Showing posts with label Styx. Show all posts
Showing posts with label Styx. Show all posts
Every day, the average human utters about 16.000 words. A good portion of those are idioms and figures of speech--the use of a word or words diverging from its usual meaning--or sayings. Today, I wanted to share some of the figures of speech and sayings that can be traced back to ancient Hellas and/or Hellenic myth. Some of these I have posted before, but I've collected another few in the mean time. These are marked with a *.



"A Herculean Effort"
Meaning: a great effort.
Source: Hēraklēs, son of Zeus and the mortal Alcmene--who was a bane in Hera's life, simply for being born--was stricken mad by the Queen of the Gods and killed his five sons by his wife Megara, oldest daughter of Kreōn of Thebes. When he was released from his madness by a hellebore potion--provided by Antikyreus--and realized what he had done, he cried out in anguish, and went on a long journey to cleanse himself of the miasma caused by these killings. First, he visited the oracle at Delphi, who, unbeknownst to him, was whispered to by Hera. The Oracle told Hēraklēs to serve the king of Tiryns, Eurystheus, for ten years and do everything Eurystheus told him to do. Eurystheus gladly provided Hēraklēs with these labors--ten of them, one for each year--and eventually ended up adding two more, resulting in the Twelve Labors of Hēraklēs. Hēraklēs was told to: slay the Nemean Lion, slay the nine-headed Lernaean Hydra, capture the Golden Hind of Artemis, capture the Erymanthian Boar, clean the Augean stables in a single day, slay the Stymphalian Birds, capture the Cretan Bull, steal the Mares of Diomedes, obtain the girdle of Hippolyta, Queen of the Amazons, obtain the cattle of the monster Geryon, steal the apples of the Hesperides, and to capture and bring back Kerberos. All of these tasks were incredibly hard, and required every ounce of strength Hēraklēs possessed.

"A Sisyphean task"
Meaning: (performing) an endless or repetitive task.
Source: Sísyphos was a scheming and conniving king, who tried to pull a fast one on the Gods many times over. He betrayed Zeus, tried to trick Thanatos, Persephone and Hades, and killed innocent travelers on his roads--an offense against xenia. For all these offenses, Sísyphos was sentenced to push a boulder uphill for all eternity, as the boulder would roll down the slope again the second he reached the top.

"Achilles' heel"
Meaning: one's weakness or weak spot.
Source: Achilles was a great warrior, destined to live one of two lives: a long and boring one, or a short but heroic one. Knowing her son would choose the latter, his divine mother Themis tried to limit the risk of Achilles dying a premature death by dipping him in the river Styx. As such, Achilles became impenetrable to harm, save for his heel, where his mother had held him as she dipped him in the water. This spot eventually became his downfall, and Achilles died on the battlefield of Troy. The stories of his invulnerability were a later invention, around the first century AD. Before that, the myth simply stated that Achilles was shot in the heel with an arrow, and he eventually died of that wound, because it would not heal.

"Bearing the weight of the world (on one's shoulders)" *
Meaning: a very heavy burden of worry or responsibility.
Source: This is a reference to Atlas, the Titan who was forced to carry the heavens on his shoulders after he and his brethren rebelled against Zeus in the Titanomachy. Depending on the source, however, it was actually a great honour to be asked to protect the whole of the earth from being crushed under the weight of the sky.

"Beware of Greeks bearing gifts"
Meaning: be weary of those with something to offer, they may have ulterior motives.
Source: In the war for Troy, the Hellenes needed a way to conquer the walls of the city. They tried to fight for it, but were unable to. In Virgil's Aeneid, it is written that the Hellenes built a wooden horse, and hid away in it. The horse was offered to the Trojans as a gift, and the structure was accepted into the city. At night, the Hellenes snuck out of the horse, attacked the city, and conquered Troy.

"Caught between a rock and a hard place"
Meaning: making a hard choice; choosing between two undesirable options.
Source: During Odysseus' travels to get home, he must run his ship through a narrow passage. One the one side are rocks with a cavern. In this cavern, Skylla, sea monster with six heads, lived, and she would take one of Odysseus' men with each of her heads. On the other side lay Kharybdis, a great whirlpool which would suck in any ship that came too close. It is up to Odysseus to choose one or the other. Eventually, he chooses Skylla, and looses many brave men, his ship, however, is in tact. As such, Odysseus had to choose between a rock and a hard place.

"Cupid's arrows" *
Meaning: rapidly falling in love--as if struck.
Source: The ancient Hellenes were just as mystified by love as we are today--more so, perhaps, because a least we know what happens chemically in our bodies when it happens. Their answer to the mystery of falling in love was that the arrow of Eros struck. Eros had two types of arrows: the golden-tipped arrow brought love and attraction, the lead-tipped arrow brought hate and repulsion. Cupid is the Roman version of Eros.

"Dog is man's best friend"
Meaning: the loyalty of dogs is undisputed
Source: In the Odysseia, Odysseus finally returns home after many, many long years of travel, and long years of war. He is in disguise when he reaches his house, which is overrun by suiters of his wife. His fateful hunting dog, Argos, has waited for him all these years, and recognizes his master right away. Finally reunited with his master, the old dog dies, happy, and at peace.

"Food of the Gods"
Meaning: food so delicious, it is almost divine
Source: Nectar--the drink of the Gods--and ambrosia--the food of the Gods--are the dish of choice on Olympos. If a mortal man or woman would eat or drink either of the two, they, too, would become immortal, or at least their aging would stop for a while.

"Gordian knots"
Meaning: an extremely perplexing puzzle or problem.  
Source: It seems that king Gordius of Phrygia laid out a task for whomever wanted to be the ruler of Asia Minor: he tied a know so complex, no one managed to untie is. Eventually, Alexander the Great came to the land, and cut the know with his sword, thus 'passing' the test. 'Cutting the knot' became a saying for taking something by force, or making a decisive action. 

"Having the Midas touch"
Meaning: a fortunate person, someone able to make everything a success.
Source: In Hellenic mythology, Midas was the king of Pessinus. It seems some of the peasants under Midas' commands brought the king the unconscious satyr Seilenos, who had drunk himself into a stupor. Alternatively, Seilenos toppled over in Midas' garden. No matter how he got there, Midas took good care of him, and as a token of appreciation, Dionysos--Seilenos' student--offered Midas a wish. Midas wished that everything he touched, turned to gold. This is where the saying comes from.

"Hounds of Hell"
Meaning: something frightening, or evil.
Source: Guarding the entrance to Underworld is a great dog, either with just one head, or three, or fifty. His name is Kerberos, and you can pass him once, on your way in, but never again, as there is no way out.

"Leave No Stone Unturned"
Meaning: search everywhere.
Source: The catch-phrase was first recorded by Euripides in his tragedy 'Heracleidae'. The play focusses on King Eurystheus, who hunts the children of Hēraklēs after he passes away. The actual quote comes from the line: "Now, after he was taken hence, was I not forced, by reason of these children's hatred, and because I was conscious of an hereditary feud, to leave no stone unturned by slaying, banishing, and plotting against them?"

"Oedipus Complex"
Meaning: a child's unnatural desire of their parent of the opposite sex, and jealousy of the parent of the same sex. Freudian theory.
Source: Oedipus was born to King Laius and Queen Jocasta. King Laius was fortold his son would kill him and marry his mother, and so he left him to die on a mountainside. The child was found, however, and raised by King Polybus and Queen Merope. Oedipus eventually heard of the prophecy about him and fled, not wanting to hurt his adoptive parents, who he believed to be his biological ones. Fate would have him end up on the same road as King Laius, and in an argument over whom would step out of the way, Oedipus killed his father. He then traveled on and eventually met and married his mother. The myth continues on, but this is the part where the figure of speech comes from.

"Pandora's box"
Meaning: to perform an action that may seem small or innocuous, but that turns out to have severe and far-reaching consequences.
Source: I've written quite a bit about Pandôra on this blog. Pandôra was created by the Theoi as punishment on humanity after Prometheus stole fire from the Gods. Pandôra showed up on the doorstep of Prometheus' brother Deukalion, with a pithos she was told never to open. Eventually, curiosity got the better of her,a nd she opened the jar. In some versions of the myth, all evils of the word flew out, but Pandôra managed to trap hope in the jar. There are many, many inconsistencies in the myth, but the figure of speech stuck.

"Pregnant with thought" *
Meaning: to be about to put forth a (great) idea.
Source: Potentially, this idiom comes from Greek mythology--namely the birth of Athena from the head of Zeus. Athena, as Goddess of wisdom represents a literal birth of ideas--which is pretty much the meaning.

"Siren's song" *
Meaning: an alluring utterance or appeal, especially one that is seductive or deceptive.
Source: In the Odysseia, Circe warned Odysseus not to listen to the Sirens--mythological mermaids--because their haunting music would drive him mad. Or if he did, at least have his sailors tie him to the mast to keep him from throwing himself overboard, and to plug his rowers ears’ with beeswax so they would be impervious to the sweet high song.

"Stygian darkness" *
Meaning: pitch black, sometimes dreary, darkness.
Source: The river Styx was the boundary between the upper world of the living and the underworld of the dead. It was so inky black that anything under its surface disappeared from sight.

"The face that launched a thousand ships"
Meaning: one person causing a terrible event.
Source: One fateful day, three Goddesses got into an argument about whom was most beautiful. Hera, Aphrodite, and Athena, all laid claim to a golden apple tossed into the crowd at a banquet held on honor of Peleus and Thetis. Eris had thrown the apple, which was labeled 'for the most beautiful'. The Goddesses could not decide who was the fairest, and so They asked Zeus. Zeus appointed Paris, A Trojan mortal, to choose in his stead. All three Goddesses undressed for Paris when asked, and all offered him gifts, if he would choose them. Aphrodite, however, promised him the most beautiful of wives, and PAris chose Her. Aphrodite picked Helen of Sparta as Paris' new wife, but Helen was already married, to Menelaus, who would eventually bring war down upon Troy to reclaim the wife he lost. Helen became the woman whose face 'launched a thousand ships' in war.

"To rise from the ashes"
Meaning: to be reborn
Source: No singular myth about the famous bird survives, but the phoenix was know to the ancient Hellenes. It was a mythical bird that lived its life, immolated, and was reborn from the ashes of its previous incarnation.
Alright, forgive me for this one. So, I came across the video below on YouTube, 'ugh'ed at the images, clicked away. Then clicked back because why the heck? What were the criteria for this list? What was the grading based on? Who judged? Did they know Hellenic mythology? I mean, I agree these Gods are powerful, but if we're really doing something as horrible as ranking Them, at least look a little beyond the obvious, please. Here's the list discussed, with the description:


"The stories of gods and goddess from the ancient Greek mythology are immensely popular in pop culture. Their characters were popularized and subsequently immortalized by some famous play writers in ancient Greece that included the likes of Homer and Hesiod. What makes the folklore behind these ancient Greek deities stand apart is the way their stories deviated from that of other contemporary ancient religions. The Greek gods resembled humans not only in their form but also in their nature and emotions. [...] As for the majestic Gods of ancient Greece, lets see how many of your favorites make it on our top 10 list."

Okay, so, yes. All of these Olympians (because They are all Olympians) are powerful. They're Gods, so of course They are. But I'm not exactly sure that I would have held fast to this list. Since watching the video, I've been thinking about my 'ranking', which isn't so much a question of 'who is more powerful', but one of 'are there any Gods who can command Zeus or otherwise hold power over Him'? Mythologically speaking, I would say 'yes'. I'm not going to rank them, but here are six Gods (well, They turned out to be only Goddesses) who hold sway over Zeus, King of the Gods, and are thus, well, pretty darn powerful.

Gaia
All the Protogenoi, as the First Born Deities of the Hellenic Kosmos, are essential to our survival and thus are held in high regard by the Olympians--Zeus included. Still, Gaia, as the earth Herself is rather critical. On top of that, Gaia was at the head of the rebellion against Her husband Ouranos who had imprisoned several of Her giant-sons within her womb and later, when Her son Kronos defied Her by imprisoning these same sons, she sided with Zeus in His rebellion against Him. Finally She came into conflict with Zeus because She was angered by His binding of Her Titan-sons in Tartaros. She birthed a tribe of Gigantes and later the monster Typhoeus to overthrow Him, but both failed in their attempts. So technically Zeus is stronger than Her, but He needed every single other God and Goddess he could get on His side to pull it off, which brings us to...

Hekate
After the Titanomachy, Zeus bestowed upon Her the highest of honors. As Hesiod writes in his 'Theogony: "Again, Phoebe came to the desired embrace of Coeus. [...] And she conceived and bare Hecate whom Zeus the son of Cronos honoured above all. He gave her splendid gifts, to have a share of the earth and the unfruitful sea. She received honour also in starry heaven, and is honoured exceedingly by the deathless gods. [...] For as many as were born of Earth and Ocean amongst all these she has her due portion. The son of Cronos did her no wrong nor took anything away of all that was her portion among the former Titan gods: but she holds, as the division was at the first from the beginning, privilege both in earth, and in heaven, and in sea. [...] Also, because she is an only child, the goddess receives not less honour, but much more still, for Zeus honours her."

Styx
Styx is a river Goddess, one of many. Hers is the river of hatred. Styx was a firm ally of Zeus in the Titan Wars, who brought Her children Nike, Zelos, Bia and Kratos to stand beside the God in battle. Zeus rewarded Her by making Her stream the agent of oaths which bind the Gods. Read that again: if the Gods swear an oath an They break it, They answer to Styx.

Demeter
When Hades kidnapped Demeter's daughter Kore, Demeter marched right up to Zeus and told Him to get her daughter back ASAP. Zeus, in very short, told Her it was not His problem, even though Kore was His daughter. Bereft (and possibly mightily pissed off), Demeter stopped performing her divine duties and humanity nearly starved. Since the Gods need humans if They want to receive sacrifices, Zeus caved and got Hades to release Kore.

Themis
Themis was an early bride of Zeus and His first counsellor. She was often represented seated beside His throne advising Him on the precepts of divine law and the rules of fate. Not odd, considering Themis is the Titan Goddess of divine law and order--the traditional rules of conduct first established by the gods. She is also a prophetic Goddess who presided over the most ancient oracles, including Delphi. In this role, She was the divine voice who first instructed mankind in the primal laws of justice and morality, such as the precepts of piety, the rules of hospitality, good governance, conduct of assembly, and pious offerings to the Gods. In short: Themis is a Goddess who can see the future, advices Zeus on what to do based on Her insights, taught humankind the rules on which the Gods would judge them and, oh yes, she also does the actual judging.

Metis
She is one of the elder Okeanides and the Titan-Goddess of good counsel, planning, cunning and wisdom. If you haven't  heard much about Her it's because Zeus swallowed Her whole when a prophecy was revealed that She was destined to bear a son greater than His father. Metis afterwards bore a daughter, Athena, from Zeus' head and Her wisdom and powers of judgement were entirely absorbed by Zeus, basically making Smarter and a lot more powerful. Without swallowing Metis, things could have turned out very different in the Hellenic pantheon!
Every day, the average human utters about 16.000 words. A good portion of those are figures of speech--the use of a word or words diverging from its usual meaning--or sayings. Today, I wanted to share some of the figures of speech and sayings that can be traced back to ancient Hellas and/or Hellenic myth.



"A Herculean Effort"
Meaning: a great effort.
Source: Hēraklēs, son of Zeus and the mortal Alcmene--who was a bane in Hera's life, simply for being born--was stricken mad by the Queen of the Gods and killed his five sons by his wife Megara, oldest daughter of Kreōn of Thebes. When he was released from his madness by a hellebore potion--provided by Antikyreus--and realized what he had done, he cried out in anguish, and went on a long journey to cleanse himself of the miasma caused by these killings. First, he visited the oracle at Delphi, who, unbeknownst to him, was whispered to by Hera. The Oracle told Hēraklēs to serve the king of Tiryns, Eurystheus, for ten years and do everything Eurystheus told him to do. Eurystheus gladly provided Hēraklēs with these labors--ten of them, one for each year--and eventually ended up adding two more, resulting in the Twelve Labors of Hēraklēs. Hēraklēs was told to: slay the Nemean Lion, slay the nine-headed Lernaean Hydra, capture the Golden Hind of Artemis, capture the Erymanthian Boar, clean the Augean stables in a single day, slay the Stymphalian Birds, capture the Cretan Bull, steal the Mares of Diomedes, obtain the girdle of Hippolyta, Queen of the Amazons, obtain the cattle of the monster Geryon, steal the apples of the Hesperides, and to capture and bring back Kerberos. All of these tasks were incredibly hard, and required every ounce of strength Hēraklēs possessed.

"A Sisyphean task"
Meaning: (performing) an endless or repetitive task.
Source: Sísyphos was a scheming and conniving king, who tried to pull a fast one on the Gods many times over. He betrayed Zeus, tried to trick Thanatos, Persephone and Hades, and killed innocent travelers on his roads--an offense against xenia. For all these offenses, Sísyphos was sentenced to push a boulder uphill for all eternity, as the boulder would roll down the slope again the second he reached the top.

"Achilles' heel"
Meaning: one's weakness or weak spot.
Source: Achilles was a great warrior, destined to live one of two lives: a long and boring one, or a short but heroic one. Knowing her son would choose the latter, his divine mother Themis tried to limit the risk of Achilles dying a premature death by dipping him in the river Styx. As such, Achilles became impenetrable to harm, save for his heel, where his mother had held him as she dipped him in the water. This spot eventually became his downfall, and Achilles died on the battlefield of Troy. The stories of his invulnerability were a later invention, around the first century AD. Before that, the myth simply stated that Achilles was shot in the heel with an arrow, and he eventually died of that wound, because it would not heal.

"Beware of Greeks bearing gifts"
Meaning: be weary of those with something to offer, they may have ulterior motives.
Source: In the war for Troy, the Hellenes needed a way to conquer the walls of the city. They tried to fight for it, but were unable to. In Virgil's Aeneid, it is written that the Hellenes built a wooden horse, and hid away in it. The horse was offered to the Trojans as a gift, and the structure was accepted into the city. At night, the Hellenes snuck out of the horse, attacked the city, and conquered Troy.

"Caught between a rock and a hard place"
Meaning: making a hard choice; choosing between two undesirable options.
Source: During Odysseus' travels to get home, he must run his ship through a narrow passage. One the one side are rocks with a cavern. In this cavern, Skylla, sea monster with six heads, lived, and she would take one of Odysseus' men with each of her heads. On the other side lay Kharybdis, a great whirlpool which would suck in any ship that came too close. It is up to Odysseus to choose one or the other. Eventually, he chooses Skylla, and looses many brave men, his ship, however, is in tact. As such, Odysseus had to choose between a rock and a hard place.

"Dog is man's best friend"
Meaning: the loyalty of dogs is undisputed
Source: In the Odysseia, Odysseus finally returns home after many, many long years of travel, and long years of war. He is in disguise when he reaches his house, which is overrun by suiters of his wife. His fateful hunting dog, Argos, has waited for him all these years, and recognizes his master right away. Finally reunited with his master, the old dog dies, happy, and at peace.

"Food of the Gods"
Meaning: food so delicious, it is almost divine
Source: Nectar--the drink of the Gods--and ambrosia--the food of the Gods--are the dish of choice on Olympos. If a mortal man or woman would eat or drink either of the two, they, too, would become immortal, or at least their aging would stop for a while.

"Gordian knots"
Meaning:an extremely perplexing puzzle or problem.  
Source: It seems that king Gordius of Phrygia laid out a task for whomever wanted to be the ruler of Asia Minor: he tied a know so complex, no one managed to untie is. Eventually, Alexander the Great came to the land, and cut the know with his sword, thus 'passing' the test. 'Cutting the knot' became a saying for taking something by force, or making a decisive action. 

"Having the Midas touch"
Meaning: a fortunate person, someone able to make everything a success.
Source: In Hellenic mythology, Midas was the king of Pessinus. It seems some of the peasants under Midas' commands brought the king the unconscious satyr Seilenos, who had drunk himself into a stupor. Alternatively, Seilenos toppled over in Midas' garden. No matter how he got there, Midas took good care of him, and as a token of appreciation, Dionysos--Seilenos' student--offered Midas a wish. Midas wished that everything he touched, turned to gold. This is where the saying comes from.

"Hounds of Hell"
Meaning: something frightening, or evil.
Source: Guarding the entrance to Underworld is a great dog, either with just one head, or three, or fifty. His name is Kerberos, and you can pass him once, on your way in, but never again, as there is no way out.

"Leave No Stone Unturned"
Meaning: search everywhere.
Source: The catch-phrase was first recorded by Euripides in his tragedy 'Heracleidae'. The play focusses on King Eurystheus, who hunts the children of Hēraklēs after he passes away. The actual quote comes from the line: "Now, after he was taken hence, was I not forced, by reason of these children's hatred, and because I was conscious of an hereditary feud, to leave no stone unturned by slaying, banishing, and plotting against them?"

"Oedipus Complex"
Meaning: a child's unnatural desire of their parent of the opposite sex, and jealousy of the parent of the same sex. Freudian theory.
Source: Oedipus was born to King Laius and Queen Jocasta. King Laius was fortold his son would kill him and marry his mother, and so he left him to die on a mountainside. The child was found, however, and raised by King Polybus and Queen Merope. Oedipus eventually heard of the prophecy about him and fled, not wanting to hurt his adoptive parents, who he believed to be his biological ones. Fate would have him end up on the same road as King Laius, and in an argument over whom would step out of the way, Oedipus killed his father. He then traveled on and eventually met and married his mother. The myth continues on, but this is the part where the figure of speech comes from.

"Pandora's box"
Meaning: to perform an action that may seem small or innocuous, but that turns out to have severe and far-reaching consequences.
Source: I've written quite a bit about Pandôra on this blog. Pandôra was created by the Theoi as punishment on humanity after Prometheus stole fire from the Gods. Pandôra showed up on the doorstep of Prometheus' brother Deukalion, with a pithos she was told never to open. Eventually, curiosity got the better of her,a nd she opened the jar. In some versions of the myth, all evils of the word flew out, but Pandôra managed to trap hope in the jar. There are many, many inconsistencies in the myth, but the figure of speech stuck.

"The face that launched a thousand ships"
Meaning: one person causing a terrible event.
Source: One fateful day, three Goddesses got into an argument about whom was most beautiful. Hera, Aphrodite, and Athena, all laid claim to a golden apple tossed into the crowd at a banquet held on honor of Peleus and Thetis. Eris had thrown the apple, which was labeled 'for the most beautiful'. The Goddesses could not decide who was the fairest, and so They asked Zeus. Zeus appointed Paris, A Trojan mortal, to choose in his stead. All three Goddesses undressed for Paris when asked, and all offered him gifts, if he would choose them. Aphrodite, however, promised him the most beautiful of wives, and PAris chose Her. Aphrodite picked Helen of Sparta as Paris' new wife, but Helen was already married, to Menelaus, who would eventually bring war down upon Troy to reclaim the wife he lost. Helen became the woman whose face 'launched a thousand ships' in war.

"To rise from the ashes"
Meaning: to be reborn
Source: No singular myth about the famous bird survives, but the phoenix was know to the ancient Hellenes. It was a mythical bird that lived its life, immolated, and was reborn from the ashes of its previous incarnation.
The Hellenic pantheon literally has hundreds of Gods, Goddesses, Titans, nature spirits, heroes, kings and queens. Although Hellenismos focusses mostly on the Big Twelve, Hades, Hestia and Hekate, Hellenic mythology is a true treasure trove of immortals. Most of these 'lesser' immortals get very little attention, and I'd like to change this. So, ever now and again, I'm going to introduce one of the lesser known immortals and  try and find a place for them in modern Hellenistic worship, based off of their ancient Hellenic worship. Today, I'm introducing to you Hēlios (Ἥλιος), personification of the sun.


Hēlios is a Titan, born from Hyperion and Theia (Hesiod, Pindar), or Hyperion and Euryphaessa (Homeric Hyms). Hyperion (Ὑπερίων), meaning 'The High-One', was born from Gaea and Ouranos. He is the Lord of Light, and Titan to the east. Due to his (and Helios') epithets, there is often confusion between the two: Helios is refered to as 'Hyperion' by Homeros in the Odysseia, and one of the well known epithets of Hyperion is 'Helios Hyperion', yet the ancient Hellens distinguished between Them quite rigidly. Hyperion is the observer--and father--of many of the Titans connected to the sky. Diodoros Sikeliotes (Διόδωρος Σικελιώτης), Hellenic historian and writer of the Bibliotheca historica, says the following about Hyperion:

"Of Hyperion we are told that he was the first to understand, by diligent attention and observation, the movement of both the sun and the moon and the other stars, and the seasons as well, in that they are caused by these bodies, and to make these facts known to others; and that for this reason he was called the father of these bodies, since he had begotten, so to speak, the speculation about them and their nature."

Theia and Euryphaessa are generally regarded as the same Deathless woman: 'theia' is the Hellenic word for 'Goddess', so it was likely 'Theia Euryphaessa' translated to 'Goddess Euryphaessa'. This means that Hēlios' family tree is as follows:

Chaos --- Gaea
            |         |
  Ouranos --- |
                          Hyperion --- Euryphaessa
                      |
                     Hēlios

As far as confusion goes, Hēlios is also often confused with Apollon, mostly because of their conglomeration as a single Deity in the Roman era. In ancient Hellas, it was Phoibos (or 'Aiglêtos') Apollon who drove the chariot of the sun through the sky each morning, following the lovely Eos out of the heavenly gates. Phoibos Apollon is associated with carrying sunlight, but He is in no way the sun itself. That honor befalls Hēlios.

Hēlios is the sole Theos described as 'all-seeing' (Panoptes, because His rays reach (almost) everywhere on the Earth's surface. Most famously, He sees Aphrodite' affair with Ares, and warns Hēphaistos of it. As such, Hēlios is regarded as the enforcer of justice and vows. From Orphic Hymn seven:

"Dispensing justice, lover of the stream, the world's great despot, and o'er all supreme.
Faithful defender, and the eye of right, of steeds the ruler, and of life the light"

The most famous piece of mythology concerning Hēlios regards His son Phaethon (Φαέθων), by Klymene (Κλυμένη). The story is told to us by Ovid, a roman poet. In it, Klymene boasts to Phaethon that his father is the sun God Himself, and so, Phaethon goes up to Olympus to confirm. To prove His paternity, Hēlios swears of the river Styx to give Phaëthon anything he desires. Phaëthon grabs this opportunity to demand of his father to let him drive his golden chariot the next time the sun rises.

Hēlios tries to talk His son out of it, claiming that not even Zeus would attempt to drive the chariot, as it is hot with fire and the horses wild and fire breathing. Phaëthon will hear none of it, and so Hēlios must let him get on. He rubs his son's body with magical oil that will protect him from the heat and as Eos and Apollon leave the gates, so does Phaëthon.

The four horses of the chariot--Pyrois, Aeos, Aethon, and Phlegon--sensed Phaëthon's weaker hand and became virtually unsteerable. First, Phaëthon drove them too high, and the Earth below cooled and the people suffered. Then, he flew too low and entire cities burned, lakes and rivers dried up, and even the seas were affected. Mighty Poseidon tried to stop Phaëthon, but had to flee from the heat. It was Zeus who threw His lightning bolt and killed Phaëthon.

Hēlios was inconsolable, and refused to man the solar chariot for days on end. He blamed Zeus for His son's death, but Zeus rightly claimed He had no other choice. The Theoi eventually convinced Him to to take up His responsibility again, but His son's death pained Hēlios greatly. On the epitaph on Phaëthon's tomb was written:

"Here Phaëthon lies who in the sun-gods chariot fared. 
And though greatly he failed, more greatly he dared."

Another piece of Hēlios' mythology comes from Hómēros who writes in the Odysseia:

"we came swiftly to Helios Hyperion’s lovely island, where the sun-god grazed his fine broad-browed cattle, and his flocks of sturdy sheep. I could hear the lowing of cattle as they were stalled and the bleating of sheep from my black ship while I was still at sea, and the blind seer Theban Teiresias’ words came to mind, with those of Aeaean Circe, who both warned me to avoid the isle of Helios who gives mortals comfort."

Yet, not only do they not steer clear of the island, they kill and eat (unbeknownst to Odysseus), some of the sheep in Hēlios' herd as they become stranded on this island for days or even months.

"Now Lampetia of the trailing robes sped swiftly to Helios Hyperion with the news we had killed his cattle, and deeply angered he complained to the immortals: “Father Zeus and you other gods, immortally blessed, take vengeance on the followers of Odysseus, Laertes’ son. In their insolence, they have killed my cattle: creatures I loved to see when I climbed the starry sky, and when I turned back towards earth again from heaven. If they do not atone for their killing, I will go down to Hades and shine for the dead instead.""

"The gods at once showed my men dark omens. The ox-hides crawled about, raw meat and roast bellowed on the spit, and all around sounded the noise of lowing cattle. Nevertheless my faithful comrades feasted for six days on the pick of Helios’ cattle they had stolen. And when Zeus, Cronos’ son, brought the seventh day on us, the tempest ceased, and we embarked, and, raising the mast and hoisting the white sail, we put out into open water.

"It was not till the island fell astern, and we were out of sight of all but sky and sea, that Zeus anchored a black cloud above our hollow ship, and the waves beneath were dark. She had not run on for long before there came a howling gale, a tempest out of the west, and the first squall snapped both our forestays, so that the mast toppled backwards and the rigging fell into the hold, while the tip of the mast hitting the stern struck the steersman’s skull and crushed the bones. He plunged like a diver from the deck, and his brave spirit fled the bones.

"At that same instant Zeus thundered and hurled his lightning at the ship. Struck by the bolt she shivered from stem to stern, and filled with sulphurous smoke. Falling from the deck, my men floated like sea-gulls in the breakers round the black ship. The gods had robbed them of their homecoming."

The worship of Hēlios was quite widespread throughout ancient Hellas, but never in a measure beyond a cult. Athenians observed Helios as a Theos, but had no worship for Him. On the island of Rhodes, Hēlios was revered most, although evidence of His worship has been found in Corinth and Hermoine. The Colossus of Rhodes was dedicated to Him and the acropolis of Corinth was part of His worship as well.

For modern practitioners, there is not a lot to go on if you want to honor Hēlios. One can assume that manna is an acceptable offer because of His close identification with Apollon. There is also vague record of a festival on Rhodes, where a chariot with four horses was driven off of a cliff to commemorate the death of Phaëthon, but I would opt against this in modern day society. I would suggest thinking of Hēlios as He rises, and perhaps offering to Him when offering to Apollon in His solar aspects.

Helios is a beautiful, bright and all-encompassing Theos who deserves the worship of modern day practitioners. I, for one, would love to see a new cult rise on His name.

"O powerful Nike, by men desired, with adverse breasts to dreadful fury fired, thee I invoke, whose might alone can quell contending rage and molestation fell. 'Tis thine in battle to confer the crown, the victor's prize, the mark of sweet renown; for thou rulest all things, Nike divine! And glorious strife, and joyful shouts are thine. Come, mighty Goddess, and thy suppliant bless, with sparkling eyes, elated with success; may deeds illustrious thy protection claim, and find, led on by thee, immortal fame."
- Orphic Hymn 33 to Nike 

Although often considered a minor Goddess, Nike (Νίκη, pronounced 'ni-KÉ', unlike the sport's brand 'NÍ-kee'), winged Goddess of victory, had a privileged position in ancient Hellas; the same position She should have for any modern Hellenist who partakes in any type of competition, battle--medical, moral, political, judicial, social--who is looking for love, or is locked in some other type of struggle.

According to Hesiod, Nike was born one of four siblings: her brothers Kratos (Κράτος, 'strength') and Zelus (Ζῆλος, 'zeal'), and her sister Bia (Βία, 'Force'). Their parents are Pallas and Styx. When the Titanomachy broke out, Zeus called out to everyone to take the side of the Theoi in the war. Styx answered the call and reported for duty along with Her children. Nike became Zeus' charioteer and is often depicted by His side for it. Along with her siblings, Nike, was also a sentinel to Him, standing beside his throne. With Victory on his side, Zeus simply could not lose.

Another deity Nike is closely related to, is Athena. In fact, some say Nike is an epithet of Athena, most commonly referred to as 'Nike Athena'. In this regard, Nike Athena is an epithet of Athena that is closely related to 'winged thought'; a great intellect, and victory through tactical planning of the upcoming battle.

It is not odd to find Nike in the presence of Athena and Zeus: both rarely--if ever--lose. Victory is always on their sides. Other Theoi Nike favors are Ares and Hera; Ares as the victor of battle, Hera--presumably--as the victor of just judgement, like Athena. In some versions of the myth, Nike is the daughter of Ares and an unknown female. This is most notably so in Homeric Hymn 8 to Ares:

"[Ares] father of warlike (eupolemos) Nike, ally of Themis."

Nike is most often portrayed as a young woman with a billowy dress and beautiful wings attached to Her back. Both the statue of Zeus at Olympia and the statue of Athena at the Parthenon held a statue of Her in Their right hand. Two world famous statues of Her have survived more or less intact: the Winged Victory of Samothrace, as pictured above, and the statue of Nike by the hand of Paeonius.

There are also references to other statues of her, most notably one on the Acropolis in Athens where She had her own sanctuary. The temple of Apteros Nike ('Wingless Victory') was a small temple with eight Ionic columns. The wooden statue of Nike that was placed in there was wingless on purpose: the Athenians wanted Nike to stay in their city for ever and never fly away. Nike is also portrayed on the Olympic medals.

We all have struggles in our lives that we could use some divine help on. Especially when there can be only one winner, Nike is a wonderful deity to give sacrifice to. In the Orphic tradition, she was appeased with fumigations from Manna--Frankincense crushed to a powder. She will also accept libations of (red) wine. Speak of the speed with which She flies, the justness of Her judgements and the importance of Her duty.

If you wish to simply honor Her, try to think of Her when you see a competition going on which She will eventually settle, be it the presidential campaign, a sports event or a fight. Remember how often Nike passes just judgement upon mortals--and the Theoi--and how severe Her influence is on our lives. Once you realize that, you will never be able to see her as a 'minor' Goddess again.

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"Death came suddenly and it was mercilessly painful. You are aware you have passed: you can hear the keening of the women in your family, taste the metal of the oboloi in your mouth. You are no longer cold, or hot, and there is no pain. Sensation is for the living, and your memories start to fade already. You are no longer part of the living. You are dead, and your guide is waiting for you. 

Hermes Psychopompos, the winged guide of the newly dead, descends and takes your hand. Below you is the ocean: Oceanos' divine body. You used to watch it glisten in Helios' bright rays, but today, everything is dull and lifeless. You are speeding west, guided by the blessed Immortal. Below you, you can see land again and a mighty river. The land draws you down, and you stand on the ground without feeling it. It is here that Hermes Psychopompos leaves you, in the capable hands of Kharon, on the bank of the river Acheron. 

The ferryman looks old and ageless at the same time. He holds out his hand, but you can't understand what he wants from you. Then, his hand closes around a coin, and he steps aside to let you into his boat. Without moving, you are suddenly on the boat, looking to the shore where shadowy figures of the dead gather, longing to make the journey with you. But they have no coin to hand over, and are forced to wander the bank of the Kokytos river year after year, until the ferryman takes pity on them. Today is not their day.

The river fades into the darkness of a cave. The river of woe joins with the river of hate; the river Styx that seems to have no end. Kharon moves the boat forward in a steady rhythm. You reach the dock sooner than you expected to. Kharon waits silently for you to get off of his boat. You dare not move. Beyond is a field of grey, a sunless cavern filled with the shadows of the dead. The fields of Asphodel; the dreary resting place of the common Hellen. Before the fields stand a huge gate, and an equally huge dog, with three growling heads, foaming at each mouth. Kharon waits, and then you are in the field. The gate stands behind you, Kerberos a constant reminder you can never go back.

You wander, still remembering much of your life. The fall you took as a child that gave you a weak knee, the smile of your spouse on your wedding day. You remember your child being born. It makes being here impossible to bear. The memories will not fade, because before your judgement, you are not allowed to forget. You hold on to them as long as you can, but then you walk through the field, to the compound in the distance. Hades' compound, where the Dread Lord and His beautiful wife live. You walk to forget. Thus, you come upon the judges. 

Rhadamanthys, Minos and Aiakos wait for you at the trivium in the courtyard of the compound; the trivium, Hekate's sacred crossroads. If you still had a heart, you would feel it beating in your throat now. But you do not. Any decision the judges make is alright. The memories hurt. You are cut off from your loved ones, from Helios' powerful rays. Tartaros is not your place, you know that much. You have honored the Theoi, you have done right by your family. You do not fear judgement. You wish to go back to the Asphodel meadows and drink from the river Lethe; you wish to forget. More, you wish to reach Elysium, the island of the blessed. In the distance, the Lord of the Dead and his Queen Persephone must be.

Your life is judged, you are judged. You wait, and look to each side. Left for Tartaros, where the river Phlegethon burns, but leaves everything it touches intact. Right for Elysium, where the ghosts of the blessed reside amongst the blameless heroes. Or back the way you came for the meadows where Lethe flows free, where the dead flutter around like bats, and those initiated into the Mysteries drink from Mnemosyne, so they will not forget their previous life when they reincarnate. You wait, and are judged."

For the ancient Hellens, this is what dying would look like. This is how I see my 'life' after death. When I pass, I will walk to my judgement. Sadly, life after death may be the closes I will ever get to the ancient Hellens, and the Theoi, so because of that, I have a great bit of interest in the Hellenic Underworld. So lets look at the short story I wrote--I won't call it a meditation, because traveling to the Underworld is something one should not attempt in any way, shape or form--to learn a bit more about the last resting place of the ancient Hellens and modern Hellenists.

The Underworld is described as lying in the west in the Odysseia, and there is an entrance that can be reached overseas. Yet, the dead enter the Underworld through one of five rivers surrounding the Underworld.

Acheron (Αχέρων) - The river of woe. This is the river that Kharon ferries the dead across, from the land of the living, to the realm of Hades.
Kocytus (Κωκυτός) - The river of lamentation. Those who could not pay Kharon, were destined to walk the banks of this river--a side river to the river Acheron--for one hundred years.
Phlegethon (Φλεγέθων) - The river of fire in the Underworld. It's a side river of the river Styx and is said to be permanently on fire, yet never burn anything it touches. It's located in Tartaros.
Lethe (Λήθη) - The river of forgetfulness. It runs through the Asphodel meadows, and the dead have to drink from it to completely forget about their lives on Earth. Those who were initiated in the Eleusinian Mysteries--linked to Demeter and Persephone--were allowed to drink from Mnemosyne and are allowed to remember.
Styx (Στύξ) - The river of hate. The Acheron joins with the Styx at the moment the land of the living makes way for the Underword, and as such, She is a portal, and the most famous of the five rivers. It is said to wrap around the Underworld nine times. Styx was also the river upon which the Theoi, and mankind, swore oaths which could not be broken, an arrangement agreed upon by Zeus and the Goddes Styx in return for her aid in the Titan Wars. If a Theos or Theia did break an oath made upon the river Styx, they were forced by Zeus to drink from the river, upon which They fell into a deep coma for a year, and were then cut off from Their worshippers for nine more. For mortals, breaking an oath on the river Styx was something you simply did not do, and it's the gravest vow to make, one that is not made lightly.

The Underworld has various areas where the dead are housed, but also where the various Gods and Goddesses of the Underworld--called 'Theoi Khthonioi'--reside. Several of the Gods and Goddesses have already been discussed; all the rivers are Gods or Goddesses who have their home in the Underworld, and there are Kharon, Kerberos, and the judges: Rhadamanthys, Minos and Aiakos. Yet, there are a lot more. The most well known are Hades and His consort, Persephone.

Hades, brother of Zeus, son of Kronos, is the Lord of the Dead. The Underworld is His domain. He rules it with his beautiful wife--and niece--Persephone, whom He stole away. She resides with Him in their home, a large mansion at the crossroads between the Asphodel meadows, Tartaros and Elysium. This crossroads is sacred to Hekate, and located in the courtyard of the mansion. The maiden Goddess Hekate is a companion of Persephone, whom she led out of the Underworld after Zeus decreed it to be so. She vowed to Demeter to stay with Persephone in the months She spent under the earth, and takes this vow very seriously.

Kronos is an Underworld deity as well: Zeus eventually released His father and made Him king of the Elysian Islands. Other Gods, like HypnosErebos, Nyx, Makaria (daughter of Hades and Persephone, who watched over the blessed dead, who had been initiated into the Mysteries), and the Erinyes (three Goddesses of vengeance and retribution) also make their home in (a part of) the Underworld. The Moirai, the three Goddesses of fate, have their own space in the Underworld as well. Other Immortals who share the Underworld are deamons and nymphs.

In the daímōn-section, we have the the Arai (daímōnes of curses), Askalaphos (who tended to the orchards of Hades and was transformed into a screech owl by Demeter for bringing Her bad news about Her daughter), Kakodaimones (Deamones which cause all kinds of harm), Empousa (a daímōn with flaming hair, the leg of a goat and a leg of bronze, who parents vowed would come after their children if they didn't behave), the Oneiri (dream spirits) and Epiales (the daímōn of nightmares). Other daímōnes include: Eurynomos (who stripped the flesh off of the corpses of the dead), the Lamiai and Mormolykeia (vampiric, succubus-like, daímōnes in the following of Hekate), Melinoe (who led the souls of the dead back to earth to haunt the living). Menoites, furthermore, herds the black-skinned cattle of Hades, and Thanatos, the winged daímōn of death, is Hades' minister.

There are also a few Underworld nymphs: Daeira (a companion of Persephone), the Lampades (torch bearing nymphs in Hekate's following who may have looked over the blessed dead on their way to Elysium), Leuke (a nymph abducted by Hades and transformed into a white poplar which stands in the Elysian fields), Mynthe (a beowed nymph of Hades, who Persephone turned to dust and Hades turned into the mint plant), and Orphne (wife of Acheron).

As for the dead, they had three places to go in the Underworld: Tartaros, where those who were punished for all eternity remained, the Asphodel meadows, where everyone who had lived a good life wandered about endlessly, and the Elysian fields, where the children of Gods, the blessed dead and those who had lead extraordinarily honorable, brave or otherwise well-respected lives resided.

The ancient Hellens believed the Underworld was a neutral place. One did not desire to go there in the least, but it was part of life, and as far as the afterlife went, it was dull and sunless but nothing like the hell of Christianity. The worst part about it is being without the touch of loved ones, and forgetting who you were. In the Odysseia, Odysseus meets his mother's spirit at one of the entrance points to the Underworld. She tells him:

"Oh, my child, most unfortunate of men, Persephone, Zeus’ daughter, does not deceive you: this is the way it is with mortals after death. The sinews no longer bind flesh and bone, the fierce heat of the blazing pyre consumes them, and the spirit flees from our white bones, a ghost that flutters and goes like a dream."

Nobody wants to think about dying and the dead for too long, so I will end this post here. May it have given you some insight into the workings of the Underworld.