Showing posts with label cyprus. Show all posts
Showing posts with label cyprus. Show all posts

I am fairly swamped right now. May I interest you in the words of Sophocles on Aphrodite and love? I'll give you something more tomorrow.



“Children, the Cyprian is certainly not only the Cyprian
But she is a being of many names.
She is Hades. She is immortal life.
She is mad insanity. She is desire undiluted.
She is lamentation. In her is everything
Earnest, peaceful, all that leads to violence
She seeps into the organs of everything
In which life resides. Who is ever sated by the goddess?
She enters into the fishes’ swimming race,
She is in the four-limbed tribe on the land
And guides her wing among the birds.
Among beasts, mortals, among the gods above.
Whom of the gods has she not thrown three times?
If it is right for me—if it is right to speak the truth,
She rules Zeus’ chest without a spear or iron
The Cyprian certainly cuts short
All the best plans of humans and gods.”
[fr. 941 [=Stobaeus 4, 20.6]]
Cyprus Department of Antiquities, Ministry of Transport, Communications and Works announces the completion of the University of Cyprus annual field campaign on the tumulus of Laona at Palaepaphos which took place in June and September and lasted four weeks.  The Laona tumulus is monumental in size (100m. x 60m. x 10m.) and as such remains unique in Cyprus to this day. The man-made mound was identified for the first time in 2012 in the context of the Palaepaphos Urban Landscape project carried out by Professor Maria Iacovou of the Department of History and Archaeology since 2006.


The low hillock of Laona, on which the tumulus was raised, lies at a distance of one kilometer to the east of the sanctuary of Aphrodite from where it is clearly visible. At the beginning of the 5th century BC, the royal dynasty of the city-state of Ancient Paphos implemented an ambitious building programme on the plateau of Hadjiabdoulla, where a royal residence and an extensive economic complex were constructed. At the same time, 70m north of the Hadjiabdoulla citadel, they had a monumental rampart built on Laona. Over 65 m. of the rampart have now been revealed on the east side of the hill. This impressive defensive project of the Cypro-Classical period was buried under 13.700 cubic meters of marl and red soil, which had been transported for the construction of the tumulus. The Laona fortress was, therefore, well preserved under the tumulus; its NE corner survives to a height of six meters, and this makes it one of the most significant monuments of the “Age of the Cypriot Kingdoms”.

The ceramic evidence suggests that the construction of the mound dates to the third century BC. Since 2013, the excavations are concentrated in the SE quarter (FIG.1). About 12m. south of the summit, which rises to 114 above sea level, the UC team found at a depth of over six meters a small square (4mx4m) monument. Although its east wall stands to a height of 3,5m., the building was already half destroyed when the mound was constructed. It has a foundation ledge made of unworked stones and red clay. However, there is no relation between the external and internal building plan of the monument; the only part that would have been visible above ground are the external walls made of worked blocks.

The completion of the investigation has established that this peculiar monument was not made for internal use. It contained no objects and no burial chamber. The stone walls formed a shell around a solid homogeneous filling made of worked marl. The preparation of the marl must have taken place in a long channel cut to the east, which communicates with the center of the foundation ledge.

The mystery of the absence of the west wall was solved when the research team identified on the south section of the mound that had covered the building a man-made cutting terminating where the west wall was meant to be. The cutting was subsequently “mended” with a different type of soil. The west wall was thoroughly destroyed down to its foundation base, which rests on bedrock. There is little doubt that this was the work of ancient tomb robbers. They expected to loot a burial chamber but, apparently, they had relied on the untrustworthy information or assumption.  Maybe this was the main role of the small building: to divert attention away from the position of the burial chamber. Looted or not, the burial chamber or the cenotaph, in the name of which the tumulus of Laona was raised, continuous to evade ditection.

The Department of Antiquities of Cyprus has reburied the foundation ledge on the east side and has installed a protective cover over the monument as a temporary preservation measure against weather conditions. The excavations on Laona will be resumed in the summer of 2019; the goal will be the north and north-west contour of the Cypro-Classical rampart.

More images here.
A majestic stone maze park is planned to be completed by June 2019 – less than three years since the team initially sat down and drew up a plan for the project ­in an area between Limassol and Paphos, purposefully away from the overcrowded beaches and deeper into Cyprus’ mountains. Amazing World plans to bring the ancient world with all its richness of history, legend and myth to the 21st century with the main attraction being the recreation of the former wonder of the world.


Aiming to create a whole new world for tourists and locals of all ages, the project will be brought to reality by a team headed by Mirakhmed Turakulov.

"It will be unlike anything that already exists. We’re building a vast stone labyrinth, with walls engraved with sculptures taking visitors through the history of Cyprus, from ancient to modern times."

While the project is still raising funds on Indiegogo some of the sculptures have already been completed and preparation of the site has begun. The labyrinth will be surrounded by greenery and waterfalls, creating an oasis which will complement the dreamlike experience of strolling by statues of ancient Greek mythological gods and goddesses scattered outside the labyrinth walls, taking visitors right into the myth of Theseus and the Minotaur. The Amazing World stone maze promises a journey of enlightenment through the stormy history of the island, with the awe-inspiring statue of Zeus awaiting visitors at the heart of the labyrinth.

“Our goal is to build a world for the modern day person so they may embark on a journey through time and enrich themselves with culture, art, architecture and the mythological belief of the people from the archaic ancient times. We’re going to replicate the original statue to the greatest extent possible."

While the project also aims towards strengthening the local community  specifically that of villages such as Dora, Fasoula, Mamonia, Maronas, Kidasi – and fostering economic growth and tourism, Mirakhmed stressed that it’s the lack of an immersive and comprehensive educational experience of this kind that motivates him above all.

"I’ve been in Cyprus for six years, and I still have not found somewhere where you can learn ancient and modern history in an approachable way."

While Cyprus hosts an abundance of ancient archaeological sites and even though the Cyprus Museum exhibits artefacts and from the Neolithic Age to the Byzantine period and various cross-shaped idols from the Chalcolithic period, gold jewellery and statues of gods and goddesses, none of the above are actually fun, as enlightening as they may be. Amazing World plans to keep fun at the centre of learning, with visitors absorbing history and culture while simultaneously being on a quest to find the God of gods in all his glory.

For more information and to make a contribution go to www.indiegogo.com/projects/stone-maze-park-and-statue-of-zeus-in-cyprus-adventure#/ or www.amazing-world.eu
Ah, life is so beautifully swamped right now. My new manuscript went off to the editor yesterday but that didn't leave much time for my usually Hellenic reading and scrolling. May I interest you in the words of Sophocles on Aphrodite and love? I'll give you something more tomorrow.


“Children, the Cyprian is certainly not only the Cyprian
But she is a being of many names.
She is Hades. She is immortal life.
She is mad insanity. She is desire undiluted.
She is lamentation. In her is everything
Earnest, peaceful, all that leads to violence
She seeps into the organs of everything
In which life resides. Who is ever sated by the goddess?
She enters into the fishes’ swimming race,
She is in the four-limbed tribe on the land
And guides her wing among the birds.
Among beasts, mortals, among the gods above.
Whom of the gods has she not thrown three times?
If it is right for me—if it is right to speak the truth,
She rules Zeus’ chest without a spear or iron
The Cyprian certainly cuts short
All the best plans of humans and gods.”
[fr. 941 [=Stobaeus 4, 20.6]]
Sad newsbroke yesterday: Internationally renowned French archaeologist Jacqueline Girard Karageorghis has died at 85. She is survived by her husband and two children.


Karageorghis moved to Cyprus in the 1950s after completing her studies at the University of Lyon.
She married to the former director of the department of antiquities, Vassos Karageorghis in 1953 and together they had two children, Cleo and Andreas.

During her long and multifaceted professional career, she taught French, between 1963 and 1986, and was deputy education attaché at the French Educational Centre in Cyprus between 1986 and 1992.
She also collaborated with the Cyprus Tourism Organisation on a project named ‘Cultural Route of Aphrodite in Cyprus’ between 2002 and 2005.

Asked to establish the basis on which the CTO could develop a thematic tour of the island, the point was to encourage visitors to wander through layers of history and culture as they followed the footsteps of the worship of this great Goddess. In an interview with the Cyprus Mail in 2008, she said: 

"It’s quite ironic that I ended up on the island because I had always been interested in Greek culture ever since the time I was at school. Common interests brought me and Vassos together and I was happy to start a life here."

Giving birth to two children, Karageorghis was at first preoccupied with raising the kids while she also busied herself with her job as a French teacher.

"I still found the time to write a few articles on archaeology and eventually my old professor at Lyon University encouraged me to write my thesis."

In 1975 she completed a doctorate in history and archaeology on the subject of the ‘Great Goddess of Cyprus and her cult through the iconography from the Neolithic period to the 6th century BC.’ From that point onwards, she was fixated on the idea of Aphrodite and the legacy of the larger than life character, with a number of articles and books published since her thesis.

"I wanted to know why Cyprus is considered the island of Aphrodite. Most of us take the idea for granted and although Cypriots are very proud of the goddess they hardly know much about the history behind it all."

Karageorghis published numerous research papers, books, and articles and had received several honours.
Guys, guys! A new smartphone app will provide streetview for Bronze Age city life in Cyprus. Excuse me while I have a tiny party about this. The app will offer a look at urban life more than 3,000 years ago revealing a vibrant Bronze Age city of Kalavasos-Ayios Dhimitrios that once bustled with life on the island of Cyprus.

[Visual rendering of the archaeological site at Kalavasos-Ayios Dhimitrios.
Image: Fisher (UBC)]

Unfortunately, you need to be at the site to see the rendition. According to Past Horizons, the University of British Columbia (UBC) archaeologists working on the island are developing a new mobile application that lets users tour Bronze Age ruins and see reconstructed city buildings. Using your mobile device at the archaeological site will allow you to view a scene from the past through the screen and watch it come alive before your eyes using what is known as augmented reality. UBC researcher Kevin Fisher:

“Augmented reality is a relatively new technology but it has the potential to revolutionise the way people experience archaeological sites. The experience allows the viewer to walk around an archaeological site and see what an ancient city might have looked like in its original context.”

Fisher, a professor in the Department of Classical, Near Eastern, and Religious Studies, has partnered with a group of engineers at UBC’s Media and Graphics Interdisciplinary Centre (MAGIC), led by postdoctoral fellow Payam Rahmdel, developing the app for just one archaeological site but the project could be a stepping-stone for creating new tools for archaeologists and tourists.

The app, called KAD-AR, is among the first of its kind and Rahmdel says it stands out because it gives users an interactive experience using both visual and locational GPS based data. According to Rahmdel:

“Many museums use augmented reality to give visitors extra experiences like watching a video interview about an artefact or seeing some pictures of where it was found. With our app, you’re moving inside a room that is in ruin, seeing it as it was and learning more about it. No other tools look at it this way.”

Much of the work on the 3D model has been completed from photos and maps of the site from previous excavation. While I won't be seeing this in person, here is to hoping some kind tourist records the experience for the poor folks at home to see.