Showing posts with label Gigantomachy. Show all posts
Showing posts with label Gigantomachy. Show all posts

The constellation Draco (from the Greek Drakon, meaning dragon) is identified--funnily enough--with some dragons in Hellenic myth but not others. There are quite a few creatures, after all, who would qualify as a dragon in Hellenic myth. For a dragon or hydra not connected to the constellation, think of the one Kadmos vanquished, for example, or the one Apollon vanquished at Delphi, or even the dragon who guarded the Golden Fleece and was slain by Iásōn. In truth, only two dragons were associated with the myth in ancient times, most notably by Hyginus in his Astronomica: Drakon Hesperios, the Hesperian Dragon, and Drakon Gigantomakhios, the Gigantomachian Dragon.



The first of the myths associated with the constellation is the legend of the Drakon Hesperios (Δρακων Ἑσπεριος), who was slain by Hēraklēs during one of his Labours. I will tell the whole myth of the labour soon enough, but I will share what Hyginus wrote about this labour, and Hēraklēs' encounter with Ladôn (Λαδων), as the dragon was often called.

"This huge serpent is pointed out as lying between the two Bears. He is said to have guarded the golden apples of the Hesperides, and after Hercules killed him, to have been put by Juno [Hera] among the stars, because at her instigation Hercules set out for him. He is considered the usual watchman of the Gardens of Juno. Pherecydes says that when Jupiter [Zeus] wed Juno, Terra [Gaea] came, bearing branches with golden applies, and Juno, in admiration, asked Terra to plant them in her gardens near distant Mount Atlas. When Atlas’ daughters kept picking the apples from the trees, Juno is said to have placed this guardian there. Proof of this will be the form of Hercules above the dragon, as Eratosthenes shows, so that anyone may know that for this reason in particular it is called the dragon." [II.3]

The sole other dragon this myth is linked to is Drakon Gigantomakhios (Δρακων Γιγαντομαχιος), who rose up during the Gigantomachy. When the Olympians rose to power, they first fought the Titans during the Titanomachy. Vanquishing them, the Theoi thought They had won. Yet, there was one who sought revenge for the defeat of his father: Typhôeus, the most-feared son of Tartaros and Gaea. Some versions of the myth say that Typhôeus was actually the Drakon Gigantomakhios, or one of his offspring. Hyginus shares what happened to the dragon:

"Some also say this dragon was thrown at Minerva [Athena] by the Giants, when she fought them. Minerva, however, snatched its twisted form and threw it to the stars, and fixed it at the very pole of heaven. And so to this day it appears with twisted body, as if recently transported to the stars."

The constellation Draco is visible at latitudes between +90° and −15°, and best visible at 21:00 (9 p.m.) during the month of July. Tomorrow, we will talk a little more about the types of dragons in Hellenic myth, because I suddenly realized the association with medieval dragons is very easily made when reading 'dragon', but I assure you, the ancient Hellenes were unaccustomed to giant, fire breathing, lizards.

Today, I'm picking up the fourth of the constellations in the zodiac: Capricornus. Capricornus is often referred to as 'Capricorn', the latin word for 'horned goat' or 'goat horn', and in ancient Hellas--and even in most modern interpretations--the hybrid is not between human and goat, as one might expect from a culture with satyrs in its mythology, but goat and fish.


Obviously, Capricornus is a recognized constellation to this day. In fact, Capricornus is one of the oldest recognized constellations which have survived intact to this day; the association of the fish-goat hybrid even dates back to the Middle Bronze Age. The ancient Hellenes called it 'Aigokeros' (Αιγόκερως), literally 'goat-horned'. 

Because of its age, mythology surrounding the constellation has been muddled quite a bit. Because of that, this post will mostly be an exercise in debunking or expanding upon the stories that surround it. The first Hellenic myth that is associated with the constellation is that of Zeus' wet nurse Amaltheia (Ἀμάλθεια). She was either a goat, a nymph or a Goddess in her own right, most likely a nurturing Goddess imported from Krete, where Rhea delivered Her child (see below). The versions of the myth where She is a goat is the reason She is often linked to Capricornus.

After Zeus' birth, his father Kronos threatened to swallow Him whole, just like He had done with all of Zeus' brothers and sisters. Rhea, Zeus' mother, had gone off to Krete to give birth to Zeus unhindered. Amaltheia helped with the delivery, and when Rhea returned to Kronos with a baby-shaped boulder in a blanket, She left Zeus in Her care.

Amaltheia was, indeed, placed amongst the stars as a reward for Her services, but it wasn't as the Constellation Capricornus, but as the constellation Capra, the group of stars surrounding Capella on the arm  of Auriga, the charioteer. Here, She became tied to a myth that is a lot more gruesome: the myth that Her skin was used to create the sacred Aegis, the shield thus being placed on the arm of the charioteer for protection.

Amaltheia aside, Capricornus is mostly accurately linked to another myth connected to the Titomanchy; the Olympians were in for a rough fight when Zeus led them against the Titans. One of their toughest fights was against the storm-giant Typhôeus (Τυφωευς), a fight so tough, in fact, that the Olympians had to flee from battle. The young Theoi were so scared of the storm-giant, They fled to Egypt, crossing the river Nile in such a hurry that one amongst Them didn't even allow Himself the time to fully change shape so he could cross the river faster. He crossed in the shape of a half-goat, half-fish.

In most modern retellings of the myth, this Theos is identified as Pan, the Arkadian Theos of shepherds and flocks, of mountain wilds, hunting and rustic music. The ancient Hellenes, however, distinguished between several Panes (Πανες), daimones, guardian spirits, who are often conflated into Pan in modern times. Besides Pan, the ancient Hellenes at least distinguished between Agreus (Αγρευς), a Pan-daimon of hunting and rustic prophecy; Nomios (Νομιος), a Pan-daimon of shepherds and pastures; Phorbas (Φορβας), a Pan-daimon of grazing; the Paneidês (Πανειδης), the twelve sons of the Theos Pan; two Italian-born Pan-daimon--Pan Sybarios (Παν Συβαριος) and Phaunos (Φαυνος)--and Aigipan (Αιγιπαν), the Pan-daimon who helped Zeus in his battles with the storm-giant Typhôeus. It was Aigipan who was placed into the sky as the constellation Capricornus.

There are many versions of this myth, about Aigipan's birth, his connection to Zeus and the acts for which he was eventually placed amongst the stars. All are of relatively late design, but the basics are as follows: Aigipan was either a child of Zeus by a variety of mothers, a child of Almatheia--and thus fed alongside Zeus--or the father of Pan. In all versions of the myth, he stood alongside Zeus during the Titan war. Some versions of the myth say that Aigipan put panic (panikos) in the hearts of the Titans during the fight and thus gave Zeus such an edge, He won the war.

Other myths say that after the Titans were defeated, the Theoi thought They had won. Yet, there was one who sought revenge for the defeat of his father: Typhôeus, the most-feared son of Tartaros and Gaea. He came for Zeus, when all Theoi had gathered in Egypt, and the Theoi fled. Impressed by Aigipan's shrewdness in escaping over the river Nile as a sea-goat, Zeus rewarded him by placing him in the sky. In other versions, Typhôeus got a hold of Zeus and in the battle that followed, he ripped Zeus apart limb for limb. He hid the sinews of Zeus's arm or entire body away, but Aigipan got them back for Him, alongside Hermes.

In the last version of the myth, Zeus preemptively goes after Typhôeus, who is hiding in a cave by the sea. He commands Aigipan to lure him out, which Aigipan does in the form of the sea goat. Zeus then brings down a thunderbolt so powerful, it vanquishes Typhôeus and allows Zeus to lock him into Tartaros.

Whatever the case, Aigipan is most likely the Hellenic mythological source of the shape Capricornus has gotten, although Capricornus is also rumored to be an entrance into the Underworld. To find out for yourself, you might have to wait a while. This dim constellation is visible at latitudes between +60° and −90°, and best visible at 21:00 (9 p.m.) during the month of September.
The ancient Hellenes were very keen people, interested in all things nature, science and philosophy. They searched for answers to questions about their life, as well as the Theoi, and they theorized structurally about any discoveries they made, be it in health care, science or paleontology. Especially in the latter department, there are a few discoveries that might have shaped a large part of ancient Hellenic mythology and religion in general. Today, we'll be discussing some of those.

Giants:

Nichoria (Νιχώρια) is a site in Messenia, a regional unit in the southwestern part of the Peloponnese, Greece, on a ridgetop near modern Rizomylos, at the northwestern corner of the Messenian Gulf. It was the home of an Acropolis where many--what we now call--fossils were stored. The Nichoria bone was discovered by the ancient Hellenes roughly around 1000 BC. It is the blackened and petrified thigh bone of an extinct mega mammal--likely a woolly rhinoceros, or a mammoth--that roamed southern Hellas around one million years ago. The rusty-black color of the fossil bone indicates that it was most likely collected from the lignite deposits near the ancient town of Megalopolis, some 55 kilometers (35 miles) away from Nichoria. The Megalopolis basin was known in antiquity as the 'battleground of the Giants', where first the Titanomachy and then the Gigantomachy was believed to have taken place. The dense concentration of large fossil bones found at the basin inspired the belief that entire armies of giants were blasted by Zeus' thunderbolts, and the Nichoria bone--the distal end of a right femur, 15 cm (5-6 inches) wide, about twice the size of a regular human thigh bone--was most likely believed to have belonged to one of these giants. If the myth or the bone came first is unknown.

Cyclopses:
The one-eyed giants might have their origins in the recovered skulls of Deinotherium giganteum, which, loosely translated means 'really huge terrible beast'. Skulls and even tusks have been discovered in temples of the island of Krete, placed their by the ancient inhabitants. The Deinotherium is a distant relative to today's elephants. It stood about four and a half meters (15 feet) tall at the shoulder, and had tusks that extended over a meter (4.5 feet). It roamed Europe, Asia, and Africa during the Miocene (23 to 5 million years ago) and Pliocene (5 to 1.8 million years ago) eras before becoming extinct. As the image to the right shows, the large hole in the front of the skull was the anchor point for the trunk, not the eyes, but the skill of a young Deinotherium combined with the fearsome reputation of the cyclopses, makes it easy to see why the anciente Hellenes might have identified these skulls as belonging to Odysseus' captor.

Griffin's
The grýphōn (γρύφων) is a mythical creature with the body, tail, and back legs of a lion; the head and wings of an eagle; and an eagle's talons as its front feet. They feature in much Hellenic artwork, and Adrienne Mayor, a classical folklorist, proposes that the griffin was an ancient misconception derived from the fossilized remains of the Protoceratops found in gold mines in the Altai mountains of Scythia, in present day southeastern Kazakhstan, or in Mongolia. Looking at the skull of one of these dinosaurs, it really isn't a big leap; Protoceratops is about the size of a sheep or large dog, and they have a powerful jaw, and protruding bird-like beak. As a dinosaur, the rest of the skeleton would also have resembled a densely packed lion, one capable of carrying the weight of a man. The wings could simply have been assumed lost in time, or perhaps small bones found in the area would have indicated that the 'griffin' once took flight.

There are many more examples, and for anyone interested in this topic, Adrienne Mayor's book 'The First Fossil Hunters: Dinosaurs, Mammoths, and Myth in Greek and Roman Times' is an absolute must-read. From a review of the book:

"Above all, in The First Fossil Hunters Mayor proves two basic points: that many of the classic Greek and Roman myths did have a basis in fact, and that the basis for these facts were fossils. Using evidence collected from personal interviews, trips to Greek and Italian museums, and careful studies of classical myths and geology, Mayor continues to prove the two above points throughout her 360-page book. 

[...] Throughout her book Mayor continually proves the two basic points that she originally set out in the introduction: that many Greek and Roman myths had a basis in fact, and that these facts were often fossils. However, she goes beyond this basis thesis, and proves that Greeks and Romans frequently encountered the fossilized remains of mammals and dinosaurs, and that they developed very sophisticated concepts and myths to explain this bewildering and often confusing fossil evidence. Like their modern counterparts, Mayor writes, the ancient fossil hunters collected and measured impressive petrified remains and even displayed them in temples and museums. They attempted to reconstruct the appearance of these creatures through art and sculpture, and went even further in attempting to explain their creation and extinction."


Mammoth bone image source here; Cyclops image source here; Protoceratops skull image source here.
The last we saw of Hēraklēs, he was taking a breather and establishing the Olympic Games after capturing the Cretan Bull. Before Hēraklēs returned to vanquishing monsters to clear his soul of miasma, he became involved with two other, major, events: the war with the giants and the liberation of Prometheus. To quote from a post I did on the Giant and Titans:

The rise to power of the Olympians was not an easy one, in fact, under Zeus' leadership the young Gods had many toils and troubles to overcome before They became the dominant force in the universe. Two of those hurdles were the Gigantomachy and the Titanomachy, two events that were first depicted as separate events but became more entwined as the years went on.

The Gigantes were a tribe of one hundred Giants born of Gaia. Some say their father was Tartaros, others that they were born from the blood of the castrated Ouranos. They aren't considered Gods, but fall under the label of 'monster', like the Gorgons and the Hekatonkheires. Hesiod, in his Theogony describes the birth of the Gigantes:

"Then the son from his ambush stretched forth his left hand and in his right took the great long sickle with jagged teeth, and swiftly lopped off his own father's members and cast them away to fall behind him. And not vainly did they fall from his hand; for all the bloody drops that gushed forth Earth received, and as the seasons moved round she bare the strong Erinyes and the great Giants with gleaming armour, holding long spears in their hands and the Nymphs whom they call Meliae all over the boundless earth." [177]

Hēraklēs was alive and mortal for the Gigantomachy, and of course, he fought on the side of the Olympians, earning him great honour with the Theoi for his skill and bravery. Diodorus Siculus writes in his 'Library of History':

"After this, when the Giants about Pallenê chose to begin the war against the immortals, Heracles fought on the side of the gods, and slaying many of the Sons of Earth he received the highest approbation. For Zeus gave the name of “Olympian” only to those gods who had fought by his side, in order that the courageous, by being adorned by so honourable a title, might be distinguished by this designation from the coward; and of those who were born of mortal women he considered only Dionysus and Heracles worthy of this name, not only because they had Zeus for their father, but also because they had avowed the same plan of life as he and conferred great benefits upon the life of men." [4.15.1]

Afterwards, Hēraklēs has one more task to fulfil before he can return to his quest for redemption: free Prometheus. Prometheus, long before was given the task of creating man and his brother Epimetheus was ordered go give good qualities to all creatures of earth. So did Prometheus and Epimetheus. Prometheus shaped man out of clay and Athena breathed life into him. Epimetheus spread swiftness, cunning, fur and wings to the other animals but ran out of gifts when he came to man. Prometheus remedied the situation by allowing men to walk upright and gave them fire.

It soon became apparent that Prometheus loved man more than the Olympians. When Zeus decreed that man must give sacrifice to the Deathless Ones, Prometheus stood ready to aid humanity. He butchered an animal and divided it in to piles; the bones and fat formed one of them, the good meat wrapped in the hide of the animal, the other. Zeus vowed that he would abide by the choice He made now, and picked the tasty looking pile of bones. Zeus was angered but could not take back his vow. What he could take back, was the gift of fire, and this he did.

Mankind suffered greatly without fire and Prometheus travelled either to the sun or Olympus to reclaim fire for his beloved mankind. This, of course, angered Zeus even further and so he devised a plan. First, he imprisoned Prometheus. He ordered Hermes to tie Prometheus to a mountain and had a giant Eagle come every day to eat his liver. As an immortal, Prometheus' liver grew back over night so his torment was endless--well, nearly endless because many, many, many years later, in one version of the myth Hēraklēs took pity on him. Diodorus Siculus again:

"And Zeus, when Prometheus had taken fire and given it to men, put him in chains and set an eagle at his side which devoured his liver. But when Heracles saw him suffering such punishment because of the benefit which he had conferred upon men, he killed the eagle with an arrow, and then persuading Zeus to cease from his anger he rescued him who had been the benefactor of all." [4.15.2]

Next up on the Labours of Hēraklēs series: the horses of Diomedes!
The rise to power of the Olympians was not an easy one, in fact, under Zeus' leadership the young Gods had many toils and troubles to overcome before They became the dominant force in the universe. Two of those hurdles were the Gigantomachy and the Titanomachy, two events that were first depicted as separate events but became more entwined as the years went on. Because there had been some confusion between who the Gigantes were and who the Titanes were, I'm going to do a short introduction to both today.

The Titanes came first, after the Protogenoi (Πρωτογενοι). The Protogenoi are the First Born Deities of the Hellenic Kosmos. They are the building blocks of the universe, primordial Deities. Examples include, Gaea, Nyx, Eros, and Ouranos. Then came the Titanes Gods (Τιτανες Θεοι), or Titans. This generation included deities like Hyperion, Rhea, Phoebe, Themis, and Prometheus. We label the generation after Them 'Titanes' as well, and this generation includes Helios, Hekatê, Mêtis, and the Mousai. The Olypic Gods came after.

The Gigantes were a tribe of one hundred Giants born of Gaia. Some say their father was Tartaros, others that they were born from the blood of the castrated Ouranos. They aren't considered Gods, but fall under the label of 'monster', like the Gorgons and the Hekatonkheires. Hesiod, in his Theogony describes the birth of the Gigantes:

"Then the son from his ambush stretched forth his left hand and in his right took the great long sickle with jagged teeth, and swiftly lopped off his own father's members and cast them away to fall behind him. And not vainly did they fall from his hand; for all the bloody drops that gushed forth Earth received, and as the seasons moved round she bare the strong Erinyes and the great Giants with gleaming armour, holding long spears in their hands and the Nymphs whom they call Meliae all over the boundless earth." [177]

Again in the Theogony, we find a description of the Titanomachy:
 
"But the son of Cronos and the other deathless gods whom rich-haired Rhea bare from union with Cronos, brought them up again to the light at Earth's advising. For she herself recounted all things to the gods fully, how that with these they would gain victory and a glorious cause to vaunt themselves. For the Titan gods and as many as sprang from Cronos had long been fighting together in stubborn war with heart-grieving toil, the lordly Titans from high Othyrs, but the gods, givers of good, whom rich-haired Rhea bare in union with Cronos, from Olympus. So they, with bitter wrath, were fighting continually with one another at that time for ten full years, and the hard strife had no close or end for either side, and the issue of the war hung evenly balanced. But when he had provided those three with all things fitting, nectar and ambrosia which the gods themselves eat, and when their proud spirit revived within them all after they had fed on nectar and delicious ambrosia, then it was that the father of men and gods spoke amongst them:
 
`Hear me, bright children of Earth and Heaven, that I may say what my heart within me bids. A long while now have we, who are sprung from Cronos and the Titan gods, fought with each other every day to get victory and to prevail. But do you show your great might and unconquerable strength, and face the Titans in bitter strife; for remember our friendly kindness, and from what sufferings you are come back to the light from your cruel bondage under misty gloom through our counsels.'
 
So he said. And blameless Cottus answered him again: `Divine one, you speak that which we know well: nay, even of ourselves we know that your wisdom and understanding is exceeding, and that you became a defender of the deathless ones from chill doom. And through your devising we are come back again from the murky gloom and from our merciless bonds, enjoying what we looked not for, O lord, son of Cronos. And so now with fixed purpose and deliberate counsel we will aid your power in dreadful strife and will fight against the Titans in hard battle.'
 
So he said: and the gods, givers of good things, applauded when they heard his word, and their spirit longed for war even more than before, and they all, both male and female, stirred up hated battle that day, the Titan gods, and all that were born of Cronos together with those dread, mighty ones of overwhelming strength whom Zeus brought up to the light from Erebus beneath the earth. An hundred arms sprang from the shoulders of all alike, and each had fifty heads growing upon his shoulders upon stout limbs. These, then, stood against the Titans in grim strife, holding huge rocks in their strong hands. And on the other part the Titans eagerly strengthened their ranks, and both sides at one time showed the work of their hands and their might. The boundless sea rang terribly around, and the earth crashed loudly: wide Heaven was shaken and groaned, and high Olympus reeled from its foundation under the charge of the undying gods, and a heavy quaking reached dim Tartarus and the deep sound of their feet in the fearful onset and of their hard missiles. So, then, they launched their grievous shafts upon one another, and the cry of both armies as they shouted reached to starry heaven; and they met together with a great battle-cry.
 
Then Zeus no longer held back his might; but straight his heart was filled with fury and he showed forth all his strength. From Heaven and from Olympus he came forthwith, hurling his lightning: the bold flew thick and fast from his strong hand together with thunder and lightning, whirling an awesome flame. The life-giving earth crashed around in burning, and the vast wood crackled loud with fire all about. All the land seethed, and Ocean's streams and the unfruitful sea. The hot vapour lapped round the earthborn Titans: flame unspeakable rose to the bright upper air: the flashing glare of the thunder- stone and lightning blinded their eyes for all that there were strong. Astounding heat seized Chaos: and to see with eyes and to hear the sound with ears it seemed even as if Earth and wide Heaven above came together; for such a mighty crash would have arisen if Earth were being hurled to ruin, and Heaven from on high were hurling her down; so great a crash was there while the gods were meeting together in strife. Also the winds brought rumbling earthquake and duststorm, thunder and lightning and the lurid thunderbolt, which are the shafts of great Zeus, and carried the clangour and the warcry into the midst of the two hosts. An horrible uproar of terrible strife arose: mighty deeds were shown and the battle inclined. But until then, they kept at one another and fought continually in cruel war.
 
And amongst the foremost Cottus and Briareos and Gyes insatiate for war raised fierce fighting: three hundred rocks, one upon another, they launched from their strong hands and overshadowed the Titans with their missiles, and buried them beneath the wide-pathed earth, and bound them in bitter chains when they had conquered them by their strength for all their great spirit, as far beneath the earth to Tartarus. For a brazen anvil falling down from heaven nine nights and days would reach the earth upon the tenth: and again, a brazen anvil falling from earth nine nights and days would reach Tartarus upon the tenth. Round it runs a fence of bronze, and night spreads in triple line all about it like a neck-circlet, while above grow the roots of the earth and unfruitful sea. There by the counsel of Zeus who drives the clouds the Titan gods are hidden under misty gloom, in a dank place where are the ends of the huge earth. And they may not go out; for Poseidon fixed gates of bronze upon it, and a wall runs all round it on every side. There Gyes and Cottus and great-souled Obriareus live, trusty warders of Zeus who holds the aegis.
 
And there, all in their order, are the sources and ends of gloomy earth and misty Tartarus and the unfruitful sea and starry heaven, loathsome and dank, which even the gods abhor." [617 - 744]
As for the Gigantomachy, Pseudo-Apollodorus' Bibliotheca has a beautiful account of it:

"Now because of her anger over the Titanes, Ge gave birth to the Gigantes, Ouranos was the father. These creatures were unsurpassed in the size of their bodies and unconquerable by virtue of their power. They were frightening in appearance, with long hair that swept down from their heads and chins, and serpent-scales covering their lower limbs. Some say that they were born in Phlegrae, others in Pallene. They would hurl rocks and flaming oak trees at the sky.

 The greatest of them were Porphyrion and Alkyoneus, who was in fact immortal provided he did his fighting in the land where he was born. It was Alkyoneus who drove away the cattle of Helios from Erytheia [the Sunset Isle].

 Now there was an oracle among the gods that they themselves would not be able to destroy any of the Gigantes, but would finish them off only with the help of some mortal ally. When Ge (Earth) learned of this, she sought a drug that would prevent their destruction even by mortal hands. But Zeus barred the appearance of Eos, Selene, and Helios, and chopped up the drug himself before Ge could find it.

 Then with Athene's help he called for Herakles to be his ally. Herakles first sent and arrow at Alkyoneus, who by falling to the earth recovered somewhat. Athene advised Herakles to drag him outside of Pallene, which he did, and Alkyoneus thereupon died.

 In the course of the battle Porphyrion rushed against Herakles and also Hera. Zeus instilled him with a passion for Hera, and when he tore her gown and wanted to rape her, she called for help, whereat Zeus hit him with a thunderbolt and Herakles slew him with an arrow. As for the rest, Apollon sent an arrow into the left eye of Ephialtes, Herakles into the right; Dionysos slew Eurytos with his thyrsos; Hekate got Klytios with fire-brands; and Hephaistos killed Mimas by throwing molten iron at him. As Enkelados was fleeing, Athene threw the island of Sikilia (Sicily) in his direction. She stripped the skin off Pallas and used it to protect her own body during the battle. Polybotes was pursued through the sea by Poseidon until he reached Kos. There Poseidon ripped off the part of that island called Nisyros and threw it at him. Hermes, who was wearing the helmet of Haides, killed Hippolytos in the course of the battle, and Artemis killed Aigaion. The Moirai fought with bronze maces and killed Agrios and Thoon, whiles Zeus destroyed the rest by throwing his thunderbolts. Herakles sent arrows into all of them as they lay dying." [34 - 38]

By the time of the Romans (and even the late Hellenes) the two events become largely equated. They are either seen as one struggle, or events become mixed. Not always, but as time went on, it happened more often, and I am sure this is where the modern confusion stems from. In ancient Hellenic times, however, the two races and wars were very distinct and had very different outcomes. Thus ends today's mythology lesson.
After the Acropolis in Athens, and Plato's Academy in the same city, Turkey has made steps to preserve its own cultural heritage in a digital format: four temples of the ancient Greek city of Pergamon will be transformed into a 3D platform and visitors will have a chance to see these ancient venues via their tablets and phones, thus reports the Archaeology News Network. On the shortlist for digitalization are the temple of Zeus, the Altar of Athena, the Red Basilica and the Asklepion.


Pergamon (τὸ Πέργαμον) was a small settlement during the Archaic Period, located in Aeolis, today located 16 miles (26 km) from the Aegean Sea on a promontory on the north side of the river Caicus. The main sites of ancient Pergamon are to the north and west of the modern city of Bergama in Turkey.

The ancient city of Pergamon rose to greatness after receiving a huge sum of money as war expenditures, and became the most eminent center of culture of the Hellenistic period for 150 years. One of its rulers, Eumenes II (197-159 BC), took the acropolis of Athens as an example and had the acropolis of Pergamon adorned with works of art, after which Pergamon became one of the most graceful cities of the world.

One of the most famous buildings that once stood on the property is the Altar of Zeus and Athena, which used to be located to the south of the theater. Eumenes II constructed it as a memorial of the victory against the Galatians. The Altar has the shape of a horseshoe and its dimensions are 36.44 by 34.20 meters. The high reliefs on the outsides of the altar depict the Gigantomachy. At Pergamon, nothing remains of the altar but its foundations; the rest was removed from the site and shipped to Berlin.

The Red Basilica was (and honestly still is) a great temple of the Khemetic Goddess Isis and/or Serapis (Σάραπις), a Graeco-Egyptian God. It is located about one kilometer south of the Acropolis. The temple was built by the Roman Empire, probably in the time of Hadrian and possibly on his orders. It is one of the largest Roman structures still surviving in the ancient Greek world. Although the building itself is of an immense size, it was once part of a much larger sacred complex.

The Asklepion is located three kilometers south of the Acropolis, down in the valley, and was the Sanctuary of Asklēpiós, the God of healing. There was a sacred spring where the ill came to wash, and a large hall where they would sleep so Asklēpiós could appear to them in dreams and provide aid.

The aim of the 3D project is to present Pergamon to the world. Bergama mayor Mehmet Gönenç said that "...through this project the mystery and the magic of the ancient city would be revealed and would also be transposed to the present day". With this project, people would have the opportunity to learn about the area, he added.

Gönenç and the Bergama Chamber of Commerce held a press conference at Tonozlu Hall and said Bergama was a very important area of heritage for the world and for Turkey, which was why the project had been launched, as well as to contribute to the cultural values of the society.

No word yet on when the project will be completed.

Last year, I got a chance to visit the Pergamon Altar to Zeus and Athena, now in Berlin. It was a double experience for me; on the one hand, it is a striking marvel of architecture and seeing it made my heart swell with pride for the Theoi and the ancient Hellenes, on the other hand, seeing these stones so far from their original construction site was infuriating, and having to view them as a tourist attraction even more so. That said, I greatly enjoy the virtual tour of the Acropolis in Athens, so if the tour will be anything like that, I am sure I can get behind this project. Are you excited to have digital access to these treasures?


Image source: Wikipedia commons.
The constellation Draco (from the Greek Drakon, meaning dragon) is identified--funnily enough--with some dragons in Hellenic myth but not others. There are quite a few creatures, after all, who would qualify as a dragon in Hellenic myth. For a dragon or hydra not connected to the constellation, think of the one Kadmos vanquished, for example, or the one Apollon vanquished at Delphi, or even the dragon who guarded the Golden Fleece and was slain by Iásōn. In truth, only two dragons were associated with the myth in ancient times, most notably by Hyginus in his Astronomica: Drakon Hesperios, the Hesperian Dragon, and Drakon Gigantomakhios, the Gigantomachian Dragon.


The first of the myths associated with the constellation is the legend of the Drakon Hesperios (Δρακων Ἑσπεριος), who was slain by Hēraklēs during one of his Labours. I will tell the whole myth of the labour soon enough, but I will share what Hyginus wrote about this labour, and Hēraklēs' encounter with Ladôn (Λαδων), as the dragon was often called.

"This huge serpent is pointed out as lying between the two Bears. He is said to have guarded the golden apples of the Hesperides, and after Hercules killed him, to have been put by Juno [Hera] among the stars, because at her instigation Hercules set out for him. He is considered the usual watchman of the Gardens of Juno. Pherecydes says that when Jupiter [Zeus] wed Juno, Terra [Gaea] came, bearing branches with golden applies, and Juno, in admiration, asked Terra to plant them in her gardens near distant Mount Atlas. When Atlas’ daughters kept picking the apples from the trees, Juno is said to have placed this guardian there. Proof of this will be the form of Hercules above the dragon, as Eratosthenes shows, so that anyone may know that for this reason in particular it is called the dragon." [II.3]

The sole other dragon this myth is linked to is Drakon Gigantomakhios (Δρακων Γιγαντομαχιος), who rose up during the Gigantomachy. When the Olympians rose to power, they first fought the Titans during the Titanomachy. Vanquishing them, the Theoi thought They had won. Yet, there was one who sought revenge for the defeat of his father: Typhôeus, the most-feared son of Tartaros and Gaea. Some versions of the myth say that Typhôeus was actually the Drakon Gigantomakhios, or one of his offspring. Hyginus shares what happened to the dragon:

"Some also say this dragon was thrown at Minerva [Athena] by the Giants, when she fought them. Minerva, however, snatched its twisted form and threw it to the stars, and fixed it at the very pole of heaven. And so to this day it appears with twisted body, as if recently transported to the stars."

The constellation Draco is visible at latitudes between +90° and −15°, and best visible at 21:00 (9 p.m.) during the month of July. Tomorrow, we will talk a little more about the types of dragons in Hellenic myth, because I suddenly realized the association with medieval dragons is very easily made when reading 'dragon', but I assure you, the ancient Hellenes were unaccustomed to giant, fire breathing, lizards.
The ancient Hellenes were very keen people, interested in all things nature, science and philosophy. They searched for answers to questions about their life, as well as the Theoi, and they theorized structurally about any discoveries they made, be it in health care, science or paleontology. Especially in the latter department, there are a few discoveries that might have shaped a large part of ancient Hellenic mythology and religion in general. Today, we'll be discussing some of those.

Giants:

Nichoria (Νιχώρια) is a site in Messenia, a regional unit in the southwestern part of the Peloponnese, Greece, on a ridgetop near modern Rizomylos, at the northwestern corner of the Messenian Gulf. It was the home of an Acropolis where many--what we now call--fossils were stored. The Nichoria bone was discovered by the ancient Hellenes roughly around 1000 BC. It is the blackened and petrified thigh bone of an extinct mega mammal--likely a woolly rhinoceros, or a mammoth--that roamed southern Hellas around one million years ago. The rusty-black color of the fossil bone indicates that it was most likely collected from the lignite deposits near the ancient town of Megalopolis, some 55 kilometers (35 miles) away from Nichoria. The Megalopolis basin was known in antiquity as the 'battleground of the Giants', where first the Titanomachy and then the Gigantomachy was believed to have taken place. The dense concentration of large fossil bones found at the basin inspired the belief that entire armies of giants were blasted by Zeus' thunderbolts, and the Nichoria bone--the distal end of a right femur, 15 cm (5-6 inches) wide, about twice the size of a regular human thigh bone--was most likely believed to have belonged to one of these giants. If the myth or the bone came first is unknown.

Cyclopses:
The one-eyed giants might have their origins in the recovered skulls of Deinotherium giganteum, which, loosely translated means 'really huge terrible beast'. Skulls and even tusks have been discovered in temples of the island of Krete, placed their by the ancient inhabitants. The Deinotherium is a distant relative to today's elephants. It stood about four and a half meters (15 feet) tall at the shoulder, and had tusks that extended over a meter (4.5 feet). It roamed Europe, Asia, and Africa during the Miocene (23 to 5 million years ago) and Pliocene (5 to 1.8 million years ago) eras before becoming extinct. As the image to the right shows, the large hole in the front of the skull was the anchor point for the trunk, not the eyes, but the skill of a young Deinotherium combined with the fearsome reputation of the cyclopses, makes it easy to see why the anciente Hellenes might have identified these skulls as belonging to Odysseus' captor.

Griffin's
The grýphōn (γρύφων) is a mythical creature with the body, tail, and back legs of a lion; the head and wings of an eagle; and an eagle's talons as its front feet. They feature in much Hellenic artwork, and Adrienne Mayor, a classical folklorist, proposes that the griffin was an ancient misconception derived from the fossilized remains of the Protoceratops found in gold mines in the Altai mountains of Scythia, in present day southeastern Kazakhstan, or in Mongolia. Looking at the skull of one of these dinosaurs, it really isn't a big leap; Protoceratops is about the size of a sheep or large dog, and they have a powerful jaw, and protruding bird-like beak. As a dinosaur, the rest of the skeleton would also have resembled a densely packed lion, one capable of carrying the weight of a man. The wings could simply have been assumed lost in time, or perhaps small bones found in the area would have indicated that the 'griffin' once took flight.

There are many more examples, and for anyone interested in this topic, Adrienne Mayor's book 'The First Fossil Hunters: Dinosaurs, Mammoths, and Myth in Greek and Roman Times' is an absolute must-read. From a review of the book:

"Above all, in The First Fossil Hunters Mayor proves two basic points: that many of the classic Greek and Roman myths did have a basis in fact, and that the basis for these facts were fossils. Using evidence collected from personal interviews, trips to Greek and Italian museums, and careful studies of classical myths and geology, Mayor continues to prove the two above points throughout her 360-page book. 

[...] Throughout her book Mayor continually proves the two basic points that she originally set out in the introduction: that many Greek and Roman myths had a basis in fact, and that these facts were often fossils. However, she goes beyond this basis thesis, and proves that Greeks and Romans frequently encountered the fossilized remains of mammals and dinosaurs, and that they developed very sophisticated concepts and myths to explain this bewildering and often confusing fossil evidence. Like their modern counterparts, Mayor writes, the ancient fossil hunters collected and measured impressive petrified remains and even displayed them in temples and museums. They attempted to reconstruct the appearance of these creatures through art and sculpture, and went even further in attempting to explain their creation and extinction."


Mammoth bone image source here; Cyclops image source here; Protoceratops skull image source here.
It's due time for another astronomy post, wouldn't you say? Today, I'm picking up the fourth of the constellations in the zodiac: Capricornus. Capricornus is often referred to as 'Capricorn', the latin word for 'horned goat' or 'goat horn', and in ancient Hellas--and even in most modern interpretations--the hybrid is not between human and goat, as one might expect from a culture with satyrs in its mythology, but goat and fish.


Obviously, Capricornus is a recognized constellation to this day. In fact, Capricornus is one of the oldest recognized constellations which have survived intact to this day; the association of the fish-goat hybrid even dates back to the Middle Bronze Age. The ancient Hellenes called it 'Aigokeros' (Αιγόκερως), literally 'goat-horned'. 

Because of its age, mythology surrounding the constellation has been muddled quite a bit. Because of that, this post will mostly be an exercise in debunking or expanding upon the stories that surround it. The first Hellenic myth that is associated with the constellation is that of Zeus' wet nurse Amaltheia (Ἀμάλθεια). She was either a goat, a nymph or a Goddess in her own right, most likely a nurturing Goddess imported from Krete, where Rhea delivered Her child (see below). The versions of the myth where She is a goat is the reason She is often linked to Capricornus.

After Zeus' birth, his father Kronos threatened to swallow Him whole, just like He had done with all of Zeus' brothers and sisters. Rhea, Zeus' mother, had gone off to Krete to give birth to Zeus unhindered. Amaltheia helped with the delivery, and when Rhea returned to Kronos with a baby-shaped boulder in a blanket, She left Zeus in Her care.

Amaltheia was, indeed, placed amongst the stars as a reward for Her services, but it wasn't as the Constellation Capricornus, but as the constellation Capra, the group of stars surrounding Capella on the arm  of Auriga, the charioteer. Here, She became tied to a myth that is a lot more gruesome: the myth that Her skin was used to create the sacred Aegis, the shield thus being placed on the arm of the charioteer for protection.

Amaltheia aside, Capricornus is mostly accurately linked to another myth connected to the Titomanchy; the Olympians were in for a rough fight when Zeus led them against the Titans. One of their toughest fights was against the storm-giant Typhôeus (Τυφωευς), a fight so tough, in fact, that the Olympians had to flee from battle. The young Theoi were so scared of the storm-giant, They fled to Egypt, crossing the river Nile in such a hurry that one amongst Them didn't even allow Himself the time to fully change shape so he could cross the river faster. He crossed in the shape of a half-goat, half-fish.

In most modern retellings of the myth, this Theos is identified as Pan, the Arkadian Theos of shepherds and flocks, of mountain wilds, hunting and rustic music. The ancient Hellenes, however, distinguished between several Panes (Πανες), daimones, guardian spirits, who are often conflated into Pan in modern times. Besides Pan, the ancient Hellenes at least distinguished between Agreus (Αγρευς), a Pan-daimon of hunting and rustic prophecy; Nomios (Νομιος), a Pan-daimon of shepherds and pastures; Phorbas (Φορβας), a Pan-daimon of grazing; the Paneidês (Πανειδης), the twelve sons of the Theos Pan; two Italian-born Pan-daimon--Pan Sybarios (Παν Συβαριος) and Phaunos (Φαυνος)--and Aigipan (Αιγιπαν), the Pan-daimon who helped Zeus in his battles with the storm-giant Typhôeus. It was Aigipan who was placed into the sky as the constellation Capricornus.

There are many versions of this myth, about Aigipan's birth, his connection to Zeus and the acts for which he was eventually placed amongst the stars. All are of relatively late design, but the basics are as follows: Aigipan was either a child of Zeus by a variety of mothers, a child of Almatheia--and thus fed alongside Zeus--or the father of Pan. In all versions of the myth, he stood alongside Zeus during the Titan war. Some versions of the myth say that Aigipan put panic (panikos) in the hearts of the Titans during the fight and thus gave Zeus such an edge, He won the war.

Other myths say that after the Titans were defeated, the Theoi thought They had won. Yet, there was one who sought revenge for the defeat of his father: Typhôeus, the most-feared son of Tartaros and Gaea. He came for Zeus, when all Theoi had gathered in Egypt, and the Theoi fled. Impressed by Aigipan's shrewdness in escaping over the river Nile as a sea-goat, Zeus rewarded him by placing him in the sky. In other versions, Typhôeus got a hold of Zeus and in the battle that followed, he ripped Zeus apart limb for limb. He hid the sinews of Zeus's arm or entire body away, but Aigipan got them back for Him, alongside Hermes.

In the last version of the myth, Zeus preemptively goes after Typhôeus, who is hiding in a cave by the sea. He commands Aigipan to lure him out, which Aigipan does in the form of the sea goat. Zeus then brings down a thunderbolt so powerful, it vanquishes Typhôeus and allows Zeus to lock him into Tartaros.

Whatever the case, Aigipan is most likely the Hellenic mythological source of the shape Capricornus has gotten, although Capricornus is also rumored to be an entrance into the Underworld. To find out for yourself, you might have to wait a while. This dim constellation is visible at latitudes between +60° and −90°, and best visible at 21:00 (9 p.m.) during the month of September.