Showing posts with label Arachne. Show all posts
Showing posts with label Arachne. Show all posts
The legend of Médousa (Μέδουσα) is one of the hardest myths to deal with out of ancient Hellenic mythology. It tells the story of a beautiful woman, who got raped by Poseidon, and gets transformed into a hideous monster who can turn people to stone just by looking at them, by Athena, because of it. She spends the rest of her life trapped on an island, in isolation, while brave warriors try to kill her for her head, which will still turn people to stone once cut off. Perseus eventually does so and gives the head to Athena to place on her shield. The circle is complete and Médousa is dead, after a lifetime of horror which was not her fault to begin with.

It's one of the best known Hellenic myths, and the movies, series, books, comics and other mediums which feature it--or Médousa--are endless. Percy Jackson comes to mind, and Clash of the Titans, but there are many others. What's less well known is that this particular myth doesn't date back to ancient Hellas, but ancient Rome: it was written by the Roman poet Ovid, in 8 B.C., in his Metamorphosis

"...He [Perseus] told of his long journeys, of dangers that were not imaginary ones, what seas and lands he had seen below from his high flight, and what stars he had brushed against with beating wings. He still finished speaking before they wished. Next one of the many princes asked why Medusa, alone among her sisters, had snakes twining in her hair. The guest replied ‘Since what you ask is worth the telling, hear the answer to your question. She was once most beautiful, and the jealous aspiration of many suitors. Of all her beauties none was more admired than her hair: I came across a man who recalled having seen her. They say that Neptune, lord of the seas, violated her in the temple of Minerva. Jupiter’s daughter turned away, and hid her chaste eyes behind her aegis. So that it might not go unpunished, she changed the Gorgon’s hair to foul snakes. And now, to terrify her enemies, numbing them with fear, the goddess wears the snakes, that she created, as a breastplate.’"

Yet, Médousa was a well known figure in ancient Hellas, so well known that the images of her cut off head adorned everything from armors to stoves. Her name meant 'guardian', and her head frightened off enemies as well as little children who would otherwise have burned their hands. The blood from the veins on the left side of Médousa's head was allegedly capable of killing, but Asclepius, a great healer, used the blood from the veins on the right side of the head for saving lives.

In ancient Hellas, Médousa was one of three sisters, Khthonic daímōns called Gorgons. They were named Médousa, Stheno (Σθεννω), and Euryale (Ευρυαλη), and were born to the ancient marine deities Phorkys (Φόρκυς) and Keto (Κητώ), his sister. They were part of the Phorcides (Φόρκιδες), the offspring of Phorkys. Their sisters were Echidna (Ἔχιδνα, half woman, half snake), the Graiai (Γραῖαι, 'old women', sharing one tooth and one eye), and Ladon (Λάδων, the dragon serpent who guarded the golden apples in the garden of the Hesperides). This view comes from Hesiod:

"And to Phorkys, Keto bore the Graiai, with fair faces and gray from birth, and these the gods who are immortal and men who walk on the earth call Graiai, the gray sisters, Pemphredo robed in beauty and Enyo robed in saffron, and the Gorgones who, beyond the famous stream of Okeanos, live in the utmost place toward night, by the singing Hesperides: they are Sthenno, Euryale, and Medousa, whose fate is a sad one, for she was mortal, but the other two immortal and ageless both alike. Poseidon, he of the dark hair, lay with one of these, in a soft meadow and among spring flowers. But when Perseus had cut off the head of Medousa there sprang from her blood great Khrysaor and the horse Pegasos so named from the springs (pegai) of Okeanos, where she was born."

According to Apollodorus, Médousa and her sisters came into the world with snakes on their heads, instead of hair, with yellow wings and brazen hands. Their bodies were also covered with impenetrable scales, and their very looks had the power of killing or turning to stones. Médousa was the only mortal of the three, and in nearly all versions of the myth, has her head cut off by Perseus, who gifts it to Athena. The big difference? In the Hellenic version of the myth, Médousa was never a beautiful maiden who served as a priestess to Athena and was punished for being raped.

There is a third version of the myth, inspired, it seems, by Hesiod, in which Médousa was a very beautiful maiden who lived far to the north where the sun did not reach. She begged Athena to allow her to leave and see the sun, but Athena refused. Médousa got angry and shouted at Athena that she was only disallowing her request because she was jealous at her beauty. Athena, angered, turned her into the monster she is so famous as today. There is a variation of this myth where Médousa tells the sculpture of a statue of Athena that he would have done better making a sculpture of her, because she was far more beautiful. The result is the same; Athena takes her beauty and forces her into isolation as punishment for her hubris. Apollodorus, interestingly enough, also confirms this:

"It is affirmed by some that Medousa was beheaded because of Athene, for they say the Gorgon had been willing to be compared with Athene in beauty."

Archaeologists suspect that Athena, Médousa and Poseidon found their origins in Libya. They came to Hellas through Crete at the dawn of Hellas. In the beginning of Her rein, Athena may have been a snake and fertility Goddess--a trait she shared with her Libyan counterpart, who had Her own cult--and may have either had a priestess who fit the Médousa myth or--and this is more likely--Médousa had her own cult as a snake, fertility and (menstrual) blood Goddess. Especially the latter may be linked to the myths concerning Médousa's blood.

Athena's role as a snake and fertility Goddess is still visible in the myth about the child she had with Hēphaistos;  Erichthonios (Ἐριχθόνιος), who was half man, half snake. It's even posed that in the early days, Athena was married to Hēphaistos and had His child willingly. As Athena was stripped of Her roles as a fertility and snake Goddess, Médousa's myth came into being, where Athena distances Herself from sex and snakes, by punishing an epithet of herself (Athena Tritogeneia, perhaps: 'born of Trito', a lake which was supposedly located in Libya), or the Libyan snake Goddess Médousa, who may have still been attached to Her worship. By placing Médousa's head on Her breastplate or shield, Athena's mythology is continuously linked to Her Libyan heritage, but harmlessly so, to Her new image of a virginal warrior.

Few references remain to Médousa's Libyan cult. There's vague reference to Médousa being a patron of Libya as a whole, or that she was the Goddess most worshipped by the Amazons. She was linked to protection, snakes, menstrual blood, blood, fertility, and femininity in general. If this is true, it's understandable why her worship did not match the Hellenic religion: for one, she's most likely a very powerful female deity. This did not match the hierarchy of the ancient Hellens, and so, Médousa became a monster, and was dealt with accordingly. Blood was one of the fluids that caused serious miasma, and menstrual fluid wasn't even spoken of in ancient Hellas, let alone revered. Not a single Goddess would have it in their portfolio.

I don't like Ovid's version of the Médousa myth. In my view, it's an embellished version of the myth which overshoots its purpose. It also puts both Poseidon and Athena in a very bad light, and takes a lot away from Médousa. As an Hellenist, I am going to pull the Recon card and ignore the heck out of the Ovid myth. I hope that works for you as well. In all honesty, Athena can be a harsh Goddess, but most of her brutal mythology (like Arachne) applies to Minerva, Her Roman counterpart. I'm not saying these two are not linked, but I consider the Roman pantheon as a separate pantheon, with harsher deities. I'll get back to that in another post. For now, I hope this post redeems Médousa a bit, and puts her in a new light for you.
Today, I'm posting a mix-tape for Athena. This idea is not mine; it's a combination of a wonderful idea by Sannion and Hellenion's monthly libation schedule. Hellenion is a Hellenic organization from America and I've been using their wonderful calender and the great store of information they have gathered to start my own practice. Every month, Hellenion members pour a libation to a different Hellenic God or Goddess. This month, it's Athena's turn.

I poured my libation today and found it a wonderful experience. Yet, I also want to do something special for these libation days, another way of honoring these Deities. I've never been much for mix-tapes, although I did make one for my girlfriend once. Still, it's a good way to figure out what the Deity is really about and what They mean to you--or me, in this case.

For this mix-tape series, I will limit myself to five songs, each. So, without further ado; my mix-tape to Athena.

Ani Difranco - Gratitude (live)

In the Olympian version of Athena's birth, Hēphaistos helped birth Her by liberating her from Zeus, Her father's head. A little later on, He turned around on her and attempted to rape Her. She rebuffed Him and Erichthonius was born from Gaea. Athena raised him as Her own. Ani's song tells of an experience where she, after receiving help, was forced to repay the favor in a sexual manner. I'm especially partial to the lines 'what does my body have to do with my gratitude?' and 'you can't write me off and you don't turn me on'.


Spiral Dance - The Goddess and the Weaver

I think this is a beautiful retelling of the myth of Athena and Arachne. It, of course, had to be included.


Andy Bull Feat. Lisa Mitchell - Dog

I am going to share a bit of UGP (and SPG) on Athena for this one. I have interacted with Pallas Athena a lot. One night, she shared some of Her story with me. After being born from Zeus' head, the young Athena was sent to Triton who was tasked to raise Her. Triton had a daughter, a Nymph named Pallas and the two became friends; friends so close they blurred the lines between friendship and love. One day, Zeus came to check up on His daughter and found Her in mock combat with Pallas, with Athena practicing Her spear-play. Distracted by the Aegis, held by Zeus, Athena struck down Pallas, who died in Her arms. Athena, unconsolable, vowed to remain a virgin, realizing Her love could only have been given to Pallas and took the name of the Nymph to keep her memory alive. 

This song reminds me of this story. I'll link here to the lyrics because they're a bit hard to hear. In short, it's the story of young Pallas Athena coming to terms with that She has done, Her struggle to learn from the experience, coming to terms with the realization She really did love Pallas as much more than a friend, and move on as a harder Goddess who has sworn off love.


Dar Williams - As Cool as I Am (live)

The above video is, obviously, a live version. the CD version is here. I was inspired to post the live version, as so I did. The mix-tape is not for me, after all. 

This is one of my favorite songs by Dar Williams and the one sentence that always stays with me is 'I will not be afraid of women'. And I think that Athena is very afraid of women--and of being a woman. Forced into the role of a boy (not a man), Athena tends to take the side of the males when conflicts arise and She is usually harsher on females than males. It's a side of Her I often find hard to reconcile with my feelings about Her because, especially in Neo-Wicca and Eclecticism, Athena seems to be the epitome of feminism. And She's not. 

Peaches - Boys Wanna Be Her

Alright, ignore the video, please. I chose this song to round off my mix-tape with this song by Peaches mostly as a continuation of the point raised at the previous video; that Athena seems to be, for many, the most awesome of the Gods and Goddesses. She's wise, strong, confident, gets on with the boys and she's independent. This song speaks to that part of her persona and I adore it because of that. 

So this is it, my mix-tape to Athena. Are there songs you disagree with or do you have your own to add? I'd love to hear it. 
Taken from: A. Lamb

I admire Athena. She's compassionate, wise, just, strong and feminine. She's a warrior, a fighter. Like Ares, she was born to fight. But unlike Ares, whose rage has its own merits, Athena tackles fighting from a different perspective: wisdom and tactics. Kill fairly and spare the just. Minimize casualties if at all possible.

Athena didn't earn the respect of the Gods simply by fighting. She gives them counsel and settles disputes. She holds every God to the same standard as she does herself and has been known to go up against other Gods if her conscious calls for it. On top of that, she is a master craftswoman; a beautiful part of womanhood. Now, I am useless at any kind of crafts while I have seen men make the most beautiful knittings, sculptures and whatnot. 'Womanhood' is not meant as a guilt trip or insult to anyone, but in Olden Days, it was a women's art and Athena was (and is) it's queen.

Mortals like(d) Athena because she usually treated them fairly and could be addressed to settle disputes. Yet, Athena doesn't always come off as a loving, caring Goddess. Just ask Arachne (see how I sneaked in another A?).

As the myth goes; Arachne boasted her weaving skill topped that of mortals and Gods alike. Specifically, she called out Athena. So Athena came to her door, disguised as an old woman, and warned her against her insolence. Anyone who challenged the Gods would eventually suffer the consequences. But Arachne didn't recant her claim. Instead she told the old woman that if Athena wanted to prove her wrong, She should just show up Herself. And so Athena threw off her disguise. Arachne didn't back down and so they held a weaving contest. Athena created a beautiful scene of Her contest with Poseidon for the rule of Athens. It was breathtaking. And so was Arachne's weaving. But Arachne wove a very different scene; she wove in the affairs Zeus had with mortals. When Athena saw this, She got so mad, She tore up the tapestry and pressed a hand to Arachne's forehead. She opened Arachne's eyes to the guilt and shame she should be feeling by defying and shaming the Gods. Arachne, overwhelmed, hung herself after which Athena took pity on the woman and brought her back to life as a spider, allowing her to live out her life as one of nature's most skilled weavers.

Think as a mortal (Φρονει θνητα). It's one one the Delphic Maxims. It's embodiment, for me, is Arachne's story. Arachne thought herself greater than the Gods and thus forgot her place amongst mortals. The Gods, infinitely more powerful, cursed her with a burden too heavy to bear for a mortal and when she became aware of her mortal nature once more, she realized that what she had done was unforgivable. But the Gods are kind. They forgive, eventually. But so much pain can be avoided when you remain aware of your life as a mortal. You need to eat, to sleep, to be productive in a society created of those of like mind. We are not Gods and we need not bother ourselves with issues only fit for the minds of Gods.

Yet, Athena reminds us that we need to keep using our minds. Respect the Gods and think as a mortal. Think. Make sound judgements. Choose your battles wisely, but choose your battles none the less.