Poseidon is the God of the Mediterranean seas, who can strike down His trident and create fresh water springs, or disastrous earthquakes. He is also the Lord of horses, presumably because of the foamy waves rising up like a herd of horses before crashing on the shore. He has made His home underwater, with his wife Amphitrite and other water creatures, many of which immortal. He's a powerful God, one of three brothers who rule the sky, the sea and the underworld.


Claudius Aelianus (Κλαύδιος Αἰλιανός), commonly called Aelian, was born at Praeneste around 175 AD. He was a Roman author and teacher of rhetoric who spoke Greek so perfectly that he was called "honey-tongued" (meliglossos). He preferred Greek authors, and wrote in a slightly archaizing Greek himself. "On the Nature of Animals" (Περὶ Ζῴων Ἰδιότητος) is a collection of seventeen books. All contain brief stories of natural history, sometimes selected with an eye to conveying allegorical moral lessons, sometimes because they are just so astonishing. He also quotes other authors and in the collection, he quotes a hymn to Poseidon I'd like to share with you today. It was originally written by Arion, son of Cycleus, it seems. He wrote the poem in thanks to Poseidon for saving his life. He focusses on dolphins. It goes as follows and probably stems from the fifth century BC:


"Highest of the Gods, Lord of the sea, Poseidon of the golden trident, earth-shaker in the swelling brine, around thee the finny monsters in a ring swim and dance, with nimble flingings of their feet leaping lightly, snub-nosed hounds with bristling neck, swift runners, music-loving dolphins, sea-nurslings of the Nereid maids divine, whom Amphitrite bore, even they that carried me, a wanderer on the Sicilian mean, to the headland of Taenarum in Pelops' land, mounting meupon their humped backs as they clove the furrow of Nereus' plain, a path untrodden, when deceitful men had cast me from their sea-faring hollow ship into the purple swell of ocean."

 I'm a little short on time, so it's time for a video! This one is called "The Minotaur Island" and it's pretty cool!


"The mysterious island of Crete has always loomed large in imagination, as the home of the Minotaur -- that monstrous creature, half-man half-bull -- imprisoned in Daedalus' labyrinth. Before Crete collapsed in fire and violence, it gave birth to Europe's first civilization nearly 5,000 years ago, and boasted an advanced, prosperous Mediterranean civilization with hinged doors, flush toilets, and magnificent palaces."

 Swamped, sorry! It seems like my life has been ruled by Dionysos this week and I'm going to spend my Saturday unraveling some of the mess. So, for what it's worth, here's a tribute to Dionysos for you. May he be kind!



Euripides’ Bacchae, First Chorus (part 1): 64-119

From the Asian land
After leaving sacred Tmôlos I speed—
A toil for Bromios that is sweet,
And a worn but happy weariness—
Crying out to the Bacchic god.

Who is in the road? Who is on the road?
Who is in the palace? Have every person come out!
Have each one hold a quiet tongue in sacred silence. 

I am hymning Dionysus
In the customs that are always used.
You are blessed if you are lucky
To know the rites of the gods
And lead a pure life;
And join your soul to the band
Of Bacchic revelers on the mountains
In the sacred cleansing worship.

Taking care of the Great mother’s mysteries
Shaking the thyrsus all about
once you are wreathed in ivy,
you tend to Dionysus!

Go, Bacchae, Go Bacchae,
Lead on this Bromios, a divine child of a god,
Dionysus

From the Phrygian mountains on
To the streets of Greece, wide-enough for dances.
Once, his mother went
Into the forced labors of birth
From Zeus’ thunder in flight
She released him from her womb
Too early, and lost her life
At the lightning’s strike.
But Zeus, Kronos’ son
Immediately welcomed him
Into his hands
And hid him in his thigh—

He sewed him up with golden pins
To keep him a secret from Hera.
When the Fates made him grow,
He gave birth
To a bull-horned god
And crowned him with wreaths of snakes.
This is why the Maenads weave
Beast-eating serpents in their hair.
Thebes, the nurse of Semele,
Crown yourselves with ivy!
Flourish, Grow with the green
Leaves flush with fruit.
Make yourselves Bacchae too
With branches of oak or pine.

Adorn your clothes of stitched fawn
With strands of white wool.
Make sacred the arrogant wands.

Right now the whole earth will dance
As Bromios leads out his bands
To the mountain, to the mountain where
the woman-born mob stands
driven mad from their shuttles and looms
by Dionysus.

The first season of this year’s excavation on the Trapeza plateau, eight kilometers southeast of Aegion (Northwest Peloponnese), has been completed, bringing to light, among other things, valuable assemblages of grave gifts and bronze swords. The site has been identified as Rhypes, a city that flourished in early historical times and participated in colonization, founding Croton in Magna Graecia.

The excavation focused on investigating the Mycenaean necropolis which extends across the plateau’s southwestern slope and is located on the ancient road that led to the acropolis of historical times. The tombs are chambered, carved into the soft sandy subsoil. Already during the Early Palace period of the Mycenaean world, their use was long and intensive, in parallel with the prosperity of the great centers of Mycenae, Tiryns and Pylos. Significant reuse of the tombs dates back to the 12th century B.C. when they were repeatedly reopened, being at once a place for conducting burials and complex ritual practices until the end of the Bronze Age in the 11th century BC.

The excavation of the necropolis has yielded valuable assemblages of grave gifts consisting of vases, a number of seal stones and all kinds of beads and tesserae of various materials – glass, faience, gold, carnelian and rock crystal – for the making of necklaces and ornaments such as the gold talismans shaped like bulls’ heads, suggesting trade relations with the eastern Aegean and Cyprus.

The rectangular shaped chamber of tomb 8, investigated this year, presented a complex stratigraphy. In the first layer of tombs of the 12th c. BC, three burials containing stirrup jars (amphorae) were investigated in situ. The bones inside the older tombs had been removed and placed reverently and very carefully in two successive piles at the back of the chamber, in contact with the walls of the tomb. Three decorated clay alabastron flasks and an amphora found on top of these bone collections, date these first burials to the Early Palace period (14th century BC).

An exceptionally well preserved bronze sword had also been placed among the bones and offerings such as carnelian and glass beads and a clay horse figurine that accompanied these earlier burials. At the base of the pile of bones two more intact bronze swords were also found with part of their wooden grips/handles. The three swords belong to different types, namely Sandars D and E, and date back to the heyday of the Mycenaean Palace period. The presence of these weapons as well as the long spears of the same time period found during the excavation in neighbouring tombs in the Trapeza necropolis is particularly important. It is distinguished from the other necropoleis of Achaia, emphasizing the direct dependence of the local community on the powerful palace centers. The weapons are products of the palace workshops, perhaps of Mycenae, thus consistent with the genre of the homeric epos and the mythological tradition handed down to us. According to the latter, Achaia belonged to the kingdom of Agamemnon who as ruler of Mycenae gathered the men of most value in neighbouring Aegion to discuss how the campaign against the state of Priam should take place.

The location of the Mycenaean settlement of Trapeza is still not entirely clear. Probably, during the early cycle of use of the necropolis, the settlement was situated on a hill about 100 meters south of Trapeza. This year, at the same time as researching the Mycenaean necropolis, the excavation of an area of the settlement revealed part of a building, perhaps a mansion. It is a wide rectangular chamber with a hearth in the center and typical pottery that dates it to the 17th century BC.

The excavation at Trapeza, Aigion (ancient Rhypes) is led by Dr. Andreas G. Vordos, archaeologist of the Achaia Ephorate of Antiquities. Participating in the interdisciplinary research programme of the Mycenaean necropolis and the prehistoric settlement is Elisabetta Borgna, Professor of Aegean Archaeology at the University of Udine with a group of students from the Universities of Udine, Trieste and Venice, as well as postgraduate students from Greek Universities. The main sponsor of the excavation at Trapeza Aigialeias (ancient Rhypes) is the A.G Leventis Foundation. The excavation work is also supported by Olympia Odos SA.

Taurus is a large and prominent constellation in the northern hemisphere's winter sky. It is one of the oldest constellations, dating back to at least the Early Bronze Age when it marked the location of the Sun during the spring equinox. It's located in the northern hemisphere's winter sky, between Aries to the west and Gemini to the east; to the north lie Perseus and Auriga, to the southeast Orion, to the south Eridanos, and to the southwest Cetus. This constellation forms part of the zodiac, and hence is intersected by the ecliptic. This circle across the celestial sphere forms the apparent path of the Sun as the Earth completes its annual orbit. As the orbital plane of the Moon and the planets lie near the ecliptic, they can usually be found in the constellation Taurus during some part of each year.


 

In Hellenic mythology, Taurus was identified with Zeus, who assumed the form of a magnificent white bull to abduct Europa, a legendary Phoenician princess. In illustrations of Hellenic mythology, only the front portion of this constellation are depicted; this was sometimes explained as Taurus being partly submerged as he carried Europa out to sea. From Apollodorus' 'Library':

"...But some say that Europa was a daughter not of Agenor but of Phoenix. Zeus loved her, and turning himself into a tame bull, he mounted her on his back and conveyed her through the sea to Crete. There Zeus bedded with her, and she bore Minos, Sarpedon, and Rhadamanthys; but according to Homer, Sarpedon was a son of Zeus by Laodamia, daughter of Bellerophon. On the disappearance of Europa her father Agenor sent out his sons in search of her, telling them not to return until they had found Europa. With them her mother, Telephassa, and Thasus, son of Poseidon, or according to Pherecydes, of Cilix, went forth in search of her. But when, after diligent search, they could not find Europa, they gave up the thought of returning home, and took up their abode in divers places..." [3.1.1]

A second Hellenic myth portrays Taurus as Io, a mistress of Zeus. To hide his lover from his wife Hera, Zeus changed Io into the form of a heifer. From Hyginus' 'Fabulae':

"Jupiter [Zeus] loved and embraced Io, and changed her to heifer form so that Juno [Hera] would not recognize her. When Juno found out, she sent Argus, who had gleaming eyes all around to guard her. Mercury, at Jove’s command, killed him. But Juno sent a fearful shape to plague her, and out of terror of it she was driven wildly and compelled to cast herself into the sea, which is called Ionian. Thence she swam to Scythia, and the Bosporus is named from that; thence she went to Egypt where she bore Epaphus. When Jove realized that for his sake she had borne such suffering, he restored her to her own form, and made her a goddess of the Egyptians, called Isis." [145]

Greek mythographer Acusilaus marks the bull Taurus as the same that formed the myth of the Cretan Bull, one of The Twelve Labours of Hēraklēs.

There are two more myths linked to this constellation, one that relates to the Hyades, and one to the Pleiades. The Hyades were daughters of Atlas (by either Pleione or Aethra, one of the Oceanides) and sisters of Hyas in most tellings, although one version gives their parents as Hyas and Boeotia. The Hyades are sisters to the Pleiades and the Hesperides. They are a sisterhood of nymphs that bring rain. These five nymphs whose stars outline the face of the bull Taurus. They were nurses of the god Dionysus who were awarded for their service with a place amongst the stars of heaven. Their rising heralded the onset of the rainy season in Greece. Some say they were teary nymphs placed in the heavens following the death of their brother Hyas, who was killed by a lion. Presumably this Hyas and the lion were represented by the constellations Aquarius and Leo. According to Hyginus in his 'Astronomica':
"It faces towards the East, and the stars which outline the face are called Hyades. These, Pherecydes the Athenian says, are the nurses of Liber [Dionysos], seven in number, who earlier were nymphae called Dodonidae. Their names are as follows: Ambrosia, Eudora, Pedile, Coronis, Polyxo, Phyto, and Thyone. They are said to have been put to flight by Lycurgus and all except Ambrosia took refuge with Theits, as Asclepiades says. But according to Pherecydes, they brought Liber to Thebes and delivered him to Ino, and for this reason Jove expressed his thanks to them by putting them among the constellations." [II.21]

The seven nymphs whose stars form the 'tail' of the bull Taurus are called the Pleiades. The sisters were placed amongst the stars by the Zeus, after the lustful giant Orion had pursued them across the earth for seven years. Orion was also set in heaven, but doomed to continue a futile chase for all eternity. Again from Hyginus:

"The Pleiades were so named, according to Musaeaus, because fifteen daughters were born to Atlas and Aethra, daughter of Ocean. Five of them are called Hyades, he shows, because their brother was Hyas, a youth dearly beloved by his sisters. When he was killed in a lion hunt, the five we have mentioned, given over to continual lamentation, are said to have perished. Because they grieved exceedingly at his death, they are called Hyades. The remaining ten brooded over the death of their sisters, and brought death on themselves; because so may experienced the same grief, they were called Pleiades. Alexander says they were called Hyades because they were daughters of Hyas and Boeotia, Pleiades, because born of Pleio, daughter of Ocean, and Atlas.
 
The Pleiades are called seven in number, but only six can be seen. This reason has been advanced, that of the seven, six mated with immortals (three with Jove, two with Neptune, and one with Mars); the seventh was said to have been the wife of Sisyphus. From Electra and Jove, Dardanus was born; from Maia and Jove, Mercury; from Taygete and Jove, Ladedaemon; from Alcyone and Neptune, Hyrieus; from Celaeno and Neptune, Lycus and Nycteus. Mars by Sterope begat Oenomaus, but others call her the wife of Oenomaus. Merope, wed to Sisyphus, bore Glaucus, who, as many say, was the father of Bellerophon. On account of her other sisters she was placed among the constellations, but because she married a mortal, her star is dim. Others say Electra does not appear because the Pleiades are thought to lead the circling dance for the stars, but after Troy was captured and her descendants through Dardanus overthrown, moved by grief she left them and took her place in the circle called Arctic. From this she appears, in grief for such a long time, with her hair unbound, that, because of this, she is called a comet.
 
But ancient astronomers placed these Pleiades, daughters of Pleione and Atlas, as we have said, apart from the Bull. When Pleione once was travelling through Boeotia with her daughters, Orion, who was accompanying her, tried to attack her. She escaped, but Orion sought her for seven years and couldn’t find her. Jove, pitying the girls, appointed a way to the stars, and later, by some astronomers, they were called the Bull’s tail. And so up to this time Orion seems to be following them as they flee towards the west. Our writers call these stars Vergiliae, because they rise after spring. They have still greater honour than the others, too, because their rising is a sign of summer, their setting of winter - a thing is not true of the other constellations." [II.21]
 
The constellation Taurus is visible at latitudes between +90° and −65°, and best visible at 21:00 (9 p.m.) during the month of January.

I get a lot of questions from readers, and most of the time, the answers are fairly short. When I feel the question or the reply would be valuable to others as well, I make a post with a collection of them and post them in one go. Today is one of those posts.



"The only real question I have is the meaning behind 'khaire'. I looked everywhere for a solid definition but no one can seem to agree."

'Khaire' and its plural cousin 'Khairete' are greetings. They were used by the likes of Homeros in their writings. They both have the literal meaning 'rejoice,' 'fare well,' and 'hail.' As such they can be used both as a greeting or as a goodbye. This is some interesting reading on the words and their use.
~~~

"Should I construct an Altar to the Gods I want to worship?"

Some definitions you will need: an altar is one of those basic necessities within Hellenismos, and it differs from a shrine. Where an altar is a 'work space', dedicated not so much to a specific deity, but used to do the bulk of the (daily) rituals, a shrine is a devotional area where an altar might be located. In ancient Hellas, the shrine was usually a temple, the altar an actual altar, standing outside of it. Household worship took place at a multitude of shrines. You need an altar for Hellenic sacrifice, and you could build a shrine to the Gods you wish to honour, if you so desire.

~~~

"I want to celebrate the Galaxia, but would Kronos not be offended if I offer to another God?"

The ancient Hellenes (and modern Hellenisist with them) felt strongly all the Gods are connected in some way. Thus you will only very rarely--if ever--sacrifice to just one God. Sacrificing to the Gods in the periphery of the main God you wish to worship establishes kharis and is simply good form. The Gods care about Their family just as we do, so honouring Their mothers, daughters, sons and brothers is very important.

~~~
 
"I would like to adopt the custom of having a kathiskos, but I'm really worried about all of that decomposition and decay that is tied into it all. Would you have any advice for me?"

A kathiskos is an offer jar of foodstuffs used to protect the household's food storage. Typically, it has olive oil and water. The rest is up to the household. The Kathiskos is dedicated to Zeus Ktesios, guardian of the household. The jar is typically emptied into the compost bin or garden and refilled with fresh foodstuffs every month. In generl, kathiskoi have a lid--a lid that tightly screws on. If you have that, then you really need to worry about anything like decomposition and decay.

Below is a picture of an example kathiskos that has not been changed for a little over a year (!) now. It still looks pretty fresh, doesn't it? And this one has fruit! Of course, if I were to open this one know, it would smell foul. My kathiskos always smells foul. That's the point. Think of it like this: all the rotting and fermentation that took place in your kathiskos did not happen to your other foodstuffs. The worse the smell and the worse the status of your content, the better.


~~~

"My sister recently gave birth to a baby girl and I said a prayer of thanks to Hera and Artemis. Now she has two other children, 2 boys, and I was wondering, should I say prayers on their behalf to Artemis as well, or to some other deity?"

Congratulations on your niece (and nephews, of course). Artemis is the protectress of all children, as a Kourotrophos The Kourotrophos are (mostly) female deities who watched over growing children--Gaea, Artemis, Hekate, Eirênê, Aglauros and Pandrosos, especially. They also watched over young boys and were offered to to keep them safe. Zeus, Athena and Hēraklēs were also prayed to by young boys in order to grow big and strong, and these Theoi were also prayed to to guide and protect the boy.

Those who visit this blog on a regular basis know that I'm a fan of Solon and his reformations of the political landscape of Athens in the sixth century BC. Solon (Σόλων) was an Athenian statesman and lawmaker who lived from 638 BC to 558 BC. He spent most of his adult life trying to legislate against political, economic, and moral decline in archaic Athens. His ideologies are often credited with having laid the foundations for Athenian democracy. Solon's reforms created a system where the power was in the hands of the people, because instead of leaving justice to be administered by the aristocracy. He was also a poet and some of his work has miraculously survived. Today, I would like to share one of the fragments of his work that have survived.



"Glorious children of Olympian Zeus and Memory
Pierian Muses, hear me as I pray.
Grant me happiness from the blessed Gods and possession
Of a good reputation among all people forever.
In this may I be sweet to my friends and bitter to my enemies,
Revered by the former and terrible for the latter to see.
I long to have money, but I do not want to obtain it

Unjustly—punishment inevitably comes later."

[Fr. 13. 1–8
Translation here.]