I get a lot of questions from readers, and most of the time, the answers are fairly short. When I feel the question or the reply would be valuable to others as well, I make a post with a collection of them and post them in one go. Today is one of those posts.


"I would have a question about ancestor worship. As ancestors are chthonic beings, must they be sacrificed to outdoors by being poured libations onto the ground directly, or can they be worshipped  on an indoor altar and may the libations be poured into a libation vessel? If so, would it be appropriate to use the same one I use when I honor the ouranic theoi on my household altar?"

Ancestor worship was performed in Khthonic state festivals and as hero worship when at home. That is a generalization, of course, but it seems to mostly hold true.
 
There were regular state festivals organized for the dead (nekysia) and for the forefathers (genesia). On such days, graves were adorned, offerings of barley broth, milk, honey, unmixed wine, oil, water and the blood of animal sacrifices were given in the form of khoai--fully poured out libations. Graves often had bottomless amphorae placed on it on hollow columns. The libation was poured into this and seeped down into the dirt to 'feed the dead'.
 
The Genesia seems to have been a festival of the dead--especially of dead parents. It was celebrated on the fifth of the month of Boudromion in Athens, but that is all we know for sure. There is reason to believe that the Genesia was panhellenic--although we do not know if all city-states performed the rites on the same day. We are also unsure if the Genesia was a set day for all children to visit their parents' grave and perform sacrifices there, or if there was a public commemoration of all parents. The day is also sacred to Gaea, who housed the remains of the dead, and brought fertility and wealth to the living.
 
These rites were to commemorate specific people. It was also possible to honour the family line and it was actually a part of the celbration of Agathós Daímōn, the third day of the month. The goal was not to honour the people in the family line but to express pride in your blood and bring about good fortune as stemming from the family line. This type of worship was closer to hero worship and was performed at a separate shrine or at an offering pit outside. These sarcifices were generally wholely given as well and could either be an animal or, more commenly, unmixed wine.
 
~~~

"I am fortunate enough to live on a fairly large piece of property and while we have gardened in the past, this year we are making an effort to expand our gardening efforts quite a bit. I was wondering if it would be appropriate to make some sort of offering, possibly to Demeter, at the start of our planting season to ask for a plentiful harvest. Any suggestions you might have on how to go about this and which Theoi I should include would be greatly appreciated."

It is always appropriate to make offerings to the Theoi, at any time and for any reason. In fact, I greatly encourage it as this kharis will undoubtedly help with the growth and protection of your crops. The ancient Hellenic festival calendars always included and followed the cycle of achriculture. There were festivals for specific crops, like barley, but als grander festivals like those of the Eleusinian Mysteries that were celebrated to ensure a good harvest. The cycle started with the pre-ploughing festival Proerosia, continued into the Thesmophoria, then the Haloa. In general, fertility rituals were the domain of women and women only.
 
I assume every family practiced some sort of agricultural and fertility rite before plouging but we don't know exactly hat happened and who was sacrificed to. But, as always, we have clues because we know that what happened in state festivals usually also happened in private household worship, just at a smaller scale.
 
From this we can conclude that Gaea, Demeter, Kore and Dionysos were most likely the Theoi sacrificed to primarily. Gaea, as the earth, and Demeter as Goddess of the harvest make sense. Kore is the Goddess of growth, especially of new plants. Dionysos is also an agrarian deity as he is in charge of the growth of the grapevine. Then there are a few deities that come to me that I would definitely give sacrifice to before planting: the Hoirae as rulers of the seasons and weather, Helios as the Lord of the Sun (because you want enough of it but not too much) and Zeus Ombrios as Lord of the rain (because, again, you want enough of it but not too much).
 
Judging by the rites in the Eleusinian cycle, a pre-ploughing ritual may have had a symbolic (hand) ploughing of a portion of the soil. Onto this, barley groats would have been tossed as purification and sacrifice and copious libations of milk, honey and water would have been poured out in their entirety to the above mentioned Gods. Hymns and prayers would have been called up to the sky and prayers would have been said to ask for good growth, good weather and protection from crop diseases. In ancient times, an animal sacrifice might also have been a part of the rites.
 
~~~

"One more question about honoring the ancestors--even though ancestor worship in a domestic setting is like hero worship in manner, one does still kneel to the ancestors when at home, is that right?"

There is very little evidence that the ancient Hellenes prayed on their knees at all but if they did, it were almost always women and the situation was incredibly dire. Kneeling was percieved as a ritual act of last resort, pursued by those in victim positions, who fall down on their knees in desperation. Kneeling is above all a sign of hiketeia, submission, appropriate for girls and women, inappropriate in most cases for free men. It's not odd, then that kneeling was almost solely connected to the rites around mourning and death where women were charged with the loud wailing and obvious signs of anguish to honour the departed. This is evident in, for example, the Iliad:

"Meleager lay there, nursing his anger, embittered by his mother’s curse. For he had killed an uncle, her brother, and she had knelt and beat on the fertile earth with her fists, and drowned her breast with tears, and called on Hades and dread Persephone to destroy her son. And the Fury that walks in the darkness of Erebus heard her, she of the pitiless heart." [Bk IX:565]

There is a difference between kneeling in prayer and gestures connected to the Khthonic rites to the Gods. Or, perhaps more accurately, between the rites to the dead and the rites to the Khthonic deities. Those are very much not the same thing. The ancient Hellenes, when praying, stood upright with both hands raised above the head, palms facing upward and forward. Plato asserts that if you preferred to raise only one hand in prayer, you would raise the right to pray to the Olympians and the left to pray to the Khthonians. Kneeling was connected to the recently deceased, not the Khthonic Gods or the rites to the ancestors.

Now, I do not know exactly if you would raise your palms up or turn them down for rites to the ancestors. I'm nto even sure about sacrifice to the heroes. But I can make an educated guess. I assume that for both, the palms would be turned upwards. Many heroes were raised to the status of Gods and rites to the family line were performed to express pride in your blood and bring about good fortune as stemming from the family line. This is decidedly Ouranic in nature and thus the palms would be turned upwards.

~~~

"On the website of Labrys, which I'm certain you've heard of, I read that altars cannot be moved after dedication. However, as I have had a toddler in my house for three years now, I've been moving my statues, candles and other altar pieces to a safe location somewhere else simply for safety. Would you say that is alright?"

Yeah, I read that too. The short answer: that only held true for temple altars and I assume mostly for practical reasons: the altar was aligned to the temple, so unless the temple moved, there was no reason to move the altar and if you moved the altar, well, you had to move the entire temple. Not practical. What happened when worship was moved to a temple in another location was often that a new altar was built. It was just more practical.

Residential altars established for family worship or the altars at state buildings could be moved without issue. Remember, the altar is not a holy place in and of itself. A pile of stones or a heap of dirt could be an altar. Anything raised from the ground could serve as an altar. It's the rites performed on it that are sacred and that does not change if the altar is moved.
The Herakleidai (Ἡρακλεῖδαι) are the descendants of Herakles. After the death of Herakles, his sons were pursued by Eurystheus. They claimed protection in Athens. The Athenians refused to surrender them and in the war that ensued Eurystheus' sons were killed. Eurystheus himself, who had fled in a chariot, was pursued and had his head cut off by Hyllos, son of Heracles. After the death of Eurystheus, the Herakleidai attacked the Peloponnesos and captured all the cities. When a plague ravaged the country the oracle of Delphi declared that this happened because the Herakleidai had returned before the proper time. So they retired and, after some unfortunate attempts to return, they made themselves masters of the Peloponnesus three generations later. In Erkhia, a yearly sacrifice was made to the sons (and hopefully the daughters) of Herakles and we will do the same on 12 April, at the usual 10 am EDT.


The Herakleidai claimed power in the Peloponnesos because they were descended, through Herakles, from Perseus, the founder of Mycenae. The current ruler op the Peloponnesos, Tisamenus, was a Pelopid, a descendant of Pelops. They also claimed that Tyndareus, ruler of Sparta, had been expelled by Hippokoon and argued that Herakles, having killed Hippokoon and his sons, had given the land in trust to Tyndareus. As such, they were the true rulers of both.

Hyllos, son of Herakles, sought to effect the return to power of the Herakleidai, so he went to Delphi and inquired how to go about this. The oracle declared that 'they should await the third crop before returning'. Hyllos supposed that the third crop signified a three year wait. He did, then returned with his army to Peloponnesos. He failed and was killed by Ekhemos. 

Aristomakhos, son of Kleodaeos, son of Hyllos, had been also killed in battle. His son Temenos blamed the oracle for the death of his father. He said that they had obeyed the oracle but the Oracle answered that they were themselves to blame, for they did not understand the prophecies, seeing that by 'the third crop' it was meant, not a crop of the earth, but a crop of a generation. 

So Temenos waited. He readied the army and built ships at Naupaktos. While the army was there, a soothsayer appeared. Karnos recited oracles but the Herakleidai took him for a magician sent by the Peloponnesians to be the ruin of the army. So Hippotes (son of Phylas, son of Antiochos, son of Herakles) threw a javelin at him and killed him. But Karnos was, indeed, a seer of Apollon and the one who established the cult of Apollo Karneos among the Dorians. Appollon destroyed the naval force and made the army suffer from famine. Eventually it had to disband.

After these two failed attempts, Temenos went back to the Oracle of Delphi to ask how he could stop the misfortune that had befallen them. The Oracle advised him to banish the Hippotes for ten years and to take for his guide 'the Three-Eyed One'. So the Herakleidai banished Hippotes and started searching for the Three-Eyed One.

One day they met Oxylos who was sitting on a one-eyed horse. So, guessing he was the man described by the Oracle, they made him their guide. Oxylos had fled from Aetolia to Elis on account of the accidental murder of Thermios (or Alcidokos, depending on the account). So, with Oxylos as a guide, the Herakleidai invaded the Peloponnesos again and finally defeated them. They slew Tisamenos, the last of the Pelopides to rule the Peloponnesos, and claimed it in its entirety. 

The return of the Herakleidai took place three generations after the end of the Trojan War and the death of Nestor after his return home. When the Herakleidai conquered the Peloponnesos, they cast lots for the cities. Argos was allotted to Temenos. The twin sons of Aristodemos, Prokles and Eurysthenes, got Lacedaemon and Sparta. Messenia was allotted to Kresphontes, who drove the descendants of Nestor from Messenia. Oxylos, for his help, became king of Elis after the victory of the Herakleidai.

What follows is a (probably incomplete) list of those who were called 'Herakleidai' at the time described.

The first generation:
Alcaeos, son of Herakles and Omphale. Father of Belos.
Antiochos, son of Herakles and Meda. Father of Phylas.
Hyllos, son of Herakles and Deianira or Melite. Father of Iole of Kleodaeos and Evaekhme.
Ktesippos, son of Herakles and Astydamia or Deianira. Father of Thrasyanor.
Phaestos, son of Herakles and an unknown mother. Father of Rhopalos.

The second generation:
Belos, son of Alcaeos.
Kleodaeos, son of Hyllos. Father of Aristomachos and Lanassa.
Phylas, son of Antiochos. Father of Hippotes and Thero.
Rhopalos, son of Phaestos. Father of Hippolytos.
Thrasyanor, son of Ktessipos. Father of Agamedidas and Antimachos.

The third generation:
Agamedidas, son of Thrasyanor. Father of Thersander.
Anaxandra, daughter of Thersander. Mother by Eurysthenes of King Agis of Sparta.
Antimakhos, son of Thrasyanor. Father of Deiphontes.
Aristomachos, son of Kleodaeus. Father of Temenos, Kresphontes and Aristodemos.
Eurysthenes, son of Aristodemos. Father of King Agis.
Hippotes, son of Phylas. Father of Aletes.
Hippolytos, son of Rhopalos. Father of Lacestades.
Lathria, daughter of Thersander. Mother by Prokles of King Sous of Sparta.
Prokles, son of Aristodemos. Father by Lathria of Sous and Eurypon.

The fourth generation:
Aristodemos, son of Aristomachos. Father of Eurysthenes and Prokles.
Aletes, son of Hippotes.
Deiphontes, son of Antimakhos. Father of Antimenes, Xanthippos, Argeos, and Orsobia.
Kresphontes, son of Aristomachos. Father of Aepytos.
Lakestades, son of Hippolytos.
Temenos, son of Aristomachos. Father of Agelaos, Eurypylos, Kallias and Hyrnetho (or Kisos, Kerynes, Phalkes, Agraeos, Isthmios and Hyrnetho).
Thersander, son of Agamedidas. Father of Lathria and Anaxandra.

The fifth generation:
Agelaus, son of Temenos.
Agraeus, son of Temenos.
Aepytos, son of Kresphontes.
Eurypylus, son of Temenos.
Hyrnetho, daughter of Temenos.
Isthmios. Son of Temenos.
Kallias, son of Temenos.
Kerynes, son of Temenos.
Kisos, son of Temenos. Father of Phlias and Medon.
Phalkes, son of Temenos.

The ritual for the event can be found here and you can join the community page here.
On the day of the Hene kai Nea, I post a monthly update about things that happened on the blog and in projects and organizations related to it. I will also announce Elaion's coming PAT rituals.

Changes to the blog:
Statistics:
PAT rituals for Mounukhion:
  • 12/04 - Mounukhion 4 - Sacrifice to the Herakleidai at Erkhia
  • 14/04 - Mounukhion 6 - Delphinia - in honor of Artemis, and perhaps Apollon and Theseus
  • 24/04 - Mounukhion 16 - Mounikhia - festival in honor of Artemis as the moon Goddess and Mistress of the animals
  • 27/04 - Mounukhion 19 - Olympieia - festival in honor of Olympian Zeus
  • 28/04 - Mounukhion 20 - Sacrifice to Leucaspis at Erchia
  • 29/04 - Mounukhion 21 - Sacrifice to Tritopatores at Erchia
Anything else?
Are you looking for an online shop to buy incenses and other Hellenistic basics from? Try The Hellenic Handmaid on Etsy.
Analysing ancient DNA is a powerful method for classical studies, helping modern-day scientists understand more about life thousands of years ago. These new techniques can reveal the original contents of ceramic archaeological artefacts, reports the International Business Times.

Brendan Foley, an archaeologist at the Woods Hole Oceanographic Institution in Massachusetts is deeply involved with these new techniques and the advances they bring to science. He says:

"By my rough, conservative estimate there are at least three-quarters of a million ancient shipwrecks undiscovered in the Mediterranean alone. Shipwrecks are packets of information that help us understand ancient civilisations. The Mediterranean seabed is the biggest museum gallery in the world."

Ceramic artefacts are ubiquitous within terrestrial and underwater archaeological sites. In the ancient Mediterranean, specially designed ceramic shipping containers (amphoras) carried a wide range of goods. A Hellenic shipwreck located between Chios and Oinousses revealed two 2,400-year-old ceramic jars containing the ancient DNA fragments of olive and oregano in one, and mastic (plant resin) in the other. Mastic has been used as a medicine since antiquity, and in ancient Hellas it was given as a remedy for snakebite. The first-century Hellenic physician Pedanius Dioscorides mentions the healing properties of mastic in his book 'De Materia Medica'. Hippocrates wrote that the mastic was good for prevention of digestive problems and colds and Galenus suggested that the resin was useful for bronchitis and improving the condition of the blood.

Until now, determining the original contents of all these ceramic objects has been difficult, aided only occasionally by physical evidence (eg olive pits, hardened resins, seeds, chocolate residue) found inside excavated jars or on graffiti on their exteriors). With improved DNA methods, archaeologists will be able to identify artefacts' contents even when no physical remains are apparent.

Currently, Foley is working with Greek archaeologists to explore a massive wreck off the Greek island of Antikythera. The ship there sank more than 2,000 years ago. It carried many expensive objects, including statues, glass bowls, perfume jars, coins and jewellery. Greek fishermen were diving for sea sponges when they found the wreck in 1900.

Archaeologists excavating the Antikythera shipwreck expedition in 2015 created a high-resolution, 3D map of the site using stereo cameras, mounted on an autonomous underwater vehicle (AUV). The team created 3D virtual reconstructions of many artefacts on the seabed, and 3D-modelled all of the major recovered finds once on shore. A series of scientific analyses are now being conducted on these items, including DNA analysis of ancient ceramic jars to identify the 2,000 year-old food, drinks, perfumes, and medicines contained in them. Isotope analysis of lead objects will determine where the lead was mined, to reveal the home port of the ship. Foley thinks that underwater archaeology is one of the most exciting ways to bring the past back to life, as there is a huge amount of data on the sea floor waiting to be tapped into.

"The kinds of things you find on the seabed are different from what you find on land sites. A lot of land archaeology is carried out in tombs and burials which is a very specific record, whereas in the water you've got everything--from the most mundane stuff of everyday trade to some of the very valuable, elite goods. Bronze statues are preserved on shipwrecks that would otherwise have been melted down and re-used if it were on land."

Even more exciting is extracting ancient DNA from empty transport jars on shipwrecks. He is carrying out research on transport jars from classical Greece, from around 500-300 BCE and finding out what was being traded in the world's first economies.

"The conventional wisdom is that these jars mostly held wine. If the archaeological literature was correct, then 90% of the ancient economy was based on this single commodity and this just doesn't past the smell test."

So rather than finding grape DNA, Foley and his team have found olive DNA, mixed with around seven different species, a lot of vegetable materials--legumes, beans, nuts and walnuts--as well as herbs, particularly juniper, which the ancients used for flavouring.

"Only one jar was found containing grape DNA in the dozens we've looked at, and that seems certain to contain wine."

The archaeological team tried several methods to extract the DNA. The first way was by simply using a steel tool to scrape out some ceramic shavings and fragments from inside the amphora. Microbiologist Maria Hanson worked on the findings in the laboratory, to ascertain the origin of the samples. This process only made it possible to work on a very limited surface. Foley turned to the latest technology available, which was being used by the Massachusetts state police forensics lab.

"We asked them how they recovered trace DNA from crime scenes and they put us on to these swabs that they use to extract tiny bits of DNA from. We tried this with the archaeological artefacts and it worked much better than the physical scraping method, and has the benefit of being completely non-destructive."

The archaeologist's goal is to find out how people transitioned from the Stone Age to the Bronze Age.

"You can think of these shipwrecks as ancient telephone calls. The transmission lines are the shipping lanes and the ship's themselves are packets of information. With our technology now we can go out and find these telephone lines and eavesdrop on these ancient telephone calls. It would give us a really good understanding of how our distant ancestors created and invented civilisation, and actively transmitted civilisation across time and space."
Sometimes, you come across statements you just can't let pass without commenting. I came across this casual comment a few days ago: 'Does anyone find it odd that the goddess of marriage never ends up with a good marriage herself? Like in any culture?'. Naturally, I had to counter that when it comes to Hellenismos. I'll quote my reply.

There is some serious judging from a modern standpoint going on with this question. Of course, I can only speak of Hellenic mythology, but I am quite sure the same applies to the other pantheons as well. TL;DR: Zeus and Hera have the perfect marriage in the ancient Hellenic view of things.

Marriage in ancient Hellas was a family affair. The father of the son–who was often in his thirties by the time he got married–opened negotiations with the family of a bride in her teens. The two families came to an agreement about dowry, a contract was signed by the father of the groom and the father of the bride in front of witnesses, and the groom met his new wife–often for the first time–before taking her to bed. Prostitution was common, and men tended to have concubines. Some even lived at the house. Demosthenes, a Hellenic writer from ancient Athens, was recorded as saying: ‘we have courtesans for pleasure, concubines to provide for our daily needs, and our spouses to give us legitimate children and to be the faithful guardians of our homes’.

In ancient Hellas, women were almost solely in charge of raising children. Their lives consisted of taking care of the hearth, her husband and her children. Any status a woman had, was tied in with her husband. Women were groomed to function in pairs. It was because of this that a widow was passed on to another male as soon as possible.

In ancient Hellenic society, free women lived separate from men. They rarely had interactions with men not from their oikos. Still, there are accounts of women being sexually assaulted, and monetary fines that were issued to the perpetrator. From this, we know that sexual assault and rape were criminal, and shameful acts. Ancient sources also tell us that men were only punishable for sexual assault or rape if they raped a woman–or possibly a man–above their own rank. No one was punished for raping a slave, for example, and the practice was common.

So then, what of Gods? It stands to reason that hierarchical rules also apply here, as myths are formed by the men who tell them. Who is higher in rank than a God? And, above all, who is higher in rank than Zeus? If Zeus desires a woman (or man), He is free to take her (or him) under ancient Hellenic law. It also stands to reason that a God lower in standing, say Apollon, would be punished severely for raping a Goddess above his standing. If Zeus had not claimed Hera, and Apollon had laid claim to Her, I am sure He would have been unsuccessful and perhaps would even have been punished.

Looking at mortals, nymphs and 'lesser’ Immortals, nearly all Gods outrank them, so the ancient Hellens would have seen no problem in a sexual act between a God and these women. An exception to the rules and regulations applied to mortal adulterous men, would most likely have been made for the Gods as well. Their Divinity would allow Them to 'overrule’ the mortal marriage without bringing shame to the husband, although there seems to be a threat stemming from a demi-God son (as can be seen in the myth of Perseus).

Now, Hera did try to overthrow Her husband once, in the beginning of Their reign. The reasons are never made entirely clear–nor for Her, nor for the others who joined her (most notably Poseidon and Athena). His adultry could have been a factor but at that time he also wasn’t a very good leader to the Gods, nor a ruler over mankind. Especially Poseidon and Athena took offense to the latter two. From Hómēros’ 'Iliad’:

“Help your brave son, therefore, if you [Thetis] are able. Go to Olympus, and if you have ever done him service in word or deed, implore the aid of Zeus. Ofttimes in my father’s house have I heard you glory in that you alone of the immortals saved the son of Kronos from ruin, when the others, with Hera, Poseidon, and Pallas Athena would have put him in bonds. It was you, goddess, who delivered him by calling to Olympus the hundred-handed monster whom gods call Briareus, but men Aegaeon, for he is stronger even than his father; when therefore he took his seat all-glorious beside the son of Kronos, the other gods were afraid, and did not bind him.” [Iliad I. 397]

This specific example illustrates a point: Hera (women) cannot and should not punish or resent Zeus (men) for their infidelity. In fact, as long as a husband takes good care of his wife (both financially and sexually), he should be free to pursue any woman he is societally allowed to sleep with. this is not to say Zeus did not love Hera dearly. In fact, it is noted in the Iliad that he loves and desires Her more than any conquest He has ever had–which is exactly how it should be (and what women in ancient Hellas longed for):

“Zeus, the Cloud-Driver, saw her, and instantly his sharp mind was overwhelmed by longing, as in the days when they first found love, sleeping together without their dear parents’ knowledge. […] ‘Hera, […] let us taste the joys of love; for never has such desire for goddess or mortal woman so gripped and overwhelmed my heart, not even when I was seized by love for Ixion’s wife, who gave birth to Peirithous the gods’ rival in wisdom; or for Acrisius’ daughter, slim-ankled Danaë, who bore Perseus, greatest of warriors; or for the far-famed daughter of Phoenix, who gave me Minos and godlike Rhadamanthus; or for Semele mother of Dionysus, who brings men joy; or for Alcmene at Thebes, whose son was lion-hearted Heracles; or for Demeter of the lovely tresses; or for glorious Leto; or even for you yourself, as this love and sweet desire for you grips me now.’” (Iliad XIV)

We might not agree with these views in modern times but I encourage placing the myths into their proper framework, a frame where the myths meet the society they were written down in, and are explained that way. These were the views of the people who wrote down the myths and they should be understood that way.
Environmental campaigners are celebrating after an ancient temple of Zeus on Mount Beşparmak (Latmos) in western Turkey was taken under protection, while noting that more needs to be done to save the area as a whole. This reports the Archaeological News Network.


The holy temple at the ancient site of Latmos in Turkey’s Aydın province was recently registered by the Aydın Cultural and Natural Heritage Preservation Board and officials from the Aydın Archaeology Museum. Association of Nature Lovers and the Protection of Ecosystems (EKODOSD) head Bahattin Sürücü expressed his happiness with the decision while saying Latmos should be protected as a whole.

"One of the most impressive places in Latmos is the field of the holy temple of Dikilitaş. It is in a place in which life continued until 6,000 B.C. It is a field in which one can travel through history among historical artifacts. Recently, the field of Dikilitaş was set alight by people who have not been captured. As a result of the works carried out by the officials of the Aydın Archaeology Museum and the Aydın Cultural and Natural Heritage Preservation Board, the holy temple, dedicated to Zeus Agoraios, was registered. The board also filed a suit against those who set the fire. It was reported that the color changes in the temple after the fire would be examined by stone experts of the Culture and Tourism Ministry Restoration and Conservation Directorate and that the necessary works would be done."

Latmos is one of the most important places in Turkey to enter the UNESCO world heritage list and one of the most sensitive places in the region in terms of nature and history, Sürücü said. Despite the progress in protection, the area has not yet been designated as a natural park area.

In addition to the holy temple, Latmos is also known for rock paintings that date back to the Neolithic era, but the early works of art have come under threat from the opening of rock quarries in the area, according to Professor Havva İşkan Işık, an archaeologist.

"The registration of Bağarcık region, which is home to very significant findings, Stylos Monastery and many other pre-historic rock paintings have been finished. A new settlement was found during work [by cultural authorities in Muğla and Aydın]. The Muğla preservation board and museum officials made the map application of all cultural assets. All urgent works have been finished. The areas of the prehistoric paintings, rock frescoes, ancient road, remains of a chapel and church were registered."

Sürücü said it was essential that the different preservation boards work together in unison for the protection of Latmos as these works will create a protection shield, and they are being conducted under very hard circumstances. The Forestry Ministry and the Environment Ministry should contribute to the works.

German archaeologist Anneliese Peshlow-Bindokat discovered the rock paintings in Latmos in 1949. They are considered the most important prehistoric archaeological findings discovered in recent years in Anatolia and date back to the late Neolithic Age and the Chalcolithic Age. Another major preservatory concern is the altar of Zeus Agoraios (pictured above). This altar was built between 4th-5th AD and is situated north west to the Heroon. It is made of white marble and the base is about 9 meters deep, and about 5.5 meter in width.
I get a lot of questions from readers, and most of the time, the answers are fairly short. When I feel the question or the reply would be valuable to others as well, I make a post with a collection of them and post them in one go. Today is one of those posts.


"Another Hades/Plouton ask: why is it kind of taboo to actively worship/invoke Hades? I understand His association with death, but He is not the god of death in the way Thanatos is, nor did he choose to be lord of the dear. I've always been very interested in Him both as Hades and as Plouton. I suppose my question is, why is this not really encouraged? Have I interpreted Him all long? Does He prefer not to be invoked by us?"

As king of the Underworld, the ancient texts tell us Hades became quite cut off from the world above. It were only the oaths and curses of men that reached His ears, as they reached those of the Erinyes. This is why when people invoked Him, they dug a pit to sacrifice in and struck the earth with their hands to get His attention. Black male sheep were offered to Him and the person who offered the sacrifice had to turn away his face.

Pausanias wrote in his 'Description of Greece' about the one temple (at Elis) where Hades was worshipped as Lord of the Dead:

"The sacred enclosure of Hades and its temple (for the Eleans have these among their possessions) are opened once every year, but not even on this occasion is anybody permitted to enter except the priest. The following is the reason why the Eleans worship Hades; they are the only men we know of so to do. It is said that, when Heracles was leading an expedition against Pylus in Elis, Athena was one of his allies. Now among those who came to fight on the side of the Pylians was Hades, who was the foe of Heracles but was worshipped at Pylus.
 
Homer is quoted in support of the story, who says in the Iliad:–
And among them huge Hades suffered a wound from a swift arrow,
When the same man, the son of aegis-bearing Zeus,
Hit him in Pylus among the dead, and gave him over to pains. Hom. Il. 5.395-397
 
If in the expedition of Agamemnon and Menelaus against Troy Poseidon was according to Homer an ally of the Greeks, it cannot be unnatural for the same poet to hold that Hades helped the Pylians. At any rate it was in the belief that the god was their friend but the enemy of Heracles that the Eleans made the sanctuary for him. The reason why they are wont to open it only once each year is, I suppose, because men too go down only once to Hades. " [6.25.2]

The only other time Hades as Lord of the Underworld was part of religious services seems to have been at funerals.

Hades was worshipped throughout ancient Hellas, but mostly in His epithet of Plouton; 'Wealth-giver', who was mostly connected to the fruitful earth, not the dead. He had a temple in Elis, near Mount Menthe, at Olympia, and was worshipped at Athens in the grove of the Erinnyes. In ancient Hellenic religion and myth, Ploutōn represents a more positive concept of the God who presides over the afterlife. The name Ploutōn came into widespread usage with the Eleusinian Mysteries, in which Ploutōn was venerated as a stern ruler but the loving husband of Persephone.

Ploutōn and Hades came to differ in character, but they are not distinct figures and share their  mythology. Ploutōn as the name of the ruler of the underworld first appears in Hellenic literature of the Classical period, in the works of the Athenian playwrights and of the philosopher Plato, who is the major Hellenic source on its significance. Under the name Ploutōn, the God appears in other myths in a secondary role, mostly as the possessor of a quest-object, and especially in the descent of Orpheus or other heroes to the underworld.

In general, Khthonic--Underworld--deities have Ouranic epithets that make them less scary and more helpful to humanity. It were these epithets that received worship, not the Kthonic ones. Worhipping Hades in His role as Lord of the Dead is a modern concept. Not wrong, per se, but modern.

~~~

"My husband and I are started looking into Hellenismos recently and we had a question pertaining to the Percy Jackson books. Percy uses a hand gesture described as a claw over the heart being pushed out to ward off evil. We were wondering if this is a real hand gesture and if so what are its origins? And are there any gestures in the Hellenistic religion that we should know about?"

This hand gesture is unknown to me, based on ancient sources. There are a few others I know of:

- During Ouranic sacrifice, the palms of both hands are turned upwards and the arms raised. During Khthonic sacrifices, this is reversed (palms down, arms down).
- Libations for Ouranic deities are poured out from a bowl in the right hand, libations to Khthonic deities are poured out from a bowl in the left hand.
- The 'fig sign', a gesture made with the hand and fingers curled and the thumb thrust between the middle and index fingers was a fertility and good luck charm designed to ward off evil in ancient Hellas, but is often seen as obscene now.
- The 'Mountza sign' was and is a traditional Greek insilt. It's made by extending and spreading all five fingers and presenting the palm or palms toward the person being insulted.
- When you swear an oath to the Theoi, hold up your right hand, bend your pinkie and ringfinger down to your palm and extend all other fingers up.

~~~

"Do you believe that you can consider yourself a practitioner of Traditional Hellenismos if you practice mindfulness, which has its origins in Buddhism? I have issues with anxiety and depression, and I find the techniques of mindfulness immensely helpful."

Yes, I do. The ancient Hellenes were big on meditation and practiced many other self-awareness and tempering techniques as they believed (rightfully so) that it sharpened their minds. Go for it, especially if it helps you! I truly believe that nothing should ever come between you and your mental health, even if it was frowned upon in ancient Hellas.

~~~

"What do you think will happen with your soul when you die? In a Hellenic Polytheistic way."

The ancient Hellenes believed that the moment a person died, their psyche--spirit--left the body in a puff or like a breath of wind. Proper burial was incredibly important to the ancient Hellenes, and to not give a loved one a fully ritualized funeral was unthinkable. It was, however, used as punishment of dead enemies, but only rarely. Funerary rites were performed solely to get the deceased into the afterlife, and everyone who passed away was prepared for burial according to time-honored rituals.

Orphic ideas of the soul and afterlife are most often defined by explicit contrast with the Homeric view of the afterlife, which is taken as the standard view for ancient Hellenic culture. The Homeric afterlife is that of a grim, joyless and tedious existence in the Underworld. The Underworld of Homeros exists solely--at least for the now departed mortal--of the Asphodel meadows. The dead drink from the river Lethe and forget who they were. Sacrifical (animal) blood returns a sense of life to the shades and they recover their memories for a short time. In this tradition, life is lived while you are alive. One you die, you are dead. You might cling to life, but you will never truly be part of it again.

The Orphics were an ancient mystical cult with affinities to Indian religious systems. They believed in reincarnation and the possibility of liberation. Orpheus, the movement's legendary founder, is said to have taught that soul and body are locked together during life; the soul is divine, immortal and aspires to freedom, and during life, the body acts as a prison to the soul. Death releases the soul for a short while, but is then captured by another body until that, too, dies, and so the soul moves from body to body--both human and animal--until it can attain the highest good: liberation. In order to reach liberation, the Orphic way teaches to turn to God by ascetic piety of life and self-purification: the purer the life lived, the higher will be the next reincarnation, until the soul has completed the spiral ascent of destiny to live for ever as God from whom it comes.

The ancient Hellenes called this process 'Metempsychosis' (μετεμψύχωσις). It is a philosophical term which refers to the transmigration of the soul, especially its reincarnation after death. The notion that the human soul enters another body upon death, though unfamiliar in Hellenic religion, was widespread in Hellenic philosophy. The doctrine of transmigration is first associated with the Pythagoreans and Orphics and was later taught by Plato and Pindar. For the former groups, the soul retained its identity throughout its reincarnations; Plato indicated that souls do not remember their previous experiences. Although Herodotus claims that the Hellenes learned this idea from Egypt, most scholars do not believe it came either from Egypt or from India, but developed independently.
 
My personal believes of life after death have shifted over the years. I transitioned into Hellenismos from Eclectic Religious Witchcraft and in my former Tradition, reincarnation was the primary belief. Since the ancient Hellenes had a version of it in metepsychosis, I simply went with that. Now, the older I get and the better my understanding becomes of the ancient Hellenic culture and religion, the more I pull to a more Homeric version of the afterlife. A bit later, perhaps, where Elysium is an option for those who live the highest, purest, of lives. I long for the meadows now. I don't strive for Elysium; I don't think it's for the common folk like me. Give me the meadows and the water of the river Lethe. Let me live life to the fullest. Let me live its up and downs. Give me the completion of my goals and my challenges, and then let me forget and wander in contentment, remembered sometimes--hopefully fondly--by those I leave behind.