Question Collections post 43

I get a lot of questions from readers, and most of the time, the answers are fairly short. When I feel the question or the reply would be valuable to others as well, I make a post with a collection of them and post them in one go. Today is one of those posts.

"Another Hades/Plouton ask: why is it kind of taboo to actively worship/invoke Hades? I understand His association with death, but He is not the god of death in the way Thanatos is, nor did he choose to be lord of the dear. I've always been very interested in Him both as Hades and as Plouton. I suppose my question is, why is this not really encouraged? Have I interpreted Him all long? Does He prefer not to be invoked by us?"

As king of the Underworld, the ancient texts tell us Hades became quite cut off from the world above. It were only the oaths and curses of men that reached His ears, as they reached those of the Erinyes. This is why when people invoked Him, they dug a pit to sacrifice in and struck the earth with their hands to get His attention. Black male sheep were offered to Him and the person who offered the sacrifice had to turn away his face.

Pausanias wrote in his 'Description of Greece' about the one temple (at Elis) where Hades was worshipped as Lord of the Dead:

"The sacred enclosure of Hades and its temple (for the Eleans have these among their possessions) are opened once every year, but not even on this occasion is anybody permitted to enter except the priest. The following is the reason why the Eleans worship Hades; they are the only men we know of so to do. It is said that, when Heracles was leading an expedition against Pylus in Elis, Athena was one of his allies. Now among those who came to fight on the side of the Pylians was Hades, who was the foe of Heracles but was worshipped at Pylus.

 

Homer is quoted in support of the story, who says in the Iliad:–
And among them huge Hades suffered a wound from a swift arrow,
When the same man, the son of aegis-bearing Zeus,
Hit him in Pylus among the dead, and gave him over to pains. Hom. Il. 5.395-397

 

If in the expedition of Agamemnon and Menelaus against Troy Poseidon was according to Homer an ally of the Greeks, it cannot be unnatural for the same poet to hold that Hades helped the Pylians. At any rate it was in the belief that the god was their friend but the enemy of Heracles that the Eleans made the sanctuary for him. The reason why they are wont to open it only once each year is, I suppose, because men too go down only once to Hades. " [6.25.2]

The only other time Hades as Lord of the Underworld was part of religious services seems to have been at funerals.

Hades was worshipped throughout ancient Hellas, but mostly in His epithet of Plouton; 'Wealth-giver', who was mostly connected to the fruitful earth, not the dead. He had a temple in Elis, near Mount Menthe, at Olympia, and was worshipped at Athens in the grove of the Erinnyes. In ancient Hellenic religion and myth, Ploutōn represents a more positive concept of the God who presides over the afterlife. The name Ploutōn came into widespread usage with the Eleusinian Mysteries, in which Ploutōn was venerated as a stern ruler but the loving husband of Persephone.

Ploutōn and Hades came to differ in character, but they are not distinct figures and share their  mythology. Ploutōn as the name of the ruler of the underworld first appears in Hellenic literature of the Classical period, in the works of the Athenian playwrights and of the philosopher Plato, who is the major Hellenic source on its significance. Under the name Ploutōn, the God appears in other myths in a secondary role, mostly as the possessor of a quest-object, and especially in the descent of Orpheus or other heroes to the underworld.

In general, Khthonic--Underworld--deities have Ouranic epithets that make them less scary and more helpful to humanity. It were these epithets that received worship, not the Kthonic ones. Worhipping Hades in His role as Lord of the Dead is a modern concept. Not wrong, per se, but modern.

~~~

"My husband and I are started looking into Hellenismos recently and we had a question pertaining to the Percy Jackson books. Percy uses a hand gesture described as a claw over the heart being pushed out to ward off evil. We were wondering if this is a real hand gesture and if so what are its origins? And are there any gestures in the Hellenistic religion that we should know about?"

This hand gesture is unknown to me, based on ancient sources. There are a few others I know of:

- During Ouranic sacrifice, the palms of both hands are turned upwards and the arms raised. During Khthonic sacrifices, this is reversed (palms down, arms down).
- Libations for Ouranic deities are poured out from a bowl in the right hand, libations to Khthonic deities are poured out from a bowl in the left hand.
- The 'fig sign', a gesture made with the hand and fingers curled and the thumb thrust between the middle and index fingers was a fertility and good luck charm designed to ward off evil in ancient Hellas, but is often seen as obscene now.
- The 'Mountza sign' was and is a traditional Greek insilt. It's made by extending and spreading all five fingers and presenting the palm or palms toward the person being insulted.
- When you swear an oath to the Theoi, hold up your right hand, bend your pinkie and ringfinger down to your palm and extend all other fingers up.

~~~

"Do you believe that you can consider yourself a practitioner of Traditional Hellenismos if you practice mindfulness, which has its origins in Buddhism? I have issues with anxiety and depression, and I find the techniques of mindfulness immensely helpful."

Yes, I do. The ancient Hellenes were big on meditation and practiced many other self-awareness and tempering techniques as they believed (rightfully so) that it sharpened their minds. Go for it, especially if it helps you! I truly believe that nothing should ever come between you and your mental health, even if it was frowned upon in ancient Hellas.

~~~

"What do you think will happen with your soul when you die? In a Hellenic Polytheistic way."

The ancient Hellenes believed that the moment a person died, their psyche--spirit--left the body in a puff or like a breath of wind. Proper burial was incredibly important to the ancient Hellenes, and to not give a loved one a fully ritualized funeral was unthinkable. It was, however, used as punishment of dead enemies, but only rarely. Funerary rites were performed solely to get the deceased into the afterlife, and everyone who passed away was prepared for burial according to time-honored rituals.

Orphic ideas of the soul and afterlife are most often defined by explicit contrast with the Homeric view of the afterlife, which is taken as the standard view for ancient Hellenic culture. The Homeric afterlife is that of a grim, joyless and tedious existence in the Underworld. The Underworld of Homeros exists solely--at least for the now departed mortal--of the Asphodel meadows. The dead drink from the river Lethe and forget who they were. Sacrifical (animal) blood returns a sense of life to the shades and they recover their memories for a short time. In this tradition, life is lived while you are alive. One you die, you are dead. You might cling to life, but you will never truly be part of it again.

The Orphics were an ancient mystical cult with affinities to Indian religious systems. They believed in reincarnation and the possibility of liberation. Orpheus, the movement's legendary founder, is said to have taught that soul and body are locked together during life; the soul is divine, immortal and aspires to freedom, and during life, the body acts as a prison to the soul. Death releases the soul for a short while, but is then captured by another body until that, too, dies, and so the soul moves from body to body--both human and animal--until it can attain the highest good: liberation. In order to reach liberation, the Orphic way teaches to turn to God by ascetic piety of life and self-purification: the purer the life lived, the higher will be the next reincarnation, until the soul has completed the spiral ascent of destiny to live for ever as God from whom it comes.

The ancient Hellenes called this process 'Metempsychosis' (μετεμψύχωσις). It is a philosophical term which refers to the transmigration of the soul, especially its reincarnation after death. The notion that the human soul enters another body upon death, though unfamiliar in Hellenic religion, was widespread in Hellenic philosophy. The doctrine of transmigration is first associated with the Pythagoreans and Orphics and was later taught by Plato and Pindar. For the former groups, the soul retained its identity throughout its reincarnations; Plato indicated that souls do not remember their previous experiences. Although Herodotus claims that the Hellenes learned this idea from Egypt, most scholars do not believe it came either from Egypt or from India, but developed independently.
 
My personal believes of life after death have shifted over the years. I transitioned into Hellenismos from Eclectic Religious Witchcraft and in my former Tradition, reincarnation was the primary belief. Since the ancient Hellenes had a version of it in metepsychosis, I simply went with that. Now, the older I get and the better my understanding becomes of the ancient Hellenic culture and religion, the more I pull to a more Homeric version of the afterlife. A bit later, perhaps, where Elysium is an option for those who live the highest, purest, of lives. I long for the meadows now. I don't strive for Elysium; I don't think it's for the common folk like me. Give me the meadows and the water of the river Lethe. Let me live life to the fullest. Let me live its up and downs. Give me the completion of my goals and my challenges, and then let me forget and wander in contentment, remembered sometimes--hopefully fondly--by those I leave behind.

• Thursday, November 11, 2021
  death Hades Khthonic Ouranic Pausanias personal Plato Question Collections Post requested post

Arête and the tenets of Solon

Ethics are at the very core of Hellenismos, and they support the heart of human life: arête, the act of living up to one's full potential. When one lives the way of arête, they live their life ethically, consciously, and in happiness. That is the true potential of arête: a life of happiness.

Living up to arête is not easy: it challenges up to be our best mentally, physically, and spiritually. It means taking control of our life, to become an active participant in it. To place blame only on yourself when things go wrong, and to keep trying to reach your goals, no matter what setbacks you suffer. Arête should become a way of life, and in that way of life, an ethical framework is essential. Ethics give you the tools to create internal order and consistent action. Both are necessary for happiness. Ethics will remove doubt, fears and regrets from your life, as you know exactly what you should and should not do to become the best you can be. 

The ancient Hellenes had many guidelines for this ethical framework. As such, Hellenismos is known for its highly developed ethical system, derived from ancient scripture like the Delphic Maxims I keep going on about as well as scholarly works like the Homeric Hymns, the Tenets of Solon, the Ethics of Aristotle (1,2), the Golden Verses of Pythagoras, the Philosophy of Epicurus, the Stoics, Works and Days by Hesiod and many, many others.

Today, I want to look into Solon and his tenets. Solon (Σόλων) was an Athenian statesman, lawmaker, and poet, who lived from 638 BC to 558 BC. He spend most of his adult life trying to legislate against political, economic, and moral decline in archaic Athens. His ideologies are often credited with having laid the foundations for Athenian democracy.

As a statesman, Solon put principles before expediency. In a time when Athens was struggling under the burden of civil war, his reforms strove to bridge the gap between the rich an the poor. He cancelled all debts, and purchased the freedom of all slaves, allowing everyone to start with a clean slate. This caused a massive financial crisis, for which new reforms were necessary, including new trade ties, and an halt in the export of all foodstuffs but olive oil, of which there was plenty. Solon did not stop there, however. Once he was given full legislative powers, he abolished political distinctions of birth in politics. Instead, he created four new groups:

• Thetes, the lowest group, who paid no taxes, provided no equipment city state or its army, and who were not eligible to hold an office of any kind.
• Zeugitae, the second lowest group, who paid tax at the lowest rate, provided body armor to the Athenian army, and who were eligible to hold office.
• Hippeus, the second highest group, who paid higher taxes at the middle rate, provided their own war horse when they served in the army, and they were eligible for higher offices.
• Pentacosiomedimni, the top class of citizens, who paid the highest amount of taxes, and were eligible for all top positions of government in Athens. Archons were chosen from this class.

Further political reforms brought stability to the political landscape, and eventually to the economic climate as well. From Diogénes Laértios (Διογένης Λαέρτιος), a Hellenic biographer, in his 'Lives of Eminent Philosophers':

"He was the first person also who assembled the nine archons together to deliver their opinions, as Apollodorus tells us in the second book of his Treatise on Lawgivers. And once, when there was a sedition in the city, he took part neither with the citizens, nor with the inhabitants of the plain, nor with the men of the sea-coast."

He gave the following advice, as is recorded by Apollodorus in his Treatise on the Sects of Philosophers (as written down by Laértios):

(1) Consider your honour, as a gentleman, of more weight than an oath.

(2) Never speak falsely.

(3) Pay attention to matters of importance.

(4) Be not hasty in making friends; and do not cast off those whom you have made.

(5) Rule, after you have first learnt to submit to rule.

(6) Advise not what is most agreeable, but what is best.

(7) Make reason your guide.

(8) Do not associate with the wicked.

(9) Honour the gods;

(10) respect your parents. 

Pausanias, in his 'Description of Greece', lists Solon as one of the seven sages whose aphorisms adorned Apollo's temple in Delphi (XXIV), and so it is not odd that many of Solon's tenets have a Delphinian counterpart in the maxims. These are common themes, reflected in most of the ethical teachings listed above. Common themes are honor, honesty, intelligent decision making, and family. Coincidentally--or perhaps not so much--these are also at the base of arête. 

• Monday, October 18, 2021
  ancient Hellenic culture Appollodorus arete Delphic Maxims Diogénes Laértios ethics Ethike Arete Hellenismos 101 Pausanias politics slavery slaves Solon

The mythological origins of the Olympic Games

According to Hellenic mythology, the Olympic Games were founded by Herakles. It happened after he captured the Cretan Bull, the very same bull that got Pasiphaê, wife of Minos, pregnant with the Minotaur. There is an extended break between the completion of this labour and the start of the next, during which the Olympics came to be.

After capturing the bull, Herakles took some time to unwind, feast, and thank the Gods for all he had achieved so far. Chief amongst his accomplishments in his time off time period is the founding of the Olympic Games, which even Pausanias attributed to Herakles in the mythological retelling of the practice. He writes in his 'Description of Greece':

"Heracles of Ida, therefore, has the reputation of being the first to have held, on the occasion I mentioned, the games, and to have called them Olympic. So he established the custom of holding them every fifth year, because he and his brothers were five in number." [5.7.9]

Corroborating accounts come from, for example, Diodorus Siculus who writes:

"After the performance of this Labour Heracles established the Olympic Games, having selected for so great a festival the most beautiful of places, which was the plain lying along the banks of the Alpheius river, where he dedicated these Games to Zeus the Father. And he stipulated that he prize in them should be only a crown, since he himself had conferred benefits upon the race of men without receiving any monetary reward.

All the contests were won by himself without opposition by anyone else, since no one was bold enough to contend with him because of his exceeding prowess. And yet the contests are very different one from another, since it is hard for a boxer or one who enters for the “Pankration” to defeat a man who runs the “stadion,” and equally difficult for the man who wins first place in the light contests to wear down those who excel in the heavy. Consequently it was fitting that of all Games the Olympic should be the one most honoured, since they were instituted by a noble man." [4.14.1 - 4.14.2]

That said, of course there are a great many non-mythological accounts of how the Olympics came to be. My favorite, perhaps, is from Diodorus Siculus again, who writes a beautiful line between myth and his reality, speaking of the five Daktyloi, daimones who were appointed by Rhea to guard the infant God Zeus in a cave on Mount Ida in Krete and eventually established the Olympic Games in the age of Kronos. One of them was called Hēraklēs as well:

"Also the greater number of the gods who, because of their benefactions to all men alike, have been accorded immortal honours, had their origin, so their myths relate, in their land; and of the tradition regarding these gods we shall now give a summary account, following the most reputable writers who have recorded the affairs of Crete.

The first of these gods of whom tradition has left a record made their home in Crete about Mt. Idê and were called Idaean Dactyli. These, according to one tradition, were one hundred in number, but others say that there were only ten to receive this name, corresponding in number to the fingers (dactyli) of the hands.

But some historians, and Ephorus is one of them, record that the Idaean Dactyli were in fact born on the Mt. Idê which is in Phrygia and passed over to Europe together with Mygdon; and since they were wizards, they practised charms and initiatory rites and mysteries, and in the course of a sojourn in Samothrace they amazed the natives of that island not a little by their skill in such matters. And it was at this time, we are further told, that Orpheus, who was endowed with an exceptional gift of poesy and song, also became a pupil of theirs, and he was subsequently the first to introduce initiatory rites and mysteries to the Greeks.

However this may be, the Idaean Dactyli of Crete, so tradition tells us, discovered both the use of fire and what the metals copper and iron are, as well as the means of working them, this being done in the territory of the city of Aptera at Berecynthus, as it is called; and since they were looked upon as the originators of great blessings for the race of men, they were accorded immortal honours. And writers tell us that one of them was named Heracles, and excelling as he did in fame, he established the Olympic Games, and that the men of a later period thought, because the name was the same, that it was the son of Alcmenê who had founded the institution of the Olympic Games." [5.64.2 - 5.64.6]

No one knows who actually founded the first Olympics, so I'll take the mythical explanation of a hero named Herakles, who founded the Games to honor the Gods and receive blessings upon himself so he would be able to complete the coming labors.

• Wednesday, July 28, 2021
  ancient Hellenic culture Daktyloi Diodorus Siculus Hēraklēs Mythology 101 Olympic Games Pausanias

Constellation Hydra: the sea-serpent

It's time for part three of the series-within-a-series featuring the myth of Apollon and the raven. The previous parts were the constellation Corvus: the Raven, and the Constellation Crater: the Cup. This third installment is about the longest constellation we still recognize as a constellation today: Hydra, or the sea-serpent.

To recap the story of Apollon and the raven: the raven (or crow) was in service to Apollon, and was sent out on an errant for the Theos. He was asked to bring water to Him, but instead, he paused in his quest. Most commonly it is assumed is that he stopped for a meal of figs. When the raven returned without water, Apollon questioned him. Instead of giving a straight answer, the raven lied, and said he had been kept from the water by a snake. In some accounts, he actually had a snake in his talons as he said this. Apollon, however, saw that the raven was lying, and flung the raven, the krater with which the raven was supposed to collect water, as well as the snake into the sky, where they remain to this day.

Roman author Gaius Julius Hyginus (64 BC - 17 AD) talks about the serpent's continued function in his Astronomica:

"This is the sign on which the Crow sits and over which the Bowl is placed. [...] As long as the figs are ripening, the crow cannot drink, because on those days he has a sore throat. So when the god wished to illustrate the thirst of the crow, he put the bowl among the constellations, and placed the water-snake underneath to delay the thirsty crow. For the crow seems to peck at the end of its tail to be allowed to go over to the bowl." [2.40]

Another hydra the constellation is associated with is the Hydra vanquished by Hēraklēs as his second labour. After his victory over the Nemean lion, Hēraklēs is send off to handle another sticky problem: the Lernaean Hydra, who was raised from the earth by Hera just to end the life of Hēraklēs. The Lernaean Hydra (Λερναία Ὕδρα) was the offspring of Typhon, and layered in the swampy lake of Lerna. He realized he would need help for this labour, and asked it of his nephew Iolaus (Ἰόλαος). Together they devised a plan: Hēraklēs would cut off the heads, and Iolaus would sear the stumps shut, in this way, the heads could not regenerate. When Hēraklēs returns to Eurystheus after completing the labour, the king decrees that, because Hēraklēs could not have completed the labour without the help of Iolaus, the labour will not count against his total, and he will have to do an extra one to fulfill his debt.

On the hydra, Pausanias writes in his 'History of Greece'. He speaks of the birth place of the hydra, and of his alleged number of heads:

"At the source of the Amymone grows a plane tree, beneath which, they say, the hydra (water-snake) grew. I am ready to believe that this beast was superior in size to other water-snakes, and that its poison had something in it so deadly that Heracles treated the points of his arrows with its gall. It had, however, in my opinion, one head, and not several. It was Peisander76 of Camirus who, in order that the beast might appear more frightful and his poetry might be more remarkable, represented the hydra with its many heads." [2.37.4]

Constellations are often associated with the constellations they are surrounded with, and with no constellation this is clearer than with Hydra. Aratos, a Hellenic poet who flourished in Macedonia in the early third century BC, speaks best of Hydra in regards to his surrounding constellations in his 'Phaenomena':

"Another constellation trails beyond, which men call the Hydra. Like a living creature it winds afar its coiling form. Its head comes beneath the middle of the Crab, its coil beneath the body of the Lion, and its tail hangs above the Centaur himself. Midway on its coiling form is set the Crater, and at the tip the figure of a Raven that seems to peck at the coil." [443]

The constellation Hydra is visible at latitudes between +54° and −83°, and best visible at 21:00 (9 p.m.) during the month of April.

• Monday, June 14, 2021
  Apollon Aratos astronomy Constellation series Hēraklēs Hyginus Mythology 101 Pausanias Ptolemy

Question Collections post 20

 I get a lot of questions from readers, and most of the time, the answers are fairly short. When I feel the question or the reply would be valuable to others as well, I make a post with a collection of them and post them in one go. Today is one of those posts.

"Do you know anyone with UPG into the personality of the river god Achelous or even who works with Greek river gods in general? Also, a popular source on Achelous says his worship was once widespread. I can't anymore detail on this though. I also can't find the source which speaks of the numerous wives and descents of this god. "

I don't think I do, but here is a shout-out to anyone reading this who does! Please get in contact with me so I can link you two...? Thanks! As for His children, Apollonius Rhodius, in the 'Argonautica', ascribes the sirens to Him as offspring:

"And soon they saw a fair island, Anthemoessa, where the clear- voiced Sirens, daughters of Achelous, used to beguile with their sweet songs whoever cast anchor there, and then destroy him. Them lovely Terpsichore, one of the Muses, bare, united with Achelous; and once they tended Demeter's noble daughter [Persephone]still unwed, and sang to her in chorus; and at that time they were fashioned in part like birds and in part like maidens to behold. And ever on the watch from their place of prospect with its fair haven, often from many had they taken away their sweet return, consuming them with wasting desire; and suddenly to the heroes, too, they sent forth from their lips a lily-like voice." [4.885]

Naiad nymphs of springs along the Gulf coast, such as Kastalia at Delphoi, and Peirene in Korinthos, were described as his daughters, as described by Pausanias in his 'Description of Greece':

"You reach, on the right of the way [to the sanctuary of Delphoi, Phokis] the water of Kastalia, which is sweet to drink and pleasant to bathe in . . . Panyassis [epic poet C5th B.C.] who composed an epic poem on Herakles, says that Kastalia was a daughter of Akheloios. For about Herakles he says:--`Crossing with swift feet snowy Parnassos he reached the immortal water of Kastalia, daughter of Akheloios.'" [10.8.9.]

As the largest of the rivers of southern Hellas Achelous was worshipped in many of the countries bordering the Gulf as the God of fresh-water springs. His largest cults were in Athens, Oropos, and Thespia:

Plato, in 'Phaedrus':
"Here, a fair resting-place, full of summer sounds and scents. Here is this lofty and spreading plane-tree [on the banks of the Ilissos river in Attica], and the agnus cast us high and clustering, in the fullest blossom and the greatest fragrance; and the stream which flows beneath the plane-tree is deliciously cold to the feet. Judging from the ornaments and images, this must be a spot sacred to Akheloios and the Nymphai. How delightful is the breeze:--so very sweet; and there is a sound in the air shrill and summerlike which makes answer to the chorus of the cicadae. But the greatest charm of all is the grass, like a pillow gently sloping to the head."

Pausanias, in his 'Description of Greece':
"[In the sanctuary of Amphiaraus in Oropos, Attika :] The altar shows parts . . . the third is to Hestia and Hermes and [the hero] Amphiaraus and the children of Amphilokhos . . . The fifth is dedicated to the Nymphai and Pan, and to the rivers Akheloos and Kephisos." [1.34.3.]

Philostratus the Elder, in 'Imagines':
"A youth [Narkissos] just returned from the hunt stands over a pool . . . The cave is sacred to Akheloos and the Nymphai, and the scene is painted realistically. For the statues are of a crude art and made from a local stone; some of them are worn away by time, others have been mutilated by children of cowherds or shepherds while still young and unaware of the presence of the god [i.e. Dionysos]." [1.23]

I would also like to point you to this page on Theoi.com about the cult of the Potamoi, the river Gods.

"I read your blog and found a blog post containing a video and information about ancient hellenic clothing. I would like to make a new himation as I am unhappy with my short one I made. I would like to wrap it around my body and, if I like to, even be able to cover my head with a piece of it, so I want to ask how large and how broad the piece of cloth should be to do this."

Let me give you the base measurements of all clothing items: the cloth for the chiton has to be your own height. For a peplos, the cloth has to be your height plus at least 18" (this will be the part you fold over). Both clothing items need to be twice your 'wingspan' in width. The himation was a rectangle of various sizes--in essence, if it's long or short enough for you to do with what you want, it is correct. For me, I try to choose a piece of cloth that reaches below my ass once I have pulled it up over my head. Again, this depends on your height.

"Have you heard about the great Hellenic mystic, Neopythagorean and possibly the prototype of Jesus Christ, Apollonius of Tyana?"

As far as I am aware, Neo-Pythagoreanism was a school of Hellenistic philosophy which revived Pythagorean doctrines. Ancient Hellenic philosophy is not my strongest knowledge base, but if I remember well, it focussed on spiritual purity and 'mind over matter'-type of behaviour in order to reach it. Religiously, I think its biggest influence/difference with mainstream thought was that prayer was more important than outward actions like sacrifice in worshipping the Theoi.

 

Apollonius of Tyana was a Roman philosopher and a Neo-Pythagorean. As he lived at the time of Christ and his teachings were partly similar, the two were compared by (Christian) writers from about the 4th century AD on. Both figures fit the mythic hero archetype, after all, and that archetype, specifically, is found in much of (Hellenic) mythology. Other examples include Theseus, Perseus, and Zeus himself. Outside of Hellenic mythology, Robin Hood comes to mind.

 

So yet, I have heard of both, but both are just a little outside of my usual time period of interest :)

 

 

"Could people like Hypatia (a wondorous Alexandrian female philosopher, mathematician and astronomer) or emperor Julian be considered the defenders of our faith or even martyrs, as some, like Hypatia, died in the name of ancient wisdom, culture and the gods from the hands of the Christians?"

 

I have trouble answering this question, and I will tell you why. Hypatia was definitely murdered by Christians, but she was murdered for her social associations, not for trying to re-institute Hellenic worship or life. In a feud between Orestes, the prefect of Alexandria and Cyril, the Bishop of Alexandria over the regulation of Jewish dancing exhibitions in Alexandria, she was blamed for influencing Orestes not to reconcile with Cyril after one of 500 monks who resided in the mountains of Nitria, and who sided with Cyril,  struck Orestes in the head with a rock. Whether she had was besides the point. The backlash was on the Christians, as the actions by the Christian mob that killed her was widely criticized.

 

Emperor Julian did try to reconcile Christianity and Paganism. It's important to realize though that in the Roman empire during his two years of ruling (361-363 AD), there was no consensus about a state religion. Followers of many religious traditions lived together, creating a religious melting pot. Julian was a follower of the ancient ways and he tried to push for a broader adoption of those. During his lifetime, neither pagan nor Christian ideology won out, and the merits of all were greatly debated. What Julian did accomplish--and that was a major shift--was that he made Paganism a religion, where previously it had been a collection of traditions. As such, it could be 'pitted' against Christianity. Emperor Julian was committed to fostering religions other than Christianity, and that included Judaism. Because of this, the Jews came to call him 'Julian the Hellene', as in that time the term 'Hellene' was given the meaning of 'pagan' by the early Christian church. Julian died during the war with the Persians in an effort to further the rule of the Roman empire.

 

Yes, these people were heavily influenced by either Hellenic thought or Hellenic tradition (logical for the time they lived in). They were also some of the later people we know of who did so. That said there are probably many people we haven't heard of who believed the same. These people were not people who spent 24 hours a day, seven days a week promoting Hellenic thought. They promoted Hellenic thought, but it was just the way they lived their lives. I think anyone can be a personal hero, or even one of a tradition, if their actions are inspiring to people who hear their story or live it up close. As such, yes, I think Hypatia and Julian can be heroes. Are they martyrs...? Per definition, a martyr is somebody who suffers persecution and/or death for advocating, renouncing, refusing to renounce, and/or refusing to advocate a belief or cause of either a religious or secular nature. Neither qualifies per definition, but if you want to view them as symbols of exceptional leadership and heroism, then you are free to do so. They did live with the principle teachings of ancient Hellenic thought and religion, so in that way, they can definitely be seen as inspirational. All I would ask is to not forget about all the regular people no one wrote about but who lived their life in the same way.

• Tuesday, May 25, 2021
  Achelois ancient Hellenic culture Apollodorius Emperor Julian Hypatia Pausanias personal Philostratus Plato Question Collections Post requested post Roman

Pausanias, cultural geographer of ancient Hellas

Untold stories recounting the glories of ancient Hellas contain the name Pausanias, who lived in the second century AD. But few people appreciate the man behind these ancient chronicles, focusing instead on the subjects he portrayed in his works.

The historian was born approximately 110 AD into a Hellenic family who most likely lived in Lydia; he was certainly familiar with the western coast of Asia Minor, but his travels extended far beyond the limits of Ionia. Before visiting Hellas itself, he had been to Antioch, Joppa, and Jerusalem — even to the banks of the River Jordan.

In Egypt, he had seen the pyramids. While at the temple of Ammon at Siwah, he had been shown the hymn once sent to that shrine by Pindar. In Macedonia, he appears to have seen the tomb said to be that of Orpheus in Libethra (modern Leivithra). Crossing over to Italy, he visited some of the cities of Campania, as well as Rome. He is one of the first known to write of seeing the ruins of Troy, Alexandria Troas, and Mycenae.

Pausanias’ Description of Greece, or Periegesis, is in the form of ten books, each dedicated to some portion of Hellas, with a heavy emphasis on the glories of ancient Hellas — although he lived at a time of Roman domination of the area. 

His many works are geared toward a Roman audience, since Romans wanted to know everything about the glories of ancient Hellas — and many times adopt Hellenic ways for themselves. The project is more than topographical; it is a cultural geography of ancient Hellas — in a way, a snapshot taken in time to capture what was left of the height of Classical Greece.

Pausanias often digresses from his description of architectural and artistic objects to review the mythological and historical underpinnings of the society that produced them, giving us today a much clearer picture of how mythology and culture are interwoven into the Hellenic landscape. He begins his tour in Attica, where the city of Athens and its demes dominate the discussion.

He describes what he saw at Athens’ Temple of Olympian Zeus, which is of course still extant in the city, although of course greatly changed over the millennia.

“Before the entrance to the sanctuary of Olympian Zeus – Hadrian the Roman emperor dedicated the temple and the statue, one worth seeing, which in size exceeds all other statues save the colossi at Rhodes and Rome, and is made of ivory and gold… before the entrance, I say, stand statues of Hadrian, two of Thasian stone, two of Egyptian. Before the pillars stand bronze statues … The whole circumference of the precincts is about four stades, and they are full of statues; for every city has dedicated a likeness of the emperor Hadrian, and the Athenians have surpassed them in dedicating, behind the temple, the remarkable colossus. Within the precincts are antiquities: a bronze Zeus, a temple of Cronus and Rhea and an enclosure of Earth surnamed ‘Olympian.’ Here the floor opens to the width of a cubit, and they say that along this bed flowed off the water after the deluge that occurred in the time of Deucalion, and into it they cast every year wheat meal mixed with honey.”

Pausanias’ subsequent books describe Corinthia, Laconia, Messenia, Elis, Achaea, Arcadia, Boetia, Phocis and Ozolian Locris (Λοκρῶν Ὀζόλων).

As a Hellenic man writing at the zenith of the Roman empire, he was in an awkward cultural space, between the glories of the Hellenic past he was so keen to describe and the realities of a Hellas that was now beholden to Rome as a dominant imperial force.

He was not technically a naturalist, although he commented on the physical aspects of the Hellenic landscape. He notices the pine trees on the sandy coast of Elis, the deer and the wild boars in the oak woods of Phelloe, and the crows amid the giant oak trees of Alalcomenae.

He says “Among the sights of Thesprotia are a sanctuary of Zeus at Dodona and an oak sacred to the god. Near Cichyrus is a lake called Acherusia, and a river called Acheron.” However, he tells things as he sees them with a bit of an insult here and there, saying “There is also Cocytus, a most unlovely stream. I believe it was because Homer had seen these places that he made bold to describe in his poems the regions of Hades, and gave to the rivers there the names of those in Thesprotia.”

Pausanias even touches on the natural bounty of Hellas, including the wild strawberries of Helicon, the date palms of Aulis, and the olive oil of Tithorea, and remarking on its animals, such as the tortoises of Arcadia and the “white blackbirds” of Cyllene.

The chronicler makes history come alive when he says that the Phocian War was concurrent with a man who won a race in the Olympics, saying “In the tenth year after the seizure of the sanctuary, Philip put an end to the war, which was called both the Phocian War and the Sacred War, in the year when Theophilus was archon at Athens, which was the first of the hundred and eighth Olympiad at which Polycles of Cyrene was victorious in the foot-race.”

Placing them firmly into the rich cultural history of the country, he then relates “The cities of Phocis were captured and razed to the ground. The tale of them was Lilaea, Hyampolis, Anticyra, Parapotamii, Panopeus and Daulis. These cities were distinguished in days of old, especially because of the poetry of Homer.”

Even in the most rural corners of Hellas, he is fascinated by all kinds of depictions of deities, holy relics, and many other sacred and mysterious objects. He makes a note on the ruins of the house of Pindar, and the statues of Hesiod, Arion, Thamyris, and Orpheus in the grove of the Muses on Helicon, as well as the portraits of Corinna at Tanagra and of Polybius in the cities of Arcadia.

One of Pausanias’ modern editors, Christian Habicht, stated: 

“In general, he prefers the old to the new, the sacred to the profane; there is much more about classical than about contemporary Greek art, more about temples, altars and images of the gods, than about public buildings and statues of politicians. Some magnificent and dominating structures, such as the Stoa of King Attalus in the Athenian Agora (rebuilt by Homer Thompson) or the Exedra of Herodes Atticus at Olympia are not even mentioned.”

Unlike a mere travel guide, in “Periegesis” Pausanias stops in many places around the nation for a brief excursus on a point of ancient ritual or to tell a myth, in a genre that would not become popular again until the early nineteenth century.

Pausanias is fond of digressions on the wonders of nature, the signs that herald the approach of an earthquake, the phenomena of the tides, the ice-bound seas of the north, and the noonday sun that at the summer solstice, casts no shadow at Syene (Aswan). As scientists know, the observation of the noonday sun at this very place enabled the great scientist Eratosthenes to determine the circumference of the earth.

While he never doubts the existence of the deities and heroes, the cultural geographer sometimes criticizes the myths and legends relating to them. His descriptions of monuments of art are plain and unadorned, but crucially, their accuracy is confirmed by the extant remains that one can often see today.

Pausanias is perfectly frank in his confessions of ignorance in his works. When he quotes a book at second hand he takes pains to say so. This is an invaluable aid to the modern reader, who can become troubled by the fantastic observations and sometimes fabrications of ancient writers.

His life’s work, however, left only faint traces in Hellas for many centuries after his death. “It was not read”, Habicht relates; “there is not a single mention of the author, not a single quotation from it, not a whisper before Stephanus Byzantius in the sixth century, and only two or three references to it throughout the Middle Ages.”

The only manuscripts of Pausanias are three fifteenth-century copies, full of errors and lacunae, which all appear to depend on a single manuscript that survived to be copied. Niccolò Niccoli had this archetype in Florence in 1418. At his death in 1437, it went to the library of San Marco, Florence. A part of the manuscript is held at the Biblioteca Medicea Laurenziana.

Until twentieth-century archaeologists realized that Pausanias was a reliable guide to the sites they were excavating, the peripatetic chronicler had been largely dismissed by nineteenth- and early twentieth-century classicists.

Modern archaeological research, however, has tended to vindicate Pausanias in his many descriptions of his beloved country, which have gone on to form an invaluable cultural record of the glories of ancient Hellas.

• Saturday, May 8, 2021
  ancient Hellenic culture archeology Pausanias

The flight of Íkaros

 "...but most of all I love Icarus, who knew the wax would melt but still flew towards the sun."

 -- 'Ik hou van Icarus' - Tjitske Jansen (translated from Dutch)

One of my all-time favorite Hellenic myths is about Íkaros; Daidalos' son who escaped the labyrinth on the island of Krete with wings made of feathers and wax. He was warned not to fly too high because the sun would melt the wax, or too low because wet feathers wouldn't carry him, yet Íkaros got too caught up with the marvel of flying, and did fly too high or too low. As a result, he drowned somewhere between the island and the main land.

Daidalos (Δαίδαλος) was an inventor, a craftsman, who had murdered a gifted student of his--his nephew--in a fit of jealousy. This caused him to flee his home town (most often referred to as Athens, although there are some timeline problems if this was the case) and find refuge on Krete. King Minos saw in Daidalos a gifted man, and asked him to draw and constructed the labyrinth of the Minotaur, son of King Minos. Because he knew the secrets of the labyrinth, and the deformations of the Minotaur, he was never permitted to leave the island.

As often, many details of this myth come from the Roman poet Ovid. In earlier versions of the tale, the labyrinth is an actual labyrinth: it has one pathway that leads inexorably from the entrance to the goal, albeit by the most complex and winding of routes. In Ovid's version--and other like him--the labyrinth is not a labyrinth at all, but a maze: a design with choices in pathways, aimed to confuse the seeker. In fact, Ovid's version of the 'labyrinth' is so complex that Daidalos himself almost gets lost in it:

"Great Daedalus of Athens was the man

That made the draught, and form'd the wondrous plan;

Where rooms within themselves encircled lye,

With various windings, to deceive the eye.

As soft Maeander's wanton current plays,

When thro' the Phrygian fields it loosely strays;

Backward and forward rouls the dimpl'd tide,

Seeming, at once, two different ways to glide:

While circling streams their former banks survey,

And waters past succeeding waters see:

Now floating to the sea with downward course,

Now pointing upward to its ancient source,

Such was the work, so intricate the place,

That scarce the workman all its turns cou'd trace;

And Daedalus was puzzled how to find

The secret ways of what himself design'd."

(The Labyrinth)

It takes many years for Daidalos to get restless on the island, but when he does, he goes to King Minos and asks to be set free. Minos refuses him every time, and eventually, Daidalos is forced to think of another plan. Being a master craftsman, he constructs wings of feathers, wax, and string, and creates one for his young son, Íkaros (Ἴκαρος) as well. Apollodorus describes the tale in a very compact manner in his Epitome:

"On being apprized of the flight of Theseus and his company, Minos shut up the guilty Daedalus in the labyrinth, along with his son Icarus, who had been borne to Daedalus by Naucrate, a female slave of Minos. But Daedalus constructed wings for himself and his son, and enjoined his son, when he took to flight, neither to fly high, lest the glue should melt in the sun and the wings should drop off, nor to fly near the sea, lest the pinions should be detached by the damp.

 But the infatuated Icarus, disregarding his father's injunctions, soared ever higher, till, the glue melting, he fell into the sea called after him Icarian, and perished. But Daedalus made his way safely to Camicus in Sicily. [E.1.12 / E.1.13]

It's important to note that not all historians and writers in ancient Hellas quite agreed with the story of Íkaros and his wings. Pausanias mentions that it were not wings at all that carried Daidalos and Íkaros, but boats, crafted especially well by Daidalos:

"Here [at Thebes] is a sanctuary of Herakles. The image, of white marble, is called Promakhos (Champion), and the Thebans Xenokritos and Eubios were the artists. But the ancient wooden image is thought by the Thebans to be by Daidalos, and the same opinion occurred to me. It was dedicated, they say, by Daidalos himself, as a thank-offering for a benefit. For when he was fleeing from Krete in small vessels which he had made for himself and his son Ikaros, he devised for the ships sails, an invention as yet unknown to the men of those times, so as to take advantage of a favorable wind and outsail the oared fleet of Minos. Daidalos himself was saved, but the ship of Ikaros is said to have overturned, as he was a clumsy helmsman. The drowned man was carried ashore by the current to the island, then without a name, that lies off Samos. Herakles came across the body and recognized it, giving it burial where even to-day a small mound still stands to Ikaros on a promontory jutting out into the Aegean. After this Ikaros are named both the island and the sea around it." (Description of Greece 9.11.1.)

Daidalos makes it to the main land. The island Íkaros' body washed upon, was called 'Ikaria' (Ικαρία) from that point on. It still carries that name, and is located ten nautical miles (nineteen kilometers) southwest of Samos. Minos was of no mind to let Daidalos go, however, and so he went from court to court, knowing that a mind as sharp as Daidalos' would be noticed wherever he went. King Minos posed a riddle to every king, as described by Apollodorus:

"And Minos pursued Daedalus, and in every country that he searched he carried a spiral shell and promised to give a great reward to him who should pass a thread through the shell, believing that by that means he should discover Daedalus. And having come to Camicus in Sicily, to the court of Cocalus, with whom Daedalus was concealed, he showed the spiral shell. Cocalus took it, and promised to thread it, and gave it to Daedalus;

And Daedalus fastened a thread to an ant, and, having bored a hole in the spiral shell, allowed the ant to pass through it. But when Minos found the thread passed through the shell, he perceived that Daedalus was with Cocalus, and at once demanded his surrender. Cocalus promised to surrender him, and made an entertainment for Minos; but after his bath Minos was undone by the daughters of Cocalus; some say, however, that he died through being drenched with boiling water." [E.1.14 / E.1.15]

And this was the end of King Minos' hunt and his life. Depending on the source, it might have been Daidalos himself who poured boiling water over King Minos, leading to his death. What happens to Daidalos afterward is unclear. I hope he found a place to remember his son, and build more of his wonderful inventions.

This myth encourages people to look at the consequences of their actions, even those--or especially those--with good intentions. Daidalos' genius cost him his son. On the other hand, whenever I read this myth, Íkaros reminds me that, although great risk comes with a leap of faith, it might just be worth it sometimes. Íkaros chose the dangerous path, and while it led to his death, it also led to one of the most beautiful moments of his life. I'm a cautious person, a tempered person, and remembering Íkaros is a great help in my life sometimes. It reminds me to hunt for happiness, even though the quest requires me to let go of the familiar. I live my life looking for small flights of Íkaros, and I wish the same for you.

• Saturday, October 10, 2020
  Apollodorus Daidalos Íkaros Metamorphoses Minos Mythology 101 Ovid Pausanias

Arête and the tenets of Solon

Ethics are at the very core of Hellenismos, and they support the heart of human life: arête, the act of living up to one's full potential. When one lives the way of arête, they live their life ethically, consciously, and in happiness. That is the true potential of arête: a life of happiness.

Living up to arête is not easy: it challenges up to be our best mentally, physically, and spiritually. It means taking control of our life, to become an active participant in it. To place blame only on yourself when things go wrong, and to keep trying to reach your goals, no matter what setbacks you suffer. Arête should become a way of life, and in that way of life, an ethical framework is essential. Ethics give you the tools to create internal order and consistent action. Both are necessary for happiness. Ethics will remove doubt, fears and regrets from your life, as you know exactly what you should and should not do to become the best you can be. 

The ancient Hellenes had many guidelines for this ethical framework. As such, Hellenismos is known for its highly developed ethical system, derived from ancient scripture like the Delphic Maxims I keep going on about as well as scholarly works like the Homeric Hymns, the Tenets of Solon, the Ethics of Aristotle (1,2), the Golden Verses of Pythagoras, the Philosophy of Epicurus, the Stoics, Works and Days by Hesiod and many, many others.

Today, I want to look into Solon and his tenets. Solon (Σόλων) was an Athenian statesman, lawmaker, and poet, who lived from 638 BC to 558 BC. He spend most of his adult life trying to legislate against political, economic, and moral decline in archaic Athens. His ideologies are often credited with having laid the foundations for Athenian democracy.

As a statesman, Solon put principles before expediency. In a time when Athens was struggling under the burden of civil war, his reforms strove to bridge the gap between the rich an the poor. He cancelled all debts, and purchased the freedom of all slaves, allowing everyone to start with a clean slate. This caused a massive financial crisis, for which new reforms were necessary, including new trade ties, and an halt in the export of all foodstuffs but olive oil, of which there was plenty. Solon did not stop there, however. Once he was given full legislative powers, he abolished political distinctions of birth in politics. Instead, he created four new groups:

• Thetes, the lowest group, who paid no taxes, provided no equipment city state or its army, and who were not eligible to hold an office of any kind.
• Zeugitae, the second lowest group, who paid tax at the lowest rate, provided body armor to the Athenian army, and who were eligible to hold office.
• Hippeus, the second highest group, who paid higher taxes at the middle rate, provided their own war horse when they served in the army, and they were eligible for higher offices.
• Pentacosiomedimni, the top class of citizens, who paid the highest amount of taxes, and were eligible for all top positions of government in Athens. Archons were chosen from this class.

Further political reforms brought stability to the political landscape, and eventually to the economic climate as well. From Diogénes Laértios (Διογένης Λαέρτιος), a Hellenic biographer, in his 'Lives of Eminent Philosophers':

"He was the first person also who assembled the nine archons together to deliver their opinions, as Apollodorus tells us in the second book of his Treatise on Lawgivers. And once, when there was a sedition in the city, he took part neither with the citizens, nor with the inhabitants of the plain, nor with the men of the sea-coast."

He gave the following advice, as is recorded by Apollodorus in his Treatise on the Sects of Philosophers (as written down by Laértios):

(1) Consider your honour, as a gentleman, of more weight than an oath.

(2) Never speak falsely.

(3) Pay attention to matters of importance.

(4) Be not hasty in making friends; and do not cast off those whom you have made.

(5) Rule, after you have first learnt to submit to rule.

(6) Advise not what is most agreeable, but what is best.

(7) Make reason your guide.

(8) Do not associate with the wicked.

(9) Honour the gods;

(10) respect your parents. 

Pausanias, in his 'Description of Greece', lists Solon as one of the seven sages whose aphorisms adorned Apollo's temple in Delphi (XXIV), and so it is not odd that many of Solon's tenets have a Delphinian counterpart in the maxims. These are common themes, reflected in most of the ethical teachings listed above. Common themes are honor, honesty, intelligent decision making, and family. Coincidentally--or perhaps not so much--these are also at the base of arête. 

• Monday, July 8, 2019
  ancient Hellenic culture Appollodorus arete Delphic Maxims Diogénes Laértios ethics Ethike Arete Hellenismos 101 Pausanias politics slavery slaves Solon

Herkyna, the naiad of Livadeia

Running by the 31.000 people town of Livadeia (Λιβαδειά) in central Greece runs the Herkyna river. Pausanias, writing in the 2nd century AD, reported that the original name of the city was Mideia, and that it took its name Lebadeia from Lebados of Athens, who moved the city from high to low ground, to its current location on the banks of this river. The sacred protector of the city was the hero-turned-God Trophonios, whose oracle, involving a harrowing descent into an underground chamber, was famous beyond the borders of Hellas. At the springs of the Herkyna river are shallow grottos with niches and marble remnants said to be the site of the oracle. This river was named after the Naiad Herkyna (Ἕρκυνα).

Herkyna was the daughter of Trophonios (Τροφώνιος), a son of Erginos. According to the Homeric Hymn to Apollon, he built Apollon's temple at the oracle at Delphi with his brother, Agamedes. Once finished, the oracle told the brothers to do whatsoever they wished for six days and, on the seventh, their greatest wish would be granted. They did and were found dead on the seventh day.

Herkyna was a childhood companion of Kore and a minor deity of the khthonian oracle of her father. Her name means "Guard Dog" or "She who Wards Off" from the Greek words "to guard", "dog", and "to ward". The Lebadeans, however, connected the name with "herkos>, a bird-catching net or noose. It's possible Herkyna was connected to or identified with Hekate, because both were childhood companions of Kore, and khthonic deities associated with dogs.

Once, while Herkyna was playing with Kore in the grove of Trophonios, near Lebadeia in Boeotia, she let a goose fly away, which she carried in her hand. The bird flew into a cave, and concealed itself under a block of stone. When Kore pulled the bird forth from its hiding place, a well gushed forth from under the stone, which was called Herkyna. On the bank of the stream, a temple was afterwards erected, with the statue of a maiden carrying a goose in her hand; and in the cave there were two statues with staves surrounded by serpents, Trophonios and Herkyna, resembling the statues of Asklepios and His daughter Hygeia. Herkyna founded the worship of Demeter at Lebadeia, who hence received the epithet of Hercyna. Herkyna was worshipped at Lebadeia together with Zeus, and sacrifices were offered to both in common.

The cave and oracle were forgotten for quite some time, until the Lebadaeans suffered a plague, and consulted the Delphic Oracle. The Pythia advised them that an unnamed hero was angry at being neglected, and that they should find his grave and offer him worship forthwith. Several unsuccessful searches followed, and the plague continued unabated until a shepherd boy followed a trail of bees into a hole in the ground. Instead of honey, he found the sanctuary, and Lebadaea lost its plague while gaining a popular oracle.

Pausanias, in his account of Boeotia (9.39), relates many details about the cult of Trophonios. Whoever desired to consult the oracle would live in a designated house for a period of days, bathing in the river Herkyna and living on sacrificial meat. He would then sacrifice, by day, to a series of Gods, including Kronus, Apollon, Zeus, Hera, and Demeter. At night, he would cast a black victim into a pit sacred to Agamedes, drink from two rivers called Lethe and Mnemosyne, and then descend into the cave. Here, most consultees were frightened out of their wits, and forgot the experience entirely upon coming up. Afterward, the consultee would be seated upon a chair of Mnemosyne, where the priests of the shrine would record his ravings and compose an oracle out of them. "To descend into the cave of Trophonios" became a proverbial way of saying "to suffer a great fright".

In 2000, local sculptor Spyros Gourgiotis created and donated the beautifully crafted bust of the naiad depicted above.

• Monday, May 13, 2019
  ancient Hellenic culture Demeter Herkyna modern Greece Mythology 101 Pausanias Persephone Trophonios Zeus

The flight of Íkaros

"...but most of all I love Icarus, who knew the wax would melt but still flew towards the sun."

 -- 'Ik hou van Icarus' - Tjitske Jansen (translated from Dutch)

One of my all-time favorite Hellenic myths is about Íkaros; Daidalos' son who escaped the labyrinth on the island of Krete with wings made of feathers and wax. He was warned not to fly too high because the sun would melt the wax, or too low because wet feathers wouldn't carry him, yet Íkaros got too caught up with the marvel of flying, and did fly too high or too low. As a result, he drowned somewhere between the Island and the main land.

Daidalos (Δαίδαλος) was an inventor, a craftsman, who had murdered a gifted student of his--his nephew--in a fit of jealousy. This caused him to flee his home town (most often referred to as Athens, although there are some timeline problems if this was the case) and find refuge on Krete. King Minos saw in Daidalos a gifted man, and asked him to draw and constructed the labyrinth of the Minotaur, son of King Minos. Because he knew the secrets of the labyrinth, and the deformations of the Minotaur, he was never permitted to leave the Island.

As often, many details of this myth come from the Roman poet Ovid. In earlier versions of the tale, the labyrinth is an actual labyrinth: it has one pathway that leads inexorably from the entrance to the goal, albeit by the most complex and winding of routes. In Ovid's version--and other like him--the labyrinth is not a labyrinth at all, but a maze: a design with choices in pathways, aimed to confuse the seeker. In fact, Ovid's version of the 'labyrinth' is so complex that Daidalos himself almost gets lost in it:

"Great Daedalus of Athens was the man

That made the draught, and form'd the wondrous plan;

Where rooms within themselves encircled lye,

With various windings, to deceive the eye.

As soft Maeander's wanton current plays,

When thro' the Phrygian fields it loosely strays;

Backward and forward rouls the dimpl'd tide,

Seeming, at once, two different ways to glide:

While circling streams their former banks survey,

And waters past succeeding waters see:

Now floating to the sea with downward course,

Now pointing upward to its ancient source,

Such was the work, so intricate the place,

That scarce the workman all its turns cou'd trace;

And Daedalus was puzzled how to find

The secret ways of what himself design'd."

(The Labyrinth)

It takes many years for Daidalos to get restless on the Island, but when he does, he goes to King Minos and asks to be set free. Minos refuses him every time, and eventually, Daidalos is forced to think of another plan. Being a master craftsman, he constructs wings of feathers, wax, and string, and creates one for his young son, Íkaros (Ἴκαρος) as well. Apollodorus describes the tale in a very compact manner in his Epitome:

"On being apprized of the flight of Theseus and his company, Minos shut up the guilty Daedalus in the labyrinth, along with his son Icarus, who had been borne to Daedalus by Naucrate, a female slave of Minos. But Daedalus constructed wings for himself and his son, and enjoined his son, when he took to flight, neither to fly high, lest the glue should melt in the sun and the wings should drop off, nor to fly near the sea, lest the pinions should be detached by the damp.

 But the infatuated Icarus, disregarding his father's injunctions, soared ever higher, till, the glue melting, he fell into the sea called after him Icarian, and perished.15 But Daedalus made his way safely to Camicus in Sicily. [E.1.12 / E.1.13]

It's important to note that not all historians and writers in ancient Hellas quite agreed with the story of Íkaros and his wings. Pausanias mentions that it were not wings at all that carried Daidalos and Íkaros, but boats, crafted especially well by Daidalos:

"Here [at Thebes] is a sanctuary of Herakles. The image, of white marble, is called Promakhos (Champion), and the Thebans Xenokritos and Eubios were the artists. But the ancient wooden image is thought by the Thebans to be by Daidalos, and the same opinion occurred to me. It was dedicated, they say, by Daidalos himself, as a thank-offering for a benefit. For when he was fleeing from Krete in small vessels which he had made for himself and his son Ikaros, he devised for the ships sails, an invention as yet unknown to the men of those times, so as to take advantage of a favorable wind and outsail the oared fleet of Minos. Daidalos himself was saved, but the ship of Ikaros is said to have overturned, as he was a clumsy helmsman. The drowned man was carried ashore by the current to the island, then without a name, that lies off Samos. Herakles came across the body and recognized it, giving it burial where even to-day a small mound still stands to Ikaros on a promontory jutting out into the Aegean. After this Ikaros are named both the island and the sea around it." (Description of Greece 9.11.1.)

Daidalos makes it to the main land. The island Íkaros' body washed upon, was called 'Ikaria' (Ικαρία) from that point on. It still carries that name, and is located ten nautical miles (nineteen kilometer) southwest of Samos. Minos was of no mind to let Daidalos go, however, and so he went from court to court, knowing that a mind as sharp as Daidalos' would be noticed wherever he went. King Minos posed a riddle to every king, as described by Apollodorus:

"And Minos pursued Daedalus, and in every country that he searched he carried a spiral shell and promised to give a great reward to him who should pass a thread through the shell, believing that by that means he should discover Daedalus. And having come to Camicus in Sicily, to the court of Cocalus, with whom Daedalus was concealed, he showed the spiral shell. Cocalus took it, and promised to thread it, and gave it to Daedalus;

And Daedalus fastened a thread to an ant, and, having bored a hole in the spiral shell, allowed the ant to pass through it. But when Minos found the thread passed through the shell, he perceived that Daedalus was with Cocalus, and at once demanded his surrender. Cocalus promised to surrender him, and made an entertainment for Minos; but after his bath Minos was undone by the daughters of Cocalus; some say, however, that he died through being drenched with boiling water." [E.1.14 / E.1.15]

And this was the end of King Minos' hunt and his life. Depending on the source, it might have been Daidalos himself who poured boiling water over King Minos, leading to his death. What happens to Daidalos afterwards is unclear. I hope he found a place to remember his son, and build more of his wonderful inventions.

This myth encourages people to look at the consequences of their actions, even those--or especially those--with good intentions. Daidalos' genius cost him his son. On the other hand, whenever I read this myth, Íkaros reminds me that, although great risk comes with a leap of faith, it might just be worth it sometimes. Íkaros chose the dangerous path, and while it led to his death, it also led to one of the most beautiful moments of his life. I'm a cautious person, a tempered person, and remembering Íkaros is a great help in my life sometimes. It reminds me to hunt for happiness, even though the quest requires me to let go of the familiar. I live my life looking for small flights of Íkaros, and I wish the same for you.

• Tuesday, July 17, 2018
  Apollodorus Daidalos Íkaros Metamorphoses Minos Mythology 101 Ovid Pausanias