Showing posts with label Eumenides. Show all posts
Showing posts with label Eumenides. Show all posts

I really love Aeschylus' Eumenides play, and I also greatly enjoy the fact that it has prayers and parts you can use for prayers in it that one can use for their own household worship. Today, I will post some of the possible prayers in Eumenides. Enjoy!


"First, in this prayer of mine, I give the place of highest honor among the gods to the first prophet, Earth; and after her to Themis, for she was the second to take this oracular seat of her mother, as legend tells. And in the third allotment, with Themis' consent and not by force, another Titan, child of Earth, Phoebe, took her seat here. She gave it as a birthday gift to Phoebus, who has his name from Phoebe. Leaving the lake1 and ridge of Delos, he landed on Pallas' ship-frequented shores, and came to this region and the dwelling places on Parnassus. The children of Hephaistos,2 road-builders taming the wildness of the untamed land, escorted him with mighty reverence. And at his arrival, the people and Delphus, helmsman and lord of this land, made a great celebration for him. Zeus inspired his heart with prophetic skill and established him as the fourth prophet on this throne; but Loxias is the spokesman of Zeus, his father.

These are the gods I place in the beginning of my prayer. And Pallas who stands before the temple3 is honored in my words; and I worship the Nymphs where the Corycian4 rock is hollow, the delight of birds and haunt of gods. Bromius has held the region—I do not forget him—ever since he, as a god, led the Bacchantes in war, and contrived for Pentheus death as of a hunted hare. I call on the streams of Pleistus and the strength of Poseidon, and highest Zeus, the Fulfiller; and then I take my seat as prophetess upon my throne. And may they allow me now to have the best fortune, far better than on my previous entrances. And if there are any from among the Hellenes here, let them enter, in turn, by lot, as is the custom. For I prophesy as the god leads." [Pythia in the temple of Apollon at Delphi - 1]

"Lord Apollo, you know how to do no wrong; and, since you know this, learn not to be neglectful also. For your power to do good is assured." [Orestes to Apollon - 85]
"So now with a pure mouth I piously invoke Athena, lady of this land, to come to my aid. Without the spear, she will win me and my land and the Argive people as faithful and true allies for all time. But whether in some region of the Libyan land, near the waters of Triton, her native stream, she is in action or at rest, aiding those whom she loves, or whether, like a bold marshal, she is surveying the Phlegraean plain, oh, let her come—as a goddess, she hears even from far away—to be my deliverer from distress!" [Orestes to Athena - 287]

"I will accept a home with Pallas, and I will not dishonor a city which she, with Zeus the omnipotent and Ares, holds as a fortress of the gods, the bright ornament that guards the altars of the gods of Hellas. I pray for the city, with favorable prophecy, that the bright gleam of the sun may cause blessings  that give happiness to life to spring from the earth, in plenty." [Chorus of Eumenides - 916]
"Gracious and favorable to the land, come here, venerable goddesses, with flame-fed torch, rejoicing as you go—cry aloud now in echo to our song! Peace endures for all time between Pallas' citizens and these new dwellers here. Zeus who sees all and Fate have come down to lend aid—cry aloud now in echo to our song!" [Chorus of the processional escort to the Eumenides - 1032]
I'm on the road all day today, so I am doing a repost! Aeschylus' Eumenides is one of my favorite plays, because it has prayers and parts of prayers you can use for your own household worship. I filtered them out for your convenience. Enjoy! 

"First, in this prayer of mine, I give the place of highest honor among the gods to the first prophet, Earth; and after her to Themis, for she was the second to take this oracular seat of her mother, as legend tells. And in the third allotment, with Themis' consent and not by force, another Titan, child of Earth, Phoebe, took her seat here. She gave it as a birthday gift to Phoebus, who has his name from Phoebe. Leaving the lake1 and ridge of Delos, he landed on Pallas' ship-frequented shores, and came to this region and the dwelling places on Parnassus. The children of Hephaistos,2 road-builders taming the wildness of the untamed land, escorted him with mighty reverence. And at his arrival, the people and Delphus, helmsman and lord of this land, made a great celebration for him. Zeus inspired his heart with prophetic skill and established him as the fourth prophet on this throne; but Loxias is the spokesman of Zeus, his father.

These are the gods I place in the beginning of my prayer. And Pallas who stands before the temple3 is honored in my words; and I worship the Nymphs where the Corycian4 rock is hollow, the delight of birds and haunt of gods. Bromius has held the region—I do not forget him—ever since he, as a god, led the Bacchantes in war, and contrived for Pentheus death as of a hunted hare. I call on the streams of Pleistus and the strength of Poseidon, and highest Zeus, the Fulfiller; and then I take my seat as prophetess upon my throne. And may they allow me now to have the best fortune, far better than on my previous entrances. And if there are any from among the Hellenes here, let them enter, in turn, by lot, as is the custom. For I prophesy as the god leads." [Pythia in the temple of Apollon at Delphi - 1]

"Lord Apollo, you know how to do no wrong; and, since you know this, learn not to be neglectful also. For your power to do good is assured." [Orestes to Apollon - 85]
"So now with a pure mouth I piously invoke Athena, lady of this land, to come to my aid. Without the spear, she will win me and my land and the Argive people as faithful and true allies for all time. But whether in some region of the Libyan land, near the waters of Triton, her native stream, she is in action or at rest, aiding those whom she loves, or whether, like a bold marshal, she is surveying the Phlegraean plain, oh, let her come—as a goddess, she hears even from far away—to be my deliverer from distress!" [Orestes to Athena - 287]

"I will accept a home with Pallas, and I will not dishonor a city which she, with Zeus the omnipotent and Ares, holds as a fortress of the gods, the bright ornament that guards the altars of the gods of Hellas. I pray for the city, with favorable prophecy, that the bright gleam of the sun may cause blessings that give happiness to life to spring from the earth, in plenty." [Chorus of Eumenides - 916]
"Gracious and favorable to the land, come here, venerable goddesses, with flame-fed torch, rejoicing as you go—cry aloud now in echo to our song! Peace endures for all time between Pallas' citizens and these new dwellers here. Zeus who sees all and Fate have come down to lend aid—cry aloud now in echo to our song!" [Chorus of the processional escort to the Eumenides - 1032]

Probably beyond all others, I am in love with the three plays of 'The Oresteia' by Aeschylus. There is something about the imagery and the use of language that sucks me in every single time. Besides, I love me some dark tragedy! There are so many pieces from all three plays that can be used as inspiration for your own worship. Today, I would like to share the opening of the third play, The Eumenides, in which the Pythian priestess calls upon the Gods.

The Oresteia was originally performed at the Dionysia festival in Athens in 458 BC, where it won first prize. Principal themes of the trilogy include the differences between revenge and justice, as well as the shift from practicing personal vendetta to a system of litigation. The name derives from the character Orestes, who sets out to avenge his father's murder. Enjoy!


"First, in this prayer, of all the gods I name 
The prophet-mother Earth; and Themis next, 
Second who sat-for so with truth is said- 
On this her mother's shrine oracular. 
Then by her grace, who unconstrained allowed, 
There sat thereon another child of Earth- 
Titanian Phoebe. She, in after time, 
Gave o'er the throne, as birthgift to a god, 
Phoebus, who in his own bears Phoebe's name. 
He from the lake and ridge of Delos' isle 
Steered to the port of Pallas' Attic shores, 
The home of ships; and thence he passed and came 
Unto this land and to Pamassus' shrine. 
And at his side, with awe revering him, 
There went the children of Hephaestus' seed,
The hewers of the sacred way, who tame 
The stubborn tract that erst was wilderness. 
And all this folk, and Delphos, chieftain-king 
Of this their land, with honour gave him home; 
And in his breast Zeus set a prophet's soul, 
And gave to him this throne, whereon he sits, 
Fourth prophet of the shrine, and, Loxias hight, 
Gives voice to that which Zeus his sire decrees. 

Such gods I name in my preluding prayer, 
And after them, I call with honour due 
On Pallas, wardress of the fane, and Nymphs 
Who dwell around the rock Corycian, 
Where in the hollow cave, the wild birds' haunt, 
Wander the feet of lesser gods; and there, 
Right well I know it, Bromian Bacchus dwells, 
Since he in godship led his Maenad host, 
Devising death for Pentheus, whom they rent 
Piecemeal, as hare among the hounds. And last, 
I call on Pleistus' springs, Poseidon's might, 
And Zeus most high, the great Accomplisher. 
Then as a seeress to the sacred chair 
I pass and sit; and may the powers divine 
Make this mine entrance fruitful in response 
Beyond each former advent, triply blest. 
And if there stand without, from Hellas bound, 
Men seeking oracles, let each pass in 
In order of the lot, as use allows; 
For the god guides whate'er my tongue proclaims."
Every writer, movie buff, theatre lover, and game connoisseur knows the term: deus ex machina; 'God from a machine'. The term (pronounced as 'Day-oos eks MAH-kee-nah') is a calque from the Hellenic ἀπὸ μηχανῆς θεός (apò mēkhanês theós), which has roughly the same meaning. The term has evolved into a plot device whereby a seemingly unsolvable problem is suddenly and abruptly resolved by the contrived and unexpected intervention of some new event, character, ability or object. Depending on how it is done, it can be intended to move the story forward when the writer has stuffed up and sees no other way out, to surprise the audience, to bring the tale to a happy ending, or as a comedic device.

The term was coined in Hellenic tragedy, where a machine was (and still is) used to bring actors playing Gods onto the stage. The machine could be either a crane (mechane) used to lower actors from above or a riser that brought actors up through a trapdoor. The idea was introduced by Aeschylus and was used often to resolve the conflict and conclude the drama. Although the device is associated most with Hellenic tragedy, it also appeared in comedies.

Aeschylus used the device in his 'Eumenides', but it was with Euripides that it became an established stage machine. More than half of Euripides' extant tragedies employ a deus ex machina in their resolution, and some critics claim that Euripides, not Aeschylus, invented it.

In Aristophanes' play 'Thesmophoriazusae', the playwright parodies Euripides' frequent use of the crane by making Euripides himself a character in the play and bringing him on stage by way of the mechane. Aristotle was the first to use deus ex machina as a term to describe the technique as a device to resolve the plot of tragedies. Antiphanes believed that the use of the deus ex machina was a sign that the playwright was unable to properly manage the complications of their plot:

"When they don't know what to say, and have completely given up on the play, just like a finger they lift the machine, and the spectators are satisfied. Here is none of this for us."
 
Aristotle also wasn't a fan and he criticized the device in his Poetics:
 
"As in the structure of the plot, so too in the portraiture of character, the poet should always aim either at the necessary or the probable. Thus a person of a given character should speak or act in a given way, by the rule either of necessity or of probability; just as this event should follow that by necessary or probable sequence. It is therefore evident that the unraveling of the plot, no less than the complication, must arise out of the plot itself, it must not be brought about by the Deus ex Machina- as in the Medea, or in the return of the Greeks in the Iliad. The Deus ex Machina should be employed only for events external to the drama- for antecedent or subsequent events, which lie beyond the range of human knowledge, and which require to be reported or foretold; for to the gods we ascribe the power of seeing all things. Within the action there must be nothing irrational. If the irrational cannot be excluded, it should be outside the scope of the tragedy. Such is the irrational element the Oedipus of Sophocles."

Despite that, the effect of the device on Hellenic audiences was attested as a direct and immediate emotional response. Audiences would have feeling of wonder and astonishment at the appearance of the gods and often adds to the moral effect of the drama. Even in modern plays, books, and movies, the deus ex machina can have this effect. How about the Hulk showing up near the end of The Avengers to punch that alien battleship/whale on the nose? Or the Eagles showing up at the end of the Lord of the Rings trilogy to carry our near-dead heroes home? I, for one, felt extreme elation and excitement at both. When used too much, or too obviously, the deus ex machina can be a cheap trick, but when done well, it can be quite brilliant.
Ah, one more 'Q' post, and then I'll be without them for another year. That's a good thought! On that cheery note, I figured out another subject for the 'Q's: quorum votes. The word 'quorum' reminds me of Battlestar Galactica, which has the 'Quorum of Twelve': the governing body of the Twelve Colonies of Kobol, composed of one representative from each colony. The 'Quorum of Twelve' was actually a Christian reference by the creator of the series, but in a universe heavily influenced by the Greek legacy--where the names of the Twelve Colonies and their planets are similar to the names of the constellations in the Greco-Roman zodiac, many people are devout followers of the Theoi, and characters often had nicknames like 'Athena' and 'Apollo'--the quorum is actually fairly reminiscent of ancient Hellas.

Ostraka

A quorum is the minimum number of members of a deliberative assembly necessary to conduct the business of that group. I have written a little about the ancient Athenian quorum before, but before I get to that, let me explain the Athenian government body really quick--or at least the parts relevant to this post. There is a longer summary to be found here, but as that is a Pagan Blog Project post as well, I am just going to assume you have read it. So, short summary:

Back in Classical ancient Athens, if you were adult male Athenian citizens who had completed their military training as ephebes, you were required to partake in the democratic assembly of citizens, called the ekklesia. It consisted of about 25,000 voting citizens. The ekklesia, in turn, was managed by the boule of 500 citizens, taken from the ranks of the ekklesia. The boule, finally, was managed by 50 members of the boule, called the prytaneis. Everyone in the ekklesia voted, but their votes were tallied by the boule-members of their tribe, who related the votes to the prytanis of their tribe, who then tallied and proclaimed the votes. Previous to the Classical age, smaller assemblies would dispense judgment, or the judgment was dispensed by the king.

Perhaps the most well-known example of voting in ancient Athens comes from Aeschylus' Eumenides where Orestes faces divine judgment after slaying his mother in revenge for the death of His father. Athena presides over this judgment, and Apollon speaks for Orestes, but the vote is in the hands of the Athenian people, although Athena has the winning vote in case of a tie.

"O men of Athens, ye who first do judge the law of bloodshed, hear me now ordain. Here to all time for Aegeus' Attic host shall stand this council-court of judges sworn, here the tribunal, set on Ares' Hill where camped of old the tented Amazons, what time in hate of Theseus they assailed Athens, and set against her citadel a counterwork of new sky-pointing towers, and there to Ares held their sacrifice, where now the rock hath name, even Ares' Hill. And hence shall Reverence and her kinsman Fear pass to each free man's heart, by day and night enjoining, Thou shalt do no unjust thing, so long as law stands as it stood of old unmarred by civic change. Look you, the spring is pure; but foul it once with influx vile and muddy clay, and none can drink thereof. Therefore, O citizens, I bid ye bow in awe to this command, Let no man live, uncurbed by law nor curbed by tyranny; nor banish ye the monarchy of Awe beyond the walls; untouched by fear divine, no man doth justice in the world of men. Therefore in purity and holy dread stand and revere; so shall ye have and hold a saving bulwark of the state and land, such as no man hath ever elsewhere known, nor in far Scythia, nor in Pelops' realm. Thus I ordain it now, a council-court pure and unsullied by the lust of gain, sacred and swift to vengeance, wakeful ever to champion men who sleep, the country's guard. Thus have I spoken, thus to mine own clan commended it for ever. Ye who judge, arise, take each his vote, mete out the right, your oath revering. Lo, my word is said."

In the Eumenides, twelve judges then come on stage and cast their vote in one of two urns--one to vote Orestes guilty, the other to vote him not guilty. The results are tallied and Orestes is cleared of blood guilt.

Voting in Classical Athens would have been much the same. Prior to the changes to the political landscape of Athens in the sixth century BC and onwards, made by Solon and Kleisthénês, it appears votes were more often settled by talking or shouting during assemblies. As this was of voting was decidedly personal, those of higher birth or greater power would have been able to sway votes. Solon, especially, worked hard to abolish these influences in decision making. The far more neutral voting system of 'bind' votes, where votes were cast in urn or other holders was considered far preferable.

Votes were tallied in a few different ways: one was to use stones of varying colors, and ascribe one color to 'yes' votes, and the second color to 'no' votes. All lots were case into a single urn, which was cracked open after everyone had voted, and tallied. The second option was the one portrayed in Eumenides: two urns, one type lot. A third option was a particular one; it was only used when deciding who would be ostracized. When a person was ostracized, potsherds (ostraka, ὄστρακα) with names scratched on them were used as lots, and he who received the most votes, was ostracized for ten years.

During an ostracism (ostrakismos, ὀστρακισμός) each member of the ekklesia would choose a politician they wished to have 'ostracized', or exiled for ten years. If any one name received a majority and a total of 6,000 or more votes, that man would have to leave Athens. The picture up top features some excavated ostraka naming prominent politicians still well-known to historians today: at the top, Aristeides, son of Lysimachus on the left, and Themistokles, of the deme Phrearios on the right. At the bottom, Kimon, son of Miltiades on the left, and Perikles, son of Xanthippos on the right. Ostracism was often used preemptivel, as a way of neutralizing someone thought to be a threat to the state or potential tyrant. As such, ostracism had no relation to the processes of justice; there was no charge or defense, and the exile was not in fact a penalty; it was simply a command from the Athenian people that one of their number be gone for ten years.

For a small category of votes a quorum of 6000 men was required, and ostracisms were included in that number. Another was the granting of citizenship to métoikos, if they had done something important for the city of Athens. These decisions were considered too important to leave up to smaller numbers.

The Athenian direct democracy we are now unfamiliar with besides when judging rounds of Top Model or Idols, allowed every (adult male) citizen the exact same vote, and equalized the political landscape. Quorum votes were especially important, as the decision was not only backed up by 6000 men, but they had voted on it together, bringing these men--and the city of Athens--closer.
Morning everyone, unfortunately, I had a pretty bad night, and about three hours of sleep. Nothing major happened; it was just one of those nights. As a consequence, though, I'm already exhausted and the day hasn't even begun, so I'm going to let another speak for me today. New members in Elaion can join the mentoring program, and the 2013 class has just started. To begin, we are reading Aeschylus' Eumenides and dissecting it for lessons. I really love this play, and I also greatly enjoy the fact that it has prayers and parts you can use for prayers in it that one can use for their own household worship. Today, I will post the prayers in Eumenides and go back to bed. I'll get you an actual post tomorrow. Enjoy!

"First, in this prayer of mine, I give the place of highest honor among the gods to the first prophet, Earth; and after her to Themis, for she was the second to take this oracular seat of her mother, as legend tells. And in the third allotment, with Themis' consent and not by force, another Titan, child of Earth, Phoebe, took her seat here. She gave it as a birthday gift to Phoebus, who has his name from Phoebe. Leaving the lake1 and ridge of Delos, he landed on Pallas' ship-frequented shores, and came to this region and the dwelling places on Parnassus. The children of Hephaistos,2 road-builders taming the wildness of the untamed land, escorted him with mighty reverence. And at his arrival, the people and Delphus, helmsman and lord of this land, made a great celebration for him. Zeus inspired his heart with prophetic skill and established him as the fourth prophet on this throne; but Loxias is the spokesman of Zeus, his father.

These are the gods I place in the beginning of my prayer. And Pallas who stands before the temple3 is honored in my words; and I worship the Nymphs where the Corycian4 rock is hollow, the delight of birds and haunt of gods. Bromius has held the region—I do not forget him—ever since he, as a god, led the Bacchantes in war, and contrived for Pentheus death as of a hunted hare. I call on the streams of Pleistus and the strength of Poseidon, and highest Zeus, the Fulfiller; and then I take my seat as prophetess upon my throne. And may they allow me now to have the best fortune, far better than on my previous entrances. And if there are any from among the Hellenes here, let them enter, in turn, by lot, as is the custom. For I prophesy as the god leads." [Pythia in the temple of Apollon at Delphi - 1]

"Lord Apollo, you know how to do no wrong; and, since you know this, learn not to be neglectful also. For your power to do good is assured." [Orestes to Apollon - 85]
"So now with a pure mouth I piously invoke Athena, lady of this land, to come to my aid. Without the spear, she will win me and my land and the Argive people as faithful and true allies for all time. But whether in some region of the Libyan land, near the waters of Triton, her native stream, she is in action or at rest, aiding those whom she loves, or whether, like a bold marshal, she is surveying the Phlegraean plain, oh, let her come—as a goddess, she hears even from far away—to be my deliverer from distress!" [Orestes to Athena - 287]

"I will accept a home with Pallas, and I will not dishonor a city which she, with Zeus the omnipotent and Ares, holds as a fortress of the gods, the bright ornament that guards the altars of the gods of Hellas. I pray for the city, with favorable prophecy, that the bright gleam of the sun may cause blessings that give happiness to life to spring from the earth, in plenty." [Chorus of Eumenides - 916]
"Gracious and favorable to the land, come here, venerable goddesses, with flame-fed torch, rejoicing as you go—cry aloud now in echo to our song! Peace endures for all time between Pallas' citizens and these new dwellers here. Zeus who sees all and Fate have come down to lend aid—cry aloud now in echo to our song!" [Chorus of the processional escort to the Eumenides - 1032]