Showing posts with label Orphic Hymns. Show all posts
Showing posts with label Orphic Hymns. Show all posts

 We all know the Orphic Hymns; a collection of eighty-seven short religious poems composed in either the late Hellenistic or early Roman (first or second century AD) era. They are based on the beliefs of Orphism, a mystery cult or religious philosophy which claimed descent from the teachings of the mythical hero Orpheus. The Mysteries were mostly connected to Demeter, Persephone, life after death and reincarnation. From the Orphic Hymns also comes a list of which incenses to offer to which deity. For all Orphic Hymns, go here. 


Beyond the Orphic Hymns, there are the Orphic Fragments, poems and lines connected to the Orphic school of thought. Many of these are a true treasure-trove of information and religious material. As I'm taking the day off from everything computer related today, I am leaving you with one of these poems on queue.

"Zeus is the first. Zeus the thunderer, is the last.
Zeus is the head. Zeus is the middle, and by Zeus all things were fabricated.
Zeus is male, Immortal Zeus is female.
Zeus is the foundation of the earth and of the starry heaven.
Zeus is the breath of all things. Zeus is the rushing of indefatigable fire.
Zeus is the root of the sea: He is the Sun and Moon.
Zeus is the king; He is the author of universal life;
One Power, one Dæmon, the mighty prince of all things:
One kingly frame, in which this universe revolves,
Fire and water, earth and ether, night and day,
And Metis (Counsel) the primeval father, and all-delightful Eros (Love).
All these things are United in the vast body of Zeus.
Would you behold his head and his fair face,
It is the resplendent heaven, round which his golden locks
Of glittering stars are beautifully exalted in the air.
On each side are the two golden taurine horns,
The risings and settings, the tracks of the celestial gods;
His eyes the sun and the Opposing moon;
His unfallacious Mind the royal incorruptible Ether."
These nine muses were born from Zeus and his aunt and fifth wife, Mnemosyne, who was the personification of memory. The Muses, back then, were simply Deities, in charge of Their own aspects of mortal life. Euterpe was the 'Giver of light', for example. Their function and status as Muses was a later, Roman, addition.

Although most sources say there are nine Muses, the archaic poet Sappho of Lesbos was called the tenth by Plato, a great compliment. It's Sappho's status as 'the tenth Muse' that paved the way to the conventional compliment paid to female poets and those who inspire.

I refer to the muses often; when I'm trying to write but can't find the inspiration, or when I'm trying to sleep but can't because my mind is full of words that want to come out are the most common occurrences. I also thank Them for the inspiration I have gotten to write blog posts or articles.

The muses are well represented in both mythology as Hellenic art. Not only does nearly every hero, poet and even some of the Theoi call out for Them when They're in a bind, but there is even a tragic story in which nine young women get turned into birds for their hubris. In this myth, King Pierus, king of Macedon named his nine beautiful and talented daughters after the muses and went on to boast that the Pierides--his daughters--were equal or even better in their arts than the Muses ever were. Needless to say, neither the Muses, nor the Gods took to this kindly. As punishment for his hubris, Pierus had to watch as his beautiful daughters were transformed into Magpies.

Apollon Mousagetēs, an epithet of Apollon, is said to lead the Muses. His name means 'Apollon Muse-leader'. As such, he can be seen depicted on vases and murals with the Muses.


Here is Apollon to the left, followed by the Muses. If I tell you Calliope carries a writing tablet, Clio carries a scroll and books, Erato is often seen with a lyre and/or a crown of roses, Euterpe carries a flute, Melpomene is often seen with a tragic mask, Polyhymnia is often seen with a pensive expression, Terpsichore is often seen dancing and carrying a lyre, Thaleia is often seen with a comic mask and Urania carries a pair of compasses and the celestial globe, how many can you pick out?

Within Hellenismos, worship, libations and offerings to the Muses is an individual choice. If you feel a need to do so--and poets, musicians, writers and other artists might definitely feel that need--do so. I know I do. As did the ancient writers; there is both an Homeric and an Orphic Hymn to the Muses one can use to honor Them:

Homeric Hymn to the Muses:

I will begin with the Muses and Apollon and Zeus. For it is through the Muses and Apollon that there are singers upon the earth and players upon the lyre; but kings are from Zeus. Happy is he whom the Muses love: sweet flows speech from his lips. Hail, children of Zeus! Give honour to my song! And now I will remember you and another song also.

Orphic Hymn to the Muses:

Daughters of Jove, dire-sounding and divine,
Renown'd Pierian, sweetly speaking Nine;
To those whose breasts your sacred furies fire
Much-form'd, the objects of supreme desire:

Sources of blameless virtue to mankind,
Who form to excellence the youthful mind;
Who nurse the soul, and give her to descry
The paths of right with Reason's steady eye.

Commanding queens who lead to sacred light
The intellect refin'd from Error's night;
And to mankind each holy rite disclose,
For mystic knowledge from your nature flows.

Clio, and Erato, who charms the sight,
With thee Euterpe minist'ring delight:
Thalia flourishing, Polymina fam'd,
Melpomene from skill in music nam'd:

Terpischore, Urania heav'nly bright,
With thee who gav'st me to behold the light.
Come, venerable, various, pow'rs divine,
With fav'ring aspect on your mystics shine;
Bring glorious, ardent, lovely, fam'd desire,
And warm my bosom with your sacred fire.

Yet, I strongly feel one honors the Muses best when being creative and inspired. Write, make art, sing, make music, do whatever you can that invites the inspiration of the Muses. Be aware of your inspiration, allow it to flow freely, and if you feel the need, give honor to the Deities who granted it.
For those of you who, like me, are not blessed with the ability to write poetry beyond the level of an eight-grader, or for those who simply wish to draw they eyes of the Theoi by reciting poetry--or actually singing the hymns if your mastery of the Greek language allows it--which is familiar to Them, hymns form a wonderful addition to your practice. The oldest, and most well know, of the hymns are undoubtedly the Homeric ones, with the Orphic ones a close second, but there are many more out there.

  • Homeric Hymns - a collection of thirty-three Hellenic hexameter poems in epic style well known from Hómēros' Iliad and Odysseia. They range in length from three to five-hundred lines, and were composed in various time periods, by a variety of--now largely anonymous--authors. Hómēros might have actually written some of them, Pamphos might have penned the 'Hymn to Demeter', and Cynaethus of Chios might have penned the 'Hymn to Apollon'. Most of the poems were written between 800 and 300 BC, a few of the shorter poems are clearly from the Hellenistic (third or second century BC) period, and the Hymn to Ares was probably added to the whole in Roman times. Who actually combined the thirty-three is unclear. The first and second hymns ('To Dionysos', and 'To Demeter') were lost for a long time, until a chance discovery in Moscow in 1777 unearthed a fifteenth century manuscript with the two poems largely intact. The 'Hymn to Apollon' was noted down on the walls of Artemis' temple at Delos, and was most likely a large part of the festivals held there for Apollon. For all Homeric Hymns, go here.
  • Orphic Hymns - a collection of eighty-seven short religious poems composed in either the late Hellenistic or early Roman (first or second century AD) era. They are based on the beliefs of Orphism, a mystery cult or religious philosophy which claimed descent from the teachings of the mythical hero Orpheus. The Mysteries were mostly connected to Demeter, Persephone, life after death and reincarnation. From the Orphic Hymns also comes a list of which incenses to offer to which deity. For all Orphic Hymns, go here.
  • Hymns of Kallimachos (Καλλίμαχος) - a lesser known collection of poems, written by Kallimachos of Kyrēnē (Κυρήνη, Cyrene), who was a Hellenic poet and scholar of the Library of Alexandria. He rose to greatness around the third century BC and was the author of a large number of works. Unfortunately, only six hymns and sixty-three epigrams have survived to this day. Kallimachos despised the 'outdated' poetry type of Hómēros and wrote many testimonials against it. His hymns are, therefor, different to the eye than the Homeric and Orphic ones. For the complete hymns, go here.
  • Delphic Hymns - two musical compositions from ancient Hellas, dating back to 128 BC. They were recovered from the walls of the treasury of Apollon at Delphi, and were most likely performed in His worship at the Pythian festival. The first of the hymns was written and composed by Athenios, son of Athenios, the second by Limenios, son of Thoinos. For the first hymn, go here, for the second, go here.
  • Hymns of Proklos - Proclus (Πρόκλος) was a Greek Neoplatonist philosopher, one of the last major Classical philosophers. He was alive from 8 February 412 AD to 17 April 485 AD), and while a very late addition to this list, he wrote five beatiful hymns about the Roman Gods, which can be interpreted for the Hellenic ones as well. The surviving works consist of two hymns to Venus (Aphrodite), one to the Sun (Helios), one to the Muses, and one to Minerva (Athena). The surviving hymns can be found here, in both Greek and English.
  • Hymns of Mesomedes - Mesomedes of Krete (Μεσομήδης ὁ Κρής) was a Roman-era Hellenic lyric poet and composer of the early second century AD.  He was a freedman and court musician to the emperor Hadrian (reigned 117-138 CE), and created  three hymns and fifteen poems which have survived to this day. The hymns to Nemesis, the muse Calliope, and the Sun can be read here and listened to here. I am partial to this translation of the 'Hymn to Nemesis'.
  • Hymn to Aphrodite - This most wonderful hymn was written by Sappho (Σαπφώ) as she was struggling with love. It's unique in that it shows both petitioner and Aphrodite Herself. I am partial to this translation.
These nine muses were born from Zeus and his aunt and fifth wife, Mnemosyne, who was the personification of memory. The Muses, back then, were simply Deities, in charge of Their own aspects of mortal life. Euterpe was the 'Giver of light', for example. Their function and status as Muses was a later, Roman, addition.

Although most sources say there are nine Muses, the archaic poet Sappho of Lesbos was called the tenth by Plato, a great compliment. It's Sappho's status as 'the tenth Muse' that paved the way to the conventional compliment paid to female poets and those who inspire.

I refer to the muses often; when I'm trying to write but can't find the inspiration, or when I'm trying to sleep but can't because my mind is full of words that want to come out are the most common occurrences. I also thank Them for the inspiration I have gotten to write blog posts or articles.

The muses are well represented in both mythology as Hellenic art. Not only does nearly every hero, poet and even some of the Theoi call out for Them when They're in a bind, but there is even a tragic story in which nine young women get turned into birds for their hubris. In this myth, King Pierus, king of Macedon named his nine beautiful and talented daughters after the muses and went on to boast that the Pierides--his daughters--were equal or even better in their arts than the Muses ever were. Needless to say, neither the Muses, nor the Gods took to this kindly. As punishment for his hubris, Pierus had to watch as his beautiful daughters were transformed into Magpies.

Apollon Mousagetēs, an epithet of Apollon, is said to lead the Muses. His name means 'Apollon Muse-leader'. As such, he can be seen depicted on vases and murals with the Muses.


Here is Apollon to the left, followed by the Muses. If I tell you Calliope carries a writing tablet, Clio carries a scroll and books, Erato is often seen with a lyre and/or a crown of roses, Euterpe carries a flute, Melpomene is often seen with a tragic mask, Polyhymnia is often seen with a pensive expression, Terpsichore is often seen dancing and carrying a lyre, Thaleia is often seen with a comic mask and Urania carries a pair of compasses and the celestial globe, how many can you pick out?

Within Hellenismos, worship, libations and offerings to the Muses is an individual choice. If you feel a need to do so--and poets, musicians, writers and other artists might definitely feel that need--do so. I know I do. As did the ancient writers; there is both an Homeric and an Orphic Hymn to the Muses one can use to honor Them:

Homeric Hymn to the Muses:

I will begin with the Muses and Apollon and Zeus. For it is through the Muses and Apollon that there are singers upon the earth and players upon the lyre; but kings are from Zeus. Happy is he whom the Muses love: sweet flows speech from his lips. Hail, children of Zeus! Give honour to my song! And now I will remember you and another song also.

Orphic Hymn to the Muses:

Daughters of Jove, dire-sounding and divine,
Renown'd Pierian, sweetly speaking Nine;
To those whose breasts your sacred furies fire
Much-form'd, the objects of supreme desire:

Sources of blameless virtue to mankind,
Who form to excellence the youthful mind;
Who nurse the soul, and give her to descry
The paths of right with Reason's steady eye.

Commanding queens who lead to sacred light
The intellect refin'd from Error's night;
And to mankind each holy rite disclose,
For mystic knowledge from your nature flows.

Clio, and Erato, who charms the sight,
With thee Euterpe minist'ring delight:
Thalia flourishing, Polymina fam'd,
Melpomene from skill in music nam'd:

Terpischore, Urania heav'nly bright,
With thee who gav'st me to behold the light.
Come, venerable, various, pow'rs divine,
With fav'ring aspect on your mystics shine;
Bring glorious, ardent, lovely, fam'd desire,
And warm my bosom with your sacred fire.

Yet, I strongly feel one honors the Muses best when being creative and inspired. Write, make art, sing, make music, do whatever you can that invites the inspiration of the Muses. Be aware of your inspiration, allow it to flow freely, and if you feel the need, give honor to the Deities who granted it.
We all know the Orphic Hymns; a collection of eighty-seven short religious poems composed in either the late Hellenistic or early Roman (first or second century AD) era. They are based on the beliefs of Orphism, a mystery cult or religious philosophy which claimed descent from the teachings of the mythical hero Orpheus. The Mysteries were mostly connected to Demeter, Persephone, life after death and reincarnation. From the Orphic Hymns also comes a list of which incenses to offer to which deity. For all Orphic Hymns, go here.

Beyond the Orphic Hymns, there are the Orphic Fragments, poems and lines connected to the Orphic school of thought. Many of these are a true treasure-trove of information and religious material. As I'm swamped today, I am leaving you with one of these poems on queue.

"Zeus is the first. Zeus the thunderer, is the last.
Zeus is the head. Zeus is the middle, and by Zeus all things were fabricated.
Zeus is male, Immortal Zeus is female.
Zeus is the foundation of the earth and of the starry heaven.
Zeus is the breath of all things. Zeus is the rushing of indefatigable fire.
Zeus is the root of the sea: He is the Sun and Moon.
Zeus is the king; He is the author of universal life;
One Power, one Dæmon, the mighty prince of all things:
One kingly frame, in which this universe revolves,
Fire and water, earth and ether, night and day,
And Metis (Counsel) the primeval father, and all-delightful Eros (Love).
All these things are United in the vast body of Zeus.
Would you behold his head and his fair face,
It is the resplendent heaven, round which his golden locks
Of glittering stars are beautifully exalted in the air.
On each side are the two golden taurine horns,
The risings and settings, the tracks of the celestial gods;
His eyes the sun and the Opposing moon;
His unfallacious Mind the royal incorruptible Ether."

I love listening to the hymns of antiquitym. I am not skilled in (ancient) Greek, but there is something about the soothing tones of the Homeric and Orphic hymns being sung or spoken. Today, I wanted to share with you a few of my favorites to be found on Youtube, and I am open to suggestions about yours!


Orphic hymn to Selene


Orphic Hymn to Apollon
Prayer to Zeus (by Arkhilokhos of Paros)

Homeric hymn to Artemis (modern English adaption)
Homeric hymn to Hermes


Homeric hymn to Zeus (#23)
Homeric Hymn to Asklēpiós


Frankincense is one of the mainstays of Hellenic worship. Orphism dictates it as primary incense offering for many of the Gods and it's mentioned in many ancient writings as a sacrifice. The rocky Cal Madow mountains of Somaliland, a self-declared autonomous republic in Somalia's northwest, are one of the few homes internationally to wild frankincense trees. One of the species located in the area is endemic and cannot be found anywhere else in the world. Currently the trade is facing a crisis: interest in the natural product is rising at such a rate that trees cannot regenerate fast enough.


Frankincense is still very much used in religious ceremonies, but it is no longer only reserved for honoring deities. Multimillionaire markets such as the French perfume business count the tree fragrance among their top components. While local people in Somaliland have harvested frankincense for millenniums, the current rhythm to meet the global appetite for essential oils leaves few options for sustainability - and these ancestral forests cannot replenish fast enough to survive the current overharvesting. Ahmed Ibrahim Awale, president of the Somaliland Biodiversity Foundation, told DW:

"Frankincense has been harvested in a sustainable manner for millions of years, but the rise in the global demand has completely changed it. [No longer being able to harvest sustainably] will be a disaster not only for the people of Somaliland, but for the whole world. It will be the end of unique species and of a millenarian heritage."

In the last six years, the price per kilogram of raw frankincense has shot up from one to around 6 US-dollars. With Somaliland suffering one of the worst droughts across the Horn of Africa region and with a rate of rural poverty of around 40 percent, it isn't hard to imagine why local people keep jeopardizing their forests and their lives. But while this might work for local people in the short-term, it could be disastrous in the coming years.

Harvesting in an unsustainable way means making a higher number of cuts per tree to extract as much sap as possible and tapping the trees year-round rather than seasonally. These practices weaken the trees, impede them from recovering and, ultimately, means they end up dying.

To avoid a point of no return, Awale said the first main goal is to raise awareness among the affected communities. With this aim environmental groups are working together with governmental agents and local communities, not only to inform but also to find much-needed solutions. Each local community should be able to impose their own regulations and decide on their own means of sustainability, but for this, they need support:

"The communities understand the gravity of the situation, but it is very complicated to find solutions due mainly to economic problems. We encourage our government and development agencies to intervene in the area and help those communities finding a sustainable way of livelihood."

The Gods who were offered frankincense within Hellenismos in the Orphic tradition: Ares; Boreas; Corybas; the Kourêtes; Dikaiosynê; Dike; Fortune; Helios (+ manna); Hēphaistos (+ manna); Herakles; Hermes; Mnemosyne; the Muses; Notos; Ouranos; Tethys; Themis; the Titans; Zephyros; and Zeus (+ manna).
"Hello, when you say that Hellenismos is clear in our status as 'humans' then what do you think of the orphic mysteries which were part of Hellenismos? Those mysteries say we have a divine essence, a part of Dionysus within us. You may not agree with that, but to neglect the fact that many ancient greeks believed that just to say that magic isn't traditional and it's hubris is not right."

Orphism is part of Hellenic esotherism. Yes, it existed--we have enough little references in ancient writings to say that with some form of certainty--but it obvious it was a cult at best; a group of people who went against the traditional practice or practiced Orphism alongside it as it was more of a philosophical choice than a religious one. They wore white, abstained from meat and strove for purity. Books featured heavily in their worship, unlike in mainstream religious practice. Like all things in ancient Hellas, Orphism linked back to the Gods, mostly by including Dionysos in the form of Bakkhos, the Twice-Born God, which confirmed the believes of the Orphics.

The Orphics believed in reincarnation and the possibility of liberation from another of their believes: the circle of life and death. Orpheus, the movement's legendary founder, is said to have taught that soul and body are locked together during life; the soul is divine, immortal and aspires to freedom, and during life, the body acts as a prison to the soul. Death releases the soul for a short while, but is then captured by another body until that, too, dies, and so the soul moves from body to body--both human and animal--until it can attain the highest good: liberation. In order to reach liberation, the Orphic way teaches to turn to God by ascetic piety of life and self-purification: the purer the life lived, the higher will be the next reincarnation, until the soul has completed the spiral ascent of destiny to live for ever as God from whom it comes.

Orphic ideas of the soul and afterlife are most often defined by explicit contrast with the Homeric view of the afterlife, which is taken as the standard view for ancient Hellenic culture. The Homeric afterlife is that of a grim, joyless and tedious existence in the Underworld. The Underworld of Homeros exists solely--at least for the now departed mortal--of the Asphodel meadows. The dead drink from the river Lethe and forget who they were. Sacrifical (animal) blood returns a sense of life to the shades and they recover their memories for a short time. In this tradition, life is lived while you are alive. Once you die, you are dead. You might cling to life, but you will never truly be part of it again.

Orphism most likely formed somewhere in the 6th or 5th century BC but most of the evidence we still have of it is much younger. The best known collection of texts associated with Orphism are the Orphic Hymns, a collection of 86 hymn to the Hellenic Gods. Some of them may date back to the time of the cult's founding but most were written much later, in the third or second century BC.

From the evidence that has survived, we know that Orphism was considered to be rather...fringe. Plato considered them and anyone claiming they possessed some sort of supernatural knowledge or skills as charlatans. Euripides in 'Hippolytus' (428 BC) has main character Theseus say:

"Come, show your face to your father, eye to eye, since in any case I have already involved myself in pollution. Are you, then, the companion of the gods, as a man beyond the common? Are you the chaste one, untouched by evil? I will never be persuaded by your vauntings, never be so unintelligent as to impute folly to the gods. Continue then your confident boasting, take up a diet of greens and play the showman with your food, make Orpheus your lord and engage in mystic rites, holding the vaporings of many books in honor. For you have been found out. To all I give the warning: avoid men like this. For they make you their prey with their high-holy-sounding words while they contrive deeds of shame."

I consider Orphism a very valid path. I think it's one impossible to reconstruct accurately based on the evidence we have, but I absolutely agree that there were Orphics in ancient Hellas. I'm quite sure I have never denied that. The fact that the Mystery Traditions existed (not just Orphism but the Eleusinian ones, Hermeticism, etc.) does not take away from my opinion that modern magical Traditions are not traditionally Hellenic and that they have no place in Traditional Hellenismos. I have said many times before there was a form of magic practiced in ancient Hellas, and it always included the divine; an alternate expression of the same religion, so to speak. Modern magical practice would have been unrecognizable to the ancient Hellenes.

Again, I want to stress that this concerns Traditional Hellenismos--as everything on this blog does. That is my practice, and it is what I understand best. If you want to practice magic; go for it. Who am I to tell you can or cannot do something? As far as I am aware, I have said no such thing as was sent to me, so please do not put words in my mouth.
In my introduction series, I try to put a spotlight on Gods and Goddesses who may be easy to overlook, but who hold posts very important to our lives. Recently I was asked to write a little about Eirênê (Ειρηνη), Goddess of Peace, and representative of the season of spring.

"I've been searching for prayers/rituals to Eirene, but I haven't been able to find much, besides new-age/wicca stuff which is not what I'm interested in. If you have anything on Eirene, would you post something about her on your blog?"

The ancient Hellenes were aware of only three seasons: Spring, Summer and Winter, and only these had deities presiding over them--the Hôrai: Eunomia (Good Order, Good Pasture), Eirene (Peace, Spring), and Dike (Justice). They were originally the personifications of nature in its different seasonal aspects, but in later times they were regarded as Goddesses of order in general and natural justice, because these were required for farming prosperity. The association of agriculture with law and order can also be found in the divinities of Zeus and Demeter, for example. She had three more sisters: the Moirai, the Goddesses of fate. Their names are Kloto (Κλωθώ, spinner), Atropos (Ἄτροπος, unturnable), and Lakhesis (Λάχεσις, Alotter).

Eirênê and Her sisters are old Goddesses, being born of Themis and Zeus. Themis is the Titan goddess of divine law and order--the traditional rules of conduct first established by the Gods. She was an early bride of Zeus and his first counsellor and was often represented seated beside His throne advising Him on the precepts of divine law and the rules of fate. Zeus hardly requires an introduction, does he? According to Hesiod in his 'Theogony':

"Next he married bright Themis who bare the Horae (Hours), and Eunomia (Order), Dike (Justice), and blooming Eirene (Peace), who mind the works of mortal men, and the Moerae (Fates) to whom wise Zeus gave the greatest honour, Clotho, and Lachesis, and Atropos who give mortal men evil and good to have." [ll. 901-906]

The Horai, Eirênê, Eunomia, and Dikē

Eirênê was born to Zeus and Themis in a coupling before He took Hera as his wife and queen. Her family tree would look as follows:
  Chaos ------------ Gaea
             |                |
      Ouranos   ---   |
              Themis -- Kronos --- Rhea 
                 |              |
                      |            Zeus
                  |     ---     |
                  | 
                  Eirênê

Eirênê was particularly well regarded by the citizens of Athens. After a naval victory over Sparta in 375 BC, the Athenians established a cult, erecting altars to her. They held an annual state sacrifice to her after 371 BC to commemorate the Common Peace of that year and set up a votive statue in her honour in the Agora of Athens.

As for prayers to her; there are actually hymns to her, and a few beautiful prayers that have survived to now. The Orphic Hymn to her is well known and prescribes fumigation from Aromatics.

"Daughters of Jove [Zeus] and Themis, seasons bright, Justice [Dike], and blessed Peace [Eirene], and lawful Right [Eunomia], Vernal and grassy, vivid, holy pow'rs, whose balmy breath exhales in lovely flow'rs. All-colour'd seasons, rich increase your care, circling, for ever flourishing and fair: Invested with a veil of shining dew, a flow'ry veil delightful to the view: Attending Proserpine [Persephone], when back from night, the Fates [Moirai] and Graces [Kharites] lead her up to light; When in a band-harmonious they advance, and joyful round her, form the solemn dance: With Ceres [Meter] triumphing, and Jove [Zeus] divine; propitious come, and on our incense shine; Give earth a blameless store of fruits to bear, and make a novel mystic's life your care."

Another one of my favourites is from Euripides, from his play 'The Suppliant Women' (or 'The Suppliants'):

"How far peace outweighs war in benefits to man; Eirene, the chief friend and cherisher of the Mousai; Eirene, the enemy of revenge, lover of families and children, patroness of wealth. Yet these blessings we viciously neglect, embrace wars; man with man, city with city fights, the strong enslaves the weak." [484]

In Hómēros' Epigrams we find another line which always moves me:

"Open of yourselves, you doors, for mightly Ploutos (Plutus, Wealth) will enter in, and with Ploutos comes jolly Euphrosyne (Mirth) and gentle Eirene (Irene, Peace). May all the corn-bins be full and the mass of dough always overflow the kneading-trough." [XV]

The link between Eirênê and Ploutos (Πλουτος, 'Wealth') was well-established, and the image to the side depicts both. Ploutos is a son of Demeter, the Goddess of agriculture, who bore him after lying with the hero Iasion in a thrice-ploughed field. He was blinded by Zeus so he would distribute wealth indiscriminately and without favour towards the good or the virtuous. He was almost always depicted as a boy or baby, and was often carried by either Eirênê or Tykhe, the Goddess of fortune. Ploutos was identified with Plouton, the God Haides (Hades) in His role as the deity of the earth's hidden stores of wealth.
In art, She was depicted as a beautiful young woman carrying a cornucopia, the staff of Hermes and a torch or rhyton--a container from which fluids were intended to be drunk or to be poured in some ceremony such as libation.

I hope this is enough to satisfy your curiosity about Her, dear reader, and give you a good start to Her worship.
We all know the Orphic Hymns; a collection of eighty-seven short religious poems composed in either the late Hellenistic or early Roman (first or second century AD) era. They are based on the beliefs of Orphism, a mystery cult or religious philosophy which claimed descent from the teachings of the mythical hero Orpheus. The Mysteries were mostly connected to Demeter, Persephone, life after death and reincarnation. From the Orphic Hymns also comes a list of which incenses to offer to which deity. For all Orphic Hymns, go here.

Beyond the Orphic Hymns, there are the Orphic Fragments, poems and lines connected to the Orphic school of thought. Many of these are a true treasure-trove of information and religious material. As I'm taking the day off from everything computer related today, I am leaving you with one of these poems on queue.

"Zeus is the first. Zeus the thunderer, is the last.
Zeus is the head. Zeus is the middle, and by Zeus all things were fabricated.
Zeus is male, Immortal Zeus is female.
Zeus is the foundation of the earth and of the starry heaven.
Zeus is the breath of all things. Zeus is the rushing of indefatigable fire.
Zeus is the root of the sea: He is the Sun and Moon.
Zeus is the king; He is the author of universal life;
One Power, one Dæmon, the mighty prince of all things:
One kingly frame, in which this universe revolves,
Fire and water, earth and ether, night and day,
And Metis (Counsel) the primeval father, and all-delightful Eros (Love).
All these things are United in the vast body of Zeus.
Would you behold his head and his fair face,
It is the resplendent heaven, round which his golden locks
Of glittering stars are beautifully exalted in the air.
On each side are the two golden taurine horns,
The risings and settings, the tracks of the celestial gods;
His eyes the sun and the Opposing moon;
His unfallacious Mind the royal incorruptible Ether."
Recently, I received a message about health and healing. The questions centered on healing from physical injury, support during surgery, and common practices in ancient Hellas in these types of situations both of the injured and their families. Seeing as most of us will most likely wat to request the healing aid of the Gods at one point in our lives, I though I would make a blog post out of it.

In ancient Hellas, people got sick just like we get sick now. With the poorer hygiene conditions and often heavy physical labor that was undertaken, epidemics one one illness or another must have been quite common, and accidents were prone to happen. As such, there were quite a number of deities who were especially prone to help humanity recover from diseases and injuries.

When we discuss health and healing, we must first look at the worship of Asklēpiós. Asklēpiós was, and is, a much beloved Theos. He started out being honored as a hero--the son of Apollon and Koronis--but became a God in His own right because of his healing skill. It seems Asklēpiós was such a fine healer, He could even bring the dead back to life, even though He is no longer permitted to do that. Apollon presides over the healing proccess as well--in general with the Hellenic deities, younger generations preside over the building blocks of the previous generation, so while Apollon has 'healing' in His portfolio, much of the actual healing is done by his younger son, and specific subsets of healing are destributed amongst Asklēpiós' daughters.

Worship places of Asklēpiós were called 'asklepieia' (Ἀσκληπίεια). An asklepieion (Ἀσκληπιεῖον) served as a temple, a hospital, and as a training-institute of the healing arts. In ancient Hellas, the sick would come to an asklepieion and offer a sacrifice to Asklēpiós--amongst the recorded sacrifices are black goats or sheep, gold, silver, or marble sculptures of the body part that required healing, and coins--in hopes of healing. They would then settle into the abaton (άβατον) or enkoimeterion (εγκοιμητήριοn), a restricted sleeping hall, which was occupied by the sick alone, or sometimes by a group of them, as well as a good few snakes, which are considered sacred animals of Asklēpiós.

The sick would spend the night at the abaton, and would receive counsel from Asklēpiós Himself in his or her dreams, during an induced sleep known as 'incubation', or 'enkoimesis' (ενκοίμησις), where the patient drifts between waking and sleeping, and is said to be susceptible to messages of the Gods. If the God did not visit the patient the first night, incubation was continued on following nights. Asklēpiós would either heal the supplicant directly in the dream state, or tell him what to do to cure his illness or affliction. The priests listened to the dream, as described by the patient, and would divine the meaning of the Theos from it. As such, all healers were also master dream interpreters who would divine the treatment to be followed from the patient's account of the dream. Treatment often consisted of supplication, fasting, a special diet, meditation or prayer. There are accounts of surgeries having taken place at the asklepieia as well.

Asklēpiós has five daughters, and anyone with an illness or injury would do well to keep Them in mind, because worshipping Them and adhering to Their lessons will heal your injuries a lot quicker than they would without it. Along with Asklēpiós, the most important Gods to guard the health of mankind are: Hygeia, Iaso, Akeso, Aiglê, and Panakeia.

Hygeia is the Theia of health, cleanliness, and sanitation, and a companion of the Goddess Aphrodite. She is perhaps the best known of Asklēpiós' daughters, and has been so since ancient times. She is mentioned alongside her father, grandfather, and sister Panakeia in the original Hippocratic oath. the ancient Hellenes regarded Her as one of the most revered of all Theoi, because without her blessings (good health), nothing could be accomplished in life, and life itself would cease. In fact, She has her own Orphic hymn [67], and in it, She is solely responsible for averting all disease. She is depicted with a snake, usually curled around Her arm.

Iasô is the Theia of cures, remedies and modes of healing. In the temple of Amphiaraus at Oropus a part of the altar was dedicated to Her, along with many of Her sisters and other Theoi petitioned for healing. Recovery is Her domain, and as such, She is one of Asklēpiós' most valued attendants. She is depicted with a mirror.

Akeso is the Theia who oversees the healing of wounds and the curing of illness. She does not bring the cure itself, but oversees the process of healing. Not much is known about Her, but She is a faithful attendant of Her father.

Aiglê is the Theia of the beauty, splendor, glory, magnificence, and adornment that comes with good health. She represents radiance, and Her blessings are very much sought after, because they allow a person to live up to their full potential.

Panakeia is the Theia of cures and panaceas--healing aids in the form of medicines, salves and other curatives. After Hygeia, She is perhaps the best known of Her sisters. Her gifts of medicine are of great value, and she is mentioned in the original Hippocratic oath along with Apollon, Asklēpiós, and Hygeia.

One of the most fascinating aspects about these healing cults is the offerings they got, either in thanks, or in prayer. As said before, a special type of votives were pinakes (πίνακες, singular: πίναξ). Most pinakes were gifted to the temple as votive offerings, and depicted scenes of libations, mythological scenes, scenes from daily life (like farming or household duties). Another type of scene was the depiction of body parts. These pinakes were gifted as a call for healing aid, and were most likely gifted before the actual healing took place, something unique to pinakes. Lokris (Λοκρίς), a region in ancient Hellas, is known for a remarkable archeological find of thousands of pinakes, most of them from sanctuaries of Persephone and Aphrodite, indicating They were approached for some form of healing as well. Large numbers of clay replicas of hands and feet, arms and legs, breasts and genitals, eyes and ears, and heads have been found in the ruins of temples of Asklēpiós, as depicted above.

To step away from the Gods for a moment, Hippokrátēs of Kos (Ἱπποκράτης) is seen by many as the founding father of medicine, and in his lifetime, he set about to advancing the systematic study of clinical medicine, summing up the medical knowledge of previous schools, and prescribing practices for physicians through the Hippocratic Corpus and other works (although he Corpus itself was most likely not written by him, but assembled in and slightly after his time). Hippokrátēs separated the discipline of medicine from religion, believing and arguing that disease was not a punishment inflicted by the Theoi but rather the product of environmental factors, diet, and living habits. Much of his theories came from his very basic understanding of the human body: in Hippokrátēs' time, it was forbidden to cut into a corpse, even for research.

Two of Hippokrátēs' most famous ideas about illness were humoralism and the concept of crisis. Humoralism is a now discredited theory of the makeup and workings of the human body, positing that an excess or deficiency of any of four distinct bodily fluids in a person directly influences their temperament and health. The four humors of Hippocratic medicine are black bile (melan chole), yellow bile (chole), phlegm (phlegma), and blood (haima). A crisis is a point in the progression of disease at which either the illness would begin to triumph and the patient would most likely die, or the opposite would occur and natural processes would make the patient recover. A crisis was said to occur on critical days, which were set days from the point of contraction. Relapses would come with a crisis day of their own, and could be predicted when a crisis did not fall on the predicted crisis day.

Hippokrátēs understood healing as the restoration of balance within the body. That is also the foundation of humoralism: restoring balance to the four humors, so the patient is healed. Hippokrátēs realized that everything in the human body was connected, that an imbalance could--and would--affect the whole of the body. His theories may have been discredited, but the basic foundation of balance still hold true to this day. Inside of all of us is a voice that talks to us when we are sick. Hippokrátēs named it the 'inner physician'. It is a voice we often ignore: usually it tells us to rest, to drink plenty of water, to get either warm or cold; the inner physician manifests in desires of the body when ill. If we listen to these desires, we are healed swiftly from the more common illnesses. A good physician listens to the patient's inner physician and helps it in its work. This is at the core of humoralism as well: a diagnosis was made by descriptions given by the patient and a basic understanding of humors, and the physician attempted to provide what the inner body desired.

It's impossible to prevent illness. Unlike Hippokrátēs, we know that viruses and bacteria get transferred from person to person, and once an illness is introduced to you living environment or your circle of close contacts, the chances of getting in increase greatly. When you become ill, the body's inner physician can help you heal quickly and with the least amount of discomfort. Trusting in your inner physician is something we are rarely trained to do by our parents, but it can prevent much suffering over the years. Especially when we are healing from an injury or recovering from surgery, listening to our inner physician is critical.

For anyone who has fallen ill, or who is facing a medical situation they could use the aid of the Gods with, I would suggest holding a ritual with sacrifices to the Gods in advance where possible, or during the recovery period. Do not forget to hold another ceremony of thanks giving once you are healed! Needless to say, the Gods I would recommend sacrificing to are the ones listed here, along with Hestia as guardian of the household, and Zeus as King of the Gods. Make use of the Homeric or Orphic hymns; Apollon (I, II, III), Asklēpiós (I, II), Zeus (I), Hestia (I), and the daughters of Asklēpiós (I), and make use of pinakes if you can. You can make them out of clay or wood, but wax is another good option, and it allows you to burn it in the sacrificial fire. The latter is my preferred method. Add these Gods to you daily prayers, and libate to them with your request for healing and to watch over you during procedures. In the Hellenic religion, building kharis is everything. Because it bears repeating: do not forget to listen to your inner physician; it can help you avoid a lot of pain and suffering.
Lately, I have been feeling the desire to not just read the hymns of antiquity, but to listen to them. I am not skilled in (ancient) Greek, but there is something about the soothing tones of the Homeric and Orphic hymns being sung or spoken. Today, I wanted to share with you a few of my favourites to be found on Youtube, and I am open to suggestions about yours!


Orphic hymn to Selene


Orphic Hymn to Apollon


Prayer to Zeus (by Arkhilokhos of Paros)


Orphic hymn to Athena


Homeric hymn to Artemis (modern English adaption)


Homeric hymn to Hermes


Homeric hymn to Zeus (#23)


Homeric Hymn to Asklēpiós




My girlfriend I going on a short trip with friends today. She's off to Berlin and while I decided to stay at home, I do worry for her safety during the six hour journey to the city, her stay there, and the trip back. It's in my nature to worry about those I love. As such, I make special libations and sacrifices to Hermes and Zeus today and decided to publish the short prayer I add whenever someone I love travels a longer or extended period away from their home. Remember the ritual structure of procession, purification, hymns, sacrifice, prayers, thanks, and shared enjoyment of the gifts given.


Hermes, draw near, and to my pray'r incline, angel of Zeus, and Maia's son divine; Studious of contests, ruler of mankind, with heart almighty, and a prudent mind. Celestial messenger, of various skill, whose pow'rful arts could watchful Argus kill: With winged feet, 'tis thine thro' air to course, O friend of man, and prophet of discourse: Great life-supporter, to rejoice is thine, in arts gymnastic, and in fraud divine: With pow'r endu'd all language to explain, of care the loos'ner, and the source of gain. Whose hand contains of blameless peace the rod, Corucian, blessed, profitable God; Of various speech, whose aid in works we find, and in necessities to mortals kind.

Winged Hermes, giver of many of humanity's greatest blessings. You, who of all the Gods is closest to mankind by far. Lend me Your ear as I pray to You to watch over those I love beyond all else in life. Hermes Pompaios, guide to all who wander, extend Your arm towards my beloved wife as she travels away from our oikos. Journey with her and protect her from all that would take her away from me. Accept my sacrifice of the sweetest of wines and incense, and of the fullest of fruits, and if I have every sacrificed to You in a manner that was pleasing to You, bring [name] home to me unharmed and fulfilled.

And now I will sing of Zeus, chiefest among the Gods and greatest, all-seeing, the lord of all, the fulfiller who whispers words of wisdom to Themis as she sits leaning towards him. Be gracious, all-seeing Son of Kronos, most excellent and great!

Blessed Zeus, most blessed and revered of all the Gods, You who rule over snowy Olympos with fair but firm hand. You who has the power to bring fulfilment of my wishes and greatest of desires, lend me your ear while the fire consumes my sacrifice to You. Zeus Xenios, You who watches over those who travel as strangers, reach out to those whom come in contact with my beloved wife and mellow their minds. Speak to them of her kindness, her joy, and her innocence. Speak to them and convince them to offer aid and never malice, to offer protection and never pain, to offer kindness and never hate. If I have ever sacrificed to You in a manner that was pleasing to You, may Your whispered words guide her home to me.
I am always surprised by how many of you actively worship or ask after Haides; while Persephone features in my daily prayers, I would never dream to add Haides to those. That said, I enjoy the myth of Persephone joining the Underworld court, and seeing as no less than three of you asked after it, I think it's time to dig deeper into the myth of Haides' abduction of Persephone; as Jasmina wrote me:

"The Hades and Persephone myth (because there's a lot of people saying a lot of different things, like Persephone plucked a particular flower, which opened up a hole to the Underworld, and others say that Hades came to the surface and took Persephone with him to the Underworld..)"

It's not surprising that over the years, the myth of Persephone's abduction became one of the most embellished of all the Hellenic myths; it's a timeless tragic love story, and as a Netflix visit can confirm, we love those. The ancient Hellenic sources are a lot less eloquent about the myth and that is most likely the reason for the modern day confusion Jasmina hinted at: there was enough room for interpretation, and so the myth was interpreted again and again. The oldest source is most likely the Homeric Hymn to Demeter which reads:

"Apart from Demeter, lady of the golden sword and glorious fruits, she was playing with the deep-bosomed daughters of Oceanus and gathering flowers over a soft meadow, roses and crocuses and beautiful violets, irises also and hyacinths and the narcissus, which Earth made to grow at the will of Zeus and to please the Host of Many [Haides], to be a snare for the bloom-like girl -- a marvellous, radiant flower. It was a thing of awe whether for deathless gods or mortal men to see: from its root grew a hundred blooms and is smelled most sweetly, so that all wide heaven above and the whole earth and the sea's salt swell laughed for joy. And the girl was amazed and reached out with both hands to take the lovely toy; but the wide-pathed earth yawned there in the plain of Nysa, and the lord, Host of Many, with his immortal horses sprang out upon her -- the Son of Cronos [Haides], He who has many names. He caught her up reluctant on his golden car and bare her away lamenting. Then she cried out shrilly with her voice, calling upon her father, the Son of Cronos, who is most high and excellent. But no one, either of the deathless gods or of mortal men, heard her voice." [4-21]

The other instance Jasmina mentions, where Haides came to the surface to collect Persephone Himself is actually not in Hellenic kythology, but it would not surprise me is it came from the Orphic tradition. In the Orphic Hymn to Plouton [Haides], Haides is described as coming up to the surface with Persephone so He can hold her captive in a cave near Eleusis:

"And in dread Acheron [Haides], whose depths obscure, earth's stable roots eternally secure. O mighty dæmon, whose decision dread, the future fate determines of the dead, with captive Proserpine [Persephone], thro' grassy plains, drawn in a four-yok'd car with loosen'd reins, rapt o'er the deep, impell'd by love, you flew 'till Eleusina's city rose to view; there, in a wond'rous cave obscure and deep, the sacred maid secure from search you keep, the cave of Atthis, whose wide gates display an entrance to the kingdoms void of day." [17]

So now we come to something that is often misinterpreted: the words 'rape' and 'abduction'. I have already written a long post about these subjects, which can be found here. Time to de-romanticize the ancient Hellenes a little. We tend to equate 'rape' with the absence of love and mutual consent, but in ancient Hellas, marriage itself was an agreement between men about a woman. Rape in ancient Hellas was therefor not tied to the approval of the woman--any sexual act on her part was performed without love and consent anyway, or at least without care for her consent--but to the approval of the men surrounding her. In my opinion, the question of rape lies in the outcome of the mythological sexual act: does the sexual act lead to marriage or not? In cases where it does, the sexual act is not so much rape as we understand it, but an illustration of the start of a marriage. This certainly holds true in the myth of Haides and Persephone. To illustrate this view, I would like to quote Roman mythographer Apollodorus from his 'Library' as he puts into words what many other writers hint at or say far more flowery:

"Pluto [Haides] fell in love with Persephone and with the help of Zeus carried her off secretly." [1.5.1]

Here we see a perfect illustration of a marriage arrangement: Zeus and Plouton decided upon the fate of Zeus' daughter Persephone. In a twist that most Hellenic women would most likely not have been able to achieve however, Demeter fought against the marriage agreement and managed to wrangle a situation where Persephone could come up to the surface at least part of the year. I feel--but UPG/personal interpretation alert here--that this part of the myth served as a reminder for ancient Hellenic men (and women) that a woman was always partially part of her family-by-blood, and that when a man took a wife, he got her family with her in a package deal. This included tending to ailing parents and probably supporting them financially if the need arose.

The myth of Persephone and Haides is an important myth about family, marriage, and the ethical and practical responsibilities that came with both. The details of Her abduction matter, but not as much as the lessons attached to it.