Showing posts with label Sirens. Show all posts
Showing posts with label Sirens. Show all posts
Every day, the average human utters about 16.000 words. A good portion of those are idioms and figures of speech--the use of a word or words diverging from its usual meaning--or sayings. Today, I wanted to share some of the figures of speech and sayings that can be traced back to ancient Hellas and/or Hellenic myth. Some of these I have posted before, but I've collected another few in the mean time. These are marked with a *.



"A Herculean Effort"
Meaning: a great effort.
Source: Hēraklēs, son of Zeus and the mortal Alcmene--who was a bane in Hera's life, simply for being born--was stricken mad by the Queen of the Gods and killed his five sons by his wife Megara, oldest daughter of Kreōn of Thebes. When he was released from his madness by a hellebore potion--provided by Antikyreus--and realized what he had done, he cried out in anguish, and went on a long journey to cleanse himself of the miasma caused by these killings. First, he visited the oracle at Delphi, who, unbeknownst to him, was whispered to by Hera. The Oracle told Hēraklēs to serve the king of Tiryns, Eurystheus, for ten years and do everything Eurystheus told him to do. Eurystheus gladly provided Hēraklēs with these labors--ten of them, one for each year--and eventually ended up adding two more, resulting in the Twelve Labors of Hēraklēs. Hēraklēs was told to: slay the Nemean Lion, slay the nine-headed Lernaean Hydra, capture the Golden Hind of Artemis, capture the Erymanthian Boar, clean the Augean stables in a single day, slay the Stymphalian Birds, capture the Cretan Bull, steal the Mares of Diomedes, obtain the girdle of Hippolyta, Queen of the Amazons, obtain the cattle of the monster Geryon, steal the apples of the Hesperides, and to capture and bring back Kerberos. All of these tasks were incredibly hard, and required every ounce of strength Hēraklēs possessed.

"A Sisyphean task"
Meaning: (performing) an endless or repetitive task.
Source: Sísyphos was a scheming and conniving king, who tried to pull a fast one on the Gods many times over. He betrayed Zeus, tried to trick Thanatos, Persephone and Hades, and killed innocent travelers on his roads--an offense against xenia. For all these offenses, Sísyphos was sentenced to push a boulder uphill for all eternity, as the boulder would roll down the slope again the second he reached the top.

"Achilles' heel"
Meaning: one's weakness or weak spot.
Source: Achilles was a great warrior, destined to live one of two lives: a long and boring one, or a short but heroic one. Knowing her son would choose the latter, his divine mother Themis tried to limit the risk of Achilles dying a premature death by dipping him in the river Styx. As such, Achilles became impenetrable to harm, save for his heel, where his mother had held him as she dipped him in the water. This spot eventually became his downfall, and Achilles died on the battlefield of Troy. The stories of his invulnerability were a later invention, around the first century AD. Before that, the myth simply stated that Achilles was shot in the heel with an arrow, and he eventually died of that wound, because it would not heal.

"Bearing the weight of the world (on one's shoulders)" *
Meaning: a very heavy burden of worry or responsibility.
Source: This is a reference to Atlas, the Titan who was forced to carry the heavens on his shoulders after he and his brethren rebelled against Zeus in the Titanomachy. Depending on the source, however, it was actually a great honour to be asked to protect the whole of the earth from being crushed under the weight of the sky.

"Beware of Greeks bearing gifts"
Meaning: be weary of those with something to offer, they may have ulterior motives.
Source: In the war for Troy, the Hellenes needed a way to conquer the walls of the city. They tried to fight for it, but were unable to. In Virgil's Aeneid, it is written that the Hellenes built a wooden horse, and hid away in it. The horse was offered to the Trojans as a gift, and the structure was accepted into the city. At night, the Hellenes snuck out of the horse, attacked the city, and conquered Troy.

"Caught between a rock and a hard place"
Meaning: making a hard choice; choosing between two undesirable options.
Source: During Odysseus' travels to get home, he must run his ship through a narrow passage. One the one side are rocks with a cavern. In this cavern, Skylla, sea monster with six heads, lived, and she would take one of Odysseus' men with each of her heads. On the other side lay Kharybdis, a great whirlpool which would suck in any ship that came too close. It is up to Odysseus to choose one or the other. Eventually, he chooses Skylla, and looses many brave men, his ship, however, is in tact. As such, Odysseus had to choose between a rock and a hard place.

"Cupid's arrows" *
Meaning: rapidly falling in love--as if struck.
Source: The ancient Hellenes were just as mystified by love as we are today--more so, perhaps, because a least we know what happens chemically in our bodies when it happens. Their answer to the mystery of falling in love was that the arrow of Eros struck. Eros had two types of arrows: the golden-tipped arrow brought love and attraction, the lead-tipped arrow brought hate and repulsion. Cupid is the Roman version of Eros.

"Dog is man's best friend"
Meaning: the loyalty of dogs is undisputed
Source: In the Odysseia, Odysseus finally returns home after many, many long years of travel, and long years of war. He is in disguise when he reaches his house, which is overrun by suiters of his wife. His fateful hunting dog, Argos, has waited for him all these years, and recognizes his master right away. Finally reunited with his master, the old dog dies, happy, and at peace.

"Food of the Gods"
Meaning: food so delicious, it is almost divine
Source: Nectar--the drink of the Gods--and ambrosia--the food of the Gods--are the dish of choice on Olympos. If a mortal man or woman would eat or drink either of the two, they, too, would become immortal, or at least their aging would stop for a while.

"Gordian knots"
Meaning: an extremely perplexing puzzle or problem.  
Source: It seems that king Gordius of Phrygia laid out a task for whomever wanted to be the ruler of Asia Minor: he tied a know so complex, no one managed to untie is. Eventually, Alexander the Great came to the land, and cut the know with his sword, thus 'passing' the test. 'Cutting the knot' became a saying for taking something by force, or making a decisive action. 

"Having the Midas touch"
Meaning: a fortunate person, someone able to make everything a success.
Source: In Hellenic mythology, Midas was the king of Pessinus. It seems some of the peasants under Midas' commands brought the king the unconscious satyr Seilenos, who had drunk himself into a stupor. Alternatively, Seilenos toppled over in Midas' garden. No matter how he got there, Midas took good care of him, and as a token of appreciation, Dionysos--Seilenos' student--offered Midas a wish. Midas wished that everything he touched, turned to gold. This is where the saying comes from.

"Hounds of Hell"
Meaning: something frightening, or evil.
Source: Guarding the entrance to Underworld is a great dog, either with just one head, or three, or fifty. His name is Kerberos, and you can pass him once, on your way in, but never again, as there is no way out.

"Leave No Stone Unturned"
Meaning: search everywhere.
Source: The catch-phrase was first recorded by Euripides in his tragedy 'Heracleidae'. The play focusses on King Eurystheus, who hunts the children of Hēraklēs after he passes away. The actual quote comes from the line: "Now, after he was taken hence, was I not forced, by reason of these children's hatred, and because I was conscious of an hereditary feud, to leave no stone unturned by slaying, banishing, and plotting against them?"

"Oedipus Complex"
Meaning: a child's unnatural desire of their parent of the opposite sex, and jealousy of the parent of the same sex. Freudian theory.
Source: Oedipus was born to King Laius and Queen Jocasta. King Laius was fortold his son would kill him and marry his mother, and so he left him to die on a mountainside. The child was found, however, and raised by King Polybus and Queen Merope. Oedipus eventually heard of the prophecy about him and fled, not wanting to hurt his adoptive parents, who he believed to be his biological ones. Fate would have him end up on the same road as King Laius, and in an argument over whom would step out of the way, Oedipus killed his father. He then traveled on and eventually met and married his mother. The myth continues on, but this is the part where the figure of speech comes from.

"Pandora's box"
Meaning: to perform an action that may seem small or innocuous, but that turns out to have severe and far-reaching consequences.
Source: I've written quite a bit about Pandôra on this blog. Pandôra was created by the Theoi as punishment on humanity after Prometheus stole fire from the Gods. Pandôra showed up on the doorstep of Prometheus' brother Deukalion, with a pithos she was told never to open. Eventually, curiosity got the better of her,a nd she opened the jar. In some versions of the myth, all evils of the word flew out, but Pandôra managed to trap hope in the jar. There are many, many inconsistencies in the myth, but the figure of speech stuck.

"Pregnant with thought" *
Meaning: to be about to put forth a (great) idea.
Source: Potentially, this idiom comes from Greek mythology--namely the birth of Athena from the head of Zeus. Athena, as Goddess of wisdom represents a literal birth of ideas--which is pretty much the meaning.

"Siren's song" *
Meaning: an alluring utterance or appeal, especially one that is seductive or deceptive.
Source: In the Odysseia, Circe warned Odysseus not to listen to the Sirens--mythological mermaids--because their haunting music would drive him mad. Or if he did, at least have his sailors tie him to the mast to keep him from throwing himself overboard, and to plug his rowers ears’ with beeswax so they would be impervious to the sweet high song.

"Stygian darkness" *
Meaning: pitch black, sometimes dreary, darkness.
Source: The river Styx was the boundary between the upper world of the living and the underworld of the dead. It was so inky black that anything under its surface disappeared from sight.

"The face that launched a thousand ships"
Meaning: one person causing a terrible event.
Source: One fateful day, three Goddesses got into an argument about whom was most beautiful. Hera, Aphrodite, and Athena, all laid claim to a golden apple tossed into the crowd at a banquet held on honor of Peleus and Thetis. Eris had thrown the apple, which was labeled 'for the most beautiful'. The Goddesses could not decide who was the fairest, and so They asked Zeus. Zeus appointed Paris, A Trojan mortal, to choose in his stead. All three Goddesses undressed for Paris when asked, and all offered him gifts, if he would choose them. Aphrodite, however, promised him the most beautiful of wives, and PAris chose Her. Aphrodite picked Helen of Sparta as Paris' new wife, but Helen was already married, to Menelaus, who would eventually bring war down upon Troy to reclaim the wife he lost. Helen became the woman whose face 'launched a thousand ships' in war.

"To rise from the ashes"
Meaning: to be reborn
Source: No singular myth about the famous bird survives, but the phoenix was know to the ancient Hellenes. It was a mythical bird that lived its life, immolated, and was reborn from the ashes of its previous incarnation.
Do you remember when I had that terrible dream about being chaced through the woods by some horrible creature? I quite liked doing that post, but becase the setting was clearly on land, I had to leave out some of the terrifying aquatic mythological creatures that Hellenic mythology boasts. Today, I wanted to rectify not having a source list of sea or lake based creatures from Hellenic mythology on my blog.

Drakaena
The Drakaena were hybrids, usually with the upper body of a beautiful nymph, and the lower body of a drakon or sea-monster. Famous examples include the Goddess Keto, who spawned the Hesperian Drakon, Ekhidna, who was married to the serpent-giant Typhôeus and spawned most of the dragons and monsters of myth, and Skilla (see below).

Hippokampoi
The Hippokampoi were not exactly monsters, btu they make the list because of the idea the ancient Hellenes had about them. Hippokampoi were the horses of the sea. They were depicted as composite creatures with the head and fore-parts of a horse and the tail of a fish. They were often covered with green scales and had fish-fin manes and appendages. The ancients believed they were the adult-form of the fish we call the 'sea-horse'. They were the mounts of Nereid nymphs and sea-gods, and Poseidon drove a chariot drawn by two or four of the beasts.

Karkinos
Karkinos (Καρκινος) was often pictured as a giant crab or crustacean. He features heavily in the mythology of Hēraklēs. On the hero's  second labor, slaying the Lernaean Hydra, Hera send Karkinos to distract Hēraklēs while he fought. Unfortunately for the animal, Hēraklēs wasn't very impressed. He either kicked the animal so hard, that Karkinos flew so far into the sky, he can hardly be seen, or he squashed the crab, and Hera placed him into the sky for trying. She did, however, dim his stars because he had failed at his task. Needless to say, Karkinos is the constellation Cancer.


Ketea
The Ketea are sea-monsters who--like most Drakones resembled snakes. They were destroyers, usually sent by the Gods in punishment. According to the ancient Hellenes, the Ketea had real-life counterparts as well, in the deep Indian oceans, and in the form of the Scolopendra. Kētos (below) was a Ketea.

Kētos
Kētos was the name of the sea monster sent by Poseidon as a favor to the sea God Nereus, who was insulted by the queen of Ethiopia, Cassiopeia, who boasted that either her daughter, or she, or both were equal or even greater in beauty than Nereus' children, the Nereids. Nereus would only be appeased when Cepheus sacrificed his daughter to Cetus. Cepheus had refused, but when the terror continued, Androméda had offered herself up to be sacrificed. Kētos was petrefied by Perseus with Médousa's severed head.

Kharybdis
The ancient hellenes in the time the Odysseia was written seem to have been largely unaware that the rise and fall of sea levels are caused by the combined effects of the gravitational forces exerted by the Moon and the Sun and the rotation of the Earth. Instead, they held a single entity responsible: a monster or a Goddess controlling a whirlpool. If your ship got stuck in the pull of the whirlpool, youw ere as good as dead.


Skylla
During Odysseus' travels to get home, he must run his ship through a narrow passage. One the one side are rocks with a cavern. In this cavern, Skylla, sea monster with six heads, lived, and she would take one of Odysseus' men with each of her heads. On the other side lay Kharybdis, a great whirlpool which would suck in any ship that came too close. It is up to Odysseus to choose one or the other. Eventually, he chooses Skylla, and looses many brave men, his ship, however, is in tact.


Sirens
The Sirens (or Seirenes) were three sea nymphs who lured sailors to their death with a bewitching song. They were formerly handmaidens of the goddess Persephone, and were always depicted as birds with either the heads, or the entire upper bodies, of women. In modern tales, they are generally seen as mermaids--part huma woman, part fish, but the ancient Hellenes disagreed.
Alright, I feel better so lets move on to a lighter topic, shall we? Gender-roles in Hellenic mythology. Hellenic myth isn't the most balanced or forward mythological system when it comes to gender roles. In fact, I strongly believe it's a gender package no one comes out of, looking better. Women have three choices; rejoicing their femininity and inherent sexuality and leaving themselves open to kidnap and/or rape, tempting and/or raping in return or becoming warrior virgins who (only go through attempted rape but) will never know love. Men have two choices; either they become brutes who chase every bit of tail that comes their way or they become tricksters, harmless to the females around them as well as the egos and reputations of the males. I've seen better options.

Lets look at the women first; The first option is to be so beautiful and/or innocent and/or conveniently available that the male God or hero can not restrain himself. He must have her and so he takes her from her home and (often) has sex with her. Persephone is a textbook example of this. These rapes (although the sex sometimes is concensual) often end in pregnancy and the birth of a new hero. Examples include Perseus and Kastor and/or Polideukes. Often the women get punished severely for their part in the sex/rape. Just look at Médousa.

The second option is to be in control of one's beauty and sexual prowess but eternally alone. The Odysee is full of examples of this one; the sorceress Circe, Calypso as well as the Sirens. All tempt Odysseus to various degrees of success, sometimes taking his faculties from him so they can take from him what they want.

The last category for the women is to become a warrior and remain a virgin. The only way to find love is to revert to one of the other two options. The Goddesses Artemis and Athena are amongst these, as well as the Amazons.

The men have different options but it comes down to two words; power or trickery (or a combination of both). The men-who-become-brutes tend to be the ones who chase women down in lust until they have her and can make love to her or rape her or until she is taken from them by the intervention of another deity. See Médousa for the former and Daphne and Minthe for the latter.

The tricksters include Gods like Hermes and perhaps even Apollon; They find love but only by avoiding the men and women that the brutes are attracted to. More often than not, the tricksters get assigned their partners by the brutes.

Now, this is an overgeneralization. There are many shades of grey here. Rape, in Hellenic myth shouldn't even be interpreted as rape as we know it; in myths it's the pouring out of Divinity over mortals. In general, it can even be seen as a blessing, of sorts.

I do not condone rape in any way, shape or form. I am merely saying that women in ancient Hellens were considered to be property of the men in their lives. Any sexual encounters they had was rape, by definition, as it was a property crime. So consensual sex was still rape... well... a property crime, because the word 'rape' did not exist in ancient Hellas. Of course, this whole thing is still a tangled web of hurt that is beyond the scope of this blog post. Perhaps when we get to 'R'. For now, I will limit myself to the gender-roles listed above.

There are lessons to be learned in these stories. While the Theoi are fully fleshed out entities, who are perfectly capable of thinking for Themselves, most of Them did get pigeonholed into certain stereotypes in the myths that survived the ages. There are many, many cases of UPG and SPG that give light to a whole other side of these Gods and Goddesses. Often, Their stories also distract us from what They did have and from the stories that were never told or not often focussed upon. Zeus, for example, has children with many mortal (and immortal) women but he returns to the bed He shares with Hera every night. While She may spurn him for his dalliances, She seems to be very aware (as is He) that His needs are really only sated with Her and Hera rules the daily going on's on Olympus in His stead. Persephone might not hate the time She spends with Hades at all; She seems to have taken Her rightful place by His side as Queen of the Underworld and who knows? Perhaps She ate those pomegranate seeds of Her own free will?

I admit that the gender roles of ancient Hellas bother me. Reading these myths can leave a sour taste in my mouth that only washes away when I look beyond the words, to the messages themselves. By filling the gaps between myths, one can often reconcile their worries about the myths with their personal creed as well as moral guidelines like the Delphic Maxims. It's also very important to note the time period in which these myths were formed; Hellenic culture has its source in Mycenaean Hellas, starting roughly 3900 years ago. That's a lot of time to go by and women's rights weren't really a part of ancient living. Men were expected to provide, and healthy, powerful man simply had more prowess. It's not odd to think the Gods mirrored these societal bounds.

I doubt many (if any) Modern Hellenics long back for a time when men ruled over women in the way that is portrayed in myth. Rape is not condoned. Modern Hellenics try to read beyond the words to get to the message(s). The myths tell us something about the Gods but, like us, They have had a lot of time to evolve. This is a thought that must not be forgotten.