of them and post them in one go. Today is one of those posts, and because I got a few questions directly or indirectly related to the Hellenic calendar, I decided to bundle them up.


"Just a quick question concerning the Hellenic Calendar. When it comes to the months and the festivals & observances within that month, are these observances, etc based off of seasonal events? Currently I am putting together a calendar for myself suited to the southern hemisphere and considering Australia's seasons are opposite to that of Greeces, would I need to swap around the months in which the festivals are held. For example traditionally Gamelion is in the Month of January & February which in Greece is Winter where as in Australia it is Summer so should I therefore adjust my calendar so that Gamelion is July & August?"

Hellenists on the Southern Hemisphere have two (well, three actually, but we'll get to that) choices: you can either follow the calendar of Greece and celebrate harvest festivals in Spring, or you can go against the grain, adapt the calendar to fit your seasons but remain half a year ahead/behind ancient Greece. Which one you choose depends on your priorities, I think. Let's work the pro's and con's of both scenarios.

Follow the original calendar: you have the benefit of being in line with the majority of Hellenists, which is awesome, but not essential. What does matter, though--at least to me--is that it is the calendar the Gods are used to. As a Traditional Recon, most of what I do, I do because the Gods were worshipped that way in ancient Hellas (or at least as close to it as I can get). As such, it matters to me that I perform a certain ritual on a certain date.

Adapt: so, you'll be out of sync with just about everyone, but most likely you will be in sync with local Hellenists--and that is a major plus. You might not be celebrating the festivals when the ancient Hellenist did, but at least you are celebrating them in the proper season.

In general, you can draw conclusions about the nature of the festivals by the God or Goddess to which the festival was dedicated. Demeter, obviously, is linked to agricultural festivals, Athena--usually--to the polis, or to a major historical event, etc. I am very happy I do not have to make this choice, but in my opinion, a blend of the two choices would be best. Craft a calendar where the agricultural festivals follow your seasonal cycle, and leave the polis and historical festivals where they are. Some will not blend well, but most, I suspect will fall into place quiet readily. I wish you the best of luck.


"How does the concept of Poseidon II work in the Hellenic Calendar. For example in Feb 2016 we have 29 days in the month rather than 28. So on the 29th would that be 1 Poseidon II and then March first being 2 Poseidon II?"

The ancient Hellenes had a problem: Hellenic months were either twenty-nine or thirty days in length, since the moon orbits the earth in roughly 29.5 days. Hollow months had twenty-nine days, full months had thirty. The ancient Hellens chose not to alternate the hollow and full months according to a set schedule ("Hekatombaion is a hollow month"), but instead, the duration of each month was declared just before month's end. The thirtieth day was always included; in a hollow month, the twenty-ninth day was left off of the calendar.

A full lunar year is 354 days long. Because the earth rotates around the sun in roughly 365 days, an extra month was inserted into the calendar every few years--usually every third year. This month was usually a repeat of the previous month, most frequently Poseideon, but there are references to repeats of Hekatombaion, Metageitnion, Gamelion, and Anthesterion. It is unknown if the festivals which fell in this month were repeated as well, if other festivals were held, or if no festivals were celebrated at all. How long this month was, depended on the previous years. The ancient Hellens had a tendency to repeat days to suit their needs, usually to postpone the arrival of a certain date. Assembly meetings, for example, were not held on festival days, so if the meeting was urgent, the previous day was repeated and the festival day postponed. A standard extra month would have been thirty-three days long, but it rarely was.

As far as I am aware, by the way, the next Poseideon II is from 22 December 2015 to 21 January 2015.


"Are there any hymns for the Agathós Daímon?"

I'm filling this one under 'calendar related' seeing as I am assuming the person who asked it probably wants to use it for His festival. As you might be aware, I have my own thoughts about Agathós Daímōn. On the second day of the new Hellenistic month, we give sacrifice to (the) Agathós Daímōn, on a day named after the 'Good Spirit'. The Agathós Daímōn was always a positive in one's life, and was generally seen as the source of personal or familial good fortune. Libations of (unmixed) wine were given to Him with each newly opened case of wine, and during feasts and symposium, Agathós Daímōn received the first libation. When crossing a snake on the road, it was also customary to pour out a libation, just in case it was a herald of Agathós Daímōn, or Agathós Daímōn Himself.

It's interesting to note that Agathós Daímōn is reported as receiving libations of unmixed wine, instead of the standard mixed libations of the Ouranic Theoi. This Khthonic aspect of His worship brings me to two possible explanations of the nature of Agathós Daímōn: a link to Zeus Meilichios ('the kindly one'), a Khthonic epithet of Zeus, and a link to Zeus Kthesios, the household protector. Artwork found at Lebadeia suggest a marriage between Zeus Meilichios and Agathe Tyche, and Zeus Meilichios--like Agathós Daímōn and Zeus Kthesios--is a snake God, often represented as one as well.

So, recapping: there is a good possibility that Agathós Daímōn is linked to Zeus and thus hymns to Him would work for Agathós Daímōn as well. I am partial to Orphic Hymn 72. There is also a short hymn from the Papyri Graecae Magicae, also known as the 'Greek Magical Papyri'. They are a body of papyri from Graeco-Roman Egypt, which each contain a number of magical spells, formulae, hymns and rituals. The materials in the papyri date from the 2nd century BC to the 5th century AD. The manuscripts came to light through the antiquities trade, from the 18th century onwards. One of the best known of these texts is the so-called Mithras Liturgy. It's quoted in Themis by Harrison.

"Give me every grace, all accomplishment, for with thee is the bringer of good, the angel standing by the side for Tyche. Therefore give thou means and accomplishment to this house, thou who rulest over hope, wealth-giving Aion, holy good Daimon. Bring to accomplishment and incline to me all the graces and divine utterances."
Are you, perhaps, anywhere near Athens from now to October 31? If you are, you probably have a lot of things to do and see, but you might want to make time for a new exposition at the National Archaeological Museum celebrating the common cultural destiny of Greece and Italy and its impact on European culture.

Athens to display 25 masterpieces from Greece & Italy
A sculptural pairing of the tyrannicides Harmodius and Aristogeiton dating to the
2nd century BC on loan from Naples. These are Roman copies of the
Athenian originals, probably from Hadrian's Villa in Tivoli
[Credit: National Archaeological Museum of Greece]
The Archaeology News Network reports that the exhibition is entitled 'Classicism and Europe: The destiny of Greece and Italy'. It features twenty-five masterpieces from Greece’s and Italy’s major museums, spanning a period of 4,500 years, from the early prehistoric civilizations of the Aegean to the Archaic era of the 6th century BC. It represents the rise of democracy in ancient Greece and then the rise of Christianity through Byzantine art, right through the Renaissance, featuring works by El Greco and Mattia Preti and ending in the 20th century.

The exhibition was launched in Italy on March 28, to mark the start of the Italian presidency of the European Union, which succeeded that of Greece. At the 28th of August, the exhibition opened in Greece. The exhibition has already been presented in at Rome’s Presidential Quirinale Palace.

Ellines.com reports that the Greek exhibits include some iconic works from the country’s most important museums: the relief of 'Thinking Athena’ from the Acropolis (460 BC – Acropolis Museum) a Linear B clay tablet from Pylos (late 13th century – National  Archaeological Museum), two Cycladic figurines from Naxos (3000 BC – National Archaeological Museum), a rhyton shaped bullhead from the palace of Zakros (Minoan period- Archaeological Museum of Heraklion). The collection further includes Greek paintings, such as the 12th century 'Our Lady of Mercy' from the Byzantine and Christian Museum, as well as El Greco’s 'St. Peter' from the National Gallery.

The Italian exhibits include the Sculptural Group of the Tyrannicides – Harmodius and Aristogeiton (2nd Century AD – Naples, National Archaeological Museum), Ludovisi Acrolith (480 – 470 BC – Rome, National Roman Museum, Altemps Palace) and Caravaggio painting 'John the Baptist' (1605-1606 – Rome, National Gallery of Ancient Art of Corsini Palace).
BBC's Atlantis is getting competition in the 'Hellenic mythology on television'-department. Come 2015, US network SyFy is airing Olympus, a 'mythological drama series which will take viewers into the action-packed world of humans, Gods and monsters'.

Syfy's Olympus EXCLUSIVE Concept Art - H 2014
Concept art for Olympus, featuring Hero

Olympus comes from writer Nick Willing, previously responsible for Syfy’s Neverland (2011), Alice (2009) and Tinman (2007) miniseries, and legendary executive producer Robert Halmi Sr. (Mr. and Mrs. Bridge, The Odyssey, Gulliver’s Travels).

The series will centre on how a few brave men and women banished the Gods to the realm of the unconscious: a place they called the Underworld, or the Kingdom of Hades. The series follows Hero on his journey as he 'transforms from a fresh-faced and raw young man through the dramatic experiences of betrayal, love, disappointment, empowerment and exile, until he emerges a ruthless leader of man and a match for the Gods themselves'.

The first season will have thirteen episodes, and filming is underway in Vancouver and London. Thunderbird Films, who produce the series, hasn’t announced the cast yet but says that is coming soon. According to Chris Regina, Senior Vice President of Programming at Syfy:

“Olympus is a fantastic blend of action, intense thrills, creatures and great story telling. It will feature characters from mythology in a way never before imagined.”

I'm fairly certain we shouldn't expect the new Syfy series to stay true to the source material at all, but as the producer of a great many very good fantasy and science fiction shows, I expect Olympus to be entertaining, engaging, and hopefully include a few memorable and strong female characters.

Are you excited about another TV show set in ancient Hellas? Would you like me to recap it once it starts airing? Let me know.
About a week ago, I posted about the dragon slayers on ancient Hellenic mythology. My wonderful friend Robert Clark, Co-founder of Elaion, the Hellenic organisation this blog is associated, read the post and emailed me some of his thoughts on drakons (serpents) and the meaning behind them in mythology. I found them so inspiring that I would like to share them with you today.

"Well into the third century, the human soul was understood to take the form of a serpent (snake) on leaving the deceased body.  Apollon kills the Python as He is the 'new Python' in a sense, a protector and averter of evil par excellence. The Pythia gave her oracles from the spring that was under the Temple of Apollon. The Kastalia spring was used for cleansing before entering the precinct of Delphi. There is the healing serpent of Asklepios and the two serpents of the kerykeion, the Agathos Daimon and Agatha Tyche, the crescent moon and full moon and perhaps the disk of the sun, the likeness to the horns of consecration, etc. that permeates our religion. 

Cadmos as instructed by Athena in Ovid's Metamorphoses: 

"She commanded him to sow the dragon's teeth in mellowed soil, from which might spring another race of men. And he obeyed: and as he plowed the land, took care to scatter in the furrowed soil the dragon's teeth; a seed to raise up man." 

In the end, Cadmus and Harmonia are turned into serpents:

"Weighted with woe, bowed down with years, their minds recalled the time when first disaster fell upon their House:—relating their misfortunes, Cadmus spoke “Was that a sacred dragon that my spear impaled, when on the way from Sidon's gates I planted in the earth those dragon-teeth, unthought-of seed? If haply 'tis the Gods, (whose rage unerring, gives me to revenge) I only pray that I may lengthen out, as any serpent.” Even as he spoke, he saw and felt himself increase in length."

Harmonia is also changed into a serpent:

"Oh, why not, ye celestial Gods, me likewise, to a serpent-shape transform!”— So ended her complaint. Cadmus caressed her gently with his tongue; and slid to her dear bosom, just as if he knew his wife; and he embraced her, and he touched her neck. All their attendants, who had seen the change, were filled with fear; but when as crested snakes the twain appeared in brightly glistening mail, their grief was lightened: and the pair, enwreathed in twisting coils, departed from that place, and sought a covert in the nearest grove.— There, then, these gentle serpents never shun mankind, nor wound, nor strike with poisoned fangs; for they are always conscious of the past."

Thank you, Robert, for your words of wisdom.
Pandora's Kharis is proud to announce that our monthly fundraising has raised $100,- for The Trevor Project, America's leading organization in providing crisis intervention and suicide prevention services to lesbian, gay, bisexual, transgender and questioning (LGBTQ) young people ages 13-24. The Trevor Project is determined to end suicide among LGBTQ youth by providing life-saving and life-affirming resources including our nationwide, 24/7 crisis intervention lifeline, digital community and advocacy/educational programs that create a safe, supportive and positive environment for everyone, and we can help them do that. Please read below a letter of thanks by The Trevor Project's CEO and pitch your cause for next month on the Pandora's Kharis Facebook page.


Dear Pandora's Kharis:

On behalf of the nearly 100,000 lesbian, gay, bisexual, transgender and questioning (LGBTQ) youth served by The Trevor Project each year, we are deeply grateful for your financial contribution.

Your gift of $100.00 supports our life saving and life affirming for LGBTQ youth. Your support not only enables us to continue the important work of our 24/7 crisis and suicide prevention Lifeline, but also enables us to expand our community and school educational initiatives and operate our online LGBTQ social network, TrevorSpace.

Sincerely,

Abbe Land
Executive Director & CEO