Showing posts with label Diodorus Siculus. Show all posts
Showing posts with label Diodorus Siculus. Show all posts

 I'm low on time today, but I would like to share a beautiful translation of a piece of the Greek Anthology. The Greek Anthology (Anthologia Graeca) is a collection of poems, mostly epigrams, that span the classical and Byzantine periods of Greek literature. Most of the material of the Greek Anthology comes from two manuscripts, the Palatine Anthology of the 10th century and the Anthology of Planudes (or Planudean Anthology) of the 14th century. Needless to say, they are not ancient Hellenic, but use themes from its mythology and I enjoy sampling them.


Now, the Greek Anthology has been translated many times and I am not a fan of most. Take this translation, for example, of the part I'd like to share today:

"Even like unto a storm in springtime, Diodorus, 
is my love, determined by the moods of an uncertain sea. 
At one time you display heavy rain-clouds, 
at another again the sky is clear 
and your eyes melt in a soft smile. 

And I, like a shipwrecked man in the surge, 
count the blind waves as I am whirled 
hither and thither at the mercy of the mighty storm. 

But show me a landmark either of love or of hate, 
that I may know in which sea I swim."
[12.156]

Perfectly fine, but it doesn't flow for me. Here is today's offering, and I love it! From Sententiae Antiquae:

"Just like a spring storm, Diodoros,
My love is decided by an uncertain sea.
Sometimes you show pouring rain, but at others
You are clear, and you pour a soft smile from your eyes.

So I, like the shipwrecked on the swell,
Measure out the blind waves as I spin,
Drawn here and there by the great storm.

But you, shine me a beacon of love or even hate
So I can know by which wave we should swim."
[12.156]

 The beautiful thing about our religion is that not only do we have a clear way to honor the Theoi, and incentive to do so, we also get to live in a world governed completely by the Theoi. Hellenismos is special in that regards because it also largely matches up with science. To me--and many others with me--that is something very comforting. Now, as you are probably all aware, I live in a world full of Gods and Nymphs; for example, I take great strength in greeting Eos each morning as she paves the way for Helios, but there are many Gods who are, or who control, the cycle of day and night, and I would like to write out this cycle, if I may.


For all things geneological, I will always turn to Hesiod first. In his 'Theogony', he speaks of the birth of the Dawn, Sun and Moon:

"And Theia was subject in love to Hyperion and bare great Helios, and clear Selene, and Eos." [177]

Diodorus Siculus, in his 'Library of History' shares this world vieuw and moves a (pseudo-scientific) step beyond it:

"Of Hyperion we are told that he was the first to understand, by diligent attention and observation, the movement of both the sun and the moon and the other stars, and the seasons as well, in that they are caused by these bodies, and to make these facts known to others; and that for this reason he was called the father of these bodies, since he had begotten, so to speak, the speculation about them and their nature." [5.67.1]

Hyperion (Ὑπερίων), meaning 'The High-One', was a Titanes God born from Gaea and Ouranos. Theia and Euryphaessa (as mentioned in, for example, the Homeric Hymns) are generally regarded as the same Deathless woman: 'Theia' is the Hellenic word for 'Goddess', so it was likely 'Theia Euryphaessa' translated to 'Goddess Euryphaessa'. This means that the family tree is as follows:

     Khaos ------------ Gaea
         |         |
   Ouranos --- |
                       Hyperion --- Euryphaessa
                   |
                  Eos - Helios - Selene

The three of them--put into motion by Hyperion--form the basic cycle of these planets associated with specific times of day. Yet, the ancient Hellenes saw Night and Day as quite seperate from the heavenly bodies that are associated with them today. I have spoken before of the Protogenoi, and how They--contrary to the Olympians--are actually of the world; They, together, form the tapistry of earth and life. They literally make up our universe. As such, the further towards the Big Bang you go, the more abstract the Theoi become; They take on large, mostly unformed, chunks of the material that makes up our world and the further away you go from Khaos, the more specialized the Gods become--as well as numerous.

As such, starting this explination with Hyperion is actually incorrect--I should have started with Khaos itself, but if not there, than at least with Nyx, who is the deep Night, and Her daughter Hêmera (Ἡμερα), who is the Protogenos of the Day and the sister-wife of Aither (Light). In Hellenic mythology, Nyx draws a veil of darkness between the shining atmosphere of the aither and the lower air of earth (aer) at set times in the day, bringing night to man. In the morning, Hêmera removes this veil, and exposed the Earth once more to Light. As Hesiod writes in the Theogony:

"[At the ends of the earth, where lie the roots of earth, sea, Tartaros :] There stands the awful home of murky Nyx wrapped in dark clouds. In front of it [Atlas] the son of Iapetos stands immovably upholding the wide heaven upon his head and unwearying hands, where Nyx and Hemera draw near and greet one another as they pass the great threshold of bronze: and while the one is about to go down into the house, the other comes out at the door. And the house never holds them both within; but always one is without the house passing over the earth, while the other stays at home and waits until the time for her journeying come; and the one holds all-seeing light (phaos) for them on earth." [744]

Once we reach AD times, Hêmera is often identified with Eos, but in centuries prior, she was very much Her own Goddess, and Hêmera was as well. Hómēros, for example, in the 'Odysseia' writes: 

"The ship [of Odysseus] in due course left the waters of the river Okeanos and reached the waves of the spacious sea and the island of Aiaia; it is there [Okeanos] that Eos the early-comer (Erigeneia) has her dwelling place and her dancing grounds, and the sun himself has his risings. We came came in; we beached our vessel upon the sands and disembarked upon the sea-shore; there we fell fast asleep, awaiting ethereal Dawn." [12.1]

So, to recapitulate: Nyx and Hêmera continually work to both create and dissolve darkness on Earth; Selene moves with Nyx, and Helios with Hêmera, as heralded by Eos. In this recap, it is quite obvious we are yet missing a speciffic time of the day: dusk, or the evening. This was in the domain of the Nymphs, in this case the Hesperides (Ἑσπεριδες), who--depending of source--are either the daughters of Nyx or Atlas. Diodorus Siculus, in the 1st Century BC., wrote in his 'Library of History': 

"Now Hesperos (Evening) begat a daughter named Hesperis (Evening), who he gave in marriage to his brother [Atlas] and after whom the land was given the name Hesperitis; and Atlas begat by her seven daughters, who were named after their father Atlantides, and after their mother Hesperides." [4. 26. 2]

Yet, older sources agree that the Hesperides were born from Nyx; Hesiod, for example:

"And Nyx (Night) bare hateful Moros (Doom) and black Ker (Violent Death) and Thanatos (Death), and she bare Hypnos (Sleep) and the tribe of Oneiroi (Dreams). And again the goddess murky Nyx, though she lay with none, bare Momos (Blame) and painful Oizys (Misery), and the Hesperides who guard the rich, golden apples and the trees bearing fruit beyond glorious Okeanos."

Of course, there are more Gods--motly Titans--who are in some way connected to the cycle of night and day, but these are the most important ones and it's quite a hand full already. So perhaps next time when you awake, you will think of Hêmera, and rosy Eos, and when the sun is high in the sky, you will think of Him as well, and when you look upon the Moon before going to bed, you will give honors to Selene and Nyx, who holds Her and Gaea in Her embrace. Our Gods are everywhere; you only have to be aware of Them to notice.

According to Hellenic mythology, the Olympic Games were founded by Herakles. It happened after he captured the Cretan Bull, the very same bull that got Pasiphaê, wife of Minos, pregnant with the Minotaur. There is an extended break between the completion of this labour and the start of the next, during which the Olympics came to be.

After capturing the bull, Herakles took some time to unwind, feast, and thank the Gods for all he had achieved so far. Chief amongst his accomplishments in his time off time period is the founding of the Olympic Games, which even Pausanias attributed to Herakles in the mythological retelling of the practice. He writes in his 'Description of Greece':

"Heracles of Ida, therefore, has the reputation of being the first to have held, on the occasion I mentioned, the games, and to have called them Olympic. So he established the custom of holding them every fifth year, because he and his brothers were five in number." [5.7.9]

Corroborating accounts come from, for example, Diodorus Siculus who writes:

"After the performance of this Labour Heracles established the Olympic Games, having selected for so great a festival the most beautiful of places, which was the plain lying along the banks of the Alpheius river, where he dedicated these Games to Zeus the Father. And he stipulated that he prize in them should be only a crown, since he himself had conferred benefits upon the race of men without receiving any monetary reward.

All the contests were won by himself without opposition by anyone else, since no one was bold enough to contend with him because of his exceeding prowess. And yet the contests are very different one from another, since it is hard for a boxer or one who enters for the “Pankration” to defeat a man who runs the “stadion,” and equally difficult for the man who wins first place in the light contests to wear down those who excel in the heavy. Consequently it was fitting that of all Games the Olympic should be the one most honoured, since they were instituted by a noble man." [4.14.1 - 4.14.2]

That said, of course there are a great many non-mythological accounts of how the Olympics came to be. My favorite, perhaps, is from Diodorus Siculus again, who writes a beautiful line between myth and his reality, speaking of the five Daktyloi, daimones who were appointed by Rhea to guard the infant God Zeus in a cave on Mount Ida in Krete and eventually established the Olympic Games in the age of Kronos. One of them was called Hēraklēs as well:

"Also the greater number of the gods who, because of their benefactions to all men alike, have been accorded immortal honours, had their origin, so their myths relate, in their land; and of the tradition regarding these gods we shall now give a summary account, following the most reputable writers who have recorded the affairs of Crete.

The first of these gods of whom tradition has left a record made their home in Crete about Mt. Idê and were called Idaean Dactyli. These, according to one tradition, were one hundred in number, but others say that there were only ten to receive this name, corresponding in number to the fingers (dactyli) of the hands.

But some historians, and Ephorus is one of them, record that the Idaean Dactyli were in fact born on the Mt. Idê which is in Phrygia and passed over to Europe together with Mygdon; and since they were wizards, they practised charms and initiatory rites and mysteries, and in the course of a sojourn in Samothrace they amazed the natives of that island not a little by their skill in such matters. And it was at this time, we are further told, that Orpheus, who was endowed with an exceptional gift of poesy and song, also became a pupil of theirs, and he was subsequently the first to introduce initiatory rites and mysteries to the Greeks.

However this may be, the Idaean Dactyli of Crete, so tradition tells us, discovered both the use of fire and what the metals copper and iron are, as well as the means of working them, this being done in the territory of the city of Aptera at Berecynthus, as it is called; and since they were looked upon as the originators of great blessings for the race of men, they were accorded immortal honours. And writers tell us that one of them was named Heracles, and excelling as he did in fame, he established the Olympic Games, and that the men of a later period thought, because the name was the same, that it was the son of Alcmenê who had founded the institution of the Olympic Games." [5.64.2 - 5.64.6]

No one knows who actually founded the first Olympics, so I'll take the mythical explanation of a hero named Herakles, who founded the Games to honor the Gods and receive blessings upon himself so he would be able to complete the coming labors.
The beautiful thing about our religion is that not only do we have a clear way to honor the Theoi, and incentive to do so, we also get to live in a world governed completely by the Theoi. Hellenismos is special in that regards because it also largely matches up with science. To me--and many others with me--that is something very comforting. Now, as you are probably all aware, I live in a world full of Gods and Nymphs; for example, I take great strength in greeting Eos each morning as she paves the way for Helios, but there are many Gods who are, or who control, the cycle of day and night, and I would like to write out this cycle, if I may.

For all things geneological, I will always turn to Hesiod first. In his 'Theogony', he speaks of the birth of the Dawn, Sun and Moon:

"And Theia was subject in love to Hyperion and bare great Helios, and clear Selene, and Eos." [177]

Diodorus Siculus, in his 'Library of History' shares this world vieuw and moves a (pseudo-scientific) step beyond it:

"Of Hyperion we are told that he was the first to understand, by diligent attention and observation, the movement of both the sun and the moon and the other stars, and the seasons as well, in that they are caused by these bodies, and to make these facts known to others; and that for this reason he was called the father of these bodies, since he had begotten, so to speak, the speculation about them and their nature." [5.67.1]

Hyperion (Ὑπερίων), meaning 'The High-One', was a Titanes God born from Gaea and Ouranos. Theia and Euryphaessa (as mentioned in, for example, the Homeric Hymns) are generally regarded as the same Deathless woman: 'Theia' is the Hellenic word for 'Goddess', so it was likely 'Theia Euryphaessa' translated to 'Goddess Euryphaessa'. This means that the family tree is as follows:

     Khaos ------------ Gaea
         |         |
   Ouranos --- |
                       Hyperion --- Euryphaessa
                   |
                  Eos - Helios - Selene

The three of them--put into motion by Hyperion--form the basic cycle of these planets associated with specific times of day. Yet, the ancient Hellenes saw Night and Day as quite seperate from the heavenly bodies that are associated with them today. I have spoken before of the Protogenoi, and how They--contrary to the Olympians--are actually of the world; They, together, form the tapistry of earth and life. They literally make up our universe. As such, the further towards the Big Bang you go, the more abstract the Theoi become; They take on large, mostly unformed, chunks of the material that makes up our world and the further away you go from Khaos, the more specialized the Gods become--as well as numerous.

As such, starting this explination with Hyperion is actually incorrect--I should have started with Khaos itself, but if not there, than at least with Nyx, who is the deep Night, and Her daughter Hêmera (Ἡμερα), who is the Protogenos of the Day and the sister-wife of Aither (Light). In Hellenic mythology, Nyx draws a veil of darkness between the shining atmosphere of the aither and the lower air of earth (aer) at set times in the day, bringing night to man. In the morning, Hêmera removes this veil, and exposed the Earth once more to Light. As Hesiod writes in the Theogony:

"[At the ends of the earth, where lie the roots of earth, sea, Tartaros :] There stands the awful home of murky Nyx wrapped in dark clouds. In front of it [Atlas] the son of Iapetos stands immovably upholding the wide heaven upon his head and unwearying hands, where Nyx and Hemera draw near and greet one another as they pass the great threshold of bronze: and while the one is about to go down into the house, the other comes out at the door. And the house never holds them both within; but always one is without the house passing over the earth, while the other stays at home and waits until the time for her journeying come; and the one holds all-seeing light (phaos) for them on earth." [744]

Once we reach AD times, Hêmera is often identified with Eos, but in centuries prior, she was very much Her own Goddess, and Hêmera was as well. Hómēros, for example, in the 'Odysseia' writes: 

"The ship [of Odysseus] in due course left the waters of the river Okeanos and reached the waves of the spacious sea and the island of Aiaia; it is there [Okeanos] that Eos the early-comer (Erigeneia) has her dwelling place and her dancing grounds, and the sun himself has his risings. We came came in; we beached our vessel upon the sands and disembarked upon the sea-shore; there we fell fast asleep, awaiting ethereal Dawn." [12.1]

So, to recapitulate: Nyx and Hêmera continually work to both create and dissolve darkness on Earth; Selene moves with Nyx, and Helios with Hêmera, as heralded by Eos. In this recap, it is quite obvious we are yet missing a speciffic time of the day: dusk, or the evening. This was in the domain of the Nymphs, in this case the Hesperides (Ἑσπεριδες), who--depending of source--are either the daughters of Nyx or Atlas. Diodorus Siculus, in the 1st Century BC., wrote in his 'Library of History': 

"Now Hesperos (Evening) begat a daughter named Hesperis (Evening), who he gave in marriage to his brother [Atlas] and after whom the land was given the name Hesperitis; and Atlas begat by her seven daughters, who were named after their father Atlantides, and after their mother Hesperides." [4. 26. 2]

Yet, older sources agree that the Hesperides were born from Nyx; Hesiod, for example:

"And Nyx (Night) bare hateful Moros (Doom) and black Ker (Violent Death) and Thanatos (Death), and she bare Hypnos (Sleep) and the tribe of Oneiroi (Dreams). And again the goddess murky Nyx, though she lay with none, bare Momos (Blame) and painful Oizys (Misery), and the Hesperides who guard the rich, golden apples and the trees bearing fruit beyond glorious Okeanos."

Of course, there are more Gods--motly Titans--who are in some way connected to the cycle of night and day, but these are the most important ones and it's quite a hand full already. So perhaps next time when you awake, you will think of Hêmera, and rosy Eos, and when the sun is high in the sky, you will think of Him as well, and when you look upon the Moon before going to bed, you will give honors to Selene and Nyx, who holds Her and Gaea in Her embrace. Our Gods are everywhere; you only have to be aware of Them to notice.
I'm low on time today, but I stumbled upon a beautiful translation of a piece of a piece of the Greek Anthology yesterday that I would like to share. The Greek Anthology (Anthologia Graeca) is a collection of poems, mostly epigrams, that span the classical and Byzantine periods of Greek literature. Most of the material of the Greek Anthology comes from two manuscripts, the Palatine Anthology of the 10th century and the Anthology of Planudes (or Planudean Anthology) of the 14th century. Needless to say, they are not ancient Hellenic, but use themes from its mythology and I enjoy sampling them.

Now, the Greek Anthology has been translated many times and I am not a fan of most. Take this translation, for example, of the part I'd like to share today:

"Even like unto a storm in springtime, Diodorus, 
is my love, determined by the moods of an uncertain sea. 
At one time you display heavy rain-clouds, 
at another again the sky is clear 
and your eyes melt in a soft smile. 

And I, like a shipwrecked man in the surge, 
count the blind waves as I am whirled 
hither and thither at the mercy of the mighty storm. 

But show me a landmark either of love or of hate, 
that I may know in which sea I swim."
[12.156]

Perfectly fine, but it doesn't flow for me. Here is today's offering, and I love it! From Sententiae Antiquae:

"Just like a spring storm, Diodoros,
My love is decided by an uncertain sea.
Sometimes you show pouring rain, but at others
You are clear, and you pour a soft smile from your eyes.

So I, like the shipwrecked on the swell,
Measure out the blind waves as I spin,
Drawn here and there by the great storm.

But you, shine me a beacon of love or even hate
So I can know by which wave we should swim."
[12.156]


According to Hellenic mythology, the Olympic Games were founded by Herakles. It happened after he captured the Cretan Bull, the very same bull that got Pasiphaê, wife of Minos, pregnant with the Minotaur. There is an extended break between the completion of this labour and the start of the next, during which the Olympics came to be.

Hermes, Herakles, and Nike

After capturing the bull, Herakles took some time to unwind, feast, and thank the Gods for all he had achieved so far. Chief amongst his accomplishments in his time off time period is the founding of the Olympic Games, which even Pausanias attributed to Herakles in the mythological retelling of the practice. He writes in his 'Description of Greece':

"Heracles of Ida, therefore, has the reputation of being the first to have held, on the occasion I mentioned, the games, and to have called them Olympic. So he established the custom of holding them every fifth year, because he and his brothers were five in number." [5.7.9]

Corroborating accounts come from, for example, Diodorus Siculus who writes:

"After the performance of this Labour Heracles established the Olympic Games, having selected for so great a festival the most beautiful of places, which was the plain lying along the banks of the Alpheius river, where he dedicated these Games to Zeus the Father. And he stipulated that he prize in them should be only a crown, since he himself had conferred benefits upon the race of men without receiving any monetary reward.

All the contests were won by himself without opposition by anyone else, since no one was bold enough to contend with him because of his exceeding prowess. And yet the contests are very different one from another, since it is hard for a boxer or one who enters for the “Pankration” to defeat a man who runs the “stadion,” and equally difficult for the man who wins first place in the light contests to wear down those who excel in the heavy. Consequently it was fitting that of all Games the Olympic should be the one most honoured, since they were instituted by a noble man." [4.14.1 - 4.14.2]

That said, of course there are a great many non-mythological accounts of how the Olympics came to be. My favorite, perhaps, is from Diodorus Siculus again, who writes a beautiful line between myth and his reality, speaking of the five Daktyloi, daimones who were appointed by Rhea to guard the infant God Zeus in a cave on Mount Ida in Krete and eventually established the Olympic Games in the age of Kronos. One of them was called Hēraklēs as well:

"Also the greater number of the gods who, because of their benefactions to all men alike, have been accorded immortal honours, had their origin, so their myths relate, in their land; and of the tradition regarding these gods we shall now give a summary account, following the most reputable writers who have recorded the affairs of Crete.

The first of these gods of whom tradition has left a record made their home in Crete about Mt. Idê and were called Idaean Dactyli. These, according to one tradition, were one hundred in number, but others say that there were only ten to receive this name, corresponding in number to the fingers (dactyli) of the hands.

But some historians, and Ephorus is one of them, record that the Idaean Dactyli were in fact born on the Mt. Idê which is in Phrygia and passed over to Europe together with Mygdon; and since they were wizards, they practised charms and initiatory rites and mysteries, and in the course of a sojourn in Samothrace they amazed the natives of that island not a little by their skill in such matters. And it was at this time, we are further told, that Orpheus, who was endowed with an exceptional gift of poesy and song, also became a pupil of theirs, and he was subsequently the first to introduce initiatory rites and mysteries to the Greeks.

However this may be, the Idaean Dactyli of Crete, so tradition tells us, discovered both the use of fire and what the metals copper and iron are, as well as the means of working them, this being done in the territory of the city of Aptera at Berecynthus, as it is called; and since they were looked upon as the originators of great blessings for the race of men, they were accorded immortal honours. And writers tell us that one of them was named Heracles, and excelling as he did in fame, he established the Olympic Games, and that the men of a later period thought, because the name was the same, that it was the son of Alcmenê who had founded the institution of the Olympic Games." [5.64.2 - 5.64.6]

No one knows who actually founded the first Olympics, so I'll take the mythical explanation of a hero named Herakles, who founded the Games to honor the Gods and receive blessings upon himself so he would be able to complete the coming labors.
It has been a while since I did a labours of Hēraklēs series installment. When we left off at the end of the ninth labour, Hēraklēs had obtained Hippolyta's belt, at great cost to the Amazons. He returned to Eurystheus with it,  and was promptly sent on another journey: to obtain the cattle of the monster Geryon.
 

Geryon (Γηρυών) was the son of Khrysaor and Kallirrhoe and grandson of Medusa, was a fearsome giant who dwelt on the island Erytheia of the mythic Hesperides in the far west of the Mediterranean. A more literal-minded later generation of Hellenes associated the region with Tartessos in southern Iberia. Flavius Philostratus in his 'The Life of Apollonius' says:

"Now the city of Gadeira is situated at the extreme end of Europe, and its inhabitants are excessively given to religion; so much so that they have set up an altar to old age, and unlike any other race they sing hymns in honor of death; and altars are found there set up to poverty, and to art, and to Heracles of Egypt, and there are others in honor of Heracles the Theban. For they say that the latter advanced against the neighboring town of Erythea, on which occasion he took captive [the mythological giant]Geryon and his cows; the other, they say, in his devotion to wisdom measured the whole earth up to its limits." [5.4]

Geryon was described as a monster with human faces. According to Hesiod, Geryon had one body and three heads, whereas the tradition followed by Aeschylus gave him three bodies. A lost description by Stesichoros said that he has six hands and six feet and is winged; there are some mid-sixth-century Chalcidian vases portraying Geryon as winged. Apart from these bizarre features, his appearance was that of a warrior. He owned a two-headed hound named Orthrus, which was the brother of Cerberus, and a herd of magnificent red cattle that were guarded by Orthrus, and a herder Eurytion, son of Erytheia. From Apollodorus' 'Library':

"As a tenth labour he [Hēraklēs] was ordered to fetch the kine of Geryon from Erythia. Now Erythia was an island near the ocean; it is now called Gadira. This island was inhabited by Geryon, son of Chrysaor by Callirrhoe, daughter of Ocean. He had the body of three men grown together and joined in one at the waist, but parted in three from the flanks and thighs. He owned red kine, of which Eurytion was the herdsman and Orthus, the two-headed hound, begotten by Typhon on Echidna, was the watchdog. " [2.5.10]

Before he could get the cattle of Geryon, though, he had to take care of the journey, and it would be quite a hard one at that as he had to travel from Krete to Libya, to Egypt, and then finally to the lands Geryon roamed. He met quite a lot of trouble and quite a lot of death on the way, but I am going to let Diodorus tell you that part in his 'Library of History':

"Heracles, realizing that this task called for preparation on a large scale and involving great hardships, gathered a notable armament and a multitude of soldiers such as would be adequate for this expedition. For it had bee noised abroad throughout all the inhabited world that Chrysaor, who received this appellation because of his wealth, was king over the whole of Iberia, and that he had three sons to fight at his side, who excelled in both strength of body and the deeds of courage which they displayed in contests of war; it was known, furthermore, that each of these sons had at his disposal great forced which were recruited from warlike tribes. It was because of these reports that Eurystheus, thinking any expedition against these men would be too difficult to succeed, had assigned to Heracles the Labour just described.
 
But Heracles met the perils with the same bold spirit which he had displayed in the deeds which he had performed up to this time. His forces he gathered and brought to Crete, having decided to make his departure from that place; for this island is especially well situated for expeditions against an part of the inhabited world. Before his departure he was magnificently honoured by the natives, and wishing to show his gratitude to the Cretans he cleansed the island of the wild beasts which infested it. And this is the reason why in later times not a single wild animal, such as a bear, or wolf, or serpent, or any similar beast, was to be found on the island. This deed he accomplished for the glory of the island, which, the myths relate, was both the birthplace and the early home of Zeus.
 
Setting sail, then, from Crete, Heracles put in at Libya, and first of all he challenged to a fight Antaeus, whose fame was noised abroad because of his strength of body and his skill in wrestling, and because he was wont to put to death all strangers whom he had defeated in wrestling, and grappling with him Heracles slew the giant. Following up this great deed he subdued Libya, which was full of wild animals, and large parts of the adjoining desert, and brought it all under cultivation, so that the whole land was filled with ploughed fields and such plantings in general as bear fruit, much of it being devoted to vineyards and much to olive orchards; and, speaking generally, Libya, which before that time had been uninhabitable because of the multitude of the wild beasts which infested the whole land, was brought under cultivation by him and made inferior to no other country in point of prosperity.
 
He likewise punished with death such men as defied the law or arrogant rulers and gave prosperity to the cities. And the myths relate that he hated every kind of wild beast and lawless men and warred upon them because of the fact that it had been his lot what while yet an infant the serpents made an attempt on his life, and that when he came to man’s estate he became subject to the power of an arrogant and unjust despot who laid upon him these Laboures.
 
After Heracles had slain Antaeus he passed into Egypt and put to death Busiris,49 the king of the land, who made it his practice to kill the strangers who visited that country. Then he made his way through the waterless part of Libya, and coming upon a land which was well watered and fruitful he founded a city of marvelous size, which was called Hecatompylon, giving it this name because of the multitude of its gates. And the prosperity of this city continued until comparatively recent times, when the Carthaginians made an expedition against it with notable forces under the command of able generals and made themselves its masters." [4.17.1]

When Heracles reached Erytheia, no sooner had he landed than he was confronted by the two-headed dog, Orthrus. With one huge blow from his olive-wood club, Heracles killed the watchdog. Eurytion the herdsman came to assist Orthrus, but Heracles dealt with him the same way. On hearing the commotion, Geryon sprang into action. He pursued Heracles at the River Anthemus but fell victim to an arrow that had been dipped in the venomous blood of the Lernaean Hydra, shot so forcefully by Heracles that it pierced Geryon's forehead. Apollodorus:

"And having reached Erythia he lodged on Mount Abas. However the dog, perceiving him, rushed at him; but he smote it with his club, and when the herdsman Eurytion came to the help of the dog, Hercules killed him also. But Menoetes, who was there pasturing the kine of Hades, reported to Geryon what had occurred, and he, coming up with Hercules beside the river Anthemus, as he was driving away the kine, joined battle with him and was shot dead. And Hercules, embarking the kine in the goblet and sailing across to Tartessus, gave back the goblet to the Sun." [2.5.10]

Of course, the journey back was as complicated as the journey to Erythia. Diodorus again:

"And after Heracles had visited a large part of Libya he arrived at the ocean near Gadeira,51 where he set up pillars on each of the two continents. His fleet accompanied him along the coast and on it he crossed over into Iberia. And finding there the sons of Chrysaor encamped at some distance from one another with three great armies, he challenged each of the leaders to single combat and slew them all, and then after subduing Iberia he drove off the celebrated herds of cattle.
 
He then traversed the country of the Iberians, and since he had received honours at the hands of a certain king of the natives, a man who excelled in piety and justice, he left with the king a portion of the cattle as a present. The king accepted them, but dedicated them all to Heracles and made a practice each year to sacrifice to Heracles the fairest bull of the herd; and it came to pass that the kine are still maintained in Iberia and continue to be sacred to Heracles down to our own time.
 
But since we have mentioned the pillars of Heracles, we deem it to be appropriate to set forth the facts concerning them. When Heracles arrived at the farthest points of the continents of Libya and Europe which lie upon the ocean, he decided to set up these pillars to commemorate his campaign.
 
And since he wished to leave upon the ocean a monument which would be had in everlasting remembrance, he built out both the promontories, they say, to a great distance; consequently, whereas before that time a great space had stood between them, he now narrowed the passage, in order that by making it shallow and narrow he might prevent the great sea-monsters from passing out of the ocean into the inner sea, and that at the same time the fame of their builder might be held in everlasting remembrance by reason of the magnitude of the structures. Some authorities, however, say just the opposite, namely, that the two continents were originally joined and that he cult a passage between them, and that by opening the passage he brought it about that the ocean was mingled with our sea. On this question, however, it will be possible for everyman to think as he may please." [4.18.2]

So, a simple labour, but a hell of a journey. Another one off of the list, and just two more to go. Next, he will be asked to steal the apples of the Hesperides, and to capture and bring back Kerberos from Hades.
In what has become an ongoing saga on this blog, I bring you news about the Thessaloniki metro dig.

In March of last year, I blogged about an excavation conducted at the Venizelos metro station which brought to light a very well preserved 70-meter section of a marble-paved road, the remains of buildings dating back to the sixth to ninth centuries AD, as well as big public buildings of the 7th century; a rarity for the Byzantine world. Trouble was (and is) that the site of the find is part of a new subway tunnel and platform which are being built to transport 250,000 passengers daily, and thus decrease traffic congestion and air pollution in the city. The entire subway project has a price-tag of 3.5 billion euros (4.6 billion dollars), and was co-financed by the European Union. To keep the road, the entire subway project would have to be abandoned. To save the subway project, the road would need to be moved, or destroyed--the same thing, according to archaeologists.

By April it looked like Thessaloniki's government and archaeological institutions had found a solution to the problem: they were going to temporarily remove the finds during the station's construction and then restore about 85 percent to 95 percent after the station was completed. The solution proposed had a low cost--0,6 percent to 0.8 percent of the budget--with zero or only a few months delay to the works’ completion. Only a 45 square meter space (out of the area’s 1.600 square meters) would not be restored, due to the placement of vents and escalators.

By February of this year, word got out that the removal of the antiquities from the construction site was suspended in July of last year following a decision reached by the Council of State. In the beginning of April I blogged about the estimation that it will take at least another three years and some 40 million euros for the excavation of ancient ruins to be completed. Well, it seems that that was a careful estimate: the new numbers are in and it isn't pretty.

Haris Kyprianidis, speaking on behalf of the metro workers, told journalists that numerous archaeological finds, problems with land appropriations and a lack of funding means that the project will not be completed before 2020. Another union representative, Dimitris Pappas, who is also an archaeologist, added that the government might need to find more than the 42 million euros in funding for the archaeological work it has lined up to complete the digs, on top of 92 million already spent. He also said that 28 percent of the digs for ancient artefacts have yet to be completed.


In other news, Ekathimerini reports that plans are in the final stage for the ecological restoration of the Asopos river in Central Greece following a deal to install an integrated water resources management system.

The levels of a potentially carcinogenic form of chromium in the Asopos River in central Greece are 100 times higher than the maximum safety standard. Asopos has been troubled for many years by the presence of hexavalent chromium in its water as a result of firms dumping or burying toxic waste in the river.

The Asopos river is a well-known feature in Hellenic mythology, being guarded by the river-God Asopos. He is most often considered a son of Okeanos and Tethys, or according to others, of Poseidon and Pero, of Zeus and Eurynome, or lastly of Poseidon and Cegluse. He was married to Metope, the daughter of the river god Ladon, by whom he had two sons and twelve, or, according to others, twenty daughters. Diodorus Siculus, in his 'Library of History', speaks of them, for example:

"We shall now recount the story of the daughters of Asopus and of the sons who were born to Aeacus. According to the myths there were born to Oceanus and Tethys a number of children who gave their names to rivers, and among their number were Peneius and Asopus. Now Peneius made his home in what is now Thessaly and called after himself the river which bears his name; but Asopus made his home in Phlius, where he married Metopê, the daughter of Ladon, to whom were born two sons, Pelagus and Ismenus, and twelve daughters, Corcyra and Salamis, also Aegina, Peirenê, and Cleonê, then Thebê, Tanagra, Thespeia, and Asopis, also Sinopê, and finally Ornia and Chalcis.
One of his sons, Ismenus, came to Boeotia and settled near the river which received its name from him; but as for the daughters, Sinopê was seized by Apollo and carried off to the place where now stands the city of Sinopê, which was named after her, and to her and Apollo was born a son Syrus, who became king of the Syrians, who were named after him. Corcyra was carried off by Poseidon to the island which was named Corcyra after her; and to her and Poseidon was born Phaeax, from whom the Phaeacians afterwards received the name they bear. To Phaeax was born Alcinoüs, who brought about the return of Odysseus to Ithaca. Salamis was seized by Poseidon and taken to the island which was named Salamis after her; and she lay with Poseidon and bore Cychreus, who became king of this island and acquired fame by reason of his slaying a snake of huge size which was destroying the inhabitants of the island. Aegina was seized by Zeus and taken off by him from Phlius to the island which was named Aegina after her, and lying with Zeus on this island she gave birth to Aeacus, who became its king. " [72]

The 37.6-million-euro deal to clean the river was signed by Alternate Environment Minister Nikos Tagaras, Athens water company (EYDAP) CEO Antonis Vartholomaios and Tanagra Mayor Evangelos Georgiou. It foresees the construction of a water treatment plant, a network connecting the unit to local reservoirs and a supply line to industrial and agricultural areas in northern Attica. It will be funded by Public Investments Program and the National Strategic Reference.
In the category, 'questions I got ages ago and am only now getting to', I want to talk about the Goddess Nyx today. I have received the following reader question:

"Do you know anything about worshiping Nyx in the modern world?"

Nyx (Νυξ) is the deep Night, born from Khaos (Χαος) and the sister-wife of Aither (Αιθηρ, 'Light'). In Hellenic mythology, Nyx draws a veil of darkness between the shining atmosphere of the aither and the lower air of earth (aer) at set times in the day, bringing night to man. In the morning, Her daughter Hêmera (Ἡμερα, 'Day') removes this veil, and exposes the Earth once more to Light. As Hesiod writes in the Theogony:

"[At the ends of the earth, where lie the roots of earth, sea, Tartaros :] There stands the awful home of murky Nyx wrapped in dark clouds. In front of it [Atlas] the son of Iapetos stands immovably upholding the wide heaven upon his head and unwearying hands, where Nyx and Hemera draw near and greet one another as they pass the great threshold of bronze: and while the one is about to go down into the house, the other comes out at the door. And the house never holds them both within; but always one is without the house passing over the earth, while the other stays at home and waits until the time for her journeying come; and the one holds all-seeing light (phaos) for them on earth." [744]
Nyx and Hêmera continually work to both create and dissolve darkness on Earth; Selene (the Goddess of the Moon) moves with Nyx, and Helios (God of the Sun) with Hêmera, as heralded by Eos. In this recap, it is quite obvious we are yet missing a speciffic time of the day: dusk, or the evening. This was in the domain of the Nymphs, in this case the Hesperides (Ἑσπεριδες), who--depending of source--are either the daughters of Nyx or Atlas. Diodorus Siculus, in the 1st Century BC., wrote in his 'Library of History': 

"Now Hesperos (Evening) begat a daughter named Hesperis (Evening), who he gave in marriage to his brother [Atlas] and after whom the land was given the name Hesperitis; and Atlas begat by her seven daughters, who were named after their father Atlantides, and after their mother Hesperides." [4. 26. 2]
Yet, older sources agree that the Hesperides (amongst others like Hypnos and Tartaros) were born from Nyx; Hesiod, for example:
"And Nyx (Night) bare hateful Moros (Doom) and black Ker (Violent Death) and Thanatos (Death), and she bare Hypnos (Sleep) and the tribe of Oneiroi (Dreams). And again the goddess murky Nyx, though she lay with none, bare Momos (Blame) and painful Oizys (Misery), and the Hesperides who guard the rich, golden apples and the trees bearing fruit beyond glorious Okeanos."
In ancient Hellas, Nyx was only rarely the focus of cult worship. Pausanias mentions She had an oracle on the acropolis at Megara, but that is about it. More often, Nyx was worshipped in other major cults, alongside the main deity: there was a statue called 'Nyx' in the Temple of Artemis at Ephesus, the Spartans had a cult of Sleep and Death, conceived of as twins, with Nyx being worshipped as Their mother, etc.
As for modern worship; I have talked before of how I feel all worship is pretty much the same in Hellenismos. The major difference between reconstructive religions and modern ones--especially Pagan ones--is the way worship is conducted. Individual worship of Gods as well as patronage is perfectly acceptable in modern religions, but in Recon religions and the ancient Traditions they were based upon, worship tends to be of the pantheon, not so much the one God or Goddess. What goes for one Olympic God, tends to go for the others as well.
There are five steps to proper, Hellenistic, ritual: procession, purification, prayers and hymns, sacrifice/offerings, prayers of supplication and thanks, usually followed by a feast and/or theatre and sporting events. We can apply this to modern worship quite easily: procession (no matter how short), purification with lustral water (named khernips), a hymn, song or modern poem which praises and draws the Theos in question, a sacrifice of some kind--be it incenses, (mixed) wine, meat or anything else--along with barley seeds tossed on the altar or into the altar fire, prayers or words of thanks, and--in communal rituals--plays, games, or (sports)-competitions. Within communal celebrations, the sacrifice can be some of the (raw) ingredients used to prepare the communal meal that will follow.
Hellenismos is not glamorous; in general, you do the same thing over and over again with minor variations. That is what I love about it. It's simple, clear, and repetitive. As for Nyx, in the Orphic Hymn to Her, torches are prescribed as an offering, and Gods of the night tended to be worshipped at that time as well. Not always, naturally, but the dark night is Her domain. Bring her sacrifices of wine and try to include Her children and husband in your worship as well. Good luck!
The last we saw of Hēraklēs, he was taking a breather and establishing the Olympic Games after capturing the Cretan Bull. Before Hēraklēs returned to vanquishing monsters to clear his soul of miasma, he became involved with two other, major, events: the war with the giants and the liberation of Prometheus. To quote from a post I did on the Giant and Titans:

The rise to power of the Olympians was not an easy one, in fact, under Zeus' leadership the young Gods had many toils and troubles to overcome before They became the dominant force in the universe. Two of those hurdles were the Gigantomachy and the Titanomachy, two events that were first depicted as separate events but became more entwined as the years went on.

The Gigantes were a tribe of one hundred Giants born of Gaia. Some say their father was Tartaros, others that they were born from the blood of the castrated Ouranos. They aren't considered Gods, but fall under the label of 'monster', like the Gorgons and the Hekatonkheires. Hesiod, in his Theogony describes the birth of the Gigantes:

"Then the son from his ambush stretched forth his left hand and in his right took the great long sickle with jagged teeth, and swiftly lopped off his own father's members and cast them away to fall behind him. And not vainly did they fall from his hand; for all the bloody drops that gushed forth Earth received, and as the seasons moved round she bare the strong Erinyes and the great Giants with gleaming armour, holding long spears in their hands and the Nymphs whom they call Meliae all over the boundless earth." [177]

Hēraklēs was alive and mortal for the Gigantomachy, and of course, he fought on the side of the Olympians, earning him great honour with the Theoi for his skill and bravery. Diodorus Siculus writes in his 'Library of History':

"After this, when the Giants about Pallenê chose to begin the war against the immortals, Heracles fought on the side of the gods, and slaying many of the Sons of Earth he received the highest approbation. For Zeus gave the name of “Olympian” only to those gods who had fought by his side, in order that the courageous, by being adorned by so honourable a title, might be distinguished by this designation from the coward; and of those who were born of mortal women he considered only Dionysus and Heracles worthy of this name, not only because they had Zeus for their father, but also because they had avowed the same plan of life as he and conferred great benefits upon the life of men." [4.15.1]

Afterwards, Hēraklēs has one more task to fulfil before he can return to his quest for redemption: free Prometheus. Prometheus, long before was given the task of creating man and his brother Epimetheus was ordered go give good qualities to all creatures of earth. So did Prometheus and Epimetheus. Prometheus shaped man out of clay and Athena breathed life into him. Epimetheus spread swiftness, cunning, fur and wings to the other animals but ran out of gifts when he came to man. Prometheus remedied the situation by allowing men to walk upright and gave them fire.

It soon became apparent that Prometheus loved man more than the Olympians. When Zeus decreed that man must give sacrifice to the Deathless Ones, Prometheus stood ready to aid humanity. He butchered an animal and divided it in to piles; the bones and fat formed one of them, the good meat wrapped in the hide of the animal, the other. Zeus vowed that he would abide by the choice He made now, and picked the tasty looking pile of bones. Zeus was angered but could not take back his vow. What he could take back, was the gift of fire, and this he did.

Mankind suffered greatly without fire and Prometheus travelled either to the sun or Olympus to reclaim fire for his beloved mankind. This, of course, angered Zeus even further and so he devised a plan. First, he imprisoned Prometheus. He ordered Hermes to tie Prometheus to a mountain and had a giant Eagle come every day to eat his liver. As an immortal, Prometheus' liver grew back over night so his torment was endless--well, nearly endless because many, many, many years later, in one version of the myth Hēraklēs took pity on him. Diodorus Siculus again:

"And Zeus, when Prometheus had taken fire and given it to men, put him in chains and set an eagle at his side which devoured his liver. But when Heracles saw him suffering such punishment because of the benefit which he had conferred upon men, he killed the eagle with an arrow, and then persuading Zeus to cease from his anger he rescued him who had been the benefactor of all." [4.15.2]

Next up on the Labours of Hēraklēs series: the horses of Diomedes!
It has been a while since we last did a Labours post, hasn't it. The last time we saw Hēraklēs, he was capturing the Cretan Bull, the very same bull that got Pasiphaê, wife of Minos, pregnant with the Minotaur. There is an extended break between the completion of this labour and the start of the next, in which quite a few things happened. I'm going to split those events up into two posts. The first is all about the Olympic Games--seeing as the winter Olympics are currently taking place--and the next will be about the war with the giants and the liberation of Prometheus.

Hermes, Hēraklēs, and Nike

After capturing the bull, Hēraklēs took some time to unwind, feast, and thank the Gods for all he had achieved so far. Hēraklēs has a lot to be thankful for, because bestowed upon him are great gifts from the Gods. Diodorus Siculus writes in his 'Library of History':

"It would also not be right to overlook the gifts which were bestowed upon Heracles by the gods because of his high achievements. For instance, when he returned from the wars to devote himself to both relaxations and festivals, as well as to feasts and contests, each on of the gods honoured him with appropriate gifts; Athena with a robe, Hephaestus with a war-club and coat of mail, these two gods vying with one another in accordance with the arts they practised, the one with an eye to the enjoyment and delight afford in times of peace, the other looking to his safety amid the perils of war. As for the other gods, Poseidon presented him with horses, Hermes with a sword, Apollo gave him a bow and arrows and taught him their use, and Demeter instituted the Lesser Mysteries in honour of Heracles, that she might purify him of the guilt he had incurred in the slaughter of the Centaurs." [4.14.3]

Chief amongst his accomplishments in his time off time period is the founding of the Olympic Games, which even Pausanias attributed to Hēraklēs in the mythological retelling of the practice. He writes in his 'Description of Greece':

"Heracles of Ida, therefore, has the reputation of being the first to have held, on the occasion I mentioned, the games, and to have called them Olympic. So he established the custom of holding them every fifth year, because he and his brothers were five in number." [5.7.9]

Corroborating accounts come from, for example, Diodorus Siculus who writes:

"After the performance of this Labour Heracles established the Olympic Games, having selected for so great a festival the most beautiful of places, which was the plain lying along the banks of the Alpheius river, where he dedicated these Games to Zeus the Father. And he stipulated that he prize in them should be only a crown, since he himself had conferred benefits upon the race of men without receiving any monetary reward.

All the contests were won by himself without opposition by anyone else, since no one was bold enough to contend with him because of his exceeding prowess. And yet the contests are very different one from another, since it is hard for a boxer or one who enters for the “Pankration” to defeat a man who runs the “stadion,” and equally difficult for the man who wins first place in the light contests to wear down those who excel in the heavy. Consequently it was fitting that of all Games the Olympic should be the one most honoured, since they were instituted by a noble man." [4.14.1 - 4.14.2]

That said, of course there are a great many non-mythological accounts of how the Olympics came to be. My favorite, perhaps, is from Diodorus Siculus again, who writes a beautiful line between myth and his reality, speaking of the five Daktyloi, daimones who were appointed by Rhea to guard the infant God Zeus in a cave on Mount Ida in Krete and eventually established the Olympic Games in the age of Kronos. One of them was called Hēraklēs as well:

"Also the greater number of the gods who, because of their benefactions to all men alike, have been accorded immortal honours, had their origin, so their myths relate, in their land; and of the tradition regarding these gods we shall now give a summary account, following the most reputable writers who have recorded the affairs of Crete.

The first of these gods of whom tradition has left a record made their home in Crete about Mt. Idê and were called Idaean Dactyli. These, according to one tradition, were one hundred in number, but others say that there were only ten to receive this name, corresponding in number to the fingers (dactyli) of the hands.

But some historians, and Ephorus is one of them, record that the Idaean Dactyli were in fact born on the Mt. Idê which is in Phrygia and passed over to Europe together with Mygdon; and since they were wizards, they practised charms and initiatory rites and mysteries, and in the course of a sojourn in Samothrace they amazed the natives of that island not a little by their skill in such matters. And it was at this time, we are further told, that Orpheus, who was endowed with an exceptional gift of poesy and song, also became a pupil of theirs, and he was subsequently the first to introduce initiatory rites and mysteries to the Greeks.

However this may be, the Idaean Dactyli of Crete, so tradition tells us, discovered both the use of fire and what the metals copper and iron are, as well as the means of working them, this being done in the territory of the city of Aptera at Berecynthus, as it is called; and since they were looked upon as the originators of great blessings for the race of men, they were accorded immortal honours. And writers tell us that one of them was named Heracles, and excelling as he did in fame, he established the Olympic Games, and that the men of a later period thought, because the name was the same, that it was the son of Alcmenê who had founded the institution of the Olympic Games." [5.64.2 - 5.64.6]

No one knows who actually founded the first Olympics, so I'll take the mythical explination of a hero named Hēraklēs, who founded the Games to honor the Gods and recieve blessings upon himself so he would be able to complete the coming labours.
The beautiful thing about our religion is that not only do we have a clear way to honor the Theoi, and incentive to do so, we also get to live in a world governed completely by the Theoi. Hellenismos is special in that regards because it also largely matches up with science. To me--and many others with me--that is something very comforting. Now, as you are probably all aware, I live in a world full of Gods and Nymphs; for example, I take great strength in greeting Eos each morning as she paves the way for Helios, but there are many Gods who are, or who control, the cycle of day and night, and I would like to write out this cycle, if I may.

For all things geneological, I will always turn to Hesiod first. In his 'Theogony', he speaks of the birth of the Dawn, Sun and Moon:

"And Theia was subject in love to Hyperion and bare great Helios, and clear Selene, and Eos." [177]

Diodorus Siculus, in his 'Library of History' shares this world vieuw and moves a (pseudo-scientific) step beyond it:

"Of Hyperion we are told that he was the first to understand, by diligent attention and observation, the movement of both the sun and the moon and the other stars, and the seasons as well, in that they are caused by these bodies, and to make these facts known to others; and that for this reason he was called the father of these bodies, since he had begotten, so to speak, the speculation about them and their nature." [5.67.1]

Hyperion (Ὑπερίων), meaning 'The High-One', was a Titanes God born from Gaea and Ouranos. Theia and Euryphaessa (as mentioned in, for example, the Homeric Hymns) are generally regarded as the same Deathless woman: 'Theia' is the Hellenic word for 'Goddess', so it was likely 'Theia Euryphaessa' translated to 'Goddess Euryphaessa'. This means that the family tree is as follows:

     Khaos ------------ Gaea
         |         |
   Ouranos --- |
                       Hyperion --- Euryphaessa
                   |
                  Eos - Helios - Selene

The three of them--put into motion by Hyperion--form the basic cycle of these planets associated with specific times of day. Yet, the ancient Hellenes saw Night and Day as quite seperate from the heavenly bodies that are associated with them today. I have spoken before of the Protogenoi, and how They--contrary to the Olympians--are actually of the world; They, together, form the tapistry of earth and life. They literally make up our universe. As such, the further towards the Big Bang you go, the more abstract the Theoi become; They take on large, mostly unformed, chunks of the material that makes up our world and the further away you go from Khaos, the more specialized the Gods become--as well as numerous.

As such, starting this explination with Hyperion is actually incorrect--I should have started with Khaos itself, but if not there, than at least with Nyx, who is the deep Night, and Her daughter Hêmera (Ἡμερα), who is the Protogenos of the Day and the sister-wife of Aither (Light). In Hellenic mythology, Nyx draws a veil of darkness between the shining atmosphere of the aither and the lower air of earth (aer) at set times in the day, bringing night to man. In the morning, Hêmera removes this veil, and exposed the Earth once more to Light. As Hesiod writes in the Theogony:

"[At the ends of the earth, where lie the roots of earth, sea, Tartaros :] There stands the awful home of murky Nyx wrapped in dark clouds. In front of it [Atlas] the son of Iapetos stands immovably upholding the wide heaven upon his head and unwearying hands, where Nyx and Hemera draw near and greet one another as they pass the great threshold of bronze: and while the one is about to go down into the house, the other comes out at the door. And the house never holds them both within; but always one is without the house passing over the earth, while the other stays at home and waits until the time for her journeying come; and the one holds all-seeing light (phaos) for them on earth." [744]

Once we reach AD times, Hêmera is often identified with Eos, but in centuries prior, she was very much Her own Goddess, and Hêmera was as well. Hómēros, for example, in the 'Odysseia' writes: 

"The ship [of Odysseus] in due course left the waters of the river Okeanos and reached the waves of the spacious sea and the island of Aiaia; it is there [Okeanos] that Eos the early-comer (Erigeneia) has her dwelling place and her dancing grounds, and the sun himself has his risings. We came came in; we beached our vessel upon the sands and disembarked upon the sea-shore; there we fell fast asleep, awaiting ethereal Dawn." [12.1]

So, to recapitulate: Nyx and Hêmera continually work to both create and dissolve darkness on Earth; Selene moves with Nyx, and Helios with Hêmera, as heralded by Eos. In this recap, it is quite obvious we are yet missing a speciffic time of the day: dusk, or the evening. This was in the domain of the Nymphs, in this case the Hesperides (Ἑσπεριδες), who--depending of source--are either the daughters of Nyx or Atlas. Diodorus Siculus, in the 1st Century BC., wrote in his 'Library of History': 

"Now Hesperos (Evening) begat a daughter named Hesperis (Evening), who he gave in marriage to his brother [Atlas] and after whom the land was given the name Hesperitis; and Atlas begat by her seven daughters, who were named after their father Atlantides, and after their mother Hesperides." [4. 26. 2]

Yet, older sources agree that the Hesperides were born from Nyx; Hesiod, for example:

"And Nyx (Night) bare hateful Moros (Doom) and black Ker (Violent Death) and Thanatos (Death), and she bare Hypnos (Sleep) and the tribe of Oneiroi (Dreams). And again the goddess murky Nyx, though she lay with none, bare Momos (Blame) and painful Oizys (Misery), and the Hesperides who guard the rich, golden apples and the trees bearing fruit beyond glorious Okeanos."

Of course, there are more Gods--motly Titans--who are in some way connected to the cycle of night and day, but these are the most important ones and it's quite a hand full already. So perhaps next time when you awake, you will think of Hêmera, and rosy Eos, and when the sun is high in the sky, you will think of Him as well, and when you look upon the Moon before going to bed, you will give honors to Selene and Nyx, who holds Her and Gaea in Her embrace. Our Gods are everywhere; you only have to be aware of Them to notice.
It's been a little while since we last met Hēraklēs for a labour. Last time, he managed to fashuion a rattle to scare off the blood thirsty Stymphalian Birds, completing that labour rather effortlessly thanks to the Gods. Now, Hēraklēs is sent on a mission which--in theory--is far tougher: to capture the Cretan Bull.

To many, the Cretan Bull will be familiar, either because of it's own part in the tale or the fallout, namely the Minotaur. The classic myth goes as follows: Minos, king of Krete, requested Poseidon raise a bull from the sea, which the King promised to sacrifice; but when Minos refused to do so, Poseidon caused his wife Pasiphaê to fall in love with the bull. The child that came from this union was deformed in such a way that he had the head of a bull and the body of a man. In the labours of Hēraklēs, the story changes a little depending on the source. Diodorus agrees with the myth, saying in his 'Library of History':

"The next Labour which Heracles undertook was to bring back from Crete the bull of which, they say, Pasiphaê had been enamoured." [4.13.4]

Apollodorus, for example, has a different story to tell, not just about the Cretan Bull, but also about the story of King Minos. It seems the Bull had become feral, terrorizing the land and scaring the inhabitants of the island. From his 'Library':

"The seventh labour he enjoined on him was to bring the Cretan bull. Acusilaus says that this was the bull that ferried across Europa for Zeus; but some say it was the bull that Poseidon sent up from the sea when Minos promised to sacrifice to Poseidon what should appear out of the sea. And they say that when he saw the beauty of the bull he sent it away to the herds and sacrificed another to Poseidon; at which the god was angry and made the bull savage." [2.5.7]

From Philostratus the Elder we get a description of the bull, based off of the description of his second Image Book:

"Pasiphaë outside the workshop in the cattlefold gazes on the bull, thinking to draw him to her by her beauty and by her robe, which is divinely resplendent and more beautiful than any rainbow. She has a helpless look – for she knows what the creature is that she loves – and she is eager to embrace it, but takes no notice of her and gazes at its own cow. The bull is depicting with proud mien, the leader of the herd, with splendid horns, white, already experienced in love, its dewlap low and its neck massive, and it gazes fondly at the cow; but the cow in the herd, ranging free and all white but for a black head, disdains the bull. For its purpose suggests a leap, as of a girl who avoids the importunity of a lover." [1.16]

Contrary to the other labours, there is actually not alot known about how Hēraklēs managed to wrangle in the bull and take him back to the main land. Both versions, however, agree that Minos helped him do it, or at least offered Hēraklēs assistance. If I was Minos, I would want that bull away from my wife and people too! Diodorus literally suffices with a single line on the capture of the Bull:

"[A]nd sailing to the island he secured the aid of Minos the king and brought it back to the Peloponnesus, having voyaged upon its back over so wide an expanse of sea." [4.13.4]

Apollodorus is a little bit more forthcoming:

"To attack this bull Hercules came to Crete, and when, in reply to his request for aid, Minos told him to fight and catch the bull for himself, he caught it and brought it to Eurystheus, and having shown it to him he let it afterwards go free. But the bull roamed to Sparta and all Arcadia, and traversing the Isthmus arrived at Marathon in Attica and harried the inhabitants." [2.5.7]

How Hēraklēs captured the Bull will most likely always remain a mystery. I like to envision him wrestling it down and tying it like the bull capturers; risking life and limb in a heroic effort to make better the lives of the citizens of Krete. And so another labour is completed. Next time we will cover the little break that follows the seventh labour in which Hēraklēs establishes the Olympic Games and frees the Titan Prometheus--amongst other things.

Image Source: Wikipedia Commons.