On the day of the Hene kai Nea, I post a monthly update about things that happened on the blog and in projects and organizations related to it. I will also announce Elaion's coming PAT rituals.

New things happening:
Statistics:
PAT rituals for Mounukhion:
  • Mounukhion 4 - April 20 - Sacrifice to the Herakleidai at Erkhia
  • Mounukhion 6 - April 22 - Delphinia - in honor of Artemis, and perhaps Apollon and Theseus
  • Mounukhion16n - May 1n - Mounikhia - festival in honor of Artemis as the moon Goddess and Mistress of the animals
  • Mounukhion 19 - May 5 - Olympieia - festival in honor of Olympian Zeus
  • Mounukhion 20 - May 6 - Sacrifice to Leukaspis at Erkhia
  • Mounukhion 21 - May 7 - Sacrifice to Tritopatores at Erkhia

Anything else?
Are you looking for an online shop to buy incenses and other Hellenistic basics from? Try The Hellenic Handmaid on Etsy.

Would you like to support me? Buy me a coffee.

I'm in the mood for something beautiful today, in this case, shots of the ancient sites in Mainland Greece. Main sites in the video: Delphi (0:01), Olympia (1:40), Mycenae (3:10), Tiryns (4:12), Epidaurus (4:44), Acrocorinth (5:24), Corinth (6:25), Athens (7:11). A couple of views from interesting nearby locations that do not belong to the ancient history: Galaxidi (1:36), Nafplio from the Palamidi fortress(4:28), Corinth Canal (6:56). The fortress at Acrocorinth is from Byzantine and later times, but Acrocorinth itself is the acropolis of ancient Corinth.

UNESCO World Heritage Sites in this video (all quotes from whc.unesco.org):

Delphi: "The pan-Hellenic sanctuary of Delphi, where the oracle of Apollo spoke, was the site of ... the 'navel of the world'. Blending harmoniously with the superb landscape and charged with sacred meaning, Delphi in the 6th century B.C. was indeed the religious centre and symbol of unity of the ancient Greek world."

Olympia: "In the 10th century B.C., Olympia became a centre for the worship of Zeus. The Altis – the sanctuary to the gods – has one of the highest concentrations of masterpieces from the ancient Greek world. In addition to temples, there are the remains of all the sports structures erected for the Olympic Games, which were held in Olympia every four years beginning in 776 B.C."

Mycenae and Tiryns: "The archaeological sites of Mycenae and Tiryns are the imposing ruins of the two greatest cities of the Mycenaean civilization, which dominated the eastern Mediterranean world from the 15th to the 12th century B.C. and played a vital role in the development of classical Greek culture."

Epidaurus: "Hellenic architectural ensemble of the 4th century BCE. The site is one of the most complete ancient Greek sanctuaries of Antiquity and is significant for its architectural brilliance and influence.

Acropolis, Athens: "The Acropolis of Athens and its monuments are universal symbols of the classical spirit and civilization and form the greatest architectural and artistic complex bequeathed by Greek Antiquity to the world."
I'm repeating this post, because it bears repeating every now and again. Especially for people new to Hellenismos, proper ritual can be a bit daunting. Here is an overview of the practice!

Tthere are five steps to proper, Hellenistic, ritual: procession, purification, prayers and hymns, sacrifice/offerings, prayers of supplication and thanks, usually followed by a feast and/or theater and sporting events. Today, I want to delve into this deeper, in order to gain a greater understanding of where this formula came from.

There were many religious festivals in ancient Hellas. Some were attended my men only, some by women only, some by men and women, some by adults only, slaves were sometimes allowed to participate, etc. It depended upon the God or Goddess in question who could participate. Roles in the festival were usually determined by your position in Hellenic society. The elite were given high honors during most festivals, citizens were always in the front of the line, slaves took what they could get, and the list goes on.



"The Theoi have blessed the glorious city of Athens with a comfortable blanket of warmth and a clear blue sky. Helios' bright rays light and warm the way even in the early morning chill. On a hillside a way's away from the city gates, families arrive in groups, chatting merrily amongst themselves. All are dressed in their finest clothes, a wreath on their heads. The women's hair is intricately styled in the latest fashion, and while the children run loose, they stay close to their husbands, fathers, or adult sons.

The city officials and priestesses of Athena gathered at the hillside at dawn, going over the last of the preparation for the annual festival in honor of Athena, patron of the bright and beautiful city of Athens. Once the majority of citizens have arrived, and Helios's bright rays light up the walls around the grand city, a loose procession is formed. Hymns are sung, and the Goddess Athena is praised by all who have gathered. They sing of Her glory, Her continual aid to the city. They will their voices up to the sky, to Olympus, and pray for Athena's eyes on them, so She will follow them into the city and its temples.

They move through the city gates--priestesses and government officials first, then hierarchically down to the lowest allowed to participate in the rite. Along the procession are fourteen oxen, adorned with garlands, which will be sacrificed to the Theia at the altar. Thousand of men, women, and children move along the landscape and into the city. They pass through the gate, go through the streets, up to the Acropolis. As they pass the gates to the sanctuary, they sprinkle themselves and the ground around them with lustral water. The oxen get purified as well. Purified, they approach the altar.

On the altar burns a fire, and many others are lit around the temple square. The worshippers assemble at the south of the altar. Solemnly, the oxen are led to the altar, while a choir sings another hymn to Athena. From inside the temple, the statue of Athena looks on as Athens' magistrate takes to the west side of the altar, and raises his hands to the sky. He recalls all Athena has done for the city, Her greatness, Her help. He calls Her by Her many epithets. He then asks Her to continue to look favorably upon the city and to accept the sacrifice of fine oxen given to Her in supplication.

The priestesses carry baskets of barley forward, towards the oxen. They speak the necessary blessings, and pull from their baskets a sharp blade with a solid handle. In a practiced move, they knock out the oxen. As they fall to the ground, the priestesses kneel next to them and cut their throats, collecting their blood in bowls which are handed to them by helpers. Expertly, the animals are butchered and the thigh bones, wrapped in fat, are placed on the altar fire, along with hands full of barley. The smoke of the sacrifice rises to the sky, and reaches Athena, who is pleased.

The animals are butchered and the meat put on spikes and roasted, or cooked in a pot of water, over the various fires. The organs are roasted over the altar fire and presented to the highest city officials. While the meat is prepared, the citizens compete in sporting events, perform or watch plays or pass the time in other ways appropriate to the festival. The ritual part may have been completed before noon, but the festivities last the rest of the day. The food is shared amongst the attending and everyone enjoys a day off in the presence of their savior and patron Theia."

Because of this structure, modern worship is organized the way it is. Procession (no matter how short), purification with lustral water (named khernips), a hymn, song or modern poem which praises and draws the Theos in question, a sacrifice of some kind--be it incense, (mixed) wine, meat or anything else--along with barley seeds tossed on the altar or into the altar fire, prayers or words of thanks, and--in communal rituals--plays, games, or (sports)-competitions. Within communal celebrations, the sacrifice can be some of the (raw) ingredients used to prepare the communal meal that will follow.

If some of these steps are still confusing, I would recommend watching some of the video tutorials I have made, because most of the steps feature in them. Especially the video on making khernips and offering libations should be helpful to new or confused practitioners of Hellenismos. Good luck!
Archaeologists have made an exciting discovery, unearthing the remains of a Greco-Roman temple in Egypt. The remains were found at the Al-Salam site in the Western Desert, situated near the Siwa Oasis and border of Libya.


Led by head archaeologist Abdel-Aziz El-Demery, the team found the main entrance of the temple, parts of its foundation, and an outer wall leading to a front courtyard surrounded by entrances to other chambers.

According to El-Demery, while removing debris from the site, they also uncovered architectural elements such as upper lintels decorated with various scenes, and corner pillars decorated with an egg-and-dart device that was common during the Greco-Roman era.

Meanwhile aside from the temple, archaeologists also uncovered two limestone lion statues, one of which is currently without a head, a sculpture of a man’s head believed to have Grecian facial features, the remains of pots, and coins. Space archaeologist, Sarah Parcak told National Geographic:

“What’s amazing is you don’t tend to hear every day of new temples found in Egypt. It will go a long way in helping to shed light on the history of the Siwa Oasis, which is one of the most isolated Egyptian settlements."

According to the Egyptian Ministry of Antiquities, with further excavations set to take place throughout the year, they expect to find additional temple remains.
The Greek Anthology (Anthologia Graeca) is a collection of poems, mostly epigrams, that span the classical and Byzantine periods of Greek literature. Most of the material of the Greek Anthology comes from two manuscripts, the Palatine Anthology of the 10th century and the Anthology of Planudes (or Planudean Anthology) of the 14th century.

I'd like to share two of the epigrams with you today, about Ganymede. In Greek mythology, Ganymede or Ganymedes (Γανυμήδης, Ganymēdēs) is a divine hero whose homeland was Troy. Ganymede was abducted by Zeus from Mount Ida, near Troy in Phrygia. Ganymede had been tending sheep, a rustic or humble pursuit characteristic of a hero's boyhood before his privileged status is revealed. Zeus either summoned an eagle or turned into an eagle Himself to transport the youth to Mount Olympus.


Greek Anthology, Antipater 5.77
“Hera twisted by the beauty of Ganymede once spoke
As she suffered the heart-rending stab of jealousy in her heart:
“Troy ignited a male fire for Zeus—and so I will send
A fire at Troy, a pain bearing Paris.
No eagle will come to Troy again, but vultures
Will go to the feast when the Greeks get the spoils for their toils.”

Greek Anthology 12.211
“Go to bright heaven, go carrying the child,
Eagle, keep your twin wings spread wide.
Go holding gentle Ganymede and do not drop
Zeus’ wine-bearer of the sweetest cups.
But be careful not to bloody him with your clawed feet
So that Zeus, upset, won’t hurt you.”


Translation here.
The well-preserved ruins of a 5th century BC home from the Ancient Greek colony of Apollonia Pontica, today’s Sozopol on Bulgaria’s Black Sea coast, have been discovered during rescue digs together with numerous artifacts, which include an Attica red-figure pottery krater (a large ceramic wine vessel) depicting the myth about Oedipus and the Sphinx. The rescue excavations were led by archaeologists Pavlina Devlova and Iliya Kirov from the National Museum of History in Sofia.


The 5th century BC red-pottery krater depicting Oedipus and the Sphinx was discovered underneath the foundations of a 1826 home, in a dig that also contained pottery and coins from both the Antiquity period and the Middle Ages.

“[We have] exposed a well preserved structure with a rectangular shape (a residence) with materials from the end of the 6th – 5th century BC."

They add that they have also discovered three pits hewn into the rocks from the Classical Period of Ancient Greece containing materials from the 5th – 4th century BC.

“During the archaeological excavations, [we have found] numerous items which belonged to the ancient residents of Apollonia Pontica."

The artifacts in question include imported luxury ceramics, red-figure pottery, sgraffito pottery, pottery lamps, loom weights, spindle parts, coins, amphora seals, an arrow coin (more arrow coins were discovered in Bulgaria’s Sozopol in 2016), ceramic game pieces, adornments.

The krater is probably the most impressive find from the 2017 rescue excavations and it has now been unveiled to the public in the 2017 Bulgarian Archaeology Exhibition at the National Institute and Museum of Archaeology in Sofia.
   
The krater in question was produced following an Ancient Greek decoration style known as red-figure pottery, which was in use between the 6th and the 3rd century BC. Red-figure ceramics were produced primarily on the Attica Peninsula as well as in Southern Italy and Etruria.

According to the Oedipus myths, the Sphinx, a mythical creature with a human head and a lion’s body, guarded the entrance to the Ancient Greek city of Thebes. The Sphinx would ask travelers a riddle to let them pass, and would strangle and devour those who would fail to give the right answer.
Her riddle was, “Which creature has one voice and yet becomes four-footed and two-footed and three-footed?”

Oedipus, the son of Laius and Jocasta, the king and queen of Thebes, answered her riddle correctly by saying, “Man – who crawls on all fours as a baby, then walks on two feet as an adult, and then uses a walking stick in old age".

In addition to the 5th century BC Attica krater depicting Oedipus and the Sphinx, another intriguing and well preserved ceramic vessels discovered in the latest excavations on the Skamni Peninsula in Bulgaria’s Sozopol is a ceramic askos, an ancient vessel with a specific shape used for pouring small amounts of liquids.
At least 150,000 treasures kept in leading museums such as the Louvre in Paris and London's Victoria and Albert Museum. Serdal Kuyucuoglu, employed at the Turkish Parliament makes the case.


"There were so many things stolen from Turkey that are now held in museums in the US, England, Portugal, Denmark, France, Germany, Greece. Even Greece, which like Turkey has also suffered from this smuggling and theft, took a lot of artefacts when they retreated after their defeat in the [Turkish] War of Independence."

Kuyucuoglu, an opposition MP from Mersin, is a leading member of a parliamentary commission tasked with recovering treasures that now sit in museums and private collections across Europe and North America. Established in October last year, the commission recently travelled around Europe to press for the return of artefacts dating to empires long forgotten by most except historians and archaeologists.

Anatolia has been home to dozens of civilizations that left their mark with ancient monuments and buried treasure. The Assyrians, Hittites, Greeks, Phrygians, Lydians, Carians, Romans, Byzantines, Seljuks and Ottomans are just some of the cultures that once called Anatolia home. The abundance of artefacts has attracted archaeologists, as well as profit-seeking treasure hunters, whose excavations have seen up to 200,000 items taken overseas.

"Turkey is an open-air museum," Kuyucuoglu said. "Many cultures grew in Turkey, so it's a source of many archaeological artefacts. It's strange that the Pergamon Museum is in Berlin and the Ephesus Museum is in Vienna."

From the early 1800s onwards, foreign archaeologists flocked to Anatolia, then part of the Ottoman Empire, to dig ancient sites. Kutalmis Gorkay, head of classical archaeology at Ankara University, said:

"In the 19th century, French, British and German archaeologists were in competition with each other because they were trying to fill their museums."

In the wake of these digs, often authorized by Ottoman authorities who had little interest in the relics of earlier empires, amateur diggers followed, many motivated by the large sums paid by private collectors for artefacts.

Today, the availability of technology has seen a rise in this unregulated plunder of ancient tombs and temples, according to Gorkay.

"This is the cradle of many civilizations, and we have many layers of cultures, items and artefacts. The problem now in Turkey is we have a rapid increase in the amount of illegal activities, illegal digs. We noticed that in recent years an increase in the amount of these activities. It's because of the internet where there are a lot of websites promoting such digs."

Now Turkey wants its ancient treasures back - and to put a stop to the illegal trade. Kuyucuoglu:

"Anatolia is crying for these objects because they are stolen from their motherland. These cultures grew in Anatolia. The least these countries who hold our treasures could do is return certain items for exhibition in Turkey where they belong."

There have been a number of recent successes, such as the return of a Roman sarcophagus depicting the 12 labors of Hercules that had been illegally excavated and smuggled out in the 1960s. Culture Minister Numan Kurtulmus said as he unveiled the sarcophagus at Antalya Museum last September, noted:

"Few among the artefacts, relics originating from Turkey and found and exhibited in the West, are there legally." 

According to the culture ministry, more than 4,300 artefacts have been repatriated since 2003, although Kuyucuoglu said 150,000 to 200,000 are still abroad, many in leading museums such as the Louvre in Paris and London's Victoria and Albert Museum. It's has turned out to be problematic to get back artefacts that have been gone for a long time.

To illustrate the difficulty, Kuyucuoglu points to Priam's Treasure - a trove of gold, copper and other artefacts excavated by a German archaeologist who claimed it belonged to legendary Trojan King Priam. The cache was found in 1873 on what is now recognised as the site of ancient Troy, then smuggled overseas and displayed in Berlin. The find now resides in Moscow's Pushkin Museum, having been stolen by retreating Soviet troops in 1945 and later claimed as war reparations by the Russian government.

"The Germans have demanded them back, but we say they're ours, and we should have them back. It's a long story that will go on for many years, but first we must halt the theft of these objects. There's an underground market. In certain places like the old bazaar in Istanbul, there are people dealing in artefacts, and there are well-known collectors who they can reach through middlemen."

According to Ankara University's Gorkay, ancient sites are often wrecked by treasure hunters uninterested in the historical value of sites.

"Most of the people do not have any idea. They're just doing this to make a profit. They're not intellectual collectors, they just destroy pottery and look for valuable metals."

Kuyucuoglu wants tighter controls and harsher penalties but acknowledged the rewards are so great that "even if we said we would hang them, they would still smuggle".

Arrayed against Turkish claims on its heritage is the argument, often voiced in the West, that Turkey does not look after the history lying under its fields and streets. As the country modernized, archaeological finds were sometimes overlooked by developers. However, as Gorkay noted, Turkey is not the only country to weigh the balance between development and preservation.

"You don't have to collect everything, just document it. Otherwise, it will never stop. Istanbul is the capital of Byzantine empire so if you stopped for everything you would do nothing. This is a very difficult issue for Turkey. Every city, every village, every region had their own old settlement."

Kuyucuoglu, however, emphatically rejected the claim that Turkey cannot be trusted with its heritage.

"Maybe years ago we had limited resources to care for such items, but now we have the capability to do so. Now is the time to give them back."