Showing posts with label Nymphs. Show all posts
Showing posts with label Nymphs. Show all posts

 I get a lot of questions from readers, and most of the time, the answers are fairly short. When I feel the question or the reply would be valuable to others as well, I make a post with a collection of them and post them in one go. Today is one of those posts.



"I really want to start doing daily rituals but I just don't know how to start or who to worship. Can you help me?"

Daily worship can be a very rewarding practice, but it is hard to get into. In ancient Hellas, the courtyard of the home often held a bômos, a free standing, raised, altar where the majority of household worship took place. Some houses also had a wall niche, an indoor worship area, either in a room especially designated for worship, or in the main family room. These altars were used to worship the Ephestioi (Εφεστιοι), the most personal of the household Theoi. These almost always included: Hestia, Zeus Ephestios (Overseer of the Hearth), Zeus Kthesios, and Agathós Daímōn. Worship of these deities was highly personal and many other Theoi could be added to this worship list.
 
If you wish to get into the routine of daily worship, these Theoi can be used as a base for ritual. Add to this short list any Theoi you feel drawn to or whose influence you feel you need in your life. My list can be found here. Pro tip: start with a short list and build up once you feel comfortable and you have found your rhythm.
 
~~~
 
"How should I celebrate the Noumenia?"

The goal of the Noumenia is to start fresh and to honor the household deities. It is a day of family, family meals, and the celebration of the new month. Part of that celebration can be to prepare for the new month by planning out important events--religious or secular--and writing them down, preferably with the whole family present. Offer sacrifices of honey cakes to Apollon Noumenios, Hestia,Hermes and Zeus Kthesios and refill your kathiskos.
 
~~~
 
"Some tragic events occurred and ever since I have felt odd working with Hermes or any gods. What would be a way I could find out if Hermes still wants to work with me, and if so what things would you suggest doing to work with him (altar suggestions, etc)? Thank you."

One thing that is generally hard for people to understand is that the attention the Theoi pay us does not waver and They do not pick favourites. They accept any and all worship and They are always there. What wavers is the level of attention we pay Them or the amount of time and brainpower we have to spare for Their worship. This is miasma, this is the disconnect between the Theoi and us. Think of it as a radio signal where the Theoi are the broadcasting party: They are always on but depending on the amount of interference and obstacles on our receiving end, the reception is clear or muddled. The ancient Hellenes understood this and that is why they were adamant about a daily practice and regular, state funded, festivals. Hermes is there. He is always there. I dislike the term ‘work with’ but if you wish to honour Him, then do so by any way you have already done. Give libations and sacrifices at your household shrine, read His mythology, meditate. He will be receptive.

~~~
 
"Were Elves or Faeries worshiped by the Ancient Hellenes? We know that there was influence from the Celts and maybe even the Nordics in ancient Hellas. Hence the Hyperboreas."

That's a complicated question to answer. And an easy one. No, Tolkien's Elves are not found in Hellenic mythology and neither was Tinkerbell. So, the question is: how do you define 'Elves' and how do you define 'Faeries'?

An elf, mythologically speaking, is a type of supernatural being in Germanic mythology and folklore. Back then mention of them was very uncommon and served as a race to offset the Giants. An elf in classical Eddaic poetry was male and prominently associated with sexual threats, seducing people and causing them harm. Needless to say, the image has changed since then.

The concept of 'fairy' in the narrow sense is unique to English folklore, conflating Germanic elves with influences from Celtic and Romance (French) folklores, and later made 'diminutive' according to the tastes of Victorian era fairy tales for children. These Celtic roots stem mostly from the The Tuatha Dé Danann, a race of supernaturally-gifted people in Irish mythology. They are thought to represent the main deities of pre-Christian Gaelic Ireland. Many of the Irish tales of the Tuatha Dé Danann refer to these beings as fairies, though in more ancient times they were regarded as Goddesses and Gods.

The ancient Hellenic empire was pretty large but Gaul (France and Belgium), Hispania (Spain) and Britannia (Britain) were reached mostly during the Roman occupation of these regions or provinces. Their influence did not carry over to ancient Hellas. That said, ancient Hellenic mythology does have its Dryads and Nymphs, so there are nature spirits that received worship, but no, no elves and no fairies.

~~~
 
"Do you use the Orphic Hymns in your practice?"

I do! I use as many ancient sources as I can, so that includes the Orphic hymns, the Homeric ones and any ohers I can find. I borrow from plays and philosophical texts as well. If it's ancient and about the Theoi, I'll use it in my rites.

Two more sacrifices took place at the start of Gamelion: a sacrifice to Apollon Apotropaios, Nymphegetes, and the Nymphs, and a sacrifice to Athena. Will you join us for these on January 22th and January 23th, at the usual 10 am EST?


Sacrifice to Apollon Apotropaios, Nymphegetes, and the Nymphs
On 22 January, 10 am EST, we honour Apollon in His epithets of Apotropaios and Nymphegetes as well as His consorts, the Nymphs. This ancient sacrifice was held at Arkhia on Gamelion 8 and we invite you to join us.


Apollon Apotropaios (Ἀποτρόπαιοs) was and is the averter of evil. Rituals dedicated to the deity were apotropaic, intended to turn away harm or evil influences, as in deflecting misfortune. This could be anything from warding off a plague to keeping mice out of the grain storage.

Apollon Nymphegetes (Νυμφηγέτης) is 'Apollon who looks after nymphs', or 'Apollo who leads nymphs'. In this epithet, Apollon was and is a pastoral God, who was considered the protector of shepherds and pastoral life.

Nymphs are the female divinities of the natural features of the landscape, and there are many kinds, depending on the landscape they frequent.

Combining these traits into a single ritual can tell you all about it you need: this was a ritual to ward of the dangers of rural living (by addressing Apollon in his two protective epithets) and to invite blessings (from the nymphs) onto those who partook.

We welcome you to worship with us at 10 am EST on 4 January. You can join the community here and find the ritual here.


Sacrifice to Athena
At ancient Erkhia, on the 9th of Gamelion, a sacrifice was performed in honour of Athena. The calendar does not state a specific epithet or further details, so we will be honouring Her in all Her glory. Will you join us at 10 am EST on 23 January?


The ritual for the event can be found here and the community page here.
Two more sacrifices took place at the start of Gamelion: a sacrifice to Apollon Apotropaios, Nymphegetes, and the Nymphs, and a sacrifice to Athena. Will you join us for these on January 4th and January 5th, at the usual 10 am EST?

The sacrifice to Apollon Apotropaios, Nymphegetes, and the Nymphs
On 4 January, 10 am EST, we honour Apollon in His epithets of Apotropaios and Nymphegetes as well as His consorts, the Nymphs. This ancient sacrifice was held at Arkhia on Gamelion 8 and we invite you to join us.


Apollon Apotropaios (Ἀποτρόπαιοs) was and is the averter of evil. Rituals dedicated to the deity were apotropaic, intended to turn away harm or evil influences, as in deflecting misfortune. This could be anything from warding off a plague to keeping mice out of the grain storage.

Apollon Nymphegetes (Νυμφηγέτης) is 'Apollon who looks after nymphs', or 'Apollo who leads nymphs'. In this epithet, Apollon was and is a pastoral God, who was considered the protector of shepherds and pastoral life.

Nymphs are the female divinities of the natural features of the landscape, and there are many kinds, depending on the landscape they frequent.

Combining these traits into a single ritual can tell you all about it you need: this was a ritual to ward of the dangers of rural living (by addressing Apollon in his two protective epithets) and to invite blessings (from the nymphs) onto those who partook.

We welcome you to worship with us at 10 am EST on 4 January. You can join the community here and find the ritual here.


The sacrifice to Athena
At ancient Erkhia, on the 9th of Gamelion, a sacrifice was performed in honour of Athena. The calendar does not state a specific epithet or further details, so we will be honouring Her in all Her glory. Will you join us at 10 am EST on 5 January?


The ritual for the event can be found here and the community page here.
Two more sacrifices took place at the start of Gamelion: a sacrifice to and a sacrifice to Athena. Will you join us for these on January 15 (today) and January 16, at the usual 10 am EST?

The sacrifice to Apollon Apotropaios, Nymphegetes, and the Nymphs
On 15 January, 10 am EST, we honour Apollon in His epithets of Apotropaios and Nymphegetes as well as His consorts, the Nymphs. This ancient sacrifice was held at Arkhia on Gamelion 8 and we invite you to join us.


Apollon Apotropaios (Ἀποτρόπαιοs) was and is the averter of evil. Rituals dedicated to the deity were apotropaic, intended to turn away harm or evil influences, as in deflecting misfortune. This could be anything from warding off a plague to keeping mice out of the grain storage.

Apollon Nymphegetes (Νυμφηγέτης) is 'Apollon who looks after nymphs', or 'Apollo who leads nymphs'. In this epithet, Apollon was and is a pastoral God, who was considered the protector of shepherds and pastoral life.

Nymphs are the female divinities of the natural features of the landscape, and there are many kinds, depending on the landscape they frequent.

Combining these traits into a single ritual can tell you all about it you need: this was a ritual to ward of the dangers of rural living (by addressing Apollon in his two protective epithets) and to invite blessings (from the nymphs) onto those who partook.

We welcome you to worship with us at 10 am EST on 15 January. You can join the community here and find the ritual here.


The sacrifice to Athena
At ancient Erkhia, on the 9th of Gamelion, a sacrifice was performed in honour of Athena. The calendar does not state a specific epithet or further details, so we will be honouring Her in all Her glory. Will you join us at 10 am EST on 16 January?


The ritual for the event can be found here and the community page here.
At ancient Arkhia, on the 9th of Gamelion, a sacrifice was performed in honor of Athena. The calendar does not state a specific epithet or further details, so we will be honoring Her in all Her glory. Will you join us at 10 am EST on 27 January?


The ritual for the event can be found here and the community page here.

On 26 January, 10 am EST, we honor Apollon in His epithets of Apotropaios and Nymphegetes as well as His consorts, the Nymphs. This ancient sacrifice was held at Arkhia on Gamelion 8 and we invite you to join us.


Apollon Apotropaios (Ἀποτρόπαιοs) was and is the averter of evil. Rituals dedicated to the deity were apotropaic, intended to turn away harm or evil influences, as in deflecting misfortune. This could be anything from warding off a plague to keeping mice out of the grain storage.

Apollon Nymphegetes (Νυμφηγέτης) is 'Apollon who looks after nymphs', or 'Apollo who leads nymphs'. In this epithet, Apollon was and is a pastoral God, who was considered the protector of shepherds and pastoral life.

Nymphs are the female divinities of the natural features of the landscape, and there are many kinds, depending on the landscape they frequent.

Combining these traits into a single ritual can tell you all about it you need: this was a ritual to ward of the dangers of rural living (by addressing Apollon in his two protective epithets) and to invite blessings (from the nymphs) onto those who partook.

We welcome you to worship with us at 10 am EST on 26 January. You can join the community here and find the ritual here.
Two more sacrifices took place at the start of Gamelion: a sacrifice to and a sacrifice to Athena. will you join us for these on January 7 and January 8, at the usual 10 am EST?

The sacrifice to Apollon Apotropaios, Nymphegetes and the Nymphs
On Saturday 7 January, 10 am EST, we honour Apollon in His epithets of Apotropaios and Nymphegetes as well as His consorts, the Nymphs. This ancient sacrifice was held at Arkhia on Gamelion 8 and we invite you to join us.


Apollon Apotropaios (Ἀποτρόπαιοs) was and is the averter of evil. Rituals dedicated to the deity were apotropaic, intended to turn away harm or evil influences, as in deflecting misfortune. This could be anything from warding off a plague to keeping mice out of the grain storage.

Apollon Nymphegetes (Νυμφηγέτης) is 'Apollon who looks after nymphs', or 'Apollo who leads nymphs'. In this epithet, Apollon was and is a pastoral God, who was considered the protector of shepherds and pastoral life.

Nymphs are the female divinities of the natural features of the landscape, and there are many kinds, depending on the landscape they frequent.

Combining these traits into a single ritual can tell you all about it you need: this was a ritual to ward of the dangers of rural living (by adressing Apollon in his two protective epithets) and to invite blessings (from the nymphs) onto those who partook.

We welcome you to worship with us at 10 am EST on Monday 18 January. You can join the community here and find the ritual here.


The sacrifice to Athena
At ancient Arkhia, on the 9th of Gamelion, a sacrifice was performed in honour of Athena. The calendar does not state a specific epithet or further details, so we will be honouring Her in all Her glory. Will you join us at 10 am EST on Sunday 8 January?


The ritual for the event can be found here and the community page here.
I get a lot of questions from readers, and most of the time, the answers are fairly short. When I feel the question or the reply would be valuable to others as well, I make a post with a collection of them and post them in one go. Today is one of those posts.


"I really want to start doing daily rituals but I just don't know how to start or who to worship. Can you help me?"

Daily worship can be a very rewarding practice, but it is hard to get into. In ancient Hellas, the courtyard of the home often held a bômos, a free standing, raised, altar where the majority of household worship took place. Some houses also had a wall niche, an indoor worship area, either in a room especially designated for worship, or in the main family room. These altars were used to worship the Ephestioi (Εφεστιοι), the most personal of the household Theoi. These almost always included: Hestia, Zeus Ephestios (Overseer of the Hearth), Zeus Kthesios, and Agathós Daímōn. Worship of these deities was highly personal and many other Theoi could be added to this worship list.
 
If you wish to get into the routine of daily worship, these Theoi can be used as a base for ritual. Add to this short list any Theoi you feel drawn to or whose influence you feel you need in your life. My list can be found here. Pro tip: start with a short list and build up once you feel comfortable and you have found your rhythm.
 
~~~
 
"How should I celebrate the Noumenia?"

The goal of the Noumenia is to start fresh and to honor the household deities. It is a day of family, family meals, and the celebration of the new month. Part of that celebration can be to prepare for the new month by planning out important events--religious or secular--and writing them down, preferably with the whole family present. Offer sacrifices of honey cakes to Apollon Noumenios, Hestia,Hermes and Zeus Kthesios and refill your kathiskos.
 
~~~
 
"Some tragic events occurred and ever since I have felt odd working with Hermes or any gods. What would be a way I could find out if Hermes still wants to work with me, and if so what things would you suggest doing to work with him (altar suggestions, etc)? Thank you."

One thing that is generally hard for people to understand is that the attention the Theoi pay us does not waver and They do not pick favourites. They accept any and all worship and They are always there. What wavers is the level of attention we pay Them or the amount of time and brainpower we have to spare for Their worship. This is miasma, this is the disconnect between the Theoi and us. Think of it as a radio signal where the Theoi are the broadcasting party: They are always on but depending on the amount of interference and obstacles on our receiving end, the reception is clear or muddled. The ancient Hellenes understood this and that is why they were adamant about a daily practice and regular, state funded, festivals. Hermes is there. He is always there. I dislike the term ‘work with’ but if you wish to honour Him, then do so by any way you have already done. Give libations and sacrifices at your household shrine, read His mythology, meditate. He will be receptive.

~~~
 
"Were Elves or Faeries worshiped by the Ancient Hellenes? We know that there was influence from the Celts and maybe even the Nordics in ancient Hellas. Hence the Hyperboreas."

That's a complicated question to answer. And an easy one. No, Tolkien's Elves are not found in Hellenic mythology and neither was Tinkerbell. So, the question is: how do you define 'Elves' and how do you define 'Faeries'?

An elf, mythologically speaking, is a type of supernatural being in Germanic mythology and folklore. Back then mention of them was very uncommon and served as a race to offset the Giants. An elf in classical Eddaic poetry was male and prominently associated with sexual threats, seducing people and causing them harm. Needless to say, the image has changed since then.

The concept of 'fairy' in the narrow sense is unique to English folklore, conflating Germanic elves with influences from Celtic and Romance (French) folklores, and later made 'diminutive' according to the tastes of Victorian era fairy tales for children. These Celtic roots stem mostly from the The Tuatha Dé Danann, a race of supernaturally-gifted people in Irish mythology. They are thought to represent the main deities of pre-Christian Gaelic Ireland. Many of the Irish tales of the Tuatha Dé Danann refer to these beings as fairies, though in more ancient times they were regarded as Goddesses and Gods.

The ancient Hellenic empire was pretty large but Gaul (France and Belgium), Hispania (Spain) and Britannia (Britain) were reached mostly during the Roman occupation of these regions or provinces. Their influence did not carry over to ancient Hellas. That said, ancient Hellenic mythology does have its Dryads and Nymphs, so there are nature spirits that received worship, but no, no elves and no fairies.

~~~
 
"Do you use the Orphic Hymns in your practice?"

I do! I use as many ancient sources as I can, so that includes the Orphic hymns, the Homeric ones and any ohers I can find. I borrow from plays and philosophical texts as well. If it's ancient and about the Theoi, I'll use it in my rites.
On Monday 18 January, 10 am EST, we honour Apollon in His epithets of Apotropaios and Nymphegetes as well as His consorts, the Nymphs. This ancient sacrifice was held at Arkhia on Gamelion 8 and we would envite you to join us.


Apollon Apotropaios (Ἀποτρόπαιοs) was and is the averter of evil. Rituals dedicated to the deity were apotropaic, intended to turn away harm or evil influences, as in deflecting misfortune. This could be anything from warding off a plague to keeping mice out of the grain storage.

Apollon Nymphegetes (Νυμφηγέτης) is 'Apollon who looks after nymphs', or 'Apollo who leads nymphs'. In this epithet, Apollon was and is a pastoral God, who was considered the protector of shepherds and pastoral life.

Nymphs are the female divinities of the natural features of the landscape, and there are many kinds, depending on the landscape they frequent.

Combining these traits into a single ritual can tell you all about it you need: this was a ritual to ward of the dangers of rural living (by adressing Apollon in his two protective epithets) and to invite blessings (from the nymphs) onto those who partook.

We welcome you to worship with us at 10 am EST on Monday 18 January. You can join the community here and find the ritual here.
An often forgotten part of Hellenismos, Hellenic myth, and Hellenic religion in general is the worship of nature spirits. This group of divine and/or supernatural creatures was worshipped by many local cults back in the olden days, sometimes more actively than the worship of the Olympic Gods. This was especially true in the more rural areas.

The most famous of the nature spirits are the Nymphs. Nymphs are the female divinities of the natural features of the landscape, and there are many kinds, depending on the landscape they frequent. Their male counterparts are Centaurs, Sileni, and Satyrs.

A certain animistic worldview can be seen in the worship of nature spirits. It's one of the major links between Paganism and Hellenismos and yet, very few Hellenics actively partake in this type of worship or use it as a bridge. When I was young, I used to talk to trees and bushes. The rustling in the leaves reminded me of words. When I discovered Paganism, I made connections with trees or areas I felt were inhabited with something more than organic matter. I was never much of a tree hugger in the new age sense, but I know that some natural features are home to beings who are worthy of our respect.

The worship of nature spirits is easy; when you visit them at their home--an especially old oak tree, a lively stream or a bee visited meadow--you can leave them offerings. Nymphs recieved libations of water, and Satyrs enjoy wine. Seeing as you usually already have water with you when you go on a hike, you only have to pour some out and say a few words of thanks and greeting to satisfy them. This is a practice I much enjoy and gladly take part in.
Yesterday I got an interesting question from a reader named Wendy, who has allowed me to print part of her e-mail and my response to her so as to accomodate others who might be struggling with this question. It went as follows:

"Hi Elani, I read your blog a lot and saw that you wrote that sometimes sacrifices were burned fully, and sometimes they were only partly sacrificed and partly eaten. I think the difference is in who the sacrifice is to, but I have trouble deciding who should get what type of offering. Is there a list or something I can use? Thanks! Wendy."

Some definitions first: worship in ancient Hellas typically consisted of sacrificing at the altar with hymn and prayer. Holokautein (ὁλοκαυτεῖν) were sacrifices in which the sacrifice--domestic animal, fruits, cakes, wine, etc.--was utterly destroyed and burnt up, as opposed to thyesthai (θύεσθαι), in which the sacrifice was shared with the Gods in question and one's fellow worshippers. In the case of a latter animal sacrifice, the edible parts of the sacrificed animal were roasted or boiled and distributed for festive celebration, whereas the inedible parts were burned or placed on the altar, those being the Gods' share.

Let me now say that there is no list; well, I could probably make one but that would be highly impracticle and I would most likely forget two thirds of divinities and others who recieve(d) sacrifice. I can make a general working formula for you though: Ouranic deities (so any deity (!) who lives on the Earth, on Olympos, or in the sea) were honored with thyesthai. The Khthonic, or Underworld, deities, malign deities, heroes, the dead, ghosts and nymphs and their ilk recieved holókautein.

This distinction is very black and white, but there were variations, especially between city-states, but sometimes even within a single city-state. Context was important, but as a working model, the distinction above is useful. So, why this divide?

Sacrifices to the Ouranic deities were given to establish kharis: the act of giving to the Gods so They might give something in return. It's religious reciprocity. It is important to realize that even a sacrifice where the worshippers share in the sacrifice is essentially a holókaustos: the entire sacrifice is given to the Gods in question, but as part of kharis, the Gods do not take all of it, but give part of it back to Their worshippers to sustain them and reward them for their worship. So the entire sacrifice is property of the Gods as soon as it is dedicated to Them (a procession to the altar is sufficient for that, but hymns and prayers aid this proccess), but They share it with us. This way, kharis is established right away: I give to You, You give to me, and so we sustain and honor each other.

For holókautein, I am going to disregard the nymphs for a bit and come back to them later. Kharis need not be established with Khthonic deities: for us humans, we will go to the Underworld regardless of good standing. As with Ouranic sacrifices, the entire sacrifice belongs to the intended force as soon as it is dedicated to them, be it Underworld Gods, or the dead in any form (heroes, after all, are dead as well). As humans, we try not to get in contact with the Underworld, as it brings miasma with it: miasma describes the lingering aura of uncleanliness in regards to a person or space through which contact is made with the Gods. Miasma occurs whenever the space or person comes into contact with death, sickness, birth, sex, excessive negative emotions and bodily fluids. It also comes from a lack of contact with the Hellenic Gods. Not the actual acts of dying, sex and birth cause miasma but the opening up of the way to the Underworld (with births and deaths) as well as contact with sweat, blood, semen, menstrual blood and urine pollutes us.

If we were to partake from food that belongs to the Underworld (because we gave it to its deities), we would take something of the underworld inside of us, and as the myth of Persephone clearly states, this means you would become part of the Underworld itself. In my opinion, this is the main reason why we give holókautein to the Underworld deities and the dead.

As for the nymphs: they are a story unto themselves. We have very little factual information on the worship of nymphs. We know it took place, we know they receive libations (mostly of honey and water), and we know they had sactuaries which were sometimes tended to full time by self-appointed priests. There are, however, many forms of the nature spirits we call nymphs. Some are Ouranic in character, some Khthonic, so it varies what kind of sacrifice they got and get. Even more so, some source material (including Oedipus at Colonus by Sophocles) features libations of water and honey to non-specified nymphs, but which seem to have an Ouranic character. As such, I tend to give holocaustal sacrifices to the nymphs, just to be on the safe side.

I hope this generalized list helps in deciding how to sacrifice to which force and furthers your understanding of ancient Hellenic sacrificial practices. If you have a question you would like to ask, you can always contact me through Facebook or e-mail at baring.the.aegis at gmail dot com. I greatly enjoy answering questions so don't hesitate if you are struggling with something.
I have a fascination with caves, and I have visited many of them in my relatively short life. I have been to narrow natural caves full of stalagmites and stalactites, to huge caved in domes where upon emerging into the light was a truly spiritual experience, to man-made loam caves with the bloody scratch marks still etched in the soft stone, left by lost explorers, looking to get out. I have visited tiny caves known for their beautiful sediment, and caves only known for the concerts held there. Some of the caves I visited weren't interesting at all, but the guide managed to share its lore so convincingly that these caves have a special place in my heart, regardless. The one thing I have not done, but always wanted to do, is worship in them.


There is something primal about caves, especially natural ones. They take years upon years to develop, being etched out one grain of sand at a time by stubborn streams of water. Some caves have been around since the age of mankind, and often long before that. Caves had a special place in ancient Hellenic worship, and were often devoted to the ancient Gods, such as Zeus, Apollo, and Cybele and particularly to Pan and the Nymphs. Caves in Their honor could and can still be found all over the Greek countryside. They were dark places full of votive offerings and altars, which would come to life during rituals attended by the ancient followers of the Gods.

We have quite a bit of information on cave worship in ancient Hellas, and Krete in particular. Caves were important to the inhabitants of Krete since Neolithic times, first as homes, then as burial places, and eventually places of worship by the Middle Minoan period. We distinguish three categories of cave sanctuaries: the grotto (mainly a large niche), the simple cave (deep, but usually consisting of one large space), and the complex cave with multiple rooms, possibly reminiscent of a maze. The majority of the latter two contain elaborate stalagmites and stalactites, as well as water sources, making them mystical and otherworldly places per excellence, as well as practical places to worship in a religion where the sprinkling of water-made-sacred is a staple.

Caves in the ancient Hellenic religion often connect to the wild and unknowable: not only do they often house 'monsters' (like the Cyclops in the Odysseia, and the Centaur Kheiron), but they are the houses of 'wild' women like Calypso, as well as of the Nymphs, and Pan. Yet, these are not completely wild; they occupy the space between the untamed wild and the carefully tended field of civilized life. Their places of worship--when they attracted cult worship, like the Nymphs and Pan--including caves, but also actual gardens, do not represent the rule of mankind over nature; it is better to say that these places represent ideal nature--untamed, yet safe, comfortable, and full of beauty. A true natural sanctuary. Jennifer Larson, in the excellent essay 'A Land Full of Gods: Nature Deities in Greek Religion' speaks of this connection to the idea of the 'divine garden' and caves, saying:

"During the archaic and classical periods, the nymphs were credited with the ability to 'seize' individuals and inspire them. These nympholepts [persons seized by the Nymphs] sometimes withdrew to cave shrines and spent their lives communing with the nymphs and other resident gods. They welcomed visitors and may have acted as prophets. One such nympholept was Archedamus, an immigrant from Thera, who devoted his life to the maintenance of a sanctuary of the nymphs at Vari in Attica (Figure 3.1). At the instruction of the nymphs, he cut stairs, sculptures, and inscriptions into the rock of a cave, and outside it cultivated a garden. At a cave near Pharsalus, Pantalces left a long inscription inviting worshipers to enjoy themselves and take pleasure in the sanctuary. He refers twice to the growing things that he planted, and tells how the nymphs made him an overseer of the place. He lists the resident gods: the nymphs, Pan, and Hermes are mentioned first, then a number of gods concerned with the health and nurture of youths: Apollo, Heracles, Chiron, Asclepius, and Hygieia. Archedamus’ and Pantalces’ shared conception of the proper way to honor the nymphs includes the idea that their dwelling is not a temple but a cave, a natural shelter with certain analogies to human structures, but distinct from them. It is permissible, even necessary, for the human worshiper to improve on the natural contours of the cave." [59]

Divination is attested to cave worship more often. In Minoan times, caves were places one visited to go on a type of vision-quest ritual, whereby the worshipper went into a trance to encounter a deity. In the later Hellenic periods, this type of ritual use seems to have faded, but divination still played a large part in the ritualized function of caves. Pilgrims to the oracle of Delphi brought hundreds of seashells from the Corinthian gulf as gifts for the Nymphs, who were said to share a cave with Pan at the sanctuary. In the cave, knucklebones from sheep and goats were used in an old divinatory tradition called 'astragaloi'. Oracular forms of knowledge were inspired by Apollo and the Muses, and they often came from the bottom of a cave, like at Delphi. There are many other testaments to caves where visitors flocked to the receive prophetic dreams, oracular messages or other divine messages.

Besides an oracular function, caves were also sometimes considered entrances to the Underworld--indeed, the Underworld itself, located under the surface of the Earth, is an immense cave. At Eleusis is a shallow cave, the Cave of Hades, or as it was known then, the Precinct of Plouton. The would be initiates of the Mysteries would have visited this cave as part of their preparation. Most likely, there were sacrifices made here, and perhaps rites of purification. The cave was considered the exact place where Kore was abducted, and for the initiates, it would have been a place to of death, from which only the purified would return to 'live again', like Persephone.

Interestingly enough, many Gods were born in caves: Maia (a Nymph) lived in a cave when she gave birth to Hermes, Zeus was hidden, if not birthed, in a cave on mount Ida (pictured right), where He and His mother Rhea were worshipped, Dionysos spent His infancy in a cave, and I am sure there are more examples. In fact, the cave sanctuary of Eileithyia at Amnissos was wholly dedicated to birth, and the Goddess of childbirth, who was said to have been born in the cave herself was given offerings of honey. Within the cave, there is a large stone resembling a pregnant belly, and a stalagmite resembling a female body. Eileithyia’s cave is mentioned in the Odysseia:

"He anchored at Amnisus, a tricky harbour, near the cave of Eileithyia, and barely escaped shipwreck." [19.188]

Birth and death both opened up passageways to the Underworld, this is why both carried miasma. That both passageways are connected to caves--which can most certainly appear as passageways themselves, as we have seen with the Cave of Hades--does not feel at all like a coincidence to me.

Caves did not always have a religious function: they were also used as places of punishment, and sometimes a tool of capital punishment, where the captured died a slow death by starvation and thirst. This process is documented by Sophocles in 'Antigone', as Creon condemns Antigone to death in exactly such a cave for trying to recover the body of her brother from outside the city walls against Creon's wishes. It is certainly feasible that non-mythological persons were condemned to death in much the same way. From 'Antigone':

"CREON: Know ye not that songs and wailings before death would never cease, if it profited to utter them? Away with her-away! And when ye have enclosed her, according to my word, in her vaulted grave, leave her alone, forlorn-whether she wishes to die, or to live a buried life in such a home. Our hands are clean as touching this maiden. But this is certain-she shall be deprived of her sojourn in the light.

ANTIGONE: Tomb, bridal-chamber, eternal prison in the caverned rock, whither go to find mine own, those many who have perished, and whom Persephone hath received among the dead! Last of all shall I pass thither, and far most miserably of all, before the term of my life is spent. But I cherish good hope that my coming will be welcome to my father, and pleasant to thee, my mother, and welcome, brother, to thee; for, when ye died, with mine own hands I washed and dressed you, and poured drink-offerings at your graves; and now, Polyneices, 'tis for tending thy corpse that I win such recompense as this."

Caves were often focal points of local worship, and not every cave was considered sacred. Some, however, had mythology connected to it, and this made them excellent places for worship. The sober atmosphere of natural caves, coupled with their unique beauty, set them apart from the civilized world. This makes it easier to connect to the spirit of the wilderness, to Nymphs and Pan. The fact that their darkness can hide even the most gruesome of monsters makes them just a touch more dangerous--unless they are dedicated to the Nymphs or Gods, then they are quite safe to enter and worship at; a practice most certainly wide-spread in ancient Hellas.

Image source Cave of Zeus: Wikipedia Commons
In the middle of the Lesser Mysteries is another festival, one that seems very minor, but which was very widespread in ancient Hellas. From Athens, to Erchia, to Agria, the night of the twenty-third of the month of Anthesterion was reserved for the Diasia, an ancient festival--even back then--dedicated to Zeus Meilichios. I have written before that Zeus Meilichios (Ζεύς Μειλίχιος, the Kindly One) is a Khthonic epithet of Zeus, who receives only nighttime sacrifices, and only by way of a holókaustos. Zeus seems to have adopted the Meilichios epithet from an older Khthonic serpent daímōn or Theos. He is--like the Erinyes and Alastôr--an avenger of blood feuds between families. Yet, unlike the others, Zeus Meilichios is also a purifier. When someone avenged the murder of a family member by killing the killer--or even someone else from that family line--they could petition Zeus Meilichios with a holókaustos of sheep (ram, or another four-legged creature would also suffice) and be cleansed of miasma caused by this murder. The skin from the sacrifice may have been saved for purification rites in the Pompia.

The Diasia was as much a rural festival as it was a city festival: it was one of the few instances where those who lived outside of the city gates brought their own sacrifices, and the city's inhabitants left the city to celebrate a festival outside the walls where they would make impromptu stone altars to sacrifice on. Those who could not afford to--or did not want to--present Zeus Meilichios with an animal sacrifice offered incense or cakes shaped like animals, especially in later years.

The Diasia was a hugely important festival, because it was a festival full of rites of placation and purification. By sacrificing and praying to Zeus Meilichios at His sacred night, the sacrificer was able to have any curse placed upon him, as well as any lingering miasma, removed. Zeus Meilichios was one of the very few who was powerful enough to remove any kind of miasma. I would like to note here, that I do not think the dating of the Diasia to fall in the sacred days of the Lesser Mysteries was an accident. Mythically speaking, the Lesser Mysteries were instituted to cleanse Hēraklēs of the miasma incurred from killing his family in a fit of madness, as well as the death of the kentaur Nessus; who better to offer and pray to than Zeus Meilichios for its removal? We know that the Diasia was celebrated at Eleusis, although we do not know in what capacity--in fact, there is very little we do know of the Diasia besides the reason for the rites.

There are a few tidbits I have been able to dig up: the sacrifice was meant to take miasma off of those who sacrificed it. As such, especially when the sacrifice was still animal in nature, the worshippers were encouraged to place their left foot on the animal before it was burned. After the offerings were placed on the fire--whatever they were, they were left to 'local custom'--a libation was poured out into the fire as well. This was a wineless libation, an aoinoi, or nephalioi. Wineless libations were almost always given to Khthonic deities, or earth deities like the Nymphs, the Muses and the Erinyes, and always in a khoe--a complete outpour of the liquid(s). Like most offerings to the dead or Khthonic deities, the offering consisted of water, honey, and/or milk.

The Diasia was most likely also a harvest festival of some kind; due to the weather conditions in ancient Hellas the ancient Hellenes would have been close to harvest time around the Diasia, especially for grain, vine, fig and olive, yet the weather could still take a turn for the worst. To prevent this, the Diasia might have had a placating rite where Zeus Meilichios was asked to keep the bad weather at bay and allow for a good harvest to replenish the foodstores. It's entirely possible that this rite was held separate from the purification rites associated with the festival, although they were tied together, as we have been able to see with the Anthesteria.

So, how does a modern Hellenist celebrate the Diasia? The obvious answer would be with sacrifices of meat, cakes and/or incense, as well as libations of water, milk, and/or honey. The Diasia was a special festival in that a mostly Khthonic deity was worshipped during the daylight hours, and in a large kind of picnic. If you have been tainted by the death of a loved one near this festival, or you have committed a crime, say prayers to Zeus Meilichios and ask to be relieved of them. Think of the minor acts in life that lead to miasma, and consciously leave them behind. Prepare a feast for your family, and be grateful for the food you can provide for them, especially those who grow their own food can ask for a good harvest. The Diasia is a somber festival, but one which makes way for plenty of good--it's not for naught that Zeus Meilichios is often represented with a cornucopia. It's a day to be extra grateful for all that you have, and to articulate that gratitude to the Kindly One.
The Hellenic pantheon literally has hundreds of Gods, Goddesses, Titans, nature spirits, heroes, kings and queens. Although Hellenismos focusses mostly on the Big Twelve, Hades, Hestia and Hekate, Hellenic mythology is a true treasure trove of immortals. Most of these 'lesser' immortals get very little attention, and I'd like to change this. So, ever now and again, I'm going to introduce one of the lesser known immortals and  try and find a place for them in modern Hellenistic worship, based off of their ancient Hellenic worship. Today, I'm introducing to you Amphitrite (Ἀμφιτρίτη), wife of Poseidon.


Amphitrite's parentage is debated. She is described as being a daughter of Oceanos and Tethys, and thus one of the Oceanids, in Apollodorus' Bibliotheca, but Hesiod lists her as a Nereid, the daughter of Nereus and Doris. In the Theogony, Hesiod writes:

"And of Nereus and rich-haired Doris, daughter of Ocean the perfect river, were born children, passing lovely amongst goddesses, Ploto, Eucrante, Sao, and Amphitrite."

From this, we can deduce that Amphitrite's genealogy looks something like this, according to Hesiod:

Or like this, from the Bibliotheca:

Amphitrite is a sea Goddess, as is clear by Her parentage (no matter the author) and Her marriage to Poseidon, Lord of the Mediterranean seas. Amphitrite's offspring are many, seeing and both seals and dolphins were born from Her. She also had a merman son, Triton (Τρίτων), and a sea nymph daughter, Rhode (Ῥόδη), with Poseidon. According to the Bibliotheca, the two had another daughter, Benthesikyme, who went on to rear Her half brother Eumolpus, son of Chione and Poseidon.

Amphitrite didn't have a cult dedicated to Her worship back in ancient Hellas, but She was of great importance in the archaic age. She is mentioned in the Homeric Hymn to Delian Apollon as one of Leto's midwives and before Poseidon's rule of the sea became supreme, Amphitrite ruled it, along with Her Nereids. This remained true at least until the Illiad. Even after that, when Amphitrite was mentioned in texts which proclaimed Her dominance of the sea, Poseidon was rarely mentioned. If anything, He was mentioned as her husband, and not the other way around. There is evidence of Her worship at the temple of Poseidon at Korinthos, at the altar of Apollon at Amyklai in Lakonia and at Olympia.

Another indication that this was one special Lady is the tale of how the two ended up together. Poseidon saw her dancing with Her Nereids at Naxos (Νάξος), one of the larger islands of Greece. He fell for Her instantly and tried to take Her. She rebuffed His advances and fled to Atlas, the farthest end of the sea. Poseidon, sick with love, sent His dolphin after Her to persuade Her to talk to Him, at least. He eventually found Her and spoke on behalf of His master. His words were so sweet and rang so true, that Amphitrite decided to give Poseidon a chance. It was because of the dolphin, Poseidon eventually got to marry Amphitrite, and He was so grateful, He placed the dolphin in the sky as the constellation Delphinus.

Due to her marriage with Poseidon, She is often depicted with a crown on Her head. Most often, She is beside Him, on a throne or in His chariot, like above. She is depicted as a young woman, often with a hand raised like a pincer. Often times, Her hair is covered with a net, and small crab claws adorn Her brow like little horns. 

Amphitrite is the female personification of the sea; she is not merely of the sea, she is it. She is the Queen of the sea and its supreme ruler, although She shares this glory with Poseidon, Oceanos, and other immortals of the sea. When calling to Her, you may use one of Her official titles: the loud-moaning mother of fish, seals and dolphins. For modern Hellenists, it may be wise to praise and offer to Her as well as Her husband when traveling over water, or when celebrating His festivals. This is specially true when worshipping Poseidon in one of His sea-related epithets. Like Poseidon, She may be appeased with fumigations of myrrh incense and the outpour of (sea) water.
An often forgotten part of Hellenismos, Hellenic myth and Hellenic religion in general is the worship of nature spirits. This group of divine and/or supernatural creatures was worshipped by many local cults back in the olden days, sometimes more actively than the worship of the Olympic Gods. This was especially true in the more rural areas.
    The most famous of the nature spirits are the Nymphs. The term Nymph means 'bride' and although these creatures rarely married, they were certainly desired. Nymphs are the divinities of the natural features of the landscape. Nymphs are always female and there are many kinds. Amongst others there are the: Alseid, Auloniad, Aurai, Crinaeae, Dryads, Eleionomae, Epimeliades, Hamadryads, Hesperides, Leimoniades, Limnades, Meliae, Naiads, Napaeae, Nereids, Oceanids, Oreades, Pegaeae, Pegasides, Pleiades and Potamides. Their male counterparts are Centaurs, Sileni, and Satyrs. Dryads, for example, are Nymphs of the trees (especially oak trees). Naiads are are Nymphs of the oceans, Oreads are nymphs of the mountains and Epimeliades, for example, protect flocks (or a specific flock) of sheep.

    In Hellenic mythology, nature spirits are rarely featured. When they are featured, the female nature spirits are usually chased, or even sexually molested by Gods or Satyrs. What Satyrs do is, of course, legendary. It is interesting to note that Nymphs are often revered side by side with the Gods who chase them and they share shrine space easily. The two are connected and usually enjoy the company of the other party. Examples include Dionysos, Apollon, Pan, Poseidon and Hermes. Goddesses who are closely associated with Nyads and other nature spirits are Artemis, Callisto and Aphrodite.

    Certain Nymphs--Naiads, Nereids and Limnades especially--are known for their healing powers. The waters they guards are often used in potions or used to wash away the disease with. Other Nymphs are known for their ability to gift the supplicant with prophetic powers. Those thus touched by a Nymph are called Nympholepts. Nympholepts were on the fringes of society in ancient Hellas but it were these men and women who tended the shrines for the Nymphs; an important task. Nympholept has several meanings; it can be someone who has prophetic powers, as gifted by Nymphs, like just discussed. It was also used as a term to describe those who were seen as possessed by the Nymphs and as a term for the priests and caretakers of the shrines of the Nymph cults.

    The worship of nature spirits is easy; when you visit them at their home--an especially old oak tree, a lively stream or a bee visited meadow--you can leave them offerings. Suitable offerings are a bit of water from your flask, shiny things like coins or honey. Especially honey is closely related to nature spirits--Nymphs in particular--as they were often assumed to taken the form of bees to interact with us. 

    A certain animistic worldview can be seen in the worship of nature spirits. It's one of the major links between Paganism and Hellenismos and yet, very few Hellenics actively partake in this type of worship or use it as a bridge. When I was young, I used to talk to trees and bushes. The rustling in the leaves reminded me of words. When I discovered Paganism, I made connections with trees or areas I felt were inhabited with something more than organic matter. I was never much of a tree hugger in the new age sense, but I know that some natural features are home to beings who are worthy of our respect. I will make the worship of nature spirits an active part of my practice and I hope others do as well; if not to honor these beings than to bridge the gap between Paganism and Hellenismos. That might be more important than we realize.