Showing posts with label Hestia. Show all posts
Showing posts with label Hestia. Show all posts

I get a lot of questions from readers, and most of the time, the answers are fairly short. When I feel the question or the reply would be valuable to others as well, I make a post with a collection of them and post them in one go. Today is one of those posts.



"Hey, since they didn't have the letter J in Ancient Greece what would it be replaced with? Would Jennifer just become Ennifer?"

The Greek alphabet shows that there is no letter J or sound. In fact, there was no letter ‘J’ in  any language prior to the 14th century in England. The letter did not become widely used until the 17th century. Any name which we now spell with the letter 'J' would have been spelled with the letter 'I' instead. The modern spelling for the Hellenic hero 'Jason', for example, was 'Iason' in ancient times. As such, 'Jennifer' would most likely become 'Ieniffer' instead. But I will leave that open to the (native) Greek speakers!

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"Would proper etiquette require that I say a prayer to Hestia every time I wish to pray to another god, or does recognizing her role during more formal ritual settings cover this?"

There are records that at least in some parts of ancient Hellas, Hestia was always sacrificed to first and last in state festivals, and I have adopted that for my household worship as well; many modern Hellenists have. Do you have to? No, you don't. But Hestia is the Goddess of the hearth, of the household, and the sanctity and safety of the house and family. To me it makes sense to always include her, except for during Kthonic rites--rites to the Underworld Gods.

It is my personal opinion that Hestia was not honoured (first, last or at all) in Khthonic rites. In fact, I think as few as possible Gods were called in these rites, and all of them had a Khthonic character. I think this is tied to the practice of miasma--after all, contact with the Underworld (and thus the Khthonic Gods) was a major source of it.

~~~

"Hello Mrs. Elani, I have a question pertaining to the burning of offerings in Hellenismos. I've seen a video in which you use ethanol to burn barley and wine in a simple libation. You said that you burn all libations. On your blog, I remember reading that you also burn nearly all of your other offerings as well. I was wondering how you would burn offerings other than libations and barley when you are indoors. Any help would be wonderful, thank you! :)"
 
I burn everything, and because of space limitations, I burn everything indoors. That video can be found here, by the way. I have found that everything can be burned indoors without upsetting the firealarms as long as you stick to one simple rule: keep the offering small. Meat, honey, cakes, whatever--everything can be burned as long as you either feed it to the fire in small quantities or make a small symbolic offering of it. A six ounce steak is gonna kill the fire but a small cut of it will do the trick.
 
And remember: during most sacrifices the Theoi recieved only a small portion, the mēria (μηρια), consisting of both thigh bones in their fat, which was placed on the altar, sprinkled with a liquid libation and incense, and then burned. The scented smoke was said to sustain and please the Theoi, and the sacrificial smoke also carried the prayers of the worshippers to Them. The mēria is a very specific portion, and you can read how it came to be and how it related to actual sacrifice here.
 
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"Hi - do you have any advice for libations for someone who doesn't drink alcohol? Would it be best to offer wine and not drink it or offer something else that I can drink? I know some people offer the things they drink regularly, such as tea or coffee, but I'm not sure if this would be appropriate. Thanks x"
 
Wine is the traditional libation liquid; as drinking water was often stagnant, wine was used to purify it, and mask the taste. All men, women and children drank water which had some wine added to it. Wine was believed to be a healer--and it is--so everyone drank it, sometimes more when they were sick. Now, that is the Traditional side of it; what you do as a modern Hellenist is allowed to differ due to the changed from the ancient to the current society. One part of that is finding substitutes if wine is not something you want to consume--or can't consume.
 
As wine pretty much was the ancient Hellenic equivalent of water, water is a good replacement. That said, it may feel a little to plain and personally I enjoy the fact that I libate wine because it has ties to the grape vine and Dionysos. So, as a replacement, I would suggest plain grape juice--as pure and sugarless as you can find it. It still has the same ties to the Gods, but without the alcohol.

Pindar, Nemean Ode 11

"Daughter of Rhea, guardian of parliaments, Hestia, sister of all-highest Zeus, and of Hera who shares his throne, welcome with goodwill to your sacred hall."

Pseudo-Apollodorus, Bibliotheca

"He [Kronos] then married his sister Rhea. Because both Ge and Ouranos had given him prophetic warning that his rule would be overthrown by a son of his own, he took to swallowing his children at birth. He swallowed his first-born daughter Hestia, then Demeter and Hera, and Poseidon and Haides... When Zeus was grown, he engaged Okeanos' daughter Metis as a colleague. She gave Kronos a drug, by which he was forced to vomit forth first the stone and then the children he had swallowed. With them Zeus fought a war against Kronos and the Titanes." [1. 4 - 7]

Homeric Hymn 5 to Aphrodite

"Nor yet does the pure maiden Histia love Aphrodite's works. She was the first-born child of wily Kronos (Cronus) and youngest too, by will of Zeus who holds the aigis,--a queenly maid whom both Poseidon and Apollon sought to wed. But she was wholly unwilling, nay, stubbornly refused; and touching the head of father Zeus who holds the aigis, she, that fair goddess, sware a great oath which has in truth been fulfilled, that she would be a maiden all her days. So Zeus the Father gave her a high honour instead of marriage, and she has her place in the midst of the house and has the richest portion. In all the temples of the gods she has a share of honour, and among all mortal men she is chief of the goddesses. Of these three Aphrodite cannot bend or ensnare the hearts."

Homeric Hymn 24 to Hestia

 "Hestia, you who tend the holy house of the lord Apollon, the Far-shooter at goodly Pytho, with soft oil dripping ever from your locks, come now into this house, come, having one mind with Zeus the all-wise--draw near, and withal bestow grace upon my song."

Orphic Hymn 84 to Hestia

 "To Hestia, Fumigation from Aromatics. Daughter of Kronos (Cronus), venerable dame, who dwellest amidst great fire's eternal flame; in sacred rites these ministers are thine, mystics much blessed, holy and divine. In thee the Gods have fixed their dwelling place, strong, stable basis of the mortal race. Eternal, much formed, ever florid queen, laughing and blessed, and of lovely mien; accept these rites, accord each just desire, and gentle health and needful good inspire."

Plato, Phaedrus 246

 "Zeus, the mighty lord, holding the reins of a winged chariot, leads the way in heaven, ordering all and taking care of all; and there follows him the array of gods and demigods, marshalled in eleven bands; Hestia alone abides at home in the house of heaven; of the rest they who are reckoned among the princely twelve march in their appointed order."

Aristonoos of Corinth, one to Hestia and to the Pythian Apollon. They were recorded in the fourth century BC. I'd like to share the hymn to Hestia today, as I'm feeling particularly in need of a quiet and warm home today.

Aristonoos of Corinth - Hymn to Hestia

Holy Queen of Sanctity,
we hymn you, Hestia, whose abiding realm
is Olympus and the middle point of earth
and the Delphic laurel tree!
You dance around Apollo’s towering temple
rejoicing both in the tripod’s mantic voices
and when Apollo sounds the seven strings
of his golden phorminx and, with you,
sings the praises of the feasting gods.
We salute you, daughter of Kronos
and Rhea, who alone brings firelight
to the sacred altars of the gods;
Hestia, reward our prayer, grant
wealth obtained in honesty: then we shall always
dance around your glistening throne.


 I get a lot of questions from readers, and most of the time, the answers are fairly short. When I feel the question or the reply would be valuable to others as well, I make a post with a collection of them and post them in one go. Today is one of those posts.


"Hey Elani, have you by any chance ever found the original Hellenic phrase "everything is full of Gods"? I checked via WikiQuote and looked elsewhere, but can't seem to find this particular quote."

This is about my post on the sage Thales of Miletus, and yep! It's quoted by Aristotle in 'On the soul'. He says, and I quote:

"Certain thinkers say that soul is intermingled in the whole universe, and it is perhaps for that reason that Thales came to the opinion that all things are full of gods." [411a7]
 
~~~

"I was wondering- why is it, that the ancient Hellenes frowned down on sexual abstinence (as well as sexual intemperance) but Hestia, who is, in a way, the first among the gods and a virgin. Also, how does it fit in with her role as protector of families and the household?"

I did a long post about abstinance a while ago (which can be found here), which basically concluded that the ancient Hellenes were, actually, not big fans of abstinence--for men. Women should definitely never practice abstinence as we getall wild and primal if we do. Fair warning on that one.
 
As for Hestia, I think you are getting two things mixed up: chastity and virginity. Like chastity, the concept of virginity has traditionally involved sexual abstinence. The term 'virgin' originally only referred to sexually inexperienced women, but has evolved to encompass a range of definitions, as found in traditional, modern, and ethical concepts. In ancient Hellas, virginity of women was often considered a virtue denoting purity and physical self-restraint and it is an important characteristic in Hellenic mythology. In the Homeric hymn to Aphrodite, it's stated:
 
"Yet there are three hearts that she [Aphrodite] cannot bend nor yet ensnare. [...] Nor yet does the pure maiden Hestia love Aphrodite's works. She was the first-born child of wily Cronos and youngest too, by will of Zeus who holds the aegis, —a queenly maid whom both Poseidon and Apollo sought to wed. But she was wholly unwilling, nay, stubbornly refused; and touching the head of father Zeus who holds the aegis, she, that fair goddess, swear a great oath which has in truth been fulfilled, that she would be a maiden all her days. So Zeus the Father gave her an high honor instead of marriage, and she has her place in the midst of the house and has the richest portion. In all the temples of the gods she has a share of honor, and among all mortal men she is chief of the goddesses."
 
Hestia asked to remain a virgin (not to become chaste!), and Zeus allowed it. We know that the Roman priestesses of Vesta took a thirty year vow of chastity, starting from about the age of six to ten. As such, technically, they didn't abstain, they remained virgins. The chastity of the Vestals was considered to have a direct bearing on the health of the Roman state; like in ancient Hellas, the priestesses of Vesta tended an eternal flame. If it went out, it might be assumed that a priestess had been unchaste. As a result, if the fire were extinguished it was assumed that Vesta (and in Hellenic times, Hestia) had withdrawn Her protection from the city--and the households in it.
 
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"Hello. I have read that any plates/bowls containing offering to Hekate are supposed to be left as well, but that seems a bit inconvenient as well as bad for the environment. Are there any alternatives? P.S. Thank you for reading this."
                                       
I buy banana, or palm leaf plates just for this purpose. They are bio degradable, easy to use, and meant to be disposable. Perfect, as far as I am concerned!
 
~~~
 
"Hi, i have a question... i have recently become increasingly depressed, and most days i don't have the spoons (the energy) to do my daily devotions for the Theoi.. this makes me feel like i'm letting Them down. They have done so much for me, saved my life in fact, and i feel so guilty for being unable to worship Them like They deserve. do you have any advice for me?"
 
When you are depressed, it’s so hard to expend the energy on active worship. In truth, I don’t think passing up on active worship is a bad thing in your current state of mind. After a lot of research into the workings of miasma, I have come to the conclusion that miasma is linked to distraction. Anything that takes your mind off of the Gods during ritual can be considered miasmic. That doesn’t mean you should close yourself off to passive worship, however. Passive worship can be incredibly therapeutic. Especially with depression, it’s so easy to get locked into your own little world. Your gaze turns inwards and everything else becomes… noise. A distraction at best, the enemy at worst. Passive worship forces you to look beyond yourself, beyond the narrow world view of depression, and take in the world around you. If you only get to see–really see–the influence of the Theoi once a day, it’s a good day when you suffer from depression. Truly experience Helios’ bright rays, truly behold the marvel of Persephone’s touch as the flowers bloom, truly savour the taste of Demeter’s riches as you bite down into a cob of Demeter’s golden corn. That is prayer onto itself, and until you get better, stronger, lighter, it’s enough. You are not letting Them down, you are making an herculean effort to include them into your life. Don’t discount that.
"Just a random question - do you happen to know if a portion of chthonic sacrifices was offered first to Hestia?  I had always heard that She received the first and last portion of all sacrifices, but given the difference between Olympian and Chthonic sacrifices, I have to wonder.  Any light you can shed on the question would be appreciated!"

There are records that at least in some parts of ancient Hellas, Hestia was always sacrificed to first and last in state festivals, and I have adopted that for my household worship as well; many modern Hellenists have. That said, there is a difference between rituals held for the Ouranic deities and the Khthonic; most notably for this question, in the altar used.

In ancient Hellas, an altar was called a 'bômos' (βωμός)--properly signifying any elevation--with an 'epipuron' (ἐπίπυρον)--a movable pan or brazier--used on top of the bômos so it could serve as an altar for burnt-offerings. The household hearth was used to make sacrifices as well, and thus served as an altar of sorts. It was named after the Theia of the home and hearth: 'hestía' (ἑστία). Some state-owned altars--especially when they were simply large fires--were named 'hestía' as well.

These altars were used for sacrifices to the Ouranic Theoi, but were rarely--if ever--used for sacrifices for the Khthonic Theoi. For Khthonic Theoi, an offering pit--'bothros' (βόθρος) in Greek texts--was used. Bothroi were usually dug when the occasion called for it, and closed up afterwards. As written previously, the Khthonic Theoi received special nighttime offerings of black animals, unmixed wine and special libations of milk and honey. Animal sacrifice was always done in a holókaustos--a sacrifice where the entire animal was burned and none of the meat was saved for human consumptions.

State festivals were almost always held for Ouranic deities, and they included a feast, consisting of the meat of the sacrificed animal. This wasn't possible with sacrifices to the Khthonic deities; there was no meat to feast on--and no occasion to feast. This matters, because our primary evidence on the topic is one of the Homeric Hymns to Hestia:

"Hestia, in the high dwellings of all, both deathless gods and men who walk on earth, you have gained an everlasting abode and highest honour: glorious is your portion and your right. For without you mortals hold no banquet, -- where one does not duly pour sweet wine in offering to Hestia both first and last." [XXIX]

It is my personal opinion that Hestia was not honoured (first, last or at all) in Khthonic rites. In fact, I think as few as possible Gods were called in these rites, and all of them had a Khthonic character. I think this is tied to the practice of miasma--after all, contact with the Underworld (and thus the Khthonic Gods) was a major source of it.

Within Hellenic practice, miasma describes the lingering aura of uncleanliness in regards to a person or space through which contact is made with the Gods. Next to piety, being ritually clean is one of the most important things to adhere to within Hellenismos. Miasma occurs whenever the space or person comes into contact with death, sickness, birth, sex, excessive negative emotions and bodily fluids. It also comes from a lack of contact with the Hellenic Gods. As a note, I should say that not the actual acts of dying, sex and birth cause miasma but the opening up of the way to the Underworld (with births and deaths) as well as contact with sweat, blood, semen, menstrual blood and urine.

Our Gods are immortal and are sometimes called the Deathless Ones. It's our duty to uphold this sacred name by making sure no Gods but psychopomps (guides of the dead) come in contact with death even if it's through us. If we can not respect Their purity, They might be inclined to withhold Their gifts from us. As such, I cannot even phantom inviting Hestia into a ritual with a Khthonic character.

Surviving birth in itself was a great achievement for the children in Hellas. It was only the first hurdle in the growth story of their lives. Growing up to adulthood was a big challenge in ancient Hellas.

Children were subjected to selection which meant only those who were fit in the judgment of their fathers or the state would be kept to be raised and others were abandoned. Even if they survived, there were a lot of hurdles in their lives. 

The first few days after their birth were very crucial for a baby. So much so that the children in Hellas were not given any kind of social status or identity. The child was not integrated into the household or oikos, as it was called, for five days after the birth lest they didn’t survive. The reason was the lack of hygiene which could cause infections that could lead to various ailments, and the child could succumb to those ailments. Therefore, it was a pragmatic decision to wait before including the child into the household. 

Right after birth, the child was wrapped in cloth from head to toe. These were called swaddling bands. The child remained in these bands for about 60 days and they were not changed at any fixed intervals. The second to third century AD Hellenic gynecologist Soranos, who was the author of the book Gynecology, suggested that clean soft woolen bands be used which were not too worn out and whose width would be three to four fingers. This meant that at least someone was concerned about hygiene and was recommending it to the people.

Since children in Hellas were wrapped in swaddling clothes, they could not indicate what they wanted. So it was difficult to tell whether they were hungry, or thirsty, or wanted to relieve themselves. The baby feeding bottles were made from terracotta and had a hole at the top to fill the milk. A nozzle was provided at the side for drinking. Soranos had suggested that the bottles be provided with an artificial teat, preferably made of leather or cloth to give a feeling of drinking from a real teat. It can be easily assumed that many bottles would be thrown to the ground by the infant in anger and would break.

Once when children in Hellas survived for the first five days, they were formally included in the oikos in a ceremony. This ceremony was called the amphidromia. At least in Athens, this was practiced for quite some time, but we aren't sure about other places. 

The amphidromia ceremony was held at home, just like other Hellenic rituals. No priest oversaw it. The name of the ceremony is taken from the ritual itself which involved taking the newborn child around (amphi) a hearth at a run (dromê). The ceremony itself looked quite hilarious with the father running around the hearth carrying the child and the child crying loudly, but it must have had a deep religious significance for the natives of Athens. Otherwise, they wouldn’t have subjected their children to it.

The hearth was the center of the house, both as an actual place as well as symbolically. The Goddess of the hearth, Hestia, was the protector of the home as well as the family life. So effectively, it was a rite of passage. The amphidromia was both a solemn and a joyful occasion, attended by relatives, who would bring gifts for the newborn. They would also give charms to strap around the baby’s body to protect it against bad luck or the evil eye. The amphidromia ended with a sacrifice, followed by feasting, like most Hellenic rituals.

If the child survived up to the tenth day, they were given their names. The tradition was to name the boys after their grandfather. This tradition is still prevalent in Greece. It stressed the importance of continuity in the family.

If the boys in Athens lived up to the age of three, they were brought to the Anthesteria, meaning flower festival. This festival was held in early spring. The children were then given wreaths to put on their heads, small carts, and a small jug known as chous. A very important thing for the ancient Hellenes was wine, which was considered a gift from Dionysus. They took it as a source of release from cares and stress but knew it was dangerous if not used in moderation. The Anthesteria was the children's introduction to one of the most important Gods and their formal inclusion into the Athenian community.

For those children in Hellas who did not survive up to this stage, their parents sometimes put a chous in their graves. 

A large part of my Hellenistic household worship consists of tending Hestia's flame. Back in ancient Hellas, most religious activities surrounding the household revolved around the central hearth, which was the physical manifestation of Hestia. The male head of household, the kurios, presented slaveschildren and his new wife to the heart fire so they became part of the oikos and fell under the protection of Hestia and the other household Gods.

While Hestia has little mythology to Her name, Her worship was a vital part of ancient Hellenic religion. For one, Her flame connected every single Hellenic oikos to each other and the state. All the household fires were lit with a flame from the prytaneion (Πρυτανεῖον), the structure where state officials met and where the city kept a fire for Hestia burning day and night. Every single heart fire in the city or town was linked to that central one, and that central fire was linked to the city from where the settlers of the new village, town or city came. This network of fires, which were never allowed to go out, brought all Hellens together.

Hestia is a very female-oriented Goddess. Caring for the household was a task solely intended for women and it is because of this, very few stories about Hestia were made or recorded; the male-dominated culture cared little for Her. Yet, it was also the kurios who traveled to the prytaneion for a bit of Hestia's fire when the fire within the oikos flamed out.

Personally, I keep a flame burning on my main shrine for Hestia at all times. I keep a live flame when I'm home and awake, and an electrical one when I'm out or asleep. I would love to keep a live flame at all times, but I don't exactly have a stone building to keep it in. That one's going to have to wait a few years or so. From this flame, I light the candles in my home, and the sacrificial fire I burn twice a day and on festivals.

I truly feel that tending a flame for Hestia should be a vital part of every Hellenistic's practice. A bold statement, I know, but there is so much ancient Hellenic foundation for it that it's hard to ignore. In fact, when Hellenismos gets bigger and starts forming communities, there should be a prytaneion at its center, with a fire being continuously kept.

Hestia's fire is a great way to form a community, to come together and rejoice in the Hellenic faith. When I look at mine, I envision Hestia's fire being tended to around the world, and feel just a bit closer to Her and other Hellenic practitioners. I truly hope tending Hestia's fire is something you'll consider adopting into your own practice, if you haven't done so already.
This is a repost, or more of a PSA, because this issue has made a resent resurgence, it seems? So here we go: today's blog post is about Hestia and Dionysos, and who has the throne up on snowy Olympos.


There is a story floating about the internet and even some modern texts on Hellenic mythology, that Hestia gave up Her throne to Dionysos. Apparently, this is an ancient myth, and the ancient Hellenes would have believed this as well. It's a story so frequently told, one that is so common-knowledge, that very few people bother to check the source. Well, the source is Robert Graves' 'The Greek Myths', written in 1955. From that book (27.12):

"Finally, having established his worship throughout the world, Dionysus ascended into Heaven, and now sits at the right hand of Zeus as one of the Twelve Great Gods. The self-effacing goddess Hestia resigned her seat at the high table in his favour; glad of any excuse to escape the jealous wranglings of her family, and knowing that she could always count on a quiet welcome in any Greek city which it might please her to visit."

Graves provides two sources for this story: Apollodoros’ Bibliotheka 3.5.3, and and Pausanias’ Hellados Periegesis 2.31.2. As you can read for yourself, there is no mention what so ever of Hestia giving up Her throne. In fact, the sources only address the part of Graves' text that follows afterwards, about Dionysos bringing His mother Semele up to Olympos as well.

So, did Graves lie? Well, yes and no. Graves is a storyteller; he spun stories based on facts he could find. If he could not find a fact, he made it up to fit the story. Because of this, his books are a great read, but they are not reliable as far as ancient mythology goes. As for The Twelve; there was never a set grouping of Them in ancient Hellas, what mattered was that there was a council of twelve, the Dodekatheon, at all. Who resided on the golden thrones was subject to debate, and varied per location.

The most canonical version of the Dodekatheon is represented in the relief above, currently located at the Walters Art Museum. The relief dates back to the 1st century BC to the 1st century AD and depicts the Twelve Olympians carrying their attributes in procession: from left to right, Hestia (scepter), Hermes (winged cap and staff), Aphrodite (veiled), Ares (helmet and spear), Demeter (scepter and wheat sheaf), Hēphaistos (staff), Hera (scepter), Poseidon (trident), Athena (owl and helmet), Zeus (thunderbolt and staff), Artemis (bow and quiver), and Apollon (cithara). No mention of Dionysos.

Obviously, Theoi who were held in high regard in a certain city-state would have held the thrones, according to the people who lived in that city-state. This means that it's quite likely there were people in ancient Hellas who firmly believed that Dionysos occupied one of the thrones of the Dodekatheon. Most likely, there were also people who believed Hestia did not occupy one of the thrones. It's entirely possible that some people--perhaps even the same people who believed Dionysos was part of the Dodekatheon, but not Hestia--believed that Hestia gave up Her seat to Dionysos. The problem is that there are no ancient sources to support this, and there was most certainly not a wide-spread myth to this effect that held sway in ancient Hellas.

As a Traditional Hellenist, I place Hestia on Her throne, where she belongs, but this does not mean I do not welcome Her into my home, that I feel She does not occupy the heart(h) of the house, that I do not tend Her flame, or that I do not offer to Her first and last whenever I make a sacrifice; She walks amongst mortals for sure, but that does not mean She does not voice Her opinions to the other Theoi from Her golden throne on Mount Olympos. It also does not mean that I feel Dionysos is in any way a lesser deity; He is a beautiful Theos with a wide domain, who was of vital importance to the ancient Hellenes. Just look at the Anthesteria.

Which position you take is up to you, of course, but I feel it is important to know where your believes find their base. I believed Graves' version of the Dodekatheon for years before discovering it was a modern invention. For me, that was enough to change my views, for others it might not be. The ancient Hellenes did not have a consensus on this, so I see no reason for us to come to one either. Still, the facts matter, so here they are.
I have a bit of a...familial challenge today, and I'm making extra sacrifices to Hestia in the hopes She will look upon me kindly as I find my way through. Since I collected these odes and hymns, I'd like to share them on my blog for your viewing pleasure as well. 



Pindar, Nemean Ode 11

"Daughter of Rhea, guardian of parliaments, Hestia, sister of all-highest Zeus, and of Hera who shares his throne, welcome with goodwill to your sacred hall."

Pseudo-Apollodorus, Bibliotheca

"He [Kronos] then married his sister Rhea. Because both Ge and Ouranos had given him prophetic warning that his rule would be overthrown by a son of his own, he took to swallowing his children at birth. He swallowed his first-born daughter Hestia, then Demeter and Hera, and Poseidon and Haides... When Zeus was grown, he engaged Okeanos' daughter Metis as a colleague. She gave Kronos a drug, by which he was forced to vomit forth first the stone and then the children he had swallowed. With them Zeus fought a war against Kronos and the Titanes." [1. 4 - 7]

Homeric Hymn 5 to Aphrodite

"Nor yet does the pure maiden Histia love Aphrodite's works. She was the first-born child of wily Kronos (Cronus) and youngest too, by will of Zeus who holds the aigis,--a queenly maid whom both Poseidon and Apollon sought to wed. But she was wholly unwilling, nay, stubbornly refused; and touching the head of father Zeus who holds the aigis, she, that fair goddess, sware a great oath which has in truth been fulfilled, that she would be a maiden all her days. So Zeus the Father gave her a high honour instead of marriage, and she has her place in the midst of the house and has the richest portion. In all the temples of the gods she has a share of honour, and among all mortal men she is chief of the goddesses. Of these three Aphrodite cannot bend or ensnare the hearts."

Homeric Hymn 24 to Hestia

 "Hestia, you who tend the holy house of the lord Apollon, the Far-shooter at goodly Pytho, with soft oil dripping ever from your locks, come now into this house, come, having one mind with Zeus the all-wise--draw near, and withal bestow grace upon my song."

Orphic Hymn 84 to Hestia

 "To Hestia, Fumigation from Aromatics. Daughter of Kronos (Cronus), venerable dame, who dwellest amidst great fire's eternal flame; in sacred rites these ministers are thine, mystics much blessed, holy and divine. In thee the Gods have fixed their dwelling place, strong, stable basis of the mortal race. Eternal, much formed, ever florid queen, laughing and blessed, and of lovely mien; accept these rites, accord each just desire, and gentle health and needful good inspire."

Plato, Phaedrus 246

 "Zeus, the mighty lord, holding the reins of a winged chariot, leads the way in heaven, ordering all and taking care of all; and there follows him the array of gods and demigods, marshalled in eleven bands; Hestia alone abides at home in the house of heaven; of the rest they who are reckoned among the princely twelve march in their appointed order."
Amongst the inscriptions at Delphi are two hymns by the poet Aristonoos of Corinth, one to Hestia and to the Pythian Apollon. They were recorded in the fourth century BC. I'd like to share the hymn to Hestia today, as I'm feeling particularly in need of a quiet and warm home today.


Hymn to Hestia

Holy Queen of Sanctity,
we hymn you, Hestia, whose abiding realm
is Olympus and the middle point of earth
and the Delphic laurel tree!
You dance around Apollo’s towering temple
rejoicing both in the tripod’s mantic voices
and when Apollo sounds the seven strings
of his golden phorminx and, with you,
sings the praises of the feasting gods.
We salute you, daughter of Kronos
and Rhea, who alone brings firelight
to the sacred altars of the gods;
Hestia, reward our prayer, grant
wealth obtained in honesty: then we shall always
dance around your glistening throne.

[from Greek Hymns: Volume I by William D. Furley and Jan Maarten Bremer]
I often describe the pantheon of Hellenic Gods like a tapestry. The major displays woven into it are undoubtedly of Zeus and Hera, of Their brothers and sisters, of Their parents and well-known children like Apollon and Artemis. But the fringes of the tapestry are just as colorful as the main display. They hold the "minor" Gods and Goddesses who rule over our emotions, the weather, the stars, rivers and other bodies of water, and literally everything else in your environment. Without these minor Gods and Goddess, the tapestry would not only be plain, it would be threadbare.

I realize that this can be a somewhat theoretical statement. As such, I would like to give you an example of how the ancient Hellenes filled in a part of this tapestry and how the Gods work together to provide us with all we need. The text comes form Porphyry's "On Images". Porphyry of Tyre (Πορφύριος, Porphyrios) lived from 234 to 305 AD. He was a Neoplatonic philosopher who was born in Tyre, in the Roman Empire. He wrote many works on a wide variety of topics.


"The ruling principle of the power of earth is called Hestia, of whom a statue representing her as a virgin is usually set up on the hearth; but inasmuch as the power is productive, they symbolize her by the form of a woman with prominent breasts. The name Rhea they gave to the power of rocky and mountainous land, and Demeter to that of level and productive land. Demeter in other respects is the same as Rhea, but differs in the fact that she gives birth to Kore by Zeus, that is, she produces the shoot from the seeds of plants. And on this account her statue is crowned with ears of corn, and poppies are set round her as a symbol of productiveness.

[...]

But since there was in the seeds cast into the earth a certain power, which the sun in passing round to the lower hemisphere drags down at the time of the winter solstice, Kore is the seminal power, and Pluto the sun passing under the earth, and traversing the unseen world at the time of the winter solstice; and he is said to carry off Kore, who, while hidden beneath the earth, is lamented by her mother Demeter.

The power which produces hard-shelled fruits, and the fruits of plants in general, is named Dionysus. But observe the images of these also. For Kore bears symbols of the production of the plants which grow above the earth in the crops: and Dionysus has horns in common with Kore, and is of female form, indicating the union of male and female forces in the generation of the hard shelled fruits.
But Pluto, the ravisher of Kore, has a helmet as a symbol of the unseen pole, and his shortened sceptre as an emblem of his kingdom of the nether world; and his dog indicates the generation of the fruits in its threefold division - the sowing of the seed, its reception by the earth, its growing up. For he is called a dog, not because souls are his food, but because of the earth's fertility, for which Pluto provides when he carries off Kore.

Attis, too, and Adonis are related to the analogy of fruits. Attis is the symbol of the blossoms which appear early in the spring, and fall off before the complete fertilization; whence they further attributed castration to him, from the fruits not having attained to seminal perfection: but Adonis was the symbol of the cutting of the perfect fruits.

Silenus was the symbol of the wind's motion, which contributes no few benefits to the world. And the flowery and brilliant wreath upon his head is symbolic of the revolution of the heaven, and the hair with which his lower limbs are surrounded is an indication of the density of the air near the earth.
Since there was also a power partaking of the prophetic faculty, the power is called Themis, because of its telling what is appointed and fixed for each person.

In all these ways, then, the power of the earth finds an interpretation and is worshipped: as a virgin and Hestia, she holds the centre; as a mother she nourishes; as Rhea she makes rocks and dwells on mountains; as Demeter, she produces herbage; and as Themis, she utters oracles: while the seminal law which descends into her bosom is figured as Priapus, the influence of which on dry crops is called Kore, and on soft fruits and shellfruits is called Dionysus. For Kore was carried off by Pluto, that is, the sun going; down beneath the earth at seed-time; but Dionysus begins to sprout according to the conditions of the power which, while young, is hidden beneath the earth, yet produces fine fruits, and is an ally of the power in the blossom symbolized by Attis, and of the cutting of the ripened corn symbolized by Adonis.

Also the power of the wind which pervades all things is formed into a figure of Silenus, and the perversion to frenzy into a figure of a Bacchante, as also the impulse which excites to lust is represented by the Satyrs. These, then, are the symbols by which the power of the earth is revealed."
I get a lot of questions from readers, and most of the time, the answers are fairly short. When I feel the question or the reply would be valuable to others as well, I make a post with a collection of them and post them in one go. Today is one of those posts.


"I recently participated in one of the Elaion PAT rituals. This was my first Hellenismos ritual and it was interesting. Coming from an eclectic Pagan background this was a quite different, but it felt good. I didn't have "honey sweet wine" (mead?) or several bowls for libation but I did the best I could, offering several times khernips. Does each Theoi have Their own offering bowl that is brought out at each ritual or can they be cleaned after each use? Any experience or advise coming from a Pagan background and moving into Hellenismos?"

The most common style of wine in ancient Hellas was sweet and aromatic, which is what we mean when we say "honey sweet". In ancient Hellas, sacrifices were given to the fire so the smoke could take the sacrifices up to Olympos. If you can't use a fire, feel free to pour all libations into a single bowl. Once the ritual is over, dispose of the libation and wash the bowl. Preferably, the libations are poured into a (small) pit outside

I came into Hellenismos from a practice of Eclectic Religious Witchcraft and yes, it's definitely different. The best advice I can give you is to embrace repetition and leave as much flair behind as you can. Find the absolute barebones of your religious practice to "detox" from all the embellishments of modern Paganism and build up from there. Oh, and enjoy it!

~~~

"I have been working on refining my practice and have been doing more reading about daily ritual and trying to incorporate certain elements into my daily practice. My question is about Libation. So far as I can tell from my reading is that the Cthonic Gods gets Libation poured on the ground. Others Deities that I have seen seem to get some of the Libation poured on the altar or on the fire. Even some get a bowl. I currently live in an apartment. How could one provide libation in such a setting. I could do a bowl, but do I pour it outside?  Also as a devotee of Aphrodite would you have any specific recommendations of libation (unfortunately I cannot drink alcohol, but could I do something like grape juice and honey?)."

Wine is the traditional libation liquid; as drinking water was often stagnant, wine was used to purify it, and mask the taste. All men, women and children drank water which had some wine added to it. Wine was believed to be a healer–and it is–so everyone drank it, sometimes more when they were sick. Now, that is the Traditional side of it; what you do as a modern Hellenist is allowed to differ due to the changed from the ancient to the current society. One part of that is finding substitutes if wine is not something you want to consume–or can’t consume.

As wine pretty much was the ancient Hellenic equivalent of water, water is a good replacement. That said, it may feel a little to plain and personally I enjoy the fact that I libate wine because it has ties to the grape vine and Dionysos. So, as a replacement, I would suggest plain grape juice–as pure and sugarless as you can find it. It still has the same ties to the Gods, but without the alcohol.

Traditionally speaking—which is what I practice—all Ouranic sacrifices should be burned. Sacrifices to heroes too, by the way, and even some Khthonic sacrifices were burned. The ancient Hellenes burned things (like sacrifices, incense, but also the firebrand to make khernips) because smoke was the only way the sacrifice reached the Ouranic Gods. That’s how the sacrifice traveled to Olympos and how the sacrifice itself became sacred. Pure. Not burning sacrifices, traditionally speaking, is promising the gods sustenance and giving them an empty plate along with a message saying “just imagine it’s food. I’m sure you’ll feel full”. Of course, I–and hopefully They–know it isn’t always possible, but I do advocate burning sacrifices if at all possible. That's also why household worship was mostly practiced outside, by the way: the smoke needs to be able to rise up freely. If you burn your libations, you also won't have a wet bowl at the end Most Khthonic offerings are buried as that is where most Khthonic Gods reside—not in the soil but far below our feet, which is why scooping earth into a bowl and pouring libations into it wouldn't traditionally reach Them.

All of that said: most of us practice with limitations. A bowl of dirt put on the ground could work to pour libations into for the Khthonic Gods. Pouring libations into a bowl on your altar without burning them and praying really, really hard might please the Ouranic Gods. It's a choice you will have to make, based on the options at your disposal.

~~~

"Hi! Thank you for all you do and for being so informative and helpful in people's practices. You said in an earlier ask if people has suggestions for more YouTube videos to send them. Idk if this would be visually appealing but maybe going over a traditional prayer structure? Another thing is disposing of offerings/ashes. I think you said you give them to Hecate at crossroads but obviously not everyone can do that. Either way I'd be interested to see how you do it! Thank you!"

I think that might be a good video idea, but I already have a post about prayers (and hymns) too. Offerings and ashes are still sacred to the Theoi, and are to be disposed of in a respectful manner. In ancient Hellas, these were buried in votive pits, on the temenos, the sacred site, be it near a temple or at home. In modern times, this is usually a (shallow) pit dug in the garden where you can dispose of whatever remains after sacrifice. As for the crossroads: a crossroad is by definition a point where two roads meet, but in ancient Hellas it was often seen as any liminal place--a point of transition--from home to street, for example. I place my offerings to Hekate near the gateway from our home to the alleyway that runs past our backyard, for example, as that is a crossroad too.
I get a lot of questions from readers, and most of the time, the answers are fairly short. When I feel the question or the reply would be valuable to others as well, I make a post with a collection of them and post them in one go. Today is one of those posts.


"Hi! I have a few questions about household worship... 1. In the home, does the Hestia flame need to be separate from the sacrificial fire? 2. How do you offer fruit to the Theoi in the home? Do you burn it/do all ouranic offerings need to be burnt? 3. Do prayers come last in a ritual? Which comes first, prayers or offerings? Thank you so much in advance for your time! It means a lot."

1. Back in ancient Hellas, most religious activities surrounding the household revolved around the central hearth, which was seen as the physical manifestation of Hestia. While Hestia has little mythology to Her name, Her worship was a vital part of ancient Hellenic religion. For one, Her flame connected every single Hellenic oikos to each other and the state. All the household fires were lit with a flame from the prytaneion (Πρυτανεῖον), the structure where state officials met and where the city kept a fire for Hestia burning day and night. Every single heart fire in the city or town was linked to that central one, and that central fire was linked to the city from where the settlers of the new village, town or city came. This network of fires, which were never allowed to go out, brought all Hellenes together. In modern worship, we very rarely have a fire burning at all times of the day, so many Hellenes opt to have a candle burning for Her (or a battery powered one when we leave the house). In modern worship we thus usually have a fire to Hestia burning during ritual as well as a sacrificial fire, but since the sacrificial fire is usually lit from the flame to Hestia, it is really an extension of Hestia's flame.

2. Traditionally speaking--which is what I practice, so that's the answer you're getting when you ask me things--yes, all Ouranic sacrifices should be burned. Sacrifices to heroes too, by the way, and even some Khthonic sacrifices were burned. The ancient Hellenes burned things (like sacrifices, incense, but also the firebrand to make khernips) because smoke was the only way the sacrifice reached the Ouranic Gods. That's how the sacrifice traveled to Olympos and how the sacrifice itself became sacred. Pure. Not burning sacrifices, traditionally speaking, is promising the gods sustenance and giving them an empty plate along with a message saying "just imagine it's food. I'm sure you'll feel full". Of course, I--and hopefully They--know it isn't always possible, but I do advocate burning sacrifices if at all possible.

3. Sacrifice was and is the highlight of Hellenic ritual. In ancient Hellas, communal sacrifices almost always included animal sacrifice. Worshippers processed to the ritual site, consciously leaving the mundane behind. The scent of incense would have filled the air, and hymns would have been sung. They cleansed themselves with lustral water (named khernips) and sprinkled the area and altar with it. All participants threw barley groats onto the animal, the ground and the altar to sow good fortune. The hymns would have continued until libations were made in or around the fire. This signaled the start of prayers. After the libation, the person who would kill the animal would have taken the knife and cut a lock of the animal's hair. Swiftly, the lock would be tossed into the fire as a warning of the impending sacrifice. The tension would have reached its height at this time and with a swift motion, the animal's throat would have been cut. All of its blood was collected and later dripped onto the fire or--in case of a smaller animal--dripped onto the fire directly. Women would scream, possibly to cover up the dying sounds of the animal, and then the tension would have most likely been broken and the ominous mood turned festive: while the entire animal belonged to the Gods, They saw fit to give much of it to Their followers for rare meat consumption. Then, Hestia received the last libation.

Modern worship is organized somewhat the same way as ancient sacrifice was. Perhaps needless to say: modern worship rarely includes animal sacrifice, although meat sacrifices are more common. We start with a procession (no matter how short) toward the altar, where we purify ourselves and the space around us with khernips. We also sow barley groats. This is not only a form of purification, it was the start of the process of kharis where the strewing of barley groats on and around the altar of the Theoi is like a spiritual sowing to reap the benefits of later (asked for through prayer later on in the rite). As such, the barley that we use is whole form, just like it is for actual sowing of the crop.

During the procession, songs are sung, and once purification is performed, a hymn is sung or proclaimed. Hymns are sung to please, to bring forth. It is a way to celebrate the deity in question, but also to make Him or Her more inclined to grant the following request. Prayers are next on the agenda. A prayer is carefully formulated to convey a message as persuasively as possible to the God, and was thus often spoken. The idea is not to please, but to request. They make use of the established and just now strengthened kharis to petition the Gods for aid. Where the hymn is an offering to go along with material sacrifice, the prayer is not an offering at all. To soften the request, prayers are often accompanied by the sacrifice--the main event of the rite.

~~~

"Do you think it's "reconstructionist" to honor specific Gods on the solstices and equinoxes? Like during your daily libations? Even though we don't know of any festivals that historically took place on those days, would it be "okay" just to add hymns and libations for certain Gods on those days? Maybe also do some secular seasonal decorating? What do you think?"

A solstice is an astronomical event that occurs twice each year (around 21 June and 21 December) as the Sun reaches its highest or lowest excursion relative to the celestial equator on the celestial sphere. An equinox occurs twice a year as well (around 20 March and 22 September), when the plane of the Earth's equator passes the center of the Sun. At this time the tilt of the Earth's axis is inclined neither away from nor towards the Sun. In essence, during an equinox, the period of time the sun is down (night time) and the sun is up (daytime) is roughly the same. The ancient Hellenes observed these four points in the year, and because of that, the ancient Hellenic calendar is partly solar: the solstices and equinoxes are anchor points for the otherwise lunar calendar.

Depending on the city-state, one of these four points was picked for the start of the new year. Athens and Delphi had the summer solstice, Boeotia had the winter solstice, and Milet started out with the autumnal equinox, but moved the new year to the spring equinox around the end of the 4th century BC. This anchor point was the most important; the rest were used to check the accuracy of the calculations.

Is it reconstructionistic to honor specific Gods on the solstices and equinoxes? That depends on which Gods you honor on the equinoxes and solstices. We know there were festivals celebrated on or around the time of these anchor points:

The Galaxia was closely associated with the Spring/Vernal Equinox.
The Kronia was closely associated with the Summer Solstice.
The Eleusinian Mysteries were celebrated around the autumnal Equinox.
The Poseidea was closely associated with the Winter Solstice.

If you want to associate other deities with these dates, feel free, but honestly, with a calendar of roughly 70 festivals throughout the year, I personally do not feel the need to add modern ones.

~~~

"How do you celebrate Noumenia on the night before? The night before is the dark of the moon, in all reality, so shouldn't it be Hene Kai Nea? But Hene Kai Nea is the night/day before the dark of the moon, then Noumenia starts on the night of the dark of the moon and ends the next day. How are we celebrating the first sighting of the moon if we are doing it before the moon ever appears in the sky and we say the day is over before the moon has a chance to appear? That makes no sense to me."

One of the most important and confusing of the many Hellenic festivals is the three-day transition from month to month. Although unlinked, the Deipnon, the Noumenia and Agathós Daímōn are held on consecutive days, around the new moon. Especially the placement of the days is hard to get right; at least, it was for me.

The Deipnon (Hene kai Nea)--or Hekate's Deipnon--is celebrated any time before the first sliver of the new moon is visible. In practice, this is the day after the new moon. The Noumenia is held the day after that, when the moon has become visible again, and Agathós Daímōn the day after that. It is important to note that the ancient Hellens started a new day at sundown the day before. Instead of starting a new day at midnight--or in the morning--like we do today, they started it at sundown of the previous day. This means that--when applied to modern practice--the Deipnon starts on the day of the suspected new moon, and the rest follows after, to the total of four days. Confused yet? How about a schematic. In this example, we'll assume that the sun goes down at six P.M. on all days.

Day 1:
All day - (suspected) new moon
6 P.M. - start of the Deipnon (Deipnon night)

Day 2:
All day - day after the new moon
6 P.M. day 1 to 6 P.M. day 2 - Deipnon (Deipnon day)
6 P.M. - start of the Noumenia (Noumenia night)

Day 3:
All day - second day after the new moon
6 P.M. day 2 to 6 P.M. day 3 - Noumenia (Noumenia day)
6 P.M. - start of  Agathós Daímōn (Agathós Daímōn night)

Day 4:
All day - third day after the new moon
6 P.M. day 3 to 6 P.M. day 4 - Agathós Daímōn (Agathós Daímōn day)

In general, you celebrate the Deipnon at night time on the day of the Deipnon, so after sundown on day one. Many Hellenists spent the day of the Deipnon (day two, until sundown) cleaning and taking out things like the recyclables; getting everything ready for the new month. The Noumenia starts at sundown on day two. Typically the bulk of the Noumenia rituals is done in the daylight hours, so on day three until sundown. Personally, I do a nighttime ritual on day two after sundown for Selene, as She is a moon Goddess and honoring Her when the first sliver of Her becomes visible is important to me. I also honor Her during the daytime on day three. At sundown on day three, Agathós Daímōn starts. The ritual aspects are usually held in the daylight hours, so on day four, until sundown.
I hope this makes it clearer!
Neos Alexandria, a community for Greco-Egyptians, Hellenics, Kemetics, Romans, Neopagans and others interested in learning about the Gods, their ancient and contemporary forms of worship, and the Greco-Egyptian culture, has published a new anthology. This time it is about Hestia, and yours truly was roped into contributing:

"Goddess of Little Renown, But Lasting Prominence"
by Elani Temperance (page 154)


Edited by Terence P. Ward
Price: $12.99
Publication Date: 4 April 2017
Place of Publication: Asheville, North Carolina
ISBN: 978-1544055886
Pages: 218 pp
Binding Type: US Trade Paper
Trim Size: 5″ x 8″


"She is the First, and She is the Last. Eldest and Youngest Child of heaven and Earth. The Hearth at the Center of Creation. Few myths and rites for Hestia survive from the classical world. A Goddess primarily of the domestic sphere, She was so central to ancient beliefs and practices that the Greeks actually wrote down very little about Her. She simply Was. And Is."

And so we come to the purpose of this anthology: not just to present ancient material about the Goddess, but, more importantly, to fill in the gaps in belief, practice, and understanding which were not handed down through the intervening millennia. Within these pages, Her devotees recreate Her worship, craft new devotional practices, write new hymns and songs and even myths, develop new recipes, and create new artwork in Her honor.

Hestia remains highly revered and respected, and new devotees are finding their way to Her. As in ancient days, she receives both the least and greatest of offerings. May she never be forgotten.

First and Last can be purchased in paperback format from their online store, and will be available shortly through Amazon, and through Barnes and Noble. If possible, they would ask you to purchase it through Createspace since that will give Bibliotheca Alexandrina a higher portion of the royalties without changing the price for you. Why does that matter? Because all of the proceeds from First and Last – as well as many of the other volumes in the Bibliotheca Alexandrina series – will be used to help promote the revival of the worship of the Greek and Egyptian Gods, with a portion of the proceeds given to a worthy charitable organization in their name.  So, not only will you be getting a wonderful book about the modern worship of Hestia – but your money will be going to do good work and help the revival of ancient polytheistic religions.

ATTENTION Librarians, Teachers and Retailers: First and Last is also available at reduced cost for academic institutions, lending libraries (public and private) and retailers. Check their online store, or email baeditor@gmail.com with any questions.
I have been feeling miasmic lately. Between work stress, some minor physical issues and worrying about the event of and fallout after the US elections, I have just been feeling very... human. I practice with focus and know the Theoi are out there to guide, help and protect but I've been missing Them too, somehow. I never feel Them close to me outside of sacrifices and very rarely during sacrifices but I think I have a bigger need to feel them because I am feeling weaker than usual and more afraid. I usually read mythology then, but I have been too unfocussed for that as of late. So I need pictures and words instead. My go-to is a tumblr search and I'll save you the hassle of doing it. This is my (very small) collection. The words are by Nightquils, the images have been sourced.



"The bruises of love bites left by lovers on necks and thighs; smudged lipstick from hasty kisses; blood red roses with their sharp thorns still intact; the way you hug someone you love when you reunite after a lengthy separation."
 
 
"Polished instruments gleaming, held like the most precious of jewels by their owners; a sunny day with a clear blue sky where there are no clouds in sight; the rough script of poems penned out on scraps of paper or napkins before they're forgotten; when music is so loud that you feel it reverberating in your bones; the pale lines of fading scars."
 
 
"The hands of a fighter, short finger nails and bloodied knuckles; split lips that have scabbed over; the smooth and intricate lines of old weapons you see mounted on museum walls; deep trenches dug out from the earth; the way barbed wire contrasts against whatever it surrounds."
 
 
"Loose braids with wild flowers slipped in; the majesty of tall trees stretching up endlessly towards the heavens; the wide and captivating eyes of wild deer; cloudy nights where the moon is just barely peeking through; the colorful fletching of arrows drawn back to rest upon cheeks and along jaws."
              
 
"The straight and steady way a soldier stands at attention; fingertips smudged with ink; a stack of books to read piled on the floor or a nightstand; eyes gleaming with the glow of new ideas; the quiet and contemplative aura of museums and libraries."
              
 
"The way sunlight catches dust motes in the air through the gaps in the leaves of the trees; the feeling of life you get from standing in the middle of an orchard with bees buzzing around you; crocuses and snowdrops peeking through the last dredges of winter's snow."         
                
 
"The pleasure of holding something you've created in your palms; the soft glow of heated metal; the intricate beauty of cogs and gears fitting together precisely and working in tandem; the smooth and polished surfaces of high-rise business buildings."
 
 
"The lacy white of flowing wedding gowns; the way a couple's hands look clasped together; pairs of old wedding rings that are scratched from years of use; the feeling of surrealism that comes from looking at old family portraits; getting used to sharing a space with someone else and then seeing the mannerisms you've unknowingly adopted from them."
 
 
"The way that the low beam headlights of a car touch the roads that stretch ever onwards at night; old maps yellowed at the corners from their age; the way that things rush past when you look out the window of a car or train; quick hands slipping deftly into pockets and taking what they find."
 
 
"The light and protection of street lights in an otherwise dark city; the warmth of your bed on cold winter mornings; the heat of a fire as you sit around it with people you love; the comfort of a home-cooked meal."
 
 
"The way light looks when you're seeing it shine down from deep underwater; the effervescent colors of cresting waves; the eery beauty of shipwrecks; the ripples created when you trail your fingertips through still waters; dust clouds kicked up by the passing of strong hooves."
 
 
"The way that storm clouds darken the edge of the horizon; silhouettes framed against the sky by flashes of lightning; the splay of feathers of a bird's outstretched wings; the polished and tarnished brass of old fashioned scales."