Showing posts with label Helene. Show all posts
Showing posts with label Helene. Show all posts

Some constellations have barely any mythology connected to them, or are so entrenched in a major epic that writing about them is very straight forward. Others, not so much. Cygnus is one of them. This particular swan can be any of six mortal or immortal men.



One can not mention a swan in connection to Hellenic mythology and not think of the love affair between Zeus and Leda, the affair that led to the birth of some very influential people in Hellenic mythology. Leda (Λήδα) was the daughter of the Aetolian king Thestius (Θέστιος), and wife of the king Tyndareus (Τυνδάρεως), of Sparta. Zeus looked upon the beautiful Leda and fell for her instantly. In the guise of a swan, He came to her, seeking refuge in her arms from an eagle. Leda sheltered Him, and lay with Him--either after He transformed into a man, or while He was still a swan. That night, she also slept with her husband. She became pregnant and gave birth to two eggs, one housing Helene (Ἑλένη) and Klytaemnestra (Κλυταιμνήστρα), and the other Kastor and Polideukes (Κάστωρ καὶ Πολυδεύκης). Its also said that Zeus laid with Nemesis and She gave birth to an egg that housed either Helene alone, or her sister as well. A shepherd found the egg and took it to Leda, who hatched it, and adopted the child or children. In the first case, the swan is Zeus, in the latter, the swan was placed in the sky to celebrate the birth of Helene.

The second male the constellation is identified with is Orpheus. After being forced to leave Euridice in the Underworld, he travels the world with his lyre. He renounces both women, and many of the Theoi, pained as he is by the loss of his beloved wife. One day, he either sacrifices to Apollon--one of the few, or even the only Theoi he still offers to--at a shrine to Dionysos, and is discovered by the female revelers. Alternatively, the revelers stumble upon him as he plays, and they can't appreciate his divine music, or a group of women falls upon him for denouncing women. Whatever the case, Orpheus is ripped apart. His lyre is placed into the sky, and he is placed in the sky near the lyre by Zeus in the form of a swan. Plato explains this odd choice in his 'Republic', when he speaks of reincarnation:

"He said it was a strange, pitiful, and ridiculous spectacle, as the choice was determined for the most part by the habits of their former lives. He saw the soul that had been Orpheus’, he said, selecting the life of a swan, because from hatred of the tribe of women, owing to his death at their hands, it was unwilling to be conceived and born of a woman." (X, 620a)

I'm going to conflate the last four. All of them were named 'Kyknos' (Κύκνος). The first was a bloodthirsty son of Ares, who slaughtered all his guests when they came to his door. Hēraklēs killed him, either in self-defense, or in honorable battle. In one version of the story, Ares transforms His son into a swan before Hēraklēs can deliver his deathly blow, preferring this solution over his son's death. The second Kyknos was the son of Poseidon, and King of Kolonai. As the son of Poseidon, he was impervious to both spear and sword attacks, as such, he was suffocated by Achilles during the battle for Troy. After his death, this Kyknos, too, was turned into a swan.

The third Kyknos was a human King of Ligûria, and friend--or lover--of Phaëthon, son of Hēlios. When Phaëthon was killed by Zeus after scorching the earth, Kyknos was inconsolable. He spent the rest of his life mourning Phaëthon. To relief his suffering, Zeus transformed him in a swan, and was later put into the sky by Apollon. The last of the Kyknos' associated with this myth was a son of Apollon. This Kyknos was a handsome but arrogant man. Many young boys fell for his looks, but his personality drove them off again. One of the young men, Phylios, loved Kyknos unconditionally, but Kyknos felt the need to test Phylios' resolve, trying to scare him off. The first task was to kill a lion that was threatening the neighborhood without use of any weapons. The second task was to catch two man-eating vultures of enormous size that were posing an equal threat to the neighborhood, again without use of any devices. Finally, Phylios had to bring a bull to the altar of Zeus with his own bare hands. With divine help, Phylios managed to complete all three tasks, but Hēraklēs cured the boy of his love for Kyknos. Kyknos, enraged and humiliated, took his own life by drowning. His mother did the same. Out of love for the both of them, Apollon turned them both into swans. In the words of Roman poet Ovid, in his Metamorphoses:

"Whilst here, within the dismal gloom, alone, 
The melancholy monarch made his moan, 
His voice was lessen'd, as he try'd to speak, 
And issu'd through a long-extended neck; 
His hair transforms to down, his fingers meet 
In skinny films, and shape his oary feet; 
From both his sides the wings and feathers break; 
And from his mouth proceeds a blunted beak: 
All Cycnus now into a Swan was turn'd, 
Who, still remembering how his kinsman burn'd, 
To solitary pools and lakes retires, 
And loves the waters as oppos'd to fires."
(II 374-382)

The next time you look to the heavens and see constellation Cygnus, you'll have quite the stories to tell. The constellation is visible at latitudes between +90° and −40°, and best visible at 21:00 (9 p.m.) during the month of September.
Sometimes, I think pop culture helps us relate far better to the ancient writings than any in-depth discussion ever could. Of course, I would encourage one of those discussions after getting the basics from pop culture, but the point here is: pop culture does one thing very well: filter out the basics. I've been reading the Odysseia again, as a homage to Athena for the Panathenaia and while looking something up, I stumbled upon the TVTropes.org versions of the Iliad and the Odysseia. From Wikipedia:

"TV Tropes, also known as Television Tropes and Idioms, is a wiki that collects and expands on various conventions and devices (tropes) found within creative works. Since its establishment in 2004, the site has gone from covering only television and film tropes to also covering those in a number of other media such as literature, comics, video games, and even things such as advertisements and toys. It is known for approaching topics in a casual and humorous tone—cyberpunk author Bruce Sterling once described its style as a "wry fanfic analysis.""

I love TVTropes, and browse there regularly. I just never realized they had also taken on the Iliad and Odysseia. One thing TVTropes does very well is remove the grey and ambiguous; they put labels on everything and give a reason for that. I know some people will find this incredibly annoying, because a lot of nuance is lost, but it also brings to the foreground a couple of points you might otherwise have missed. I'll give you a few examples for both tomes and then you decide: useful or not?

The Iliad
  • Anti-Hero: At the time of the tale's origin, Achilles was definitely not an antihero, but due to Values Dissonance, many readers see Achilles as a colossal Jerk Ass and are more sympathetic to Hector, who is not a nice guy either.
  • Armor Is Useless: Played with. Oddly enough, whether a warrior's armor protects him or not depends on how much Plot Armor he has; in a sense, the real armor is used as a Handwave for Plot Armor. At any rate, this is a Defied Trope in-universe, considering that every time a warrior dies there is a fight over who gets to keep the armor.
  • Big Brother Instinct: Agamemnon to Menelaus. Seriously, don't hurt his little brother.
  • Bond One-Liner: After spearing Cebriones and causing him to backflip out of his chariot, Patroclus remarks that he'd make a good oyster diver. Of course, this being The Iliad, it's a bit longer than one line.
  • Did You Just Flip Off Cthulhu?: Early on, Helen gives Aphrodite a piece of her mind. Aphrodite puts her in her place shortly afterward, but damn, girl!
  • Due to the Dead: Proper respect towards corpses is very, very, very important in The Iliad. Fights over corpses are common, with the fallen man's allies striving to give the corpse a proper burial and the enemy wanting to desecrate it. There are also occasional truces to allow both sides to recover their dead.
  • Good Cop/Bad Cop: Odysseus and Diomedes were on a night raid and captured the hapless but useful Dolon. Bad cop Diomedes said to stand still or die. Good cop Odysseus said, "Fear not, let no thought of death be in your mind." It went on like that for awhile until Diomedes "struck him in the middle of his neck with his sword and cut through both sinews so that his head fell rolling in the dust while he was yet speaking."
  • Loads and Loads of Characters: And roughly 70% of them get killed off.
  • Sacred Hospitality: One of the more famous examples in literature. Paris steals Helen while he's a guest in her and Menelaus' home. While the act has plenty of political ramifications, it's the breach of hospitality that causes such an uproar, and is used to rouse the entire army of Greece to sack Troy in response.
  • Shipper on Deck: Agamemnon becomes exponentially funnier if you view him as a Helen/Menelaus shipper. It's not even inaccurate.
  • We Are As Mayflies: Homer returns to this idea repeatedly, expressing it through a metaphor likening human beings to leaves as autumn approaches.
  • What Happened to the Mouse?: Aeneas. Just as Achilles is about to kill him, the Gods save his life and declare that after the war, he shall be the leader of all future Trojans. He's rarely mentioned again, and then only in passing. 800 years later, Virgil decided to make this a Brick Joke.
  • Why Don't You Just Shoot Him?: The Trojans could have just given Helen back to avoid total annihilation, but this would have gone completely against Greek culture, and certainly would have made a lousy story. The Trojans are actually ready to do this after Menelaus beats Paris in their duel, but an archer on the Trojan side shoots at Menelaus during the intervening truce, restarting the war.
The Odysseia
  • Accidental Pornomancer: On his way home, Odysseus spends years as the bedmate of two beautiful women: the Hot Witch, Circe, and the sea nymph, Calypso. Neither options were by choice, and Odysseus is typically justified in that he never stopped loving or wishing to return to his wife.
  • Bolt of Divine Retribution: Athena threatens one of these in the last book when Odysseus tries to go to war again.
  • Brains: Evil; Brawn: Good: While Greeks valued Odysseus' cleverness, the rigid he-men Romans hated his deceitfulness and portrayed him much less sympathetically. It helps that he fought against the Trojans, whom Romans believed were forerunners to their own culture.
  • Hachiko: Odysseus' dog predates the trope namer, waiting faithfully for his master before dying shortly after his return. In some interpretations he dies happy, but according to Homer Odysseus is forced to pretend he doesn't know the dog, making this a Tear Jerker.
  • Happiness in Slavery: As described in the epic, slaves and masters were not as far apart as in other ages, for instance the swineherd Eumaios was raised by Odysseus' mother Anticleia almost like a son alongside her daughter Ktimene, and became wealthy enough to buy a slave of his own. And Menelaos makes Megapenthes, his son by a slave, his heir.
  • I Am A Humanitarian: Not only Polyphemus, but also the Lestrigonian, who ate several of Odysseus crewmembers.
  • Impossibly Delicious Food: We know, we know, never refuse free food, but it's probably not a good idea to accept handouts from the Lotus-Eaters.
  • Nice Job Breaking It, Hero: Odysseus and his remaining crew escape from the cyclops, when Odysseus has a fit of hubris and mocks the injured cyclops along with revealing his true identity. Sure, the mountaintop that is thrown at the ship misses. The raging storms, however, do not.
  • Random Events Plot: Odysseus' actual voyage, which is the most famous part of the story. By contrast, the parts about Ithaca, Telemachus, the suitors, etc. have a normal plotline to them.
  • Rocks Fall, Everyone Dies: Helios sics Zeus on your ass, lightning falls, everyone dies.
  • The Thing That Would Not Leave: The suitors, for three years at least.
  • Who's on First?: Possibly the oldest example in the book. Odysseus told Polyphemus his name was "Nobody" (μη τις). When the Cyclops started screaming that he had been blinded, his brothers asked who had done this foul deed. The Cyclops replied that "Nobody has blinded me", so his brothers told him to shut up with the screaming over things that hadn't happened. As an added bit of wordplay, μητις (one word) meant "cunning" in Ancient Greek.
  • You Can't Fight Fate: What we would call an Overused Running Gag.
Some constellations have barely any mythology connected to them, or are so entrenched in a major epic that writing about them is very straight forward. Others, not so much. Cygnus is one of them. This particular swan can be any of six mortal or immortal men.


One can not mention a swan in connection to Hellenic mythology and not think of the love affair between Zeus and Leda, the affair that led to the birth of some very influential people in Hellenic mythology. Leda (Λήδα) was the daughter of the Aetolian king Thestius (Θέστιος), and wife of the king Tyndareus (Τυνδάρεως), of Sparta. Zeus looked upon the beautiful Leda and fell for her instantly. In the guise of a swan, He came to her, seeking refuge in her arms from an eagle. Leda sheltered Him, and lay with Him--either after He transformed into a man, or while He was still a swan. That night, she also slept with her husband. She became pregnant and gave birth to two eggs, one housing Helene (Ἑλένη) and Klytaemnestra (Κλυταιμνήστρα), and the other Kastor and Polideukes (Κάστωρ καὶ Πολυδεύκης). Its also said that Zeus laid with Nemesis and She gave birth to an egg that housed either Helene alone, or her sister as well. A shepherd found the egg and took it to Leda, who hatched it, and adopted the child or children. In the first case, the swan is Zeus, in the latter, the swan was placed in the sky to celebrate the birth of Helene.

The second male the constellation is identified with is Orpheus. After being forced to leave Euridice in the Underworld, he travels the world with his lyre. He renounces both women, and many of the Theoi, pained as he is by the loss of his beloved wife. One day, he either sacrifices to Apollon--one of the few, or even the only Theoi he still offers to--at a shrine to Dionysos, and is discovered by the female revelers. Alternatively, the revelers stumble upon him as he plays, and they can't appreciate his divine music, or a group of women falls upon him for denouncing women. Whatever the case, Orpheus is ripped apart. His lyre is placed into the sky, and he is placed in the sky near the lyre by Zeus in the form of a swan. Plato explains this odd choice in his 'Republic', when he speaks of reincarnation:

"He said it was a strange, pitiful, and ridiculous spectacle, as the choice was determined for the most part by the habits of their former lives. He saw the soul that had been Orpheus’, he said, selecting the life of a swan, because from hatred of the tribe of women, owing to his death at their hands, it was unwilling to be conceived and born of a woman." (X, 620a)

I'm going to conflate the last four. All of them were named 'Kyknos' (Κύκνος). The first was a bloodthirsty son of Ares, who slaughtered all his guests when they came to his door. Hēraklēs killed him, either in self-defense, or in honorable battle. In one version of the story, Ares transforms His son into a swan before Hēraklēs can deliver his deathly blow, preferring this solution over his son's death. The second Kyknos was the son of Poseidon, and King of Kolonai. As the son of Poseidon, he was impervious to both spear and sword attacks, as such, he was suffocated by Achilles during the battle for Troy. After his death, this Kyknos, too, was turned into a swan.

The third Kyknos was a human King of Ligûria, and friend--or lover--of Phaëthon, son of Hēlios. When Phaëthon was killed by Zeus after scorching the earth, Kyknos was inconsolable. He spent the rest of his life mourning Phaëthon. To relief his suffering, Zeus transformed him in a swan, and was later put into the sky by Apollon. The last of the Kyknos' associated with this myth was a son of Apollon. This Kyknos was a handsome but arrogant man. Many young boys fell for his looks, but his personality drove them off again. One of the young men, Phylios, loved Kyknos unconditionally, but Kyknos felt the need to test Phylios' resolve, trying to scare him off. The first task was to kill a lion that was threatening the neighborhood without use of any weapons. The second task was to catch two man-eating vultures of enormous size that were posing an equal threat to the neighborhood, again without use of any devices. Finally, Phylios had to bring a bull to the altar of Zeus with his own bare hands. With divine help, Phylios managed to complete all three tasks, but Hēraklēs cured the boy of his love for Kyknos. Kyknos, enraged and humiliated, took his own life by drowning. His mother did the same. Out of love for the both of them, Apollon turned them both into swans. In the words of Roman poet Ovid, in his Metamorphoses:

"Whilst here, within the dismal gloom, alone, 
The melancholy monarch made his moan, 
His voice was lessen'd, as he try'd to speak, 
And issu'd through a long-extended neck; 
His hair transforms to down, his fingers meet 
In skinny films, and shape his oary feet; 
From both his sides the wings and feathers break; 
And from his mouth proceeds a blunted beak: 
All Cycnus now into a Swan was turn'd, 
Who, still remembering how his kinsman burn'd, 
To solitary pools and lakes retires, 
And loves the waters as oppos'd to fires."
(II 374-382)

The next time you look to the heavens and see constellation Cygnus, you'll have quite the stories to tell. The constellation is visible at latitudes between +90° and −40°, and best visible at 21:00 (9 p.m.) during the month of September.