Showing posts with label Kallimachos. Show all posts
Showing posts with label Kallimachos. Show all posts

 Lepus is a constellation lying just south of the celestial equator, immediately south of the constellation Orion. Its name is Latin for hare. While Hellenic mythology is not chuck full of hares, Lepus was indeed one of the 48 constellations listed by the 2nd century astronomer Ptolemy, and it remains one of the 88 modern constellations recognized today.




The only ancient writer I have found who mentioned the constellation Lepus by name and myth is Hyginus, but to make up for it, he gives us a lot of material to work with. Lets break his words down, shall we? From the Astronomica:

"Some say that it was put there by Mercury [Hermes], and that it had been given the faculty, beyond other kinds of quadrupeds, of being pregnant with new offspring when giving birth to others." [II.33]

Well, there is not much to say against that, now is there? I looked it up, and it seems that hares have about three times three+ young every year, and European hares are, indeed, capable of carrying two litters.

"The hare is said to be fleeing the dog of the hunter Orion, for when, as was proper, they represented Orion as a hunter, they wanted to indicate what he was hunting, and so they put the fleeing hare at his feet. [...] Those who disagree with this reason say that so noble and great a hunter as Orion (we spoke about him in the discussion of Scorpio) shouldn’t be represented hunting hares. Callimachus, too, is blamed, because, when he was singing the praises of Diana [Artemis], he said she delighted in the flesh of hares and hunted them. So they have represented Orion fighting the Bull." [II.33]

Orion (Ὠρίων) was a famed hunter who has a lot of mythology to his name. He is also included in a lot of existing mythology. The constellation Canis Major might represent his entire pack or one of them, who are/is eternally pursuing Lepus the Hare or helping Orion fight Taurus the Bull. In the prime of his life, Orion joined with the Goddess Artemis and Her mother Leto, for an epic hunt in which Orion threatened to kill every beast on Earth. Gaea revolted and sent a giant scorpion to kill Orion. Orion, although very powerful, was overcome by the creature, but Artemis and Leto requested to Zeus he'd be immortalized in the night's sky. The Scorpion was admitted into the heavens as well, along with his hunting pack... and the hare.
Kallimachos' wonderful hymn to Artemis does, indeed, include the hare:

"Artemis we hymn – no light thing is it for singers to forget her – whose study is the bow and the shooting of hares and the spacious dance and sport upon the mountains." [1]

Hyginus has one more story to share, which comes not from the realm of mythology, but the realm of folklore.

"The following story of the hare has been recorded. There were no hares on the island of Leros, and a certain young man of the state, led by a liking for the breed, brought in from another country a pregnant female, and watched over her very carefully as she bore her young. When she had borne them, many of the citizens developed an interest, and by acquiring some for money, some as gifts, they all began to raise hares. In no long time such a multitude of hares was produced that the whole island was swarming with them. When men gave them nothing to eat, they made inroads on the grain fields and devoured everything. The inhabitants, faced with disaster because of this, since they were reduced to hunger, by co-operation of the whole state were said at length to have driven them from the island, through with difficulty. So afterwards they put the image of a hare in the stars, that men should remember that there was nothing so desirable in life but that later they might experience more grief than pleasure from it." [II.33]

The constellation Lepus is visible at latitudes between +63° and −90°, and best visible at 21:00 (9 p.m.) during the month of January.
For those of you who, like me, are not blessed with the ability to write poetry beyond the level of an eight-grader, or for those who simply wish to draw they eyes of the Theoi by reciting poetry--or actually singing the hymns if your mastery of the Greek language allows it--which is familiar to Them, hymns form a wonderful addition to your practice. The oldest, and most well know, of the hymns are undoubtedly the Homeric ones, with the Orphic ones a close second, but there are many more out there.

  • Homeric Hymns - a collection of thirty-three Hellenic hexameter poems in epic style well known from Hómēros' Iliad and Odysseia. They range in length from three to five-hundred lines, and were composed in various time periods, by a variety of--now largely anonymous--authors. Hómēros might have actually written some of them, Pamphos might have penned the 'Hymn to Demeter', and Cynaethus of Chios might have penned the 'Hymn to Apollon'. Most of the poems were written between 800 and 300 BC, a few of the shorter poems are clearly from the Hellenistic (third or second century BC) period, and the Hymn to Ares was probably added to the whole in Roman times. Who actually combined the thirty-three is unclear. The first and second hymns ('To Dionysos', and 'To Demeter') were lost for a long time, until a chance discovery in Moscow in 1777 unearthed a fifteenth century manuscript with the two poems largely intact. The 'Hymn to Apollon' was noted down on the walls of Artemis' temple at Delos, and was most likely a large part of the festivals held there for Apollon. For all Homeric Hymns, go here.
  • Orphic Hymns - a collection of eighty-seven short religious poems composed in either the late Hellenistic or early Roman (first or second century AD) era. They are based on the beliefs of Orphism, a mystery cult or religious philosophy which claimed descent from the teachings of the mythical hero Orpheus. The Mysteries were mostly connected to Demeter, Persephone, life after death and reincarnation. From the Orphic Hymns also comes a list of which incenses to offer to which deity. For all Orphic Hymns, go here.
  • Hymns of Kallimachos (Καλλίμαχος) - a lesser known collection of poems, written by Kallimachos of Kyrēnē (Κυρήνη, Cyrene), who was a Hellenic poet and scholar of the Library of Alexandria. He rose to greatness around the third century BC and was the author of a large number of works. Unfortunately, only six hymns and sixty-three epigrams have survived to this day. Kallimachos despised the 'outdated' poetry type of Hómēros and wrote many testimonials against it. His hymns are, therefor, different to the eye than the Homeric and Orphic ones. For the complete hymns, go here.
  • Delphic Hymns - two musical compositions from ancient Hellas, dating back to 128 BC. They were recovered from the walls of the treasury of Apollon at Delphi, and were most likely performed in His worship at the Pythian festival. The first of the hymns was written and composed by Athenios, son of Athenios, the second by Limenios, son of Thoinos. For the first hymn, go here, for the second, go here.
  • Hymns of Proklos - Proclus (Πρόκλος) was a Greek Neoplatonist philosopher, one of the last major Classical philosophers. He was alive from 8 February 412 AD to 17 April 485 AD), and while a very late addition to this list, he wrote five beatiful hymns about the Roman Gods, which can be interpreted for the Hellenic ones as well. The surviving works consist of two hymns to Venus (Aphrodite), one to the Sun (Helios), one to the Muses, and one to Minerva (Athena). The surviving hymns can be found here, in both Greek and English.
  • Hymns of Mesomedes - Mesomedes of Krete (Μεσομήδης ὁ Κρής) was a Roman-era Hellenic lyric poet and composer of the early second century AD.  He was a freedman and court musician to the emperor Hadrian (reigned 117-138 CE), and created  three hymns and fifteen poems which have survived to this day. The hymns to Nemesis, the muse Calliope, and the Sun can be read here and listened to here. I am partial to this translation of the 'Hymn to Nemesis'.
  • Hymn to Aphrodite - This most wonderful hymn was written by Sappho (Σαπφώ) as she was struggling with love. It's unique in that it shows both petitioner and Aphrodite Herself. I am partial to this translation.
I'm a bit swamped, so you're getting Kallimachos' Hymn to Artemis today. Kallimachos of Kyrēnē (Κυρήνη, Cyrene) was a Hellenic poet and scholar of the Library of Alexandria. He rose to greatness around the third century BC and was the author of a large number of works. Unfortunately, only six hymns and sixty-three epigrams have survived to this day. Kallimachos despised the 'outdated' poetry type of Hómēros and wrote many testimonials against it. His hymns are, therefor, different to the eye than the Homeric and Orphic ones. For the complete hymns, go here. 


HYMN III. TO ARTEMIS

Artemis we hymn – no light thing is it for singers to forget her – whose study is the bow and the shooting of hares and the spacious dance and sport upon the mountains; beginning with the time when sitting on her father’s knees – still a little maid – she spake these words to her sire: “Give me to keep my maidenhood, Father, forever: and give me to be of many names, that Phoebus may not vie with me. And give me arrows and a bow – stay, Father, I ask thee not for quiver or for mighty bow: for me the Cyclopes will straightway fashion arrows and fashion for me a well-bent bow. 

But give me to be Bringer of Light and give me to gird me in a tunic with embroidered border reaching to the knee, that I may slay wild beasts. And give me sixty daughters of Oceanus for my choir – all nine years old, all maidens yet ungirdled; and give me for handmaidens twenty nymphs of Amnisus who shall tend well my buskins, and, when I shoot no more at lynx or stag, shall tend my swift hounds. And give to me all mountains; and for city, assign me any, even whatsoever thou wilt: for seldom is it that Artemis goes down to the town. On the mountains will I dwell and the cities of men I will visit only when women vexed by the sharp pang of childbirth call me to their aid even in the hour when I was born the Fates ordained that I should be their helper, forasmuch as my mother suffered no pain either when she gave me birth or when she carried me win her womb, but without travail put me from her body.” So spake the child and would have touched her father’s beard, but many a hand did she reach forth in vain, that she might touch it.

And her father smiled and bowed assent. And as he caressed her, he said: “When goddesses bear me children like this, little need I heed the wrath of jealous Hera. Take, child, all that thou askest, heartily. Yea, and other things therewith yet greater will thy father give thee. Three times ten cities and towers more than one will I vouchsafe thee – three times ten cities that shall not know to glorify any other god but to glorify the only and be called of Artemis And thou shalt be Watcher over Streets and harbours.” So he spake and bent his head to confirm his words.

And the maiden faired unto the white mountain of Crete leafy with woods; thence unto Oceanus; and she chose many nymphs all nine years old, all maidens yet ungirdled. And the river Caraetus was glad exceedingly, and glad was Tethys that they were sending their daughters to be handmaidens to the daughter of Leto.

And straightway she went to visit the Cyclopes. Them she found in the isle of Lipara – Lipara in later days, but at the at time its name was Meligunis – at the anvils of Hephaestus, standing round a molten mass of iron. For a great work was being hastened on: they fashioned a horse-trough for Poseidon. And the nymphs were affrighted when they saw the terrible monsters like unto the crags of Ossa: all had single eyes beneath their brows, like a shield of fourfold hide for size, glaring terribly from under; and when they heard the din of the anvil echoing loudly, and the great blast of the bellows and the heavy groaning of the Cyclopes themselves. For Aetna cried aloud, and Trinacia cried, the seat of the Sicanians, cried too their neighbour Italy, and Cyrnos therewithal uttered a mighty noise, when they lifted their hammers above their shoulders and smote with rhythmic swing the bronze glowing from the furnace or iron, labouring greatly. Wherefore the daughters of Oceanus could not untroubled look upon them face to face nor endure the din in their ears. No shame to them! 

On those not even the daughters of the Blessed look without shuddering. Though long past childhood’s years. But when any of the maidens doth disobedience to her mother, the mother calls the Cyclopes to her child – Arges or Steropes; and from within the house comes Hermes, stained with burnt ashes. And straightway he plays bogey to the child, and she runs into her mother’s lap, with her hands upon her eyes. But thou, Maiden, even earlier, while yet but three years old, when Leto came bearing thee in her arms at the bidding of Hephaestus that he might give thee handsel and Brontes set thee on his stout knees – thou didst pluck the shaggy hair of his great breast and tear it out by force. And even unto this day the mid part of his breast remains hairless, even when mange settles on a man’s temples and eats the hair away.

Therefore right boldly didst thou address them then: “Cyclopes, for me too fashion ye a Cydonian bow and arrows and a hollow casket for my shafts; for I also am a child of Leto, even as Apollo. And if I with my bow shall slay some wild creature or monstrous beast, that shall the Cyclopes eat.” So didst thou speak and they fulfilled thy words. Straightway dist thou array thee, O Goddess. And speedily again thou didst go to get thee hounds; and thou camest to the Arcadian fold of Pan. And he was cutting up the flesh of a lynx of Maenalus that his bitches might eat it for food. And to thee the Bearded God gave two dogs black-and-white, three reddish, and one spotted, which pulled down very lions hen they clutched their throats and haled them still living to the fold. And he gave thee seven Cynosurian bitches swifter than the winds - that breed which is swiftest to pursue fawns and the hare which closes not his eyes; swiftest too to mark the lair of the stag and where the porcupine hath his burrow, and to lead upon the track of the gazelle.

Thence departing (and thy hounds sped with thee) thou dist find by the base of the Parrhasian hill deer gamboling – a mighty herd. They always herded by the banks of the black-pebbled Anaurus – larger than bulls, and from their horns shone gold. And thou wert suddenly amazed and sadist to thine own heart: “This would be a first capture worthy of Artemis.” Five were there in all; and four thou didst take by speed of foot – without the chase of dogs – to draw thy swift car. But one escaped over the river Celadon, by devising of Hera, that it might be in the after days a labour for Heracles, and the Ceryneian hill received her.

Artemis, Lady of Maidenhood, Slayer of Tityus, golden were thine arms and golden thy belt, and a golden car didst thou yoke, and golden bridles, goddess, didst thou put on thy deer. And where first did thy horned team begin to carry thee? To Thracian Haemus, whence comes the hurricane of Boreas bringing evil breath of frost to cloakless men. And where didst thou cut the pine and from what flame didst thou kindle it? It was on Mysian Olympus, and thou didst put in tit the breath of flame unquenchable, which thy Father’s bolts distil. And how often goddess, didst thou make trial of thy silver bow? First at an elm, and next at an oak didst thou shoot, and third again at a wild beast. But the fourth time – not long was it ere thou didst shoot at the city of unjust me, those who to one another and those who towards strangers wrought many deeds of sin, forward men, on whom thou wilt impress thy grievous wrath. On their cattle plague feeds, on their tilth feeds frost, and the old men cut their hair in mourning over their sons, and their wives either are smitten or die in childbirth, or, if they escape, bear birds whereof none stands on upright ankle. But on whomsoever thou lookest smiling and gracious, for them the tilth bears the corn-ear abundantly, and abundantly prospers the four-footed breed, and abundant waxes their prosperity: neither do they go to the tomb, save when they carry thither the aged. Nor does faction wound their race – faction which ravages even the well-established houses: but brother’s wife and husband’s sister set their chairs around one board.

Lady, of that number be whosoever is a true friend of mine, and of that number may I be myself, O Queen. And may song be my study forever. In that song shall be the Marriage of Leto; therein thy name shall often-times be sung; therein shall Apollo be and therein all thy labours, and therein thy hounds and thy bow and thy chariots, which lightly carry thee in thy splendour, when thou drivest to the house of Zeus. There in the entrance meet thee Hermes and Apollo: Hermes the Lord of Blessing, takes thy weapons, Apollo takes whatsoever wild beast thou bringest. Yea, so Apollo did before strong Alcides came, but now Phoebus hath this task no longer; in such wise the Anvil of Tiryns stands ever before the gates, waiting to see if thou wilt come home with some fat morsel. 

And all the gods laugh at him with laughter unceasingly and most of all his own wife’s mother when he brings from the car a great bull or a wild boar, carrying it by the hind foot struggling. With this sunning speech, goddess, doth he admonish thee: “Shoot at the evil wild beasts that mortals may call thee their helper even as they call me. Leave deer and hares to feed upon the hills. What harm could deer and hares do? It is boars which ravage the tilth of men and boars which ravage the plants; and oxen are a great bane to men: shoot also at those.” So he spake and swiftly busied him about the mighty beast. For though beneath a Phrygian oak his flesh was deified, yet hath he not ceased from gluttony. Still hath he that belly wherewith he met Theiodamas at the plough.

For thee the nymphs of Amnisus rub down the hinds loosed from the yoke, and from the mead of Hera they gather and carry for them to feed on much swift-springing clover, which also the horses of Zeus eat; and golden troughs they fill with water to be for the deer a pleasant draught. And thyself thou enterest thy Father’s house, and all alike bid thee to a seat; but thou sittest beside Apollo.
But when the nymphs encircle thee in the dance, near the springs of Egyptian Inopus or Pitane – for Pitane too is thine – or in Limnae or where, goddess, thou camest from Scythia to dwell, in Alae Araphenides, renouncing the rites of the Tauri, then may not my kine cleave a four-acred fallow field for a wage at the hand of an alien ploughman; else surely lame and weary of neck would they come to the byre, yea even were they of Stymphaean breed, nine years of age, drawing by the horns; which kine are far the best for cleaving a deep furrow; for the god Helios never passes by that beauteous dance, but stays his car to gaze upon the sight, and the lights of day are lengthened.

Which now of islands, what hill finds most favour with thee? What haven? What city? Which of the nymphs dost thou love above the rest, and what heroines hast thou taken for thy companions? Say, goddess, thou to me, and I will sing thy saying to others. Of islands, Doliche hath found favour with thee, of cities Perge, of hills Taygeton, the havens of Euripus. And beyond others thou lovest the nymph of Gortyn, Britomartis, slayer of stags, the goodly archer; for love of whom was Minos of old distraught and roamed the hills of Crete. And the nymph would hide herself now under the shaggy oaks and anon in the low meadows. And for nine months he roamed over crag and cliff and made not an end of pursuing, until, all but caught, she leapt into the sea from the top of a cliff and fell into the nets of fishermen which saved her. Whence in after days the Cydonians call the nymph the Lady of the Nets (Dictyna) and the hill whence the nymph leaped they call the hill of Nets (Dictaeon), and there they set up altars and do sacrifice. And the garland on that day is pine or mastich, but the hands touch not the myrtle. For when she was in flight, a myrtle branch became entangled in the maiden’s robes; wherefore she was greatly angered against the myrtle. Upis, O Queen, fair-faced Bringer of Light, thee too the Cretans name after that nymph.

Yea and Cyrene thou madest thy comrade, to whom on a time thyself didst give two hunting dogs, with whom the maiden daughter of Hypseus beside the Iolcian tomb won the prize. And the fair-haired wife of Cephalus, son of Deioneus, O Lady, thou madest thy fellow in the chase; and fair Anticleia, they say, thou dist love even as thine own eyes. These were the first who wore the gallant bow and arrow-holding quivers on their shoulders; their right shoulders bore the quiver strap, and always the right breast showed bare. Further thou dist greatly commend swift-footed Atalanta, the slayer of boars, daughter of Arcadian Iasius, and taught her hunting with dogs and good archery. They that were called to hunt the boar of Calydon find no fault with her; for the tokens of victory came into Arcadia which still holds the tusks of the beast. Nor do I deem that Hylaeus and foolish Rhoecus, for all their hate, in Hades slight her archery. For the loins, with whose blood the height of Maenalus flowed, will not abet the falsehood.

Lady of many shrines, of many cities, hail! Goddess of the Tunic, sojourner in Miletus; for thee did Neleus make his Guide, when he put off with his ships from the land of Cecrops. Lady of Chesion and of Imbrasus, throned in the highest, to thee in thy shrine did Agamemnon dedicate the rudder of his ship, a charm against ill weather, when thou didst bind the winds for him, what time the Achaean ships sailed to vex the cities of the Teucri, wroth for Rhamnusian Helen.

For thee surely Proetus established two shrines, one of Artemis of Maidenhood for that thou dist gather for him his maiden daughters, when they were wandering over the Azanian hills; the other he founded in Lusa to Artemis the Gentle, because thou tookest from his daughters the spirit of wildness. For thee, too, the Amazons, whose mind is set on war, in Ephesus beside the sea established an image beneath an oak trunk, and Hippo performed a holy rite for thee, and they themselves, O Upis Queen, around the image danced a war-dance – first in shields and armour, and again in a circle arraying a spacious choir. And the loud pipes thereto piped shrill accompaniment, that they might foot the dance together (for not yet did they pierce the bones of the fawn, Athena’s handiwork, a bane to the deer). And the echo reached unto Sardis and to the Berecynthian range. And they with their feet beat loudly and therewith their quivers rattled.

And afterwards around that image was raised a shrine of broad foundations. That it shall dawn behold nothing more divine, naught richer. Easily would it outdo Pytho. Wherefore in this madness insolent Lygdamis threatened that he would lay it waste, and brought against it a host of Cimmerians which milk mares, in number as the sand; who have their homes hard by the Straits of the cow, daughter of Inachus. Ah! foolish among kings, how greatly he sinned! For not destined to return again to Scythia was either he or any other of those whose wagons stood in the Caystrian plain ; for thy shafts are ever more set as a defence before Ephesus.

O Lady of Munychia, Watcher of Harbours, hail, Lady of Pherae! Let none disparage Artemis. For Oeneus dishonoured her altar and no pleasant struggles came upon his city. Nor let any content with her in shooting of stags or in archery. For the son of Atreus vaunted him not that he suffered small requital. Neither let any woo the Maiden; for not Otus, nor Orion wooed her to their own good. Nor let any shun the yearly dance; for not tearless to Hippo was her refusal to dance around the altar. Hail, great queen, and graciously greet my song.
Oh my dears, Christmas celebrations are kicking my ass entirely. Family obligations and good food, you see? As such, you are getting ancient words and a promise for an actual blog post tomorrow. So sorry! Kallimachos of Kyrēnē (Κυρήνη, Cyrene) was a Hellenic poet and scholar of the Library of Alexandria. He rose to greatness around the third century BC and was the author of a large number of works. Unfortunately, only six hymns and sixty-three epigrams have survived to this day. Kallimachos despised the 'outdated' poetry type of Hómēros and wrote many testimonials against it. His hymns are, therefor, different to the eye than the Homeric and Orphic ones.

 
 
All ye that are companions of the Bath of Pallas, come forth, come forth! I heard but now the snorting of the sacred steeds, and the goddess is ready to go. Haste ye now, O fair-haired daughters of Pelasgus, haste! Never did Athena wash her mighty arms before she drave the dust from the flanks of her horses – not even when, her armour all defiled with filth, she returned from the battle of the lawless Giants; but far first she loosed from the care her horses’ necks, and in the springs of Oceanus washed the flecks of sweat and from their mouths that champed the bit cleansed the clotted foam.
 
O come, daughters of Achaea, and bring not perfume nor alabasters (I hear the voice of the axle-naves!); bring not, ye companions of the Bath, for Pallas perfume nor alabasters (for Athena loves not mixed unguents), neither bring ye a mirror. Always her face is fair, and, even when the Phrygian2 judged the strife on Ida, the great goddess looked not into orichalc nor into the transparent eddy of Simois, nor did Hera. But Cypris took the shining bronze and often altered and again altered the same lock. But Pallas, after running twice sixty double courses, even as beside the Eurotas the Lacedaemonian Stars, took and skillfully anointed her with simple unguents, the birth of her own tree. And, O maidens, the red blush arose on her, as the colour of the morning rose or seed of pomegranate. Wherefore now also bring ye only the manly olive oil, wherewith Castor and wherewith Heracles anoint themselves. And bring her a comb all of gold, that she may comb her hair, when she hath anointed her glossy tresses.

Come forth, Athena! A company pleasing to thy heart awaits thee, the maiden daughters of Acestor’s mighty sons.6 And therewithal, O Athena, is borne the shield of Diomedes, since this is the Argive custom which in olden days Eumedes7 taught them: a priest who found favour with thee: who on a time, when he knew that the people were plotting and planning death for him, fled with thy holy image and dwelt in the Creion hill – dwelt on the hill of Creion and established thee, O goddess, on the rugged rocks, whose name is now the Pallantid rocks.
 
Come forth, Athena, Sacker of Cities, golden-helmeted, who rejoicest in the din of horse and shield. Today, ye water-carriers, dip not your pitchers – today, O Argos, drink ye from the fountains and not from the river; today, ye handmaidens carry your pitches to Physadeia, or Amymone, daughter of Danaus. For, mingling his waters with gold and with flowers, Inakhos will come from his pastoral hills, bringing fair water for the Bath of Athena. But beware, O Pelasgian, lest even unwittingly thou behold the Queen. Whoso shall behold Pallas, Keeper of Cities, naked, shall look on Argos for this the last time. Lady Athena, do thou come forth, and meanwhile I shall say somewhat unto these. The story is not mine but told by others.
 
Maidens, one nymph of old in Thebes did Athena love much, yea beyond all her companions, even the mother of Teiresias, and was never apart from her. But when she drave her steeds towards ancient Thespiae or towards Coroneia or to Haliartus, passing through the tilled fields of the Boeotians – or toward Coroneia where he fragrant grove and altars are set by the river Coralius – often did the goddess set the nymph upon her car and there was no dalliance of nymphs nor sweet ordering of dance, where Chariclo did not lead.
 
Yet even her did many tears await in the after days, albeit she was a comrade pleasing to the heart of Athena. One day those twain undid the buckles of their robes beside the fair-flowing Fountain of the Horse on Helicon and bathed; and noontide quiet held all the hill. Those two ere bathing and it was the noontide hour and a great quiet held that hill. Only Teiresias, on whose cheek the down was just darkening, still ranged with his hounds the holy place. And, athirst beyond telling, he came unto the flowing fountain, wretched man! And unwillingly saw that which is not lawful to be seen. And Athena was angered, yet said to him: “What god, O son of Everes, led thee on this grievous way? Hence shalt thou never more take back thine eyes!”
 
She spake and night seized the eyes of the youth. And he stood there speechless; for pain glued his knees and helplessness stayed his voice. But the nymph cried: “What has thou done to my boy, lady? Is such the friendship of you goddesses? Thou hast taken away the eyes of my son. Foolish child! Thou hast seen the breast and body of Athena, but the sun thou shalt not see again. O me unhappy! O hill, O Helicon, where I may no more come, surely a great price for little has been exacted. Losing a few gazelles and deer, thou hast taken the eyes of my child.”

Therewith the mother clasped her beloved child in both her arms and, wailing the heavy plain of the mournful nightingale, led him away. And the goddess Athena pitied her comrade and spake to her and said: “Noble lady, take back all the words that thou hast spoken in anger. It is not I that made thy child blind. For no sweet thin is it for Athena to snatch away the eyes of children. But the laws of Cronius [Zeus] order thus: Whosoever shall behold any of the immortals, when the god himself chooses not, at a heavy price shall he behold. Noble lady, the thin that is done can no more be taken back; since thus the thread of the Fates span when thou didst bear him from the first; but now, O son of Everes, take thou the issue which is due to thee. How many burnt offerings shall the daughter of Cadmus11 burn in the days to come? How many Aristaeus? – praying that they might see their only son, the young Actaeon, blind. And yet he shall be companion of the chase to great Artemis. But him neither the chase nor comradeship in archery on the hills shall save in that hour, when, albeit unwillingly, he shall behold the beauteous bath of the goddess. Nay, his own dogs shall then devour their former lord. And his mother shall gather the bones of her son, ranging over all the thickets. Happiest of women shall she call thee and of happy fate, for that thou didst receive thy son home from the hills – blind. Therefore, O comrade, lament not; for to this thy son – for thy sake – shall remain many other honours from me. For I will make him a seer to be sung of men hereafter, yea, more excellent than any other. He shall know the birds – which is of good omen among all the countless birds that fly and what birds are of ill-omened flight. Many oracles shall he utter to the Boeotians and many unto Cadmus, and to the mighty sons of Labdacus in later days. Also will I give him a great staff which shall guide his feet as he hath need, and I will give him a long term of life. And he only, when he dies, shall walk among the dead having understanding, honoured of the great Leader of Peoples.”
 
So she spake and bowed her head; and that word is fulfilled over which Pallas bows; since to Athena only among his daughters hath Zeus granted that she should win all things that belong to her sire, O companions of the Bath, and no mother bare that goddess, but the head of Zeus. The head of Zeus bows not in falsehood, and in falsehood his daughter hath no part.

Now comes Athena in very deed. O maidens, whose task it is, receive ye the goddess with pious greeting and with prayer, and with the voice of thanksgiving. Hail, goddess, and have thou Inachian Argos in thy keeping! Hail when thou drivest forth thy steeds, and home again mayst thou drive them with joy, and do thou preserve all the estate of the Danaans."
Okay, moving kicked my ass, but I am now officially moved in! Go me! I'm writing this on Wednesday night, right before the World Cup game which I plan to enjoy no matter what. Tomorrow I have an early job interview so no writing either, which means you get an ancient hymn! In this case, it's of Demeter, written by Kallimachos.

Kallimachos of Kyrēnē was a Hellenic poet and scholar of the Library of Alexandria. He rose to greatness around the third century BC and was the author of a large number of works. Unfortunately, only six hymns and sixty-three epigrams have survived to this day. Kallimachos despised the 'outdated' poetry type of Hómēros and wrote many testimonials against it. His hymns are, therefor, different to the eye than the Homeric and Orphic ones. For the complete hymns, go here.

"Sing, ye maidens, and ye mothers, say with them: “Demeter, greatly hail! Lady of much bounty, of many measures of corn.” And as the four white-haired horses convey the Basket, so unto us will the great goddess of wide dominion come brining white spring and white harvest and winter and autumn, and keep us to another year. And as unsandalled and with hair unbound we walk the city, so shall we have foot and head unharmed for ever. And as the van-bearers bear vans full of gold, so may we get gold unstinted. Far as the City Chambers let the uninitiated follow, but the initiated even unto the very shrine of the goddess – as many as are under sixty years. But shoe that are heavy and she that stretches her hand to Eileithyia and she that is in pain – sufficient it is that they go so far as their knees are able. And to them Deo shall give all things to overflowing, even as if they came unto her temple.

Hail, goddess, and save this people in harmony and in prosperity, and in the fields bring us all pleasant things! Feed our kine, bring us flocks, bring us the corn-ear, bring us harvest! And nurse peace, that he who sows may also reap. Be gracious, O thrice-prayed for, great Queen of goddesses!" [118]
Well then, today is not the day for a blog post. You are getting a hymn today in the hopes that I'll feel better tomorrow. Oh--reminder: because I'm under the weather you're getting an extra day to donate to Pandora's Kharis' cause, The International Mental Health Research Organization, who won this round as Mounukhion 2014 cause! Have you made your donation yet?

Kallimachos of Kyrēnē (Κυρήνη, Cyrene) was a Hellenic poet and scholar of the Library of Alexandria. He rose to greatness around the third century BC and was the author of a large number of works. Unfortunately, only six hymns and sixty-three epigrams have survived to this day. Kallimachos despised the 'outdated' poetry type of Hómēros and wrote many testimonials against it. His hymns are, therefor, different to the eye than the Homeric and Orphic ones. For the complete hymns, go here. You are getting the Hymn to Apollon today in honour of the upcoming Thargelia.

 
HYMN TO APOLLON

How the laurel branch of Apollo trembles! How trembles all the shrine! Away, away, he that is sinful! Now surely Phoebus knocketh at the door with his beautiful foot. See’st thou not? The Delian palm nods pleasantly of a sudden and the swan in the air sings sweetly. Of yourselves now ye bolts be pushed back, pushed back of yourselves, ye bars! The god is no longer far away. And ye, young men, prepare ye for song and for the dance.

Not unto everyone doth Apollo appear, but unto him that is good. Whoso hath seen Apollo, he is great; whoso hath not seen him, he is of low estate. We shall see thee, O Archer, and we shall never be lowly. Let no the youths keep silent lyre or noiseless step, when Apollo visits his shrine, if they think to accomplish marriage and to cut the locks of age, and if the wall is to stand upon its old foundations. Well done the youths, for that the shell is no longer idle.

Be hushed, ye that hear, at the song to Apollo; yea, hushed is even the sea when the minstrels celebrate the lyre or the bow, the weapons of Lycoreian Phoebus. Neither doth Thetis his mother wail her dirge for Achilles, when she hears Hië Paeëon, Hië Paeëon.

Yea, the tearful rock defers its pain, the wet stone is set in Phrygia, a marble rock like a woman open-mouthed in some sorrowful utterance. Say ye Hië! Hië! an ill thing it is strive with the Blessed Ones. He who fights with the Blessed Ones would fight with my King; he who fights with my King, would fight even with Apollo. Apollo will honour the choir, since it sings according to his heart; for Apollo hath power, for that he sitteth on the right hand of Zeus. Nor will the choir sing of Phoebus for one day only. He is a copious theme of song; who would not readily sing of Phoebus?

Golden is the tunic of Apollo and golden his mantle, his lyre and his Lyctian bow and his quiver: golden too are his sandals; for rich in gold is Apollo, rich also in possessions: by Pytho mightst thou guess. And ever beautiful is he and ever young: never on the girl cheeks of Apollo hath come so much as the down of manhood. His locks distil fragrant oils upon the ground; not oil of fat do the locks of Apollo distil but he very Healing of All. And in whatsoever city whose dews fall upon the ground, in that city all things are free from harm.

None is so abundant in skill as Apollo. To him belongs the archer, to him the minstrel; for unto Apollo is given in keeping alike archery and song. His are the lots of the diviner and his the seers; and from Phoebus do leeches know the deferring of death.

Phoebus and Nomius we call him, ever since that when by Amphrysus he tended the yokemares, fired with love of young Admetus. Lightly would the herd of cattle wax larger, nor would the she-goats of the flock lack young, whereon as they feed Apollo casts his eye; nor without milk would the ewes be nor barren, but all would have lambs at foot; and she that bare one would soon be the mother of twins.

And Phoebus it is that men follow when they map out cities. For Phoebus himself doth weave their foundations. Four years of age was Phoebus when he framed his first foundations in fair Ortygia near the round lake.

Artemis hunted and brought continually the heads of Cynthian goats and Phoebus plaited an altar. With horns builded he the foundations, and of horns framed he the altar, and of horns were the walls he built around. Thus did Phoebus learn to raise his first foundations. Phoebus, too, it was told Battus of my own city of fertile soil, and in guise of a raven – auspicious to our founder – led his people as they entered Libya and sware that he would vouchsafe a walled city to our kings. And the oath of Apollo is ever sure. O Apollo! Many there be that call thee Boëdromius, and many there be that call thee Clarius: everywhere is thy name on the lips of many. But I call thee Carneius; for such is the manner of my fathers. Sparta, O Carneius! was they first foundation; and next Thera; but third the city of Cyrene. From Sparta the sixth generation of the sons of Oedipus brought thee to their colony of Thera; and from Thera lusty Aristoteles set thee by the Asbystian land, and builded thee a shrine exceedingly beautiful, and in the city established a yearly festival wherein many a bull, O Lord, falls on his haunches for the last time. Hië, Hië, Carneius! Lord of many prayers, - thine altars wear flowers in spring, even all the pied flowers which the Hours lead forth when Zephyrus breathes dew, and in winter the sweet crocus. Undying evermore is thy fire, nor ever doth the ash feed about the coals of yester-even. Greatly, indeed, did Phoebus rejoice as the belted warriors of Enyo danced with the yellow-haired Libyan women, when the appointed season of the Carnean feast came round. But not yet could the Dorians approach the fountains of Cyre, but dwelt in Azilis thick with wooded dells. These did the Lord himself behold and showed them to his bride as he stood on horned Myrtussa where the daughter of Hypseus slew the lion that harried the kind of Eurypylus. No other dance more divine hath Apollo beheld, nor to any city hath he given so many blessings as he hath given to Cyrene, remembering his rape of old. Nor, again, is there any other god whom the sons of Battus have honoured above Phoebus.

Hië, Hië, Paeëon, we hear – since this refrain did the Delphian folk first invent, what time thou didst display the archery of they golden bow. As thou wert going down to Pytho, there met thee a beast unearthly, a dread snake. And him thou didst slay, shooting swift arrows one upon the other; and the folk cried “Hië, Hië, Paeëon, shoot an arrow!” A helper from the first thy mother bare thee, and ever since that is thy praise.

Spare Envy privily in the ear of Apollo: “I admire not the poet who singeth not things for number as the sea.” Apollon spurned Envy with his foot and spake thus: “Great is the stream of the Assyrian river, but much filth of earth and much refuse it carries on its waters. And not of every water do the Melissae carry to Deo, but of the trickling stream that springs from a holy fountain, pure and undefiled, the very crown of waters.” Hail, O Lord, but Blame – let him go where Envy dwells!
I'm starting a new job today and I am running late, late, late. As such, you are getting ancient words and a promise for an actual blog post tomorrow. So sorry! Kallimachos of Kyrēnē (Κυρήνη, Cyrene) was a Hellenic poet and scholar of the Library of Alexandria. He rose to greatness around the third century BC and was the author of a large number of works. Unfortunately, only six hymns and sixty-three epigrams have survived to this day. Kallimachos despised the 'outdated' poetry type of Hómēros and wrote many testimonials against it. His hymns are, therefor, different to the eye than the Homeric and Orphic ones.


HYMN I. TO ZEUS
 
At libations to Zeus what else should rather be sung than the god himself, mighty for ever, king for evermore, router of the Pelagonians, dealer of justice to the sons of Heaven?
 
How shall we sing of him – as lord of Dicte1 or of Lycaeum? My soul is all in doubt, since debated is his birth. O Zeus, some say that thou wert born on the hills of Ida; others, O Zeus, say in Arcadia; did these or those, O Father lie? “Cretans are ever liars.” Yea, a tomb, O Lord, for thee the Cretans builded; but thou didst not die, for thou art for ever.
 
In Parrhasia it was that Rheia bare thee, where was a hill sheltered with thickest brush. Thence is the place holy, and no fourfooted thing that hath need of Eileithyia nor any woman approacheth thereto, but the Apidanians call it the primeval childbed of Rheia. There when thy mother had laid thee down from her mighty lap, straightway she sought a stream of water, wherewith she might purge her of the soilure of birth and wash thy body therein.
 
But mighty Ladon9 flowed not yet, nor Erymanthus, clearest of rivers; waterless was all Arcadia; yet was it anon to be called well-watered. For all that time when Rhea loosed her girdle, full many a hollow oak did water Iaon bear aloft, and many a wain did Melas carry and many a serpent above Carnion, wet though it now be, cast its lair; and a man would fare on foot over Crathis and many-pebbled Metope, athirst: while that abundant water lay beneath his feet.
 
And holden in distress the lady Rheia said, "Dear Earth, give birth thou also! They birthpangs are light." So spake the goddess, and lifting her great arm aloft she smote the mountain with her staff; and it was greatly rent in twain for her and poured forth a mighty flood. Therein, O Lord, she cleansed they body; and swaddled thee, and gave thee to Neda to carry within the Cretan covert, that thou mightst be reared secretly: Neda, eldest of the nymphs who then were about her bed, earliest birth after Styx and Philyra. And no idle favour did the goddess repay her, but named that stream Neda; which, I ween, in great flood by the very city of the Cauconians, which is called Lepreion, mingles its stream with Nereus, and its primeval water do the son’s son of the Bear, Lycaon’s daughter, drink.
 
When the nymph, carrying thee, O Father Zeus, towards Cnosus, was leaving Thenae– for Thenae as nigh to Cnosus – even then, O God, thy navel fell away: hence that plain the Cydonians call the Plain of the Navel. But thee, O Zeus, the companions of the Cyrbantes took to their arms, even the Dictaean Meliae, and Adrasteia laid thee to rest in a cradle of gold, and thou didst suck the rich teat of the she-goat Amaltheia, and thereto eat the sweet honey-comb. For suddenly on the hills of Ida, which men call Panacra, appeared the works of the Panacrian bee. And lustily round thee danced the Curetes a war-dance, beating their armour, that Cronus might hear with his ears the din of the shield, but not thine infant noise.
 
Fairly didst thou wax, O heavenly Zeus, and fairly wert thou nurtured, and swiftly thou didst grow to manhood, and speedily came the down upon thy cheek. But, while yet a child, thou didst devise all the deeds of perfect stature. Wherefore thy kindred, though an earlier generation, grudged not that thou shouldst have heaven for thine appointed habitation. For they said that the lot assigned to the sons of Cronus their three several abodes. But who would draw lots for Olympos and for Hades – save a very fool? For equal chances should one cast lots; but these are the wide world apart. When I speak fiction, be it such fiction as persuades the listener’s ear! Thou wert made sovereign of the gods not by casting of lots by the deeds of thy hands, thy might and that strength which thou hast set beside thy throne. And the most excellent of birds didst thou make the messenger of thy sings; favourable to my friends be the sings thou showest! And thou didst choose that which is most excellent among men – not thou the skilled in ships, nor the wielder of the shield, nor the minstrel: these didst thou straightway renounce to lesser gods, other cares to others. But thou didst choose the rulers of cities themselves, beneath whose hand is the lord of the soil, the skilled in spearmanship, the oarsman, yea, all things that are: what is there that is not under the ruler’s sway? Thus, smith, we say, belong to Hephaestus; to Ares, warriors; to Artemis of the Tunic, huntsmen; to Phoebus they that know well the strains of the lyre. But from Zeus come kings; for nothing is diviner than the kings of Zeus. Wherefore thou didst choose them for thine own lot, and gavest them cities to guard. And thou didst seat thyself in the high places of the cities, watching who rule their people with crooked judgements, and who rule otherwise. And thou hast bestowed upon them wealth and prosperity abundantly; unto all, but not in equal measure. One may well judge by our Ruler, for he hath clean outstripped all others. At evening he accomplisheth what whereon he thinketh in the morning; yea, at evening the greatest things, but the lesser soon as he thinketh on them. But the others accomplish some things in a year, and some things not in one; of others, again, thou thyself dost utterly frustrate the accomplishing and thwartest their desire.
 
Hail! greatly hail! most high Son of Cronus, giver of good things, giver of safety. Thy works who could sing? There hath not been, there shall not be, who shall sing the works of Zeus. Hail! Father, hail again! And grant us goodness and prosperity. Without goodness wealth cannot bless men, nor goodness without prosperity. Give us goodness and weal.
Lepus is a constellation lying just south of the celestial equator, immediately south of the constellation Orion. Its name is Latin for hare. While Hellenic mythology is not chuck full of hares, Lepus was indeed one of the 48 constellations listed by the 2nd century astronomer Ptolemy, and it remains one of the 88 modern constellations recognized today.



The only ancient writer I have found who mentioned the constellation Lepus by name and myth is Hyginus, but to make up for it, he gives us a lot of material to work with. Lets break his words down, shall we? From the Astronomica:

"Some say that it was put there by Mercury [Hermes], and that it had been given the faculty, beyond other kinds of quadrupeds, of being pregnant with new offspring when giving birth to others." [II.33]

Well, there is not much to say against that, now is there? I looked it up, and it seems that hares have about three times three+ young every year, and European hares are, indeed, capable of carrying two litters.

"The hare is said to be fleeing the dog of the hunter Orion, for when, as was proper, they represented Orion as a hunter, they wanted to indicate what he was hunting, and so they put the fleeing hare at his feet. [...] Those who disagree with this reason say that so noble and great a hunter as Orion (we spoke about him in the discussion of Scorpio) shouldn’t be represented hunting hares. Callimachus, too, is blamed, because, when he was singing the praises of Diana [Artemis], he said she delighted in the flesh of hares and hunted them. So they have represented Orion fighting the Bull." [II.33]

Orion (Ὠρίων) was a famed hunter who has a lot of mythology to his name. He is also included in a lot of existing mythology. The constellation Canis Major might represent his entire pack or one of them, who are/is eternally pursuing Lepus the Hare or helping Orion fight Taurus the Bull. In the prime of his life, Orion joined with the Goddess Artemis and Her mother Leto, for an epic hunt in which Orion threatened to kill every beast on Earth. Gaea revolted and sent a giant scorpion to kill Orion. Orion, although very powerful, was overcome by the creature, but Artemis and Leto requested to Zeus he'd be immortalized in the night's sky. The Scorpion was admitted into the heavens as well, along with his hunting pack... and the hare.
Kallimachos' wonderful hymn to Artemis does, indeed, include the hare:

"Artemis we hymn – no light thing is it for singers to forget her – whose study is the bow and the shooting of hares and the spacious dance and sport upon the mountains." [1]

Hyginus has one more story to share, which comes not from the realm of mythology, but the realm of folklore.

"The following story of the hare has been recorded. There were no hares on the island of Leros, and a certain young man of the state, led by a liking for the breed, brought in from another country a pregnant female, and watched over her very carefully as she bore her young. When she had borne them, many of the citizens developed an interest, and by acquiring some for money, some as gifts, they all began to raise hares. In no long time such a multitude of hares was produced that the whole island was swarming with them. When men gave them nothing to eat, they made inroads on the grain fields and devoured everything. The inhabitants, faced with disaster because of this, since they were reduced to hunger, by co-operation of the whole state were said at length to have driven them from the island, through with difficulty. So afterwards they put the image of a hare in the stars, that men should remember that there was nothing so desirable in life but that later they might experience more grief than pleasure from it." [II.33]

The constellation Lepus is visible at latitudes between +63° and −90°, and best visible at 21:00 (9 p.m.) during the month of January.
When we last caught up with Hēraklēs, he had just completed his second labour: to slay the Lernaean Hydra. What his next labour is, depends on the ancient writer you read. Hyginus, for example, remarks that he slew the Erymantian Boar first, while I use the commonly accepted sequence set out by Apollodorus. Speaking of Apollodorus: He has only a few words to spare for this third labour:

"As a third labour he [Eurystheus] ordered him to bring the Cerynitian hind alive to Mycenae. Now the hind was at Oenoe; it had golden horns and was sacred to Artemis; so wishing neither to kill nor wound it, Hercules hunted it a whole year. But when, weary with the chase, the beast took refuge on the mountain called Artemisius, and thence passed to the river Ladon, Hercules shot it just as it was about to cross the stream, and catching it put it on his shoulders and hastened through Arcadia. But Artemis with Apollo met him, and would have wrested the hind from him, and rebuked him for attempting to kill her sacred animal.Howbeit, by pleading necessity and laying the blame on Eurystheus, he appeased the anger of the goddess and carried the beast alive to Mycenae." [2.5.3]

It seems that Euryteus (and Hera, in some versions) were becoming aware that the hope they carried that Hēraklēs would perish at the hands (or teeth) of a monster became a vain hope. If not even the Hydra could end his life, very few other thing would have stood a chance. Changing tactics, Eurystheus gave Hēraklēs a different kind of task: one in which the task itself was not dangerous, and only required a sharp mind. Hēraklēs wasn't a fool: he was well aware that capturing an animal sacred to Artemis was as deadly a task as his previous ones. In fact, it might be more lethal: upsetting the Theia of the hunt had gotten far more powerful men killed.

Unable to refuse, Hēraklēs went off in search of the golden hind of Artemis, which was also known as the Keryneian Hind (Κερυνῖτις ἔλαφος), or Krynites. In his 'Hymn to Artemis', Kallimachos describes the sacred animal, and explains that there were more of these animals--five in total--of which Artemis captured four and yoked them to her chariot. The other escaped:
 
"Thence departing (and thy hounds sped with thee) thou [Artemis] dist find by the base of the Parrhasian hill deer gamboling – a mighty herd. They always herded by the banks of the black-pebbled Anaurus – larger than bulls, and from their horns shone gold. And thou wert suddenly amazed and sadist to thine own heart: “This would be a first capture worthy of Artemis.” Five were there in all; and four thou didst take by speed of foot – without the chase of dogs – to draw thy swift car. But one escaped over the river Celadon, by devising of Hera, that it might be in the after days a labour for Heracles, and the Ceryneian hill received her." [98]

Hēraklēs found a worthy adversary in the hind, which eluded him for almost a year. He chased it to the far corners of Hellas and beyond, and then, eventually, he came upon it. How, exactly, the hind was caught varies, and even varied in ancient times. Diodorus describes:
 
"The next Command which Heracles received was the bringing back of the hart which had golden horns and excelled in swiftness of foot. In the performance of this Labour his sagacity stood him in not less stead than his strength of body. For some say that he captured it by the use of nets, others that he tracked it down and mastered it while it was asleep, and some that he wore it out by running it down. One thing is certain, that he accomplished this Labour by his sagacity of mind, without the use of force and without running any perils."

Whatever the case, the hind is caught, and Hēraklēs hurries to the king to finish the task. On the way back, however, Artemis and Apollon appear, both rady to end his life. Hēraklēs pleads with Them, lying the blame on Eurystheus. Artemis makes him promise to return the hind to Her when he has shown it to the king, and Hēraklēs agrees. The divine twins spare his life, and thus foil Eurystheus' plan to have Hēraklēs killed.

So Hēraklēs returns with the stag on his shoulders. The king is furious, but he is happy he will at least possess the golden hind now. He orders Hēraklēs to put the hind in the stables, but Hēraklēs knows that the hind must be returned to Artemis without delay. Devising a plan of his own, he tells the king to come and take the hind from him. When he releases the animal, he does so slightly too early, and the swift-footed hind escapes into the woods. Hēraklēs has completed another labour, and he has managed to appease Artemis; not bad for someone previously known mostly for his brute strength.

Image source: sculpture
Today, the 25th of the month of Thargelion marks the day of the Plynteria festival. This minor festival was held solely in Athens and surrounding areas, and was in honor of Athena Polias, Protector of the city. It was considered an auspicious day by the ancient Hellenes, because on this day, they did not have the protection of Athena.

Plutarch, in his 'Life of Alkibiades' describes the festival beautifully:

"But while Alcibiades was thus prospering brilliantly, some were nevertheless disturbed at the particular season of his return. For he had put into harbour on the very day when the Plynteria  of the goddess Athene were being celebrated. The Praxiergidae celebrate these rites on the twenty-fifth day of Thargelion, in strict secrecy, removing the robes of the goddess and covering up her images. Wherefore the Athenians regard this day as the unluckiest of all days for business of any sort. The goddess, therefore, did not appear to welcome Alcibiades with kindly favour and good will, but rather to veil herself from him and repel him. However, all things fell out as he wished, and one hundred triremes were manned for service, with which he was minded to sail off again; but a great and laudable ambition took possession of him and detained him there until the Eleusinian mysteries." [34.1]

During the Plynteria, the wooden statue of Athena was disrobed of the Peplos that She received during the Panathenaia by Her priestesses, veiled, and then taken down to the sea for a wash. Veiling a Theos' image from head to toe was considered apophras, unlucky, as it removed Their presence. The women who removed the robe and jewelry from the ancient wooden image and then veiled Her, were part of an Athenian family traditionally entrusted with this task. They were called the Praxiergidai. The procession to the sea, several miles away, was a city-affair. As all other sanctuaries and temples in Athens remained closed on this day, it's likely many attended. In front of the procession was a single woman, carrying a basket of fig pastries (known as 'Hegeteria'), for the fig was believed to be the first cultivated food, and was--like the sea water--a purifier. Mounted young men, known as 'epheboi' escorted the statue deep into the water before coming back to shore. Thee, it was bathed by two girls, the bathers (loutrides). A single priestess was most likely in charge of washing the peplos of the Goddess. her title has not survived. In the evening, a torch-lid procession brought the Goddess back to Her temple and she was redressed by the Praxiergidai. The statue may have remained veiled for the remainder of the day.

There is another, smaller, festival connected to the Plynteria the Kallunteria, which was celebrated somewhere in the vicinity of the Plynthria. During this festival, the temple of Athena was swept out--the name of the festival means 'sweeping out' or 'to beautify by sweeping'--and cleaned thoroughly, so that the washed statue would have a clean home to return to. The lamp of Her eternal flame was also refilled and relit by the priestesses on this day. The lamp was a golden vessel, created in the late fifth century by Kallimachos, and was big enough to hold enough oil to burn day and night for the whole year. It's therefor logical to assume that the festival was held on a day close to the twenty-fifth, possibly the twenty-fourth. Ancient sources state that the festival must have taken place after the Bendideia. From Proklos' 'Timaeus of Plato':

"For they say, that the Bendideia were celebrated in the Piraeus on the twentieth day of [Thargelion], but that the festival sacred to Minerva followed these."

Mikalson, in his 'The sacred and civil calendar of the Athenian year', stresses that the 24th is merely a estimation, and we, in fact, do not know when the festival was held. He assumes it could even have taken place after the Plynteria, and places the Kallunteria between the 24th and the 28th of the month, with the exception of the 25th, as that was the date of the Plyneria. Personally, I think that if you have an entire temple to clean, it makes sense to stretch the event into two days, either consecutive or non-consecutive, but with our home shrines, the two festivals can easily be conflated into the 25th, or perhaps the 24th and the 25th to remain somewhat traditional--although I again stress that the date of the Kallunteria is unknown.

As modern practitioners, this day can be used for a spring cleaning of your altar and shrine to Athena. It can also serve as a day to clean all shrines. Covering all shrines is encouraged in reflection of the temples being closed on the 25th. If you have a statue of Athena, this is the time to wash it. Taking Her to the sea is best, but any source of running water will do, even the kitchen faucet. Clean Her peplos, if you have made one for Her, and restore Her to the shine around dusk. Sacrifice to Her, figs or fig cakes preferably. If you do not possess a statue of Athena, simply washing your temple space and offering to Her will suffice. Enjoy your Kallunteria and Plynteria!

 Image source: Athena
For those of you who, like me, are not blessed with the ability to write poetry beyond the level of an eight-grader, or for those who simply wish to draw they eyes of the Theoi by reciting poetry--or actually singing the hymns if your mastery of the Greek language allows it--which is familiar to Them, hymns form a wonderful addition to your practice. The oldest, and most well know, of the hymns are undoubtedly the Homeric ones, with the Orphic ones a close second, but there are many more out there.

  • Homeric Hymns - a collection of thirty-three Hellenic hexameter poems in epic style well known from Hómēros' Iliad and Odysseia. They range in length from three to five-hundred lines, and were composed in various time periods, by a variety of--now largely anonymous--authors. Hómēros might have actually written some of them, Pamphos might have penned the 'Hymn to Demeter', and Cynaethus of Chios might have penned the 'Hymn to Apollon'. Most of the poems were written between 800 and 300 BC, a few of the shorter poems are clearly from the Hellenistic (third or second century BC) period, and the Hymn to Ares was probably added to the whole in Roman times. Who actually combined the thirty-three is unclear. The first and second hymns ('To Dionysos', and 'To Demeter') were lost for a long time, until a chance discovery in Moscow in 1777 unearthed a fifteenth century manuscript with the two poems largely intact. The 'Hymn to Apollon' was noted down on the walls of Artemis' temple at Delos, and was most likely a large part of the festivals held there for Apollon. For all Homeric Hymns, go here.
  • Orphic Hymns - a collection of eighty-seven short religious poems composed in either the late Hellenistic or early Roman (first or second century AD) era. They are based on the beliefs of Orphism, a mystery cult or religious philosophy which claimed descent from the teachings of the mythical hero Orpheus. The Mysteries were mostly connected to Demeter, Persephone, life after death and reincarnation. From the Orphic Hymns also comes a list of which incenses to offer to which deity. For all Orphic Hymns, go here.
  • Hymns of Kallimachos (Καλλίμαχος) - a lesser known collection of poems, written by Kallimachos of Kyrēnē (Κυρήνη, Cyrene), who was a Hellenic poet and scholar of the Library of Alexandria. He rose to greatness around the third century BC and was the author of a large number of works. Unfortunately, only six hymns and sixty-three epigrams have survived to this day. Kallimachos despised the 'outdated' poetry type of Hómēros and wrote many testimonials against it. His hymns are, therefor, different to the eye than the Homeric and Orphic ones. For the complete hymns, go here.
  • Delphic Hymns - two musical compositions from ancient Hellas, dating back to 128 BC. They were recovered from the walls of the treasury of Apollon at Delphi, and were most likely performed in His worship at the Pythian festival. The first of the hymns was written and composed by Athenios, son of Athenios, the second by Limenios, son of Thoinos. For the first hymn, go here, for the second, go here.
  • Hymns of Proklos - Proclus (Πρόκλος) was a Greek Neoplatonist philosopher, one of the last major Classical philosophers. He was alive from 8 February 412 AD to 17 April 485 AD), and while a very late addition to this list, he wrote five beatiful hymns about the Roman Gods, which can be interpreted for the Hellenic ones as well. The surviving works consist of two hymns to Venus (Aphrodite), one to the Sun (Helios), one to the Muses, and one to Minerva (Athena). The surviving hymns can be found here, in both Greek and English.
  • Hymns of Mesomedes - Mesomedes of Krete (Μεσομήδης ὁ Κρής) was a Roman-era Hellenic lyric poet and composer of the early second century AD.  He was a freedman and court musician to the emperor Hadrian (reigned 117-138 CE), and created  three hymns and fifteen poems which have survived to this day. The hymns to Nemesis, the muse Calliope, and the Sun can be read here and listened to here. I am partial to this translation of the 'Hymn to Nemesis'.
  • Hymn to Aphrodite - This most wonderful hymn was written by Sappho (Σαπφώ) as she was struggling with love. It's unique in that it shows both petitioner and Aphrodite Herself. I am partial to this translation.