Showing posts with label Zeus. Show all posts
Showing posts with label Zeus. Show all posts

There are only three more constellations in the constellation series, and we will be talking about two of them today. But don't worry, I have a few bonus posts lined up around the theme. Today, we'll be talking about Ursa Major and Ursa Minor: the big and little bear.



Ursa Major (from the Latin: 'Larger She-Bear') is also known as the Great Bear and Charles' Wain. It is visible throughout the year in most of the northern hemisphere. Ursa Minor (from the Latin 'Smaller She-Bear') is also known as the Little Bear. Like Ursa Major, the tail of the Little Bear may also be seen as the handle of a ladle, hence the name Little Dipper. Both are amongst the 48 constellations listed by the 2nd century astronomer Ptolemy, and remain two of the 88 modern constellations. Ursa Minor is notable as the location of the north celestial pole, although this will change after some centuries due to the precession of the equinoxes.

The first mention of Ursa Minor in ancient Hellenic texts was by 6th century BC philosopher Thales of Miletus, who pointed out that it was a more accurate guide to finding true north than Ursa Major. This knowledge had reportedly come from the Phoenicians in the eastern Mediterranean, and the constellation bore the term Phoenikē. Homer had previously only referred to one 'bear', leading to speculation over what he saw the stars of Ursa Minor as, or whether they were recognised at all. From Hyginus' 'Astronomica':

"There is a great diversity of opinion, too, as to why the Lesser Bear is called Phoenice, and why those who observe her are said to navigate more exactly and carefully; why, also, if she is more reliable than the Great Bear, al do not watch her. These people do not seem to realize the reason for her being called Phoenice. Thales of Miletus, who searched into these matters carefully, and first called her Bear, was by birth a Phoenician, as Herodotus says. Therefore all those in the Peloponnesus use the first Arctos; the Phoenicians, however, observe the one they received from her discoverer, and by watching her carefully, are thought to navigate more exactly, and suitably call her Phoenice from the race of her discoverer." (II.2)

The ancient Hellenes linked Ursa Minor and Ursa Major to the myth of Kallistô and her son Arcas, both placed in the sky by Zeus. In this myth, Zeus and Kallistô had a son together: Arcas. After Arcas was born, Hera caught wind of the affair and turned Kallistô into a bear. Alternatively, Kallistô was a priestess of Artemis, and Artemis punished her for losing her virginity by turning her into a bear. Because of the metamorphosis, the boy was raised by his maternal grandfather Lycaon. When Arcas grew up, he went out to hunt and found a beautiful bear. He chased her through the woods. The bear--his transformed mother Kallistô--ran towards him as soon as she recognized her son. Arcas was terrified and raised his bow to shoot her. Zeus intervened swiftly and placed Kallistô and her son in the sky. In this interpretation, Kallistô became Ursa Major and Arcas either Ursa Minor or Boötes. A furious Hera asked Tethys to chain the two to the night's sky, so that the constellations would never sink below the horizon and receive water. An alternate myth tells of two bears that saved Zeus from his murderous father Kronus by hiding him on Mount Ida. Later Zeus set them in the sky, but their tails grew long from being swung by the God. Hyginus describes all of this in the following way:

"We begin, then as we said above, with the Great Bear. Hesiod says she is named Callisto [Kallistô], daughter of Lycaon, who ruled in Arcadia. Out of her zeal for hunting she joined Diana [Artemis], and was greatly loved by the goddess because of their similar temperaments. Later, when made pregnant by Jove [Zeus], she feared to tell the truth to Diana. But she couldn’t conceal it long, for as her womb grew heavier near the time of her delivery, when she was refreshing her tired body in a stream, Diana realized she had not preserved her virginity. In keeping with her deep distrust, the goddess inflicted no light punishment. Taking away her maiden features, she changed her into the form of a bear, called arktos in Greek . In this form she bore Arcas.
 
But as Amphis, writer of comedies, says, Jupiter, assuming the form of Diana, followed the girl as if to aid her in hunting, and embraced her when out of sight of the rest. Questioned by Diana as to the reason for her swollen form, she replied that it was the goddess’ fault, and because of this reply, Diana changed her into the shape we mentioned above. When wandering like a wild beast in the forest, she was caught by certain Aetolians and brought into Arcadia to King Lycaon along with her son as a gift, and there, in ignorance of the law, she is said to have rushed into the temple of Jove Lycaeus. Her son at once followed her, and the Arcadians in pursuit were trying to kill them, when Jupiter, mindful of his indiscretion, rescued her and placed her and her son among the constellations. He named her Arctos, and her son Arctophylax. About him we shall speak later.
 
Some, too, have said that when Callisto was embraced by Jove, Juno in anger turned her into a bear; then, when she met Diana hunting, she was killed by her, and later, on being recognized, was placed among the stars.
 
But others say that when Jupiter was pursuing Callisto in the woods, Juno, suspecting what had happened, hurried there so that she could say she had caught him openly. But Jove, the more easily to conceal his fault, left her changed to bear form. Juno, then, finding a bear instead of a girl in that place, pointed her out for Diana, who was hunting, to kill. Jove was distressed to see this, and put in the sky the likeness of a bear represented with stars.
 
This constellation, as many have stated, does not set, and those who desire some reason for this fact say that Tethys, wife of Ocean, refuses to receive her when the other stars come there to their setting, because Tethys was the nurse of Juno, in whose bed Callisto was a concubine.

 Araethus of Tegea, however, writer of histories, says that she wasn’t Callisto, but Megisto, and wasn’t the daughter of Lycaon, but of Ceteus, and so granddaughter of Lycaon. He says, too, that Ceteus himself was called the Kneeler. The other details agree with what has been said above. All this is shown to have taken place on the Arcadian mountain Nonacris.
 
Aglaosthenes, who wrote the Naxica, says that she is Cynosura, one of the nurses of Jove from the number of the Idaean nymphs. He says, too, that in the city called Histoe, founded by Nicostratus and his friends, both the harbour and the greater part of the land are called Cynosura from her name. She, too, was among the Curetes who were attendants of Jove. Some say that the nymphs Helice and Cynosura were nurses of Jove, and so for gratitude were placed in the sky, both being called Bears. We call them Septentriones." (II.1, II.2)

Because Ursa Minor consists of seven stars, the Latin word for "North" (i.e. where Polaris points) is septentrio, from septem (seven) and triones (oxen), from seven oxen driving a plow, which the seven stars also resemble. This name has also been attached to the main stars of Ursa Major. About this, Hyginus also has something to say:

"But many have said that the Great Bear is like a wagon, and the Greeks do call it amaza. This reason has been handed down: Those who, at the beginning, observed the stars and supposed the number of stars into the several constellations, called this group no “Bear” but “Wain,” because two of the seven stars which seemed of equal size and closest together were considered oxen, and the other five were like the figure of a wagon. And so the sign which is nearest to this they wished to be called Boötes. We shall speak of him later on. Aratus, indeed, says that neither Boötes nor the Wain has these names for the reason above, but because the Bear seems, wagon-like, to wheel around the pole which is called North, and Boötes, is said to drive her. In this he seems to be considerably in error, for later, in connection with the seven stars, as Parmeniscus says, twenty-five were grouped by certain astronomers to complete the form of the Bear, not seven. And so the one that followed the wagon and was formerly called Boötes, was now called Arctophylax [Bear Watchter], and she, at the same time that Homer lived, was called Bear. About the Septentriones Homer says that she was called both Bear and Wain; nowhere does he mention that Boötes was called Arctophylax." (II.2)
 
In a variant of the story, in which it is Boötes that represents Arcas, Ursa Minor represents a dog. This is the older tradition, which explains both the length of the tail and the obsolete alternate name of Cynosura (the dog's tail) for Polaris, the North Star. Cynosura is also described as a nurse of Zeus, honoured by the God with a place in the sky.
 
Ursa Major is visible at latitudes between +90° and −30°, and best visible at 21:00 (9 p.m.) during the month of April. Ursa Minor is visible at latitudes between +90° and −10°, and best visible at 21:00 (9 p.m.) during the month of June.

 Poseideon is the sixth month of the Hellenic calendar and we are slowly moving towards it. Poseideon is a special month; it was the month that would have been repeated (in a minor way) should the ancient calendar not line up with the phases of the moon (which it didn't, after a while). You can read more about that here as it is beyond the scope of this post. What I would like to talk to you about today is the divine triad that oversaw Poseideon (the quartet, actually, but we'll get to that) and its significance.

Poseideon was ruled by Poseidon (honoured during the Poseideia), Zeus (during the Plerosia and a seperate sacrifice to Zeus Horios) and Dionysos (during the Lesser Dionysia and secondarily during the Haloa). Poseideon is the first true winter month; the first harvest was over, seafaring had ceased and thus war had come to an end. The focus was on the home and preparation for true, deep winter: the weather turned and the crops needed protecting. Because of this, it was also a month of threat; if the crops failed, if the seas became too rough when a daring fisherman was out on it, or if a river went out of bounds and flooded a well populated area there would be death.

I get on my soapbox a lot on my blog. One of my main points is that everything is connected in the ancient Hellenic religion. That everything was constructed the way it was for a reason; the pantheon, the calendar, the festivals, the way festivals were celebrated--if you spend time to sort out the why, you will discover it's all part of an intricate web that formed an entire civilization. Nothing--absolutely nothing--in our religion and in the ancient civilization it was formed in ended up in it by accident. We have lost a lot of knowledge and understanding of this society but we can try to piece things together if we put in the effort. So today I will put in a little effort to explain why Poseideon was ruled by Poseidon, Zeus and Dionysos. And why it mattered that it were Them.

During the Poseideia, Poseidon as savior of ships, protector of those who voyage in ships, and God of the lapping waters both salt and fresh important for agriculture, is thanked for the many gifts that came from faraway places that were likely given at that time. The immense trade and distribution was nearly all through shipping, relatively little overland, whether it be perfume from Cyprus or pottery from Corinth. One of Poseidon’s epithets is prosklystios, 'of the lapping water'. He is also invoked as Poseidon phytalmios which implies natural fertility and human procreation.

The Plerosia is a harvest festival of sorts. It was held to honour Zeus but presumably als Demeter. Poseideon marks the time to return home, take stock, and stay warm. It's a time to thank the Theoi for all that has been recieved and all that will get us through the winter. The word ‘plerosis’ means fulfillment, satiated, filled. Important note: the Plerosia seems to have been a women-only festival, perhaps because now that winter is upon us, we turn to the domain of the women: the house(hold). As such, it is her prerogative to thank the Gods for the food she can feed her family with.

The lesser Dionysia, a vintage festival, was celebrated in the various demes of Attica in the month of Poseideon. It was probably a very ancient festival, perhaps not originally associated with Dionysos. The Dionysia was a time when classes came together in order to celebrate their shared origins in the natural world; it was a vintage festifal for all.

The Haloa was held in honor of Demeter, Dionysos and a little bit in honor of Persephone. Like all festivals of Demeter and Persephone's 'Kore' persona, women were the only ones who were allowed to handle the religious and sacrificial side of it. The Haloa is assumed to be a celebration of the pruning of the vines and the tasting of the wine after its first fermentation, or it may be to encourage the growth of corn from the seed.

A few links between Poseidon, Zeus and Dionysos are clear instantly from the descriptions of these festivals. Poseidon and Dionysos are linked through water--moisture, actually. Plutarch already noted that Dionysos was a God of moisture--in particular the moisture associated with life and vigour as can be seen in plants and trees and most telling in the wine produced from the fruits of the vine. Poseidon is all but the personification of water of all kinds. Furthermore, one of the epithets of Dionysos is Dendrites, ‘of the trees’, connects him to branching life. The tree was similarly a metaphor for rivers whose branching nature was morphologically similar. This links Dionysos to Poseidon even more.

And what of Poseidon and Zeus? Poseidon is the brother of Zeus and Hades, and together they form a triumvirate who represents the dominion of the sea, the sky and the underworld respectively. In Hellenic mythology, the underworld is seen as an exact mirror and equally valid version of the ‘celestial’ world. In other words: Zeus is Hades inverted and Poseidon is the synthesis of both. Dionysos therefore unifieds these god-themes and manifested them in the mundane world.

This brings us to Hades, the fourth member of this triad. He is worshipped too, just not directly--never directly. the ancient Hellenes very rarely honoured Hades, not even Plouton, His ouranic epithet. But Hades' influence was most definitely felt; he's the third of the triumvirate, He is prevalent in the threat of death that hangs over the month and He is appeased though a medium who is perhaps unlikely: Demeter.

Mythological and epithological links exist between Demeter and Hades. Hades was celebrated as an important divine figure in the Eleusinian Mysteries. The seasonal drama of nature was said to depend on her annual passage into the underworld in the depths of winter when fruitfulness and vegetation dies back. Through Kore (Persephone) Hades and Demeter rule over the harvest. Hades takes and Demeter gives--or more accurately: Hades causes Demeter to take instead of give. In praying for fruitfulness of the earth to Demeter, it is also Hades who is spoen to and appeased, which makes Him an unofficial member of the triad (this is likewise true for Demeter and even Kore/Persephone).

To compelete the circle, Dionysos and Demeter are worshipped together during the Haloa, which drives home the agricultural ties all these five deities have  and the way they link to the mundane issues of this time of year; Demeter and Hades (Plouton) through the fruitful earth (underworld), Zeus through mild weather (sky) and Poseidon and Dionysos through sweet water (the intermediate). Because of Their links and domains, it can be only these deities that govern Poseideon.

An invocation is a request for the spiritual presence and blessing of a deity during a rite. To invoke is to call upon earnestly, so an “invocation” in the context of prayer is a serious, intentional calling upon a God or Goddess. In Hellenic ritual, it's common for prayers of invocation to be offered every time a new deity is invoked, so we can be sure They will the hymns and prayers of petition offered to Them. Invocations fit into the rite like so:


- Lighting of the incense burner with frankincense
- Invocation to Demeter: Khaire Demeter, you who taught us to work the earth and provides for us so bountifully…
- Libation of a kykeon and sacrifices
- Orphic Hymn 40 To Eleusinian Demeter
- Prayers

A few days ago, I put up a list of invocations from the Iliad. People seemed to like it, so let's do another one today: from the Odysseia, because that is the logical step! The Odyssey (Ὀδύσσεια) is, in part, a sequel to the Iliad, the other work ascribed to Homeros. The Odyssey was composed near the end of the 8th century BC and focuses mainly on the hero Odysseus, king of Ithaca, and his journey home after the fall of Troy. It takes Odysseus ten years to reach Ithaca. In his absence, it is assumed Odysseus has died, and his wife Penelope and son Telemachus must deal with a group of unruly suitors, who compete for Penelope's hand in marriage. Needless to say, Odysseus keeps his lady love! There aren't as many invocation in this story as most of the characters tell their story themselves, but there are a few.

Artemis:
"Great Goddess Artemis, daughter of Zeus..."

Athena:
"Hear me, daughter of Aegis-bearing Zeus, unweariable..."

Eos:
"Rosy-fingered Eos, child of morning..."

Poseidon:
"O thou that encirclest the earth, vouchsafe to grant the prayers of thy servants that call upon thee..."

Themis:
"I pray you by Themis, who is the beginning and the end of councils..."

Zeus:
"Hear me, O King..."
"Father Zeus, and all you other gods who live in everlasting bliss..."
"Father Zeus, you who rule over heaven and earth, you have thundered from a clear sky without so much as a cloud in it, and this means something for somebody; grant the prayer, then, of me your poor servant who calls upon you..."

Did you know there was a constellation called 'the triangle'? And that the ancient Hellenes were aware of it, too? Triangulum is a small constellation in the northern sky. It was one of the 48 constellations listed by the second century astronomer Ptolemy, and so named for its three brightest stars, which form a long and narrow triangle. The Ancient Hellenes called Triangulum 'Deltoton' (Δελτωτόν), after the upper-case letter delta (Δ). Hellenic astronomers such as Hipparchos and Ptolemy called it Trigonon (Τρίγωνον).



There is not a lot of mythology connected to this tiny constellation, but the lore that it has is quite important. Hyginus, in his 'Astronomica' explains the options:

"This constellation, which has three angles like the Greek letter Delta, is so named for that reason.
Mercury [Hermes] is thought to have placed it above the head of Aries, so that the dimness of Aries might be marked by its brightness, wherever it should be, and that it should form the first letter in the name of Jove [Zeus] (in Greek, Dis).
Some have said that it pictures the position of Egypt; others, that of Aethiopa and Egypt where the Nile marks their boundaries. Still others think that Sicily is pictured there.
Others, say that three angles were put there because the gods divided the universe into three parts." [II.19]

The latter is the only one that might need some explaining. Zeus, the greatest of the Olympian Gods, and the father of Gods and men, was a son of Kronos and Rhea, a brother of Poseidon, Hades, Hestia, Demeter, Hera. When Zeus and His brothers drew lots for the rule of the world, Poseidon obtained the sea, Hades the lower world, and Zeus the heavens and the upper regions, but the earth belonged to them all. To quote the 'Iliad' by Hómēros:

"Poseidon was very angry and said, "Great heavens! strong as Zeus may be, he has said more than he can do if he has threatened violence against me, who am of like honour with himself. We were three brothers whom Rhea bore to Kronos--Zeus, myself, and Hades who rules the world below. Heaven and earth were divided into three parts, and each of us was to have an equal share. When we cast lots, it fell to me to have my dwelling in the sea for evermore; Hades took the darkness of the realms under the earth, while air and sky and clouds were the portion that fell to Zeus; but earth and great Olympus are the common property of all." [XV.187]

The constellation Triangulum is visible at latitudes between +90° and −60°, and best visible at 21:00 (9 p.m.) during the month of December.

Taurus is a large and prominent constellation in the northern hemisphere's winter sky. It is one of the oldest constellations, dating back to at least the Early Bronze Age when it marked the location of the Sun during the spring equinox. It's located in the northern hemisphere's winter sky, between Aries to the west and Gemini to the east; to the north lie Perseus and Auriga, to the southeast Orion, to the south Eridanos, and to the southwest Cetus. This constellation forms part of the zodiac, and hence is intersected by the ecliptic. This circle across the celestial sphere forms the apparent path of the Sun as the Earth completes its annual orbit. As the orbital plane of the Moon and the planets lie near the ecliptic, they can usually be found in the constellation Taurus during some part of each year.


 

In Hellenic mythology, Taurus was identified with Zeus, who assumed the form of a magnificent white bull to abduct Europa, a legendary Phoenician princess. In illustrations of Hellenic mythology, only the front portion of this constellation are depicted; this was sometimes explained as Taurus being partly submerged as he carried Europa out to sea. From Apollodorus' 'Library':

"...But some say that Europa was a daughter not of Agenor but of Phoenix. Zeus loved her, and turning himself into a tame bull, he mounted her on his back and conveyed her through the sea to Crete. There Zeus bedded with her, and she bore Minos, Sarpedon, and Rhadamanthys; but according to Homer, Sarpedon was a son of Zeus by Laodamia, daughter of Bellerophon. On the disappearance of Europa her father Agenor sent out his sons in search of her, telling them not to return until they had found Europa. With them her mother, Telephassa, and Thasus, son of Poseidon, or according to Pherecydes, of Cilix, went forth in search of her. But when, after diligent search, they could not find Europa, they gave up the thought of returning home, and took up their abode in divers places..." [3.1.1]

A second Hellenic myth portrays Taurus as Io, a mistress of Zeus. To hide his lover from his wife Hera, Zeus changed Io into the form of a heifer. From Hyginus' 'Fabulae':

"Jupiter [Zeus] loved and embraced Io, and changed her to heifer form so that Juno [Hera] would not recognize her. When Juno found out, she sent Argus, who had gleaming eyes all around to guard her. Mercury, at Jove’s command, killed him. But Juno sent a fearful shape to plague her, and out of terror of it she was driven wildly and compelled to cast herself into the sea, which is called Ionian. Thence she swam to Scythia, and the Bosporus is named from that; thence she went to Egypt where she bore Epaphus. When Jove realized that for his sake she had borne such suffering, he restored her to her own form, and made her a goddess of the Egyptians, called Isis." [145]

Greek mythographer Acusilaus marks the bull Taurus as the same that formed the myth of the Cretan Bull, one of The Twelve Labours of Hēraklēs.

There are two more myths linked to this constellation, one that relates to the Hyades, and one to the Pleiades. The Hyades were daughters of Atlas (by either Pleione or Aethra, one of the Oceanides) and sisters of Hyas in most tellings, although one version gives their parents as Hyas and Boeotia. The Hyades are sisters to the Pleiades and the Hesperides. They are a sisterhood of nymphs that bring rain. These five nymphs whose stars outline the face of the bull Taurus. They were nurses of the god Dionysus who were awarded for their service with a place amongst the stars of heaven. Their rising heralded the onset of the rainy season in Greece. Some say they were teary nymphs placed in the heavens following the death of their brother Hyas, who was killed by a lion. Presumably this Hyas and the lion were represented by the constellations Aquarius and Leo. According to Hyginus in his 'Astronomica':
"It faces towards the East, and the stars which outline the face are called Hyades. These, Pherecydes the Athenian says, are the nurses of Liber [Dionysos], seven in number, who earlier were nymphae called Dodonidae. Their names are as follows: Ambrosia, Eudora, Pedile, Coronis, Polyxo, Phyto, and Thyone. They are said to have been put to flight by Lycurgus and all except Ambrosia took refuge with Theits, as Asclepiades says. But according to Pherecydes, they brought Liber to Thebes and delivered him to Ino, and for this reason Jove expressed his thanks to them by putting them among the constellations." [II.21]

The seven nymphs whose stars form the 'tail' of the bull Taurus are called the Pleiades. The sisters were placed amongst the stars by the Zeus, after the lustful giant Orion had pursued them across the earth for seven years. Orion was also set in heaven, but doomed to continue a futile chase for all eternity. Again from Hyginus:

"The Pleiades were so named, according to Musaeaus, because fifteen daughters were born to Atlas and Aethra, daughter of Ocean. Five of them are called Hyades, he shows, because their brother was Hyas, a youth dearly beloved by his sisters. When he was killed in a lion hunt, the five we have mentioned, given over to continual lamentation, are said to have perished. Because they grieved exceedingly at his death, they are called Hyades. The remaining ten brooded over the death of their sisters, and brought death on themselves; because so may experienced the same grief, they were called Pleiades. Alexander says they were called Hyades because they were daughters of Hyas and Boeotia, Pleiades, because born of Pleio, daughter of Ocean, and Atlas.
 
The Pleiades are called seven in number, but only six can be seen. This reason has been advanced, that of the seven, six mated with immortals (three with Jove, two with Neptune, and one with Mars); the seventh was said to have been the wife of Sisyphus. From Electra and Jove, Dardanus was born; from Maia and Jove, Mercury; from Taygete and Jove, Ladedaemon; from Alcyone and Neptune, Hyrieus; from Celaeno and Neptune, Lycus and Nycteus. Mars by Sterope begat Oenomaus, but others call her the wife of Oenomaus. Merope, wed to Sisyphus, bore Glaucus, who, as many say, was the father of Bellerophon. On account of her other sisters she was placed among the constellations, but because she married a mortal, her star is dim. Others say Electra does not appear because the Pleiades are thought to lead the circling dance for the stars, but after Troy was captured and her descendants through Dardanus overthrown, moved by grief she left them and took her place in the circle called Arctic. From this she appears, in grief for such a long time, with her hair unbound, that, because of this, she is called a comet.
 
But ancient astronomers placed these Pleiades, daughters of Pleione and Atlas, as we have said, apart from the Bull. When Pleione once was travelling through Boeotia with her daughters, Orion, who was accompanying her, tried to attack her. She escaped, but Orion sought her for seven years and couldn’t find her. Jove, pitying the girls, appointed a way to the stars, and later, by some astronomers, they were called the Bull’s tail. And so up to this time Orion seems to be following them as they flee towards the west. Our writers call these stars Vergiliae, because they rise after spring. They have still greater honour than the others, too, because their rising is a sign of summer, their setting of winter - a thing is not true of the other constellations." [II.21]
 
The constellation Taurus is visible at latitudes between +90° and −65°, and best visible at 21:00 (9 p.m.) during the month of January.

On 12 Metageitnion, two separate rites were held, one in Erkhia and one in Athens. The first was in honor of Demeter, the other in honor of Zeus Polieus, Athena Polias, and Apollon Lykeios. On 21 August, so today, at 10:00 AM EDT, we will combine both rites into a single PAT ritual.



Demeter, we all know, and she is not listed with a specific epithet. Zeus, Athena, and Apollon, however, are. Zeus Polieus and Athena Polias were protectors of the city. That is literally the translation of their epithet: 'of the city'. Apollon Lykeios means 'of the wolves'.

From the Erkhian ritual calendar, we know that the sacrifices to Apollon, Zeus, and Athena were not to be removed from the site and were thus to be eaten on the spot after part of the offering was sacrificed. In all cases, this offering was a white sheep, male for the male Gods, female for the female Gods. Demeter also got a female sheep, but her entry does not have a note to not remove the meat from the location, meaning the meat could potentially be taken away to be eaten later, or sold at shops founded especially for the purpose.

Will you be joining us in honoring these Gods on 21 August, at 10:00 AM EDT? The ritual can be found here, and you can join our community here.

Welcome to another constellation post; this one is one of my favourites. Who doesn't love a winged horse? The constellation is called 'Hippos' (the Horse) in Greek and has some badass mythology attached to it.


Pegasos was originally only one winged horse, born from the neck of Médousa when she was beheaded by the hero Perseus. Poseidon, Tamer of Horses, is his father. Hesiod describes in his 'Theogony' the curious circumstances of his birth:


"...Medusa who suffered a woeful fate: she was mortal, but the two [of her Gorgon sisters] were undying and grew not old. With her lay the Dark-haired One [Poseidon] in a soft meadow amid spring flowers. And when Perseus cut off her head, there sprang forth great Chrysaor and the horse Pegasus who is so called because he was born near the springs [pegae] of Ocean [Okeanos]; and that other, because he held a golden blade [aor] in his hands. Now Pegasus flew away and left the earth, the mother of flocks, and came to the deathless gods: and he dwells in the house of Zeus and brings to wise Zeus the thunder and lightning." [ll 270-294]

Pegasos was tamed by Bellerophon, a Korinthian hero, who rode him into battle against the fire-breathing Khimaira. Pindar, in his beautiful Olympian Odes describes this cooperation wonderfully:

"Bellerophon, who once suffered greatly when beside the spring he wanted to harness Pegasus, the son of the snake-entwined Gorgon; until the maiden Pallas brought to him a bridle with golden cheek-pieces. The dream suddenly became waking reality, and she spoke: “Are you sleeping, king, son of Aeolus? Come, take this charm for the horse; and, sacrificing a white bull, show it to your ancestor, Poseidon the Horse-Tamer.” The goddess of the dark aegis seemed to say such words to him as he slumbered in the darkness, and he leapt straight up to his feet. He seized the marvellous thing that lay beside him, and gladly went to the seer of the land,  and he told the son of Coeranus the whole story: how, at the seer's bidding, he had gone to sleep for the night on the altar of the goddess, and how the daughter herself of Zeus whose spear is the thunderbolt had given him the spirit-subduing gold. The seer told him to obey the dream with all speed; and, when he sacrificed a strong-footed bull to the widely powerful holder of the earth, straightaway to dedicate an altar to Athena, goddess of horses. The power of the gods accomplishes as a light achievement what is contrary to oaths and expectations. And so mighty Bellerophon eagerly stretched the gentle charmed bridle around its jaws and caught the winged horse. Mounted on its back and armored in bronze, at once he began to play with weapons. And with Pegasus, from the chilly bosom of the lonely air,7 he once attacked the Amazons, the female army of archers, [90] and he killed the fire-breathing Chimaera, and the Solymi. I shall pass over his death in silence; but Pegasus has found his shelter in the ancient stables of Zeus in Olympus." [13. 63]

As a constellation, it's arrival in the sky notes the arrival of the warmer weather of spring and seasonal rainstorms, which is also why it got the job and title of thunderbolt-bearer of Zeus. Hyginus in his 'Astronomica' speaks of the events that led up to Pegasos' immortalization in the sky:

"Others say that at the time Bellerophon came to visit Proetus, son of Abas and king of the Argives, Antia, the king’s wife, smitten with love for the guest, begged to visit him, promising him her husband’s kingdom. When she couldn’t obtain this request, out of fear that he would accuse her to the king, she anticipated him by telling Proetus that he had offered violence to her. Proetus, who had been fond of Bellerophon, was reluctant to inflict punishment himself, but knowing that he had the horse Pegasus, sent him to the father of Antia (some call her Sthenoboea), for him to defend his daughter’s chastity and send the youth against the Chimera, which at that time was laying waste with flames the country of the Lycians.

Bellerophon was victor, and escaped, but after the creation of the spring, as he was attempting to fly to heaven, and had almost reached it, he became terrified looking down at the earth, and fell off and was killed. But the horse is said to have flown up and to have been put among the constellations by Jove [Zeus]. Others have said that Bellerophon fled from Argos not because of Antia’s accusations, but so as not to hear any more proposals which were distasteful to him, or to be distressed by her entreaties." [II.18]

Although most would agree that it is Pegasos whom the constellation denotes, there is one other explanation, there because her mythology is usually tied to the constellation Equuleus: the little horse. Her name is Melanippe (Εὐίππη), daughter of the kéntauros Kheiron. She became pregnant and could not let her father know. As such, she begged the Gods to be transformed into a mare. Also from Hyginus's Astronomica:
 
"Euripides in his Melanippe, says that Melanippe, daughter of Chiron the Centaur, was once called Thetis. Brought up on Mount Helicon, a girl especially fond of hunting, she was wooed by Aeolus, son of Hellen, and grandson of Jove, and conceived a child be him. When her time drew near, she fled into the forest, so that her father, who supposed her a virgin, might not see that she had given birth to a grandchild. And so when her father was looking for her, she is said to have begged the power of the gods not to let her father see her in childbirth. After the child was born, by the will of the gods she was changed into a mare which was placed among the stars."

He also gives another reason for her change:

"Some say that she was a prophetess, and because she used to reveal the plans of the gods to men, she was changed into a mare. Callimachus says that because she ceased hunting and worshipping Diana [Artemis], Diana changed her into the shape we have mentioned. For the reason above, too, she is said to be out of sight of the Centaur, who some say is Chiron, and to show only half her body, since she didn’t want her sex to be known."

The constellation is visible at latitudes between +90° and −60°, and best visible at 21:00 (9 p.m.) during the month of October.

Very few heroes in ancient Hellas had quite the impact of Herakles. Both mythologically speaking and as a practical part of the religion, Herakles has a special place and he is honored during the Herakleia. Will you honor him with us tomorrow, on August 11 at the usual 10 am EDT?


Herakles was conceived by Zeus upon Alkmene, as He disguised Himself as her husband, returning early from war. Alkmene accepted Him in her bed gladly, as she was happy to see her husband again. When the real Amphitryon did return later that night, Alkmene realized what had happened, and told her husband. Amphitryon accepted her in his bed, regardless, and so she became pregnant with twins, one fathered by Zeus, and one by her mortal husband.

Hera, hearing of the affair, took an instant disliking to the unborn child. When it became time for Alkmene to give birth, Hera made Zeus swear a vow that a child born in the line of Perseus on this day would become King. Zeus agreed, and Hera hurried off to delay the birth of Herakles and Iphikles, and hurry along the birth of Eurystheus (Εὐρυσθεύς), grandson of Perseus. The two had unknowingly become part of a contest of wills between Zeus and Hera, to decide who would be the hero to drive off the last of the great monsters and pave the way for the Olympians.

Eventually, Hera was tricked into allowing the children born, as She would have postponed their delivery indefinitely. Alkmene, aware of the divine spark in one of her sons, took her distance from him, but the young Herakles was taken up by Athena and taken to Hera, who did no recognize the newborn nemesis of Her candidate, and took pity on him. She fed him from Her breast, but when he suckled so hard that he caused Her pain, She realized who he was, and cast him off. Athena rescued the infant and took him back to his mortal parents. Alkmene took him back and raised him with her husband.

Herakles was a strong child, so strong, in fact, that he inadvertently killed his music teacher Linos (Λῖνος) with a lyre, for which he was tried and found not guilty. He was still made to leave the city, however. Herakles set out to perform feats of strength, starting by defeating the lion of Kithairon, which had been a bane to his stepfather for far too long. Thespios, King of Thespiae, housed Herakles for fifty days as he hunted for the lion, and every night Thespios placed one of his fifty daughters in his bed, although Herakles thought he was only sleeping with one. Herakles eventually vanquished the lion. He dressed himself in the skin, and wore the scalp as a helmet. The Gods lavished him with gifts: a sword from Hermes, bow and arrows from Apollon, a golden breastplate from Hephaistos, and a robe from Athena. His famous club he made himself at Nemea.

Next, Herakles was drawn into a war between the Thebans and the Minyans. He happened upon heralds from King Klymenos, who had won a previous battle with Thebes and now demanded tribute from them. Herakles, who had been living in Thebes, cut the ears, noses and hands off of all but one of the heralds and told the last remaining one to take them back to his king as tribute. In the battle that followed, Herakles fought bravely with the king's army, and his side eventually won, earning him his wife Megara, eldest daughter of King Kreon of Thebes.

Due to Hera's jealousy, he was stricken mad and killed the five sons he had by his wife. When he was released from his madness by a hellebore potion--provided by Antikyreus--and realized what he had done, he cried out in anguish, and went on a long journey to cleanse himself of the miasma caused by these killings. First, he visited the oracle at Delphi, who, unbeknownst to him, was whispered to by Hera. The Oracle told Herakles to serve the king of Tiryns, Eurystheus, for ten years and do everything Eurystheus told him to do. Eurystheus gladly provided Herakles with these labors--ten of them, one for each year--and eventually ended up adding two more, resulting in the Twelve Labors of Herakles.

The Herakleia (Ἡράκλεια ἐν Κυνοσάργει, Herakleia en Kynosargei) were ancient festivals commemorating the death of Herakles. In Athens, the celebration was held just outside the city walls, in a sanctuary dedicated to Herakles. His priests were drawn from the list of boys who were not full Athenian citizens (nothoi, illegitimate children, like him) and were named 'parasitoi'. The Attic cults of Herakles were often closely connected with youth: at several of his cult sites there was a gymnasion attached, and there was a mythological tradition (perhaps originating in Boeotia) that after Herakles died he was taken up to Olympus, where he married Hebe, the personification of youth. Because of this, Herakles is sometimes worshipped as a God and sometimes as a dead hero.

In Thebes, the center of the cult of Herakles, the festivities lasted a number of days and consisted of various athletic and musical contests (agones), as well as sacrifices. They were celebrated in the gymnasium of Iolaus, the nephew and eromenos of Herakles, and were known as the Iolaeia. The winners were awarded brass tripods.

Will you join us in honoring Herakles on this day? You can join the community here and find the ritual here.

 I greatly enjoy watching the Olympics. I enjoy watching sport in general, but this is a competition which started in Greece, by the people who worshipped the same Gods as I do, people whose lives I'm trying to reconstruct. Watching the Olympics is religious for me. Did you know all of this about the Olympics?


An artist's impression of Altis, the sanctuary in Olympia
  1. The Olympic Games were held every four years, like they are now, from 776 B.C. to A.D. 394. They were, however, part of a cycle of sports events, known as the Panhellenic Games. The Olympic Games were dedicated to Zeus, were held in Olympia, Elis, and were held every four years. The Pythian Games were dedicated to Apollon, were held in Delphi and were held every four years, starting three years after the Olympic Games. The Nemean Games were dedicated to Zeus also, were held in Nemea, Corinthia, and were held every two years. Lastly, the Isthmian Games were dedicated to Poseidon, were held in Corinth, and were also held every two years.
  2. The most important events at the Olympic Games weren't the sport events; they were the sacrifices, offerings and other dedicatory practices which were continually performed during the five day event. There were also artistic happenings; writers, sculptures and painters showed what they could do in their given trade. Palmistry was practiced, wine flowed freely and there were a lot of prostitutes, who made more money in these five days than in the whole of a year without the sporting event. The Olympics were a festival unlike any other and every four years Hellas went nuts for it.
  3. The opening ceremony was as spectacular as it is today, but in an entirely different manner; athletes filed into the arena and were presented to the audience. Then, they were presented to a towering statue of Zeus, who carried a thunderbolt and a heft scowl. They swore on a bloody slice of boar's meat that they would obey the rules of the competition and not cheat to gain victory.
  4. The torch relay I take great joy in, was not practiced in Ancient Greece. In fact, it was introduced in 1936 by Hitler in response to an idea by Carl Diem to further the reign of the Nazi's and, in their eyes, glorify the Aryan super race, the Spartans. 
  5. Not everyone was allowed to participate in the games; non-Hellenics and women were unable to compete. There were exceptions made for non-Hellenics, like Roman Emperor Nero, when the situation called for it, but women were never allowed to compete. Married women weren't even allowed to enter the arena. There was, however, a secondary series of sporting events held in honor of Hera where women competed.
  6. The Olympic sport events back then were: chariot racing, wrestling, boxing, pankration, foot races, and the pentathlon which consisted of wrestling, stadion, long jump, javelin throw, and discus throw. Pankration was a fighting sport in which everything went. It was a kind of mixed martial-arts event in which broken bones were the norm, choke holds were encouraged and the only thing that you really couldn't do was gauge someone's eyes out. Everything else went. You won when the other guy went K.O.
  7. Except the chariot races, all Olympic sports were performed naked. This included the Pankration, so you can imagine where most of the pain was inflicted. The woman weren't completely naked, but participated with one breast exposed, in honor of the Amazonian women who were said to be so incredible at sports and warfare alike. 
  8. Over 40.000 people came to watch the Games. Olympia was in the middle of nowhere. If you came from Athens, it meant a 340 kilometer (210 mile) long walk just to get to Altis. Because of the festival and the presence of the Gods, all these people traveled the distance anyway.
  9. The end of the Olympic Games is guestimated to 394 A.D. after a decree to cease all pagan festivals by Christian emperor Theodosius I.
  10. Winners of the Olympic Games got rather minor rewards; Olympic winners received a garland of olives, Pythian winners received a laurel wreath, Nemean winners received a wild celery garland and the Isthmian winner received a pine garland. There was no runner-up; you won or you lost. All athletes were bathed in fame and glory until they lost, but the winner was brought home to his polis a king. He would never have to work again, was covered in riches and women, and his name and family name would be forever remembered and honored.

 I've always been a little intrigued with the two-time creation of humanity in Hellenic mythology. While Christianity's end of humanity by way of deluge is much more well-known, and everyone knows about Noah and his ark, humanity in Hellenic mythology also ended and was revived. Story time:


After the Titanomachy--the war in which the Olympic Gods took control from the elder generation of Gods, the Titans--ended, Zeus claimed His throne as rightful King to the Deathless Ones. Humanity did not yet exist. While most Titans were locked away in Tartarus by Zeus, the Titans Prometheus and Epimetheus--who were brothers--had been either neutral or on the side of Zeus during the Titan War and were therefor given a task. Prometheus was given the task of creating man and Epimetheus was ordered to give good qualities to all creatures of earth. So did Prometheus and Epimetheus. Prometheus shaped man out of clay and Athena breathed life into him. Epimetheus spread swiftness, cunning, fur and wings but ran out of gifts when he came to man. Prometheus remedied the situation by allowing men to walk upright and gave them fire.

It soon became apparent that Prometheus loved man more than the Olympians. When Zeus decreed that man must give sacrifice to the Deathless Ones, Prometheus stood ready to aid humanity. He butchered an animal and divided it into piles; the bones and fat formed one of them, the good meat wrapped in the hide of the animal, the other. Zeus vowed that he would abide by the choice of sacrifice He made now, and picked the tasty looking pile of bones. Zeus was angered but could not take back his vow: from that point on, the Gods would get the fat and the bones from a sacrificed animal. The humans were entitled to the meat and the hide. What He could take back was the gift of fire, and this He did.

Mankind suffered greatly without fire and Prometheus traveled either to the sun or Olympus to reclaim fire for his beloved mankind. This, of course, angered Zeus even further and so He devised a plan. First, He imprisoned Prometheus. He ordered Hermes to tie Prometheus to a mountain and had a giant eagle come every day to eat his liver. As an immortal, Prometheus' liver grew back over night so his torment was endless. Before Prometheus had been taken prisoner, however, he had told his brother Epimetheus never to accept a gift from Zeus, as Zeus' wrath would undoubtedly also extend to the mortal race He had created.

And Zeus, indeed, was not done with His punishment. After imprisoning Prometheus, Zeus assembled the Theoi. He told Hēphaistos to fashion a woman out of water and clay. Hēphaistos did and brought the statue before Zeus. Zeus then asked Aphrodite to bless the woman with a beauteous face and feminine whiles. He asked Athena to dress her modestly and give her the ability to weave and craft, Demeter taught her to tend the garden. From Apollon, she received the ability to make music and sing. All Gods gave her treacherous gifts, including Hera, who made her curious, and Hermes, who made her cunning and quick of the tongue. Then, Zeus named her Pandôra (Πανδωρα), All-Giving, and breathed life into her. He then bade Hermes to deliver her to Epimetheus, along with a vase (pithos) Pandôra was never allowed to open.

Epimetheus had been warned by Prometheus never to open or accept a gift from Zeus, but he laid eyes on Pandôra's beauty and fell in love too deeply to reject her. He took her into his home amongst men and wedded her right away. Pandôra loved Epimetheus, because he was a good man and good husband. She worked tirelessly to please him and helped him keep the home. Yet, she found herself drawn to the pithos she was told never to open. Her eyes would wander to it constantly and Hera's gift eventually prevented her from holding to her promise.

On a day when Epimetheus was away from the home, Pandôra decided to risk a sneak peak at the contents she had fantasized about so often. She pulled the lid off of the pithos and out flew dark spirits of disease, death and the destruction of humanity. Pandôra hastened to seal the jar but managed to trap only Hope (Elpis)--by Zeus' decree or by mere accident.

Mankind was now plagued with illness, with failing crops, with all that makes life hard. But they had Hope and soon, Pyrrha (Fire) was born to Epimetheus and Pandôra. Prometheus had a son, Deukalion, with Pronoia, an Okeanid nymph of Mount Parnassos in Phokis. They lived in the time of the Bronze Race of Man, a corrupt age in which the Gods were rarely worshipped. Zeus was angered by their hubris and decided to end this race of man. He sent a great deluge, killing everyone but Deukalion and Pyrrha, who were warned of the flood by Prometheus. They did not build a boat, but clung to a chest, eventually sailing to the mountain peaks of Parnassos. 

Once Zeus caused the water to recede, Deukalion and Pyrrha travelled to the oracle of Delphi and begged to learn how they could bring back mankind. They were told that they needed to cast the bones of their mother over their shoulders, and they understood that they needed to pick up stoned and toss them, because Gaia, the earth, is everyone's mother. Where the pebbles landed, humans rose from the earth. Deukalion created the men and Pyrrha the women, and from their efforts, humankind once more arose to populate the earth.

There are more flood myths in Hellenic mythology--Philemon and Baucis, for example--but none as all-consuming as this one, sent by Zeus. This severe example acts as a warning to mankind: the ultimate display of destructive power by the Gods should mankind disobey Them. In this case, human kind was unethical, did not give to the Gods, and overstepped their bounds. Autochthonous births (αὐτός χθών, 'earth-born') are also well-known in Hellenic mythology. Many ancient Hellenic kings traced their line back to Gaia in this way. These two themes give us an ethical standard to live up to, explain our place in the universe, and connect us to the divine in a beautiful and enlightening way. These are the major reasons why I enjoy this myth so much.

On May 28th, which coincides with 16 Thargelion, Elaion will hold a PAT ritual to Zeus Epakrios as was done on this day in ancient Erkhia. Will you be joining us at the usual 10 AM EDT?



Zeus Epakrios (Ἐπάκριος) is an epithet of Zeus derived from 'epi akrios', literally 'on the height' or 'upon the high place'. Zeus Epakrios had an altar on Mount Hymettos (Υμηττός), along with an altar to Zeus Hymettios (overseer) and Zeus Ombrios (of the rain). The cult to Zeus Epakrios seems to have been separate from the cults of Zeus Hymettios and Zeus Ombrios, with the altars of Zeus Epakrios and Ombrios located on the very summit of the mountain and the altar to Zeus Hyettios further down the slope. The altar of Zeus Epakrios lay unused for a while, even though the altar of Zeus Hymettios remained in use. The altar to Zeus Ombrios remained in use well into the 8th-7th centuries BC. All ancient remains of the altar to Zeus Epakrios have been obliterated by recent military building operations.

The Princeton Encyclopedia of Classical Sites tells us about Mt. Hymettos:

"Separating the southern end of the plain of Athens from that of the Mesogaia to the east is the mountain range of Hymettos. In antiquity Hymettos was famous for honey and marble, and the scars of the worked-out quarries can be seen concentrated for the most part on the western slopes for a distance of 3 km south from Kaisariani. The bare summit performed a different function: even as today, it gave the Athenians a reliable indication of weather by the presence, or absence, of threatening clouds."

We are not entirely certain of the funtion of the sacrifice or the epithet. 'On the height' speaks for itself when taken together with the location of the altar, but it says nothing of its function. We do know that the altar was only visited once a year, for this sacrifice. It stands to reason that Zeus Epakrios oversaw the weather, as did Zeus Ombrios and Zeus Hymettios. In this time of year, sacrifices would have called for good weather for the continuation of the agricultural cycle and perhaps the herding of sheep and other grazers on the mountain who were presumably used to keep the area open for herbs and flowers for the honey creating bees to feast on.

The sacrifice was nephalios (wineless) and au phora (not carried – totally consumed (on site)).

The ritual for the event can be found here and you can join the community page on Facebook here.

Some constellations have barely any mythology connected to them, or are so entrenched in a major epic that writing about them is very straight forward. Others, not so much. Cygnus is one of them. This particular swan can be any of six mortal or immortal men.



One can not mention a swan in connection to Hellenic mythology and not think of the love affair between Zeus and Leda, the affair that led to the birth of some very influential people in Hellenic mythology. Leda (Λήδα) was the daughter of the Aetolian king Thestius (Θέστιος), and wife of the king Tyndareus (Τυνδάρεως), of Sparta. Zeus looked upon the beautiful Leda and fell for her instantly. In the guise of a swan, He came to her, seeking refuge in her arms from an eagle. Leda sheltered Him, and lay with Him--either after He transformed into a man, or while He was still a swan. That night, she also slept with her husband. She became pregnant and gave birth to two eggs, one housing Helene (Ἑλένη) and Klytaemnestra (Κλυταιμνήστρα), and the other Kastor and Polideukes (Κάστωρ καὶ Πολυδεύκης). Its also said that Zeus laid with Nemesis and She gave birth to an egg that housed either Helene alone, or her sister as well. A shepherd found the egg and took it to Leda, who hatched it, and adopted the child or children. In the first case, the swan is Zeus, in the latter, the swan was placed in the sky to celebrate the birth of Helene.

The second male the constellation is identified with is Orpheus. After being forced to leave Euridice in the Underworld, he travels the world with his lyre. He renounces both women, and many of the Theoi, pained as he is by the loss of his beloved wife. One day, he either sacrifices to Apollon--one of the few, or even the only Theoi he still offers to--at a shrine to Dionysos, and is discovered by the female revelers. Alternatively, the revelers stumble upon him as he plays, and they can't appreciate his divine music, or a group of women falls upon him for denouncing women. Whatever the case, Orpheus is ripped apart. His lyre is placed into the sky, and he is placed in the sky near the lyre by Zeus in the form of a swan. Plato explains this odd choice in his 'Republic', when he speaks of reincarnation:

"He said it was a strange, pitiful, and ridiculous spectacle, as the choice was determined for the most part by the habits of their former lives. He saw the soul that had been Orpheus’, he said, selecting the life of a swan, because from hatred of the tribe of women, owing to his death at their hands, it was unwilling to be conceived and born of a woman." (X, 620a)

I'm going to conflate the last four. All of them were named 'Kyknos' (Κύκνος). The first was a bloodthirsty son of Ares, who slaughtered all his guests when they came to his door. Hēraklēs killed him, either in self-defense, or in honorable battle. In one version of the story, Ares transforms His son into a swan before Hēraklēs can deliver his deathly blow, preferring this solution over his son's death. The second Kyknos was the son of Poseidon, and King of Kolonai. As the son of Poseidon, he was impervious to both spear and sword attacks, as such, he was suffocated by Achilles during the battle for Troy. After his death, this Kyknos, too, was turned into a swan.

The third Kyknos was a human King of Ligûria, and friend--or lover--of Phaëthon, son of Hēlios. When Phaëthon was killed by Zeus after scorching the earth, Kyknos was inconsolable. He spent the rest of his life mourning Phaëthon. To relief his suffering, Zeus transformed him in a swan, and was later put into the sky by Apollon. The last of the Kyknos' associated with this myth was a son of Apollon. This Kyknos was a handsome but arrogant man. Many young boys fell for his looks, but his personality drove them off again. One of the young men, Phylios, loved Kyknos unconditionally, but Kyknos felt the need to test Phylios' resolve, trying to scare him off. The first task was to kill a lion that was threatening the neighborhood without use of any weapons. The second task was to catch two man-eating vultures of enormous size that were posing an equal threat to the neighborhood, again without use of any devices. Finally, Phylios had to bring a bull to the altar of Zeus with his own bare hands. With divine help, Phylios managed to complete all three tasks, but Hēraklēs cured the boy of his love for Kyknos. Kyknos, enraged and humiliated, took his own life by drowning. His mother did the same. Out of love for the both of them, Apollon turned them both into swans. In the words of Roman poet Ovid, in his Metamorphoses:

"Whilst here, within the dismal gloom, alone, 
The melancholy monarch made his moan, 
His voice was lessen'd, as he try'd to speak, 
And issu'd through a long-extended neck; 
His hair transforms to down, his fingers meet 
In skinny films, and shape his oary feet; 
From both his sides the wings and feathers break; 
And from his mouth proceeds a blunted beak: 
All Cycnus now into a Swan was turn'd, 
Who, still remembering how his kinsman burn'd, 
To solitary pools and lakes retires, 
And loves the waters as oppos'd to fires."
(II 374-382)

The next time you look to the heavens and see constellation Cygnus, you'll have quite the stories to tell. The constellation is visible at latitudes between +90° and −40°, and best visible at 21:00 (9 p.m.) during the month of September.

The restoration of the ancient city of Aizanoi, located in the Çavdarhisar district of western Turkey's Kütahya province, is expected to be resumed in April, Kütahya Governor Ali Çelik announced Sunday. Çelik stated that the excavation and restoration work at the 5,000-year-old site was to be continued in April after being halted due to the global COVID-19 pandemic.

“We will be restoring the Roman Bridge, five derelict structures across the temple and the Excavation Experience House whose project has been approved. We will also continue excavations at the sites of Penkalas creek and the Odeon region in April. We will be making environmental planning around the Penkalas creek in accordance with its ancient historical texture.” 

Aizanoi is a particularly special archaeological city of Turkey's many world-famous ancient sites, as it is home to one of the best-preserved temples in Anatolia dedicated to Zeus. Dubbed the second Ephesus of Turkey, the city was added to the UNESCO World Heritage Tentative List in 2012. Archaeologists began restoration work on the ancient city in June 2020.

The excavation and fieldwork are being carried out under the coordination of Pamukkale University's Archaeology Department. Recent excavations around the Temple of Zeus indicate the existence of several levels of settlement in the city dating from as far back as 3000 B.C.

In 133 B.C. the city was captured by the Roman Empire. In 1824, European travelers rediscovered the ancient site.

Between 1970 and 2011 the German Archaeological Institute conducted excavation work, unearthing the theater and a stadium, as well as two public baths, a gymnasium, five bridges, a trading building, necropolises and the sacred cave of Metre Steune – a cultist site thought to be used prior to the first century B.C.

Since 2011, Turkish archaeologists have been carrying out restoration work at the ancient site, and more recently an exceptional collection of 651 silver coins belonging to the Roman period were unearthed in January.

Today, I'm picking up the fourth of the constellations in the zodiac: Capricornus. Capricornus is often referred to as 'Capricorn', the latin word for 'horned goat' or 'goat horn', and in ancient Hellas--and even in most modern interpretations--the hybrid is not between human and goat, as one might expect from a culture with satyrs in its mythology, but goat and fish.


Obviously, Capricornus is a recognized constellation to this day. In fact, Capricornus is one of the oldest recognized constellations which have survived intact to this day; the association of the fish-goat hybrid even dates back to the Middle Bronze Age. The ancient Hellenes called it 'Aigokeros' (Αιγόκερως), literally 'goat-horned'. 

Because of its age, mythology surrounding the constellation has been muddled quite a bit. Because of that, this post will mostly be an exercise in debunking or expanding upon the stories that surround it. The first Hellenic myth that is associated with the constellation is that of Zeus' wet nurse Amaltheia (Ἀμάλθεια). She was either a goat, a nymph or a Goddess in her own right, most likely a nurturing Goddess imported from Krete, where Rhea delivered Her child (see below). The versions of the myth where She is a goat is the reason She is often linked to Capricornus.

After Zeus' birth, his father Kronos threatened to swallow Him whole, just like He had done with all of Zeus' brothers and sisters. Rhea, Zeus' mother, had gone off to Krete to give birth to Zeus unhindered. Amaltheia helped with the delivery, and when Rhea returned to Kronos with a baby-shaped boulder in a blanket, She left Zeus in Her care.

Amaltheia was, indeed, placed amongst the stars as a reward for Her services, but it wasn't as the Constellation Capricornus, but as the constellation Capra, the group of stars surrounding Capella on the arm  of Auriga, the charioteer. Here, She became tied to a myth that is a lot more gruesome: the myth that Her skin was used to create the sacred Aegis, the shield thus being placed on the arm of the charioteer for protection.

Amaltheia aside, Capricornus is mostly accurately linked to another myth connected to the Titomanchy; the Olympians were in for a rough fight when Zeus led them against the Titans. One of their toughest fights was against the storm-giant Typhôeus (Τυφωευς), a fight so tough, in fact, that the Olympians had to flee from battle. The young Theoi were so scared of the storm-giant, They fled to Egypt, crossing the river Nile in such a hurry that one amongst Them didn't even allow Himself the time to fully change shape so he could cross the river faster. He crossed in the shape of a half-goat, half-fish.

In most modern retellings of the myth, this Theos is identified as Pan, the Arkadian Theos of shepherds and flocks, of mountain wilds, hunting and rustic music. The ancient Hellenes, however, distinguished between several Panes (Πανες), daimones, guardian spirits, who are often conflated into Pan in modern times. Besides Pan, the ancient Hellenes at least distinguished between Agreus (Αγρευς), a Pan-daimon of hunting and rustic prophecy; Nomios (Νομιος), a Pan-daimon of shepherds and pastures; Phorbas (Φορβας), a Pan-daimon of grazing; the Paneidês (Πανειδης), the twelve sons of the Theos Pan; two Italian-born Pan-daimon--Pan Sybarios (Παν Συβαριος) and Phaunos (Φαυνος)--and Aigipan (Αιγιπαν), the Pan-daimon who helped Zeus in his battles with the storm-giant Typhôeus. It was Aigipan who was placed into the sky as the constellation Capricornus.

There are many versions of this myth, about Aigipan's birth, his connection to Zeus and the acts for which he was eventually placed amongst the stars. All are of relatively late design, but the basics are as follows: Aigipan was either a child of Zeus by a variety of mothers, a child of Almatheia--and thus fed alongside Zeus--or the father of Pan. In all versions of the myth, he stood alongside Zeus during the Titan war. Some versions of the myth say that Aigipan put panic (panikos) in the hearts of the Titans during the fight and thus gave Zeus such an edge, He won the war.

Other myths say that after the Titans were defeated, the Theoi thought They had won. Yet, there was one who sought revenge for the defeat of his father: Typhôeus, the most-feared son of Tartaros and Gaea. He came for Zeus, when all Theoi had gathered in Egypt, and the Theoi fled. Impressed by Aigipan's shrewdness in escaping over the river Nile as a sea-goat, Zeus rewarded him by placing him in the sky. In other versions, Typhôeus got a hold of Zeus and in the battle that followed, he ripped Zeus apart limb for limb. He hid the sinews of Zeus's arm or entire body away, but Aigipan got them back for Him, alongside Hermes.

In the last version of the myth, Zeus preemptively goes after Typhôeus, who is hiding in a cave by the sea. He commands Aigipan to lure him out, which Aigipan does in the form of the sea goat. Zeus then brings down a thunderbolt so powerful, it vanquishes Typhôeus and allows Zeus to lock him into Tartaros.

Whatever the case, Aigipan is most likely the Hellenic mythological source of the shape Capricornus has gotten, although Capricornus is also rumored to be an entrance into the Underworld. To find out for yourself, you might have to wait a while. This dim constellation is visible at latitudes between +60° and −90°, and best visible at 21:00 (9 p.m.) during the month of September.

Earlier this week, Greece’s Minister of Culture and Sports Lina Mendoni inspected the Temple of Olympian Zeus which is currently undergoing major restoration works.

The minister was accompanied by Secretary General of Culture George Didaskalou and officials from the Ministry of Culture and Sports. They closely inspected the recently completed 17 meter high scaffolding, in the westernmost column of the temple.

“This is a project with many difficulties and problems, which in many cases appear during its development. The competent Services of the Ministry make every effort, so that the project is carried out and completed within the planned schedule.”

The proposed plans envisage the repair of damaged architectural elements and work to maintain the marble surfaces.

“Given the difficulties and the unforeseen circumstances, we are here to provide immediate solutions and to coordinate those involved in the implementation and management of the project.”

The Temple of Olympian Zeus or ‘Olympeion’ in central Athens, is one of the signature monuments of the Greek capital. The temple is located approximately 500 m south-east of the Acropolis, and about 700 m  south of the center of Athens, Syntagma Square.

Construction of the Olympeion began in the 6th century BC during the rule of the Athenian tyrants, who envisaged building the greatest temple in the ancient world, but it was not completed until 638 years after later, by the Roman Emperor Hadrian in the 2nd century AD. During Roman times it was renowned as the largest temple in Greece.

This is not the first time I wrote about dogs on this blog. I wrote about guard and hunting dogs before, in relation to ancient Hellenic society, as well as mythology. Yet, none of the myths I tackled in that post, relate to the constellation of Canis Major.

Canis Major might represent a number of different hounds. The first is Laelaps (Λαῖλαψ), the dog who was gifted to Eurṓpē (Ευρώπη) by Zeus to protect her from mortal and immortal danger as He hid her away, waiting for Hera to give up the scent of His adultery. The same dog, or a namesake of his, was gifted or passed down to Kephalos, who decided to use the hound to hunt the Teumessian fox, a fox that could never be caught. Laelaps was a dog who would always catch his prey and the fox was a pray that could never be caught. Zeus, stunned by the display, rewarded them both and placed them in the sky.

Another explanation is that the dog was one of Orion's hunting dogs. Orion (Ὠρίων) was a famed hunter who has a lot of mythology to his name. He is also included in a lot of existing mythology. The constellation Canis Major might represent his entire pack or one of them, who are/is eternally pursuing Lepus the Hare or helping Orion fight Taurus the Bull. Aratos, Homer and Hesiod support this theory. In the prime of his life, Orion joined with the Goddess Artemis and Her mother Leto, for an epic hunt in which Orion threatened to kill every beast on Earth. Gaea revolted and sent a giant scorpion to kill Orion. Orion, although very powerful, was overcome by the creature, but Artemis and Leto requested to Zeus he'd be immortalized in the night's sky. The Scorpion was admitted into the heavens as well.

That having been said, Sirius was considered a dog in its own right, and even more so, in early Hellenic mythology Sirius was the second head of a two-headed dog. This dog may be the fabled two-headed guard dog Orthus, who guarded the cattle of Geryon and whom Hēraklēs had to surpass for his tenth labor. Sad to say, Hēraklēs batted Kerberos' brother away pretty easily. As a reward for a valid try, Orthus was placed into the sky.

Canis Major is visible at latitudes between +60° and −90°, and best visible at 21:00 (9 p.m.) during the month of February.

PAT ritual for the Theogamia

Around Valentine's day, us Hellenists honour a beautiful festival of love and social stability: the Theogamia, also known as the Gamelia or Hieros Gamos. This festival celebrates the anniversary of the marriage (gamos, γάμος) of Zeus Teleios (Τελειος, Of the Marriage Rites) and Hera Teleia (Τέλεια, same). Zeus Teleios and Hera Teleia are considered the patron Gods of marriage. To celebrate this divine marriage and ask for blessings upon the romantic ties we may have in life, Elaion is organising a PAT ritual on 10 February. The time is set for 10 AM EST. Will you join us?


We know very little about the actual Theogamia festival. In ancient sources it's sometimes called 'hieros gamos', the sacred marriage, and was referred to as a domestic festival. A day to spend at home, with your wedded partner. Hera Teleia was the primary deity of the festival, with Zeus Teleios being of secondary importance. It was celebrated for sure in Athens, and most likely also in city-states around Athens. It included a shared dinner, and presumably lovemaking, between husband and wife. Unmarried men were most likely free of religious obligations, and were free to dine out.

There seems to be a suggestion that the gamos of Zeus and Hera was enacted as part of the rituals of a hieros gamos festival, but there is no concrete evidence for this. The closest we get to a Hellenic 'Great Rite' is a ritual performed near Knossos in Krete, but the details are so very vague that we can't be sure about anything.

It doesn't take much imagination to fill in how to best celebrate this festival. If you are married or have a partner, have a nice dinner together, have some romance, spent the night together and bond. Think about ways in which you will help, honor and love your partner in the year to come. And, of course, join our ritual! I want to leave you with a quote from the Ilias that has nothing to do with the Theogamia itself but does describe the eternal love between Zeus and Hera so very beautifully.

“Zeus, the Cloud-Driver, saw her, and instantly his sharp mind was overwhelmed by longing, as in the days when they first found love, sleeping together without their dear parents’ knowledge. [...] ‘Hera, [...] let us taste the joys of love; for never has such desire for goddess or mortal woman so gripped and overwhelmed my heart, not even when I was seized by love for Ixion’s wife, who gave birth to Peirithous the gods’ rival in wisdom; or for Acrisius’ daughter, slim-ankled Danaë, who bore Perseus, greatest of warriors; or for the far-famed daughter of Phoenix, who gave me Minos and godlike Rhadamanthus; or for Semele mother of Dionysus, who brings men joy; or for Alcmene at Thebes, whose son was lion-hearted Heracles; or for Demeter of the lovely tresses; or for glorious Leto; or even for you yourself, as this love and sweet desire for you grips me now.’” (Iliad XIV)

The ritual can be found here and you can join the community here. Enjoy the Theogamia, everyone!


PAT ritual for the Kourotrophos, Hera, Zeus Teleios & Poseidon

On the Erkhian calendar, Kourotrophos, Hera, Zeus, and Poseidon are all sacrificed to on 27 Gamelion, at the same location: the temple of Hera. Also, as Kourotrophos Herself was often honored first with other deities and especially on this occasion, it seems to make sense that it was one ritual with four sacrifices as listed on the calendar. Will you join us for this sacrifice on February 10, after the ritual for the Theogamia? We've set the time at 11 AM EST.


The Kourotrophoi are mostly female deities who watch over growing children. Specific offerings to Them are known from the demos Erkhia (or Erchia), but duplicate similar offerings on the Acropolis of Athens. Especially at Erkhia, it varied per sacrifice which Kourotrophos was/were sacrificed to. In this case, where no specific deity is listed, none of the above were most likely honored. The deity in question was Kourotrophos Herself, a deity whose main function was to watch over nursing children and their mothers.

You can find the ritual here and join the community here.