This post was not sponsored by Coca-Cola, and to be honest, I prefer Pepsi, but I came across this and I just had to share. Coca-Cola Greece has launched a bottle design celebrating the Greek island of Crete’s rich culture and history. Yes, really.

The limited-edition bottle was inspired by Cretan legends like the myths of the Minotaur and Theseus, with the labyrinth and Ariadne’s thread, the murals of Knossos Palace, and the ancient ritual sport of bull-leaping in Crete, taurokathapsia. The aim of the campaign is to both celebrate the island’s rich history and Minoan civilization, but also to promote Crete as an international tourist destination. The new, limited-edition Coca-Cola Crete bottles and ads were printed by Lyhnia.

"We were inspired by Cretan values, tradition, and history,” said Diana Birba, marketing manager for Coca-Cola Greece, Cyprus, and Malta. “By depicting them in our first collectible Coca-Cola bottle for a specific region in Greece, we aim to promote Crete as a tourist destination, offer visitors the opportunity to take a unique piece of modern art memorabilia home with them, and celebrate 10 years of making our products here in Crete."

Limited-edition bottles are already available in stores and retail outlets in Crete and Greece as well as in select retail outlets and the traveling Coca-Cola Pop-Up store. The campaign also included collectible items and memorabilia, sold this summer during a two-week tour, from July 24th until August 10th. Coca-Cola has also planned an international summer promotion that aims to bring tourists to Crete by giving 50 lucky competition winners from 10 countries the chance to enjoy a unique vacation experience in Crete, with exciting experiences and entertainment. The design of the limited-edition Coca-Cola Crete packaging was realized by Asterias Creative Design, a communication and design agency based in Athens. Coca-Cola Greece has a production and bottling plant in Heraklion. The plant celebrates 10 years of activity in 2018.

"The operation of our unit in Heraklion for 10 years has boosted our multiannual presence on the island and is a very important part of our business,” said Angelica Patruba, Communications Manager, Coca-Cola Hellenic. “By designing the future, we feel great joy and honor that we are an active part of this place, contributing to trade, the economy, and society."
It's often said that ancient Hellas was the birthplace of modern medicine, but it's important to note that ancient Hellas was also the birthplace of psychology and the relations between biology and psychology. Take for, example, Hippocrates in On the Sacred Disease:

"People should know that our pleasures, happiness, laughter, and jokes from nowhere else [but the brain] and that our griefs, pains, sorrows, depressions and mourning come from the same place. And through it we think especially, and ponder, and see and hear and come to perceive both shameful things and noble things and wicked things and good things as well as sweet and bitter, at times judging them so by custom, at others by understanding what is advantageous based on distinguishing what is pleasurable and not in the right time and [that] these things are not the same to us.

By this very organ we become both sane and delirious and fears and horrors attend us sometimes at night and sometimes at day. This brings us bouts of sleeplessness and makes us mistake-prone at terrible times,  bringing thoughts we cannot follow, and deeds which are unknown, unaccustomed or untried." [14]

All right, he was very off in the part that follows (which has to do with wet brains and biological process we've long debunked), but all of this makes sense. If you find yourself struggling emotionally, remember: the ancient Hellenes already knew that it was just your brain acting up. I don't know about you, but that's a comforting thought.
Archaeologists’ discovery of a 2,200-year-old gold earring in excavations near Jerusalem’s Old City has offered a rare glimpse of life in the holy city during the early Hellenistic period, an era of the city about which very little is known. The spectacular gold earring, shaped like a horned animal, dates back to the second or third century BCE.

The earring was discovered during archaeological digs by the Israel Antiquities Authority (IAA) and Tel Aviv University at the Givati Parking Lot in the City of David National Park encircling the Old City‘s walls. Experts assess that the earring, which bears the head of a horned animal — possibly an antelope or deer — was crafted using a technique known as filigree, in which threads and tiny metal beads are used to create delicate and complex patterns, a style which first appeared in Greece during the early Hellenistic period. Similar earrings have been found across the Mediterranean, but are extremely rare in Israel. Professor Yuval Gadot of Tel Aviv University and Dr. Yiftah Shalev of the Antiquities Authority:

“The jewelry was found inside a building that was unearthed during the excavation, dating to the early Hellenistic period—a fascinating era about which we know very little when it comes to Jerusalem. During the course of over a century of archaeological digs in the city, many small discoveries have been made from this period—mainly consisting of pottery fragments and a few coins—but hardly any remains of buildings that could be accurately dated to this period.” 

Nearby, excavators also found a gold bead with intricately embroidered ornamentation resembling a thin rope pattern, dividing the beads into two parts with six spirals on each side.
Today I got the sense I should write about Poseidon. Poseidon is the God of the Mediterranean seas, who can strike down His trident and create fresh water springs, or disastrous earthquakes. He is also the Lord of horses, presumably because of the foamy waves rising up like a herd of horses before crashing on the shore. He has made His home underwater, with his wife Amphitrite and other water creatures, many of which immortal. He's a powerful God, one of three brothers who rule the sky, the sea, and the underworld.

Claudius Aelianus (Κλαύδιος Αἰλιανός), commonly called Aelian, was born at Praeneste around 175 AD. He was a Roman author and teacher of rhetoric who spoke Greek so perfectly that he was called "honey-tongued" (meliglossos). He preferred Greek authors, and wrote in a slightly archaizing Greek himself. "On the Nature of Animals" (Περὶ Ζῴων Ἰδιότητος) is a collection of seventeen books. All contain brief stories of natural history, sometimes selected with an eye to conveying allegorical moral lessons, sometimes because they are just so astonishing. He also quotes other authors and in the collection, he quotes a hymn to Poseidon I'd like to share with you today. It was originally written by Arion, son of Cycleus, it seems. He wrote the poem in thanks to Poseidon for saving his life. He focusses on dolphins. It goes as follows and probably stems from the fifth century BC:

"Highest of the Gods, Lord of the sea, Poseidon of the golden trident, earth-shaker in the swelling brine, around thee the finny monsters in a ring swim and dance, with nimble flingings of their feet leaping lightly, snub-nosed hounds with bristling neck, swift runners, music-loving dolphins, sea-nurslings of the Nereid maids divine, whom Amphitrite bore, even they that carried me, a wanderer on the Sicilian mean, to the headland of Taenarum in Pelops' land, mounting meupon their humped backs as they clove the furrow of Nereus' plain, a path untrodden, when deceitful men had cast me from their sea-faring hollow ship into the purple swell of ocean."
A team of researchers led by Karl Reber of the Swiss Archaeological School in Greece and Amalia Karappaschalidou of the Evia Ephorate of Antiquities has uncovered a variety of artifacts at the sanctuary of Artemis near Amarynthos, according to The Greek Reporter.

The Artemis sanctuary was discovered in 2017 in an excavation carried out by the Swiss Archaeological School in Greece in cooperation with the Evia Ephorate of Antiquities and started 10 years ago. The new findings include embossed tiles with the inscription “Artemis” and three statue bases dating from the Hellenistic era with inscriptions dedicated to the goddess, her brother Apollon and their mother Leto. A copper and quartz object that may have been part of a larger statue was also found .The findings helped identify the buildings that were excavated over the last 10 years at the sacred site. According to ancient writings it was one of the most important sanctuaries in Evia. The previously excavated buildings are two galleries that define the temple from the east and north, as well as a sacred fountain.

The 2018 excavations started at the end of June and lasted through early August, led by Professor Karl Reber of the University of Lausanne, Director of the Swiss Archaeological School in Greece, and Amalia Karappaschalidou, Honorary Ephor of Antiquities of Evia.

The research was focused on the central site of the sanctuary to reveal the ancient temple and the altar. Significant finds in 2018, such as a copper quartz figurine, part of a statue of Artemis and a new sculpture base bearing the names of Artemis, Apollo and Leto, as well as another base, strengthen the view that the temple is in this area and is expected to be identified in the coming years.

The Swiss and Greek archaeologists also investigated the remains of earlier building phases dating from the 10th to the 7th century BC, such as an elongated building over 20 meters in length, dating back to the Early Archaic period, and resting on an arched building.

The site was the end point of an annual procession from the ancient city of Eretria. Scholars suggest the temple, which is thought to have been destroyed by a natural disaster in the first century B.C., and rebuilt in the second century A.D., helped to strengthen Eretria’s border. The excavation team also found evidence of earlier buildings at the site, dating back to the tenth century B.C.
Two clay burial containers called Larnakes, estimated from the Late Minoan era were accidentally discovered at Kentri in Ierapetra in South Crete. The coffins, estimated to be from the post-Minoan era were discovered when a farmer tried to park his vehicle in an olive grove and the land underneath collapsed.

According to sources, the clay coffins are decorated with embossed ornamentation and are in excellent condition. They contain two skeletons and about 24 vases with coloured reliefs and depictions.

Larnakes (singular Larnax) are small closed coffin, box or “ash-chest” often used as a container for human remains in Minoan culture and Greek antiquity, either a body (bent on itself) or cremated ashes.

The first larnakes appeared in Minoan times during the Aegean Bronze Age, when they took the form of ceramic coffers designed to imitate wooden chests, perhaps on the pattern of Egyptian linen chests. They were richly decorated with abstract patterns, octopuses, and scenes of hunting and cult rituals. Argyris Pantazis, deputy mayor of Local Communities, Agrarian and Tourism of Ierapetra, told cretapost:

“The positive thing is that they were not emptied by thieves and this will help archaeologists get as much information as possible. This is a great day for Ierapetra. When you see that in a 4-metre hole there are such important antiquities you feel awe."

The archaeological find came to light when a local farmer tried to park his vehicle under an olive tree. The soil was soft because of watering the olive trees and because a water pipe was broken.

"We are particularly pleased with this great archaeological discovery as it is expected to further enhance our culture and history. Indeed, this is also a response to all those who doubt that there were Minoans in Ierapetra."

Some more images and source here.
The Santorini eruption provides a fixed point for aligning the chronology of the Bronze Age in the Mediterranean, yet its exact date has been difficult to determine. Recently, an olive branch found buried under rock fragments at Santorini was used to date the eruption to between 1627 and 1600 BCE, more than a century earlier than the 1500 BCE date suggested by archaeologists. The dating was based on the assumption that the outermost ring of wood was formed just before the branch was buried alive by the eruption.

To assess whether an olive tree’s outermost ring is produced just prior to the tree’s death and can thus be used for reliable dating, Elizabetta Boaretto and colleagues analyzed the radiocarbon concentrations in 20 samples taken from a modern olive tree trunk and 11 samples taken from a living branch cut in 2013.

They found that in both cases individual samples, all of which were taken from the layer of wood nearest the bark, could vary in date by as much as 40 to 50 years. The findings suggest that olive trees do not systematically produce visible growth rings and that growth cessation of individual sections of the same tree well before its death is a common phenomenon.

The findings challenge the interpretation of the results obtained from dating the olive branch found at Santorini, which may be significant not only for the archaeological history of the Aegean, Egypt and the Levant but also for any future studies based on archaeologically preserved olive wood.