Showing posts with label Typhôeus. Show all posts
Showing posts with label Typhôeus. Show all posts

Today, I'm picking up the fourth of the constellations in the zodiac: Capricornus. Capricornus is often referred to as 'Capricorn', the latin word for 'horned goat' or 'goat horn', and in ancient Hellas--and even in most modern interpretations--the hybrid is not between human and goat, as one might expect from a culture with satyrs in its mythology, but goat and fish.


Obviously, Capricornus is a recognized constellation to this day. In fact, Capricornus is one of the oldest recognized constellations which have survived intact to this day; the association of the fish-goat hybrid even dates back to the Middle Bronze Age. The ancient Hellenes called it 'Aigokeros' (Αιγόκερως), literally 'goat-horned'. 

Because of its age, mythology surrounding the constellation has been muddled quite a bit. Because of that, this post will mostly be an exercise in debunking or expanding upon the stories that surround it. The first Hellenic myth that is associated with the constellation is that of Zeus' wet nurse Amaltheia (Ἀμάλθεια). She was either a goat, a nymph or a Goddess in her own right, most likely a nurturing Goddess imported from Krete, where Rhea delivered Her child (see below). The versions of the myth where She is a goat is the reason She is often linked to Capricornus.

After Zeus' birth, his father Kronos threatened to swallow Him whole, just like He had done with all of Zeus' brothers and sisters. Rhea, Zeus' mother, had gone off to Krete to give birth to Zeus unhindered. Amaltheia helped with the delivery, and when Rhea returned to Kronos with a baby-shaped boulder in a blanket, She left Zeus in Her care.

Amaltheia was, indeed, placed amongst the stars as a reward for Her services, but it wasn't as the Constellation Capricornus, but as the constellation Capra, the group of stars surrounding Capella on the arm  of Auriga, the charioteer. Here, She became tied to a myth that is a lot more gruesome: the myth that Her skin was used to create the sacred Aegis, the shield thus being placed on the arm of the charioteer for protection.

Amaltheia aside, Capricornus is mostly accurately linked to another myth connected to the Titomanchy; the Olympians were in for a rough fight when Zeus led them against the Titans. One of their toughest fights was against the storm-giant Typhôeus (Τυφωευς), a fight so tough, in fact, that the Olympians had to flee from battle. The young Theoi were so scared of the storm-giant, They fled to Egypt, crossing the river Nile in such a hurry that one amongst Them didn't even allow Himself the time to fully change shape so he could cross the river faster. He crossed in the shape of a half-goat, half-fish.

In most modern retellings of the myth, this Theos is identified as Pan, the Arkadian Theos of shepherds and flocks, of mountain wilds, hunting and rustic music. The ancient Hellenes, however, distinguished between several Panes (Πανες), daimones, guardian spirits, who are often conflated into Pan in modern times. Besides Pan, the ancient Hellenes at least distinguished between Agreus (Αγρευς), a Pan-daimon of hunting and rustic prophecy; Nomios (Νομιος), a Pan-daimon of shepherds and pastures; Phorbas (Φορβας), a Pan-daimon of grazing; the Paneidês (Πανειδης), the twelve sons of the Theos Pan; two Italian-born Pan-daimon--Pan Sybarios (Παν Συβαριος) and Phaunos (Φαυνος)--and Aigipan (Αιγιπαν), the Pan-daimon who helped Zeus in his battles with the storm-giant Typhôeus. It was Aigipan who was placed into the sky as the constellation Capricornus.

There are many versions of this myth, about Aigipan's birth, his connection to Zeus and the acts for which he was eventually placed amongst the stars. All are of relatively late design, but the basics are as follows: Aigipan was either a child of Zeus by a variety of mothers, a child of Almatheia--and thus fed alongside Zeus--or the father of Pan. In all versions of the myth, he stood alongside Zeus during the Titan war. Some versions of the myth say that Aigipan put panic (panikos) in the hearts of the Titans during the fight and thus gave Zeus such an edge, He won the war.

Other myths say that after the Titans were defeated, the Theoi thought They had won. Yet, there was one who sought revenge for the defeat of his father: Typhôeus, the most-feared son of Tartaros and Gaea. He came for Zeus, when all Theoi had gathered in Egypt, and the Theoi fled. Impressed by Aigipan's shrewdness in escaping over the river Nile as a sea-goat, Zeus rewarded him by placing him in the sky. In other versions, Typhôeus got a hold of Zeus and in the battle that followed, he ripped Zeus apart limb for limb. He hid the sinews of Zeus's arm or entire body away, but Aigipan got them back for Him, alongside Hermes.

In the last version of the myth, Zeus preemptively goes after Typhôeus, who is hiding in a cave by the sea. He commands Aigipan to lure him out, which Aigipan does in the form of the sea goat. Zeus then brings down a thunderbolt so powerful, it vanquishes Typhôeus and allows Zeus to lock him into Tartaros.

Whatever the case, Aigipan is most likely the Hellenic mythological source of the shape Capricornus has gotten, although Capricornus is also rumored to be an entrance into the Underworld. To find out for yourself, you might have to wait a while. This dim constellation is visible at latitudes between +60° and −90°, and best visible at 21:00 (9 p.m.) during the month of September.
Yesterday we spoke about the constellation Draco, or Drakon, which was said to represent two on ancient Hellas' dragons. I mentioned in that post that I would speak more of dragons tomorrow, so here we are. The dragons of ancient Hellas had very little--if anything--to do with the fantasy dragons we are so accustomed to now. The ancient Hellenes knew four types of dragon: the Drakones, the Ketea, the Khimaira and the Drakaenae.

The Drakones were named after the Greek 'drakein' and 'derkomai, meaning 'to see clearly' or 'gaze sharply'. These were guardians, usually of wells and springs, groves, Gods, or treasure. As guardians, they were usually equipped with sharp fangs, deadly poison and/or multiple heads. In essence, they were however seen as giant snakes which--and this is wholly a personal observation--makes sense when most protective and purifying Theoi were depicted as snakes.

Some examples of the Drakones are the Drakon Hesperios (Hesperian Drakon), who guarded the golden apples in the grove of the Hesperides; the Hydra, most famous of all mythological drakons, who had nine, regenerating, heads which grew back in pairs when cut off; and the Drakon Ismenios, who guarded the sacred spring of Ares near Thebes and was slain by Kadmos. The ancient Hellenes also believed that remote, unexplored corners of the earth housed a variety of Drakones, which could be found in Aethiopia, the hills and mountains of India, and in central Anatolia.

The second type were the Ketea, sea-monsters. These resembled snakes, again, but did no guard anything. These were destroyers, usually sent by the Gods in punishment. Cetus, the sea monster sent to ravage the coasts of Aethiopia after a prideful boast by Queen Cassiopeia. Cetus could only be appeased by sacrificing Androméda to it. According to the ancient Hellenes, the Ketea had real-life counterparts as well, in the deep Indian oceans, and in the form of the Scolopendra. Aelian, Hellenic natural historian from the second century AD describes them as follows in his 'On Animals':

"Now in the course of examining and investigating these subjects and what bears upon them, to the utmost limit, with all the zeal that I could command, I have ascertained that the Skolopendra is a Ketos (Sea-Monster), and of Sea-Monsters it is the biggest, and if cast up on the shore no one would have the courage to look at it. And those who are expert in marine matters say that they have seen them floating and that they extend the whole of their head above the sea, exposing hairs of immense length protruding from their nostrils, and the tail is flat and resembles that of a crayfish. And at times the rest of their body is to be seen floating on the surface, and its bulk is comparable to a full-sized trireme. And they swim with numerous feet in line on either side as though they were rowing themselves (though the expression is somewhat harsh) with tholepins hung alongside. So those who have experience in these matters say that the surge corresponds with a gentle murmur, and their statement convinces me." [13.23]

The third type of drakon was the Khimaira, a fire-breathing mythical beast whose form was a hybrid of lion, serpent and goat. Medieval artists used this creature as the template for the Dragon of Saint George, and this form became the link from ancient Hellas to modern D&D creature. The hero Bellerophon was commanded to slay it by King Iobates. He rode into battle against the beast on the back of the winged horse Pegasos and, driving a lead-tipped lance down the Khimaira's flaming throat, suffocated it. From Hómēros' Iliad:

 "On first deciphering the fatal message, he ordered Bellerephon to kill the monstrous Chimaera, spawned by gods and not men, that had a lion’s head, goat’s body and serpent’s tail, and breathed out deadly blasts of scorching fire. But Bellerephon slew her, guided by the gods." [VI:119-211]

The Drakaena were hybrids as well, usually with the upper body of a beautiful nymph, and the lower body of a drakon or sea-monster. Most often, these were parents to the above--a necessary evolutionary step. Famous examples include the Goddess Keto, who spawned the Hesperian Drakon, Ekhidna, who was married to the serpent-giant Typhôeus and spawned most of the dragons and monsters of myth, and Skilla, who did not spawn anyone, but was the she-dragon who haunted the Straits of Messina, snapping up sailors from ships--as Odysseus discovered.

These are the four types of drakones the ancient Hellenes identified, some mythological, some actually living in those days. Hopefully this will clear up the confusion of dragons in ancient Hellas and Hellenic myth once and for all.

Image source: Hydra, Cetus, Khimaira, Skilla.


How could the ancient Hellenes who might have seen a sight like this not have assumed it was a battle between Zeus and one of His powerful foes--Typhôeus perhaps? These pictures were taken by German photographer Martin Rietze at Sakurajima volcano on a former island off Japan, and were originally found here.

I often try to explain to non-believers how I interact with my Gods, and how, when I say 'I see my Gods in everything' this is possible. I can't be sure, of course, but this seems a perfect example of how both I, and perhaps the ancient Hellenes, conflated the natural world and the influence of the Theoi on it. A major storm, a volcanic eruption, lightning battling with fire and smoke, Gods and giants fighting, and our human--limited--eyes only seeing the special effects. This is the way I see my Gods, and it fills me with awe.
It's due time for another astronomy post, wouldn't you say? Today, I'm picking up the fourth of the constellations in the zodiac: Capricornus. Capricornus is often referred to as 'Capricorn', the latin word for 'horned goat' or 'goat horn', and in ancient Hellas--and even in most modern interpretations--the hybrid is not between human and goat, as one might expect from a culture with satyrs in its mythology, but goat and fish.


Obviously, Capricornus is a recognized constellation to this day. In fact, Capricornus is one of the oldest recognized constellations which have survived intact to this day; the association of the fish-goat hybrid even dates back to the Middle Bronze Age. The ancient Hellenes called it 'Aigokeros' (Αιγόκερως), literally 'goat-horned'. 

Because of its age, mythology surrounding the constellation has been muddled quite a bit. Because of that, this post will mostly be an exercise in debunking or expanding upon the stories that surround it. The first Hellenic myth that is associated with the constellation is that of Zeus' wet nurse Amaltheia (Ἀμάλθεια). She was either a goat, a nymph or a Goddess in her own right, most likely a nurturing Goddess imported from Krete, where Rhea delivered Her child (see below). The versions of the myth where She is a goat is the reason She is often linked to Capricornus.

After Zeus' birth, his father Kronos threatened to swallow Him whole, just like He had done with all of Zeus' brothers and sisters. Rhea, Zeus' mother, had gone off to Krete to give birth to Zeus unhindered. Amaltheia helped with the delivery, and when Rhea returned to Kronos with a baby-shaped boulder in a blanket, She left Zeus in Her care.

Amaltheia was, indeed, placed amongst the stars as a reward for Her services, but it wasn't as the Constellation Capricornus, but as the constellation Capra, the group of stars surrounding Capella on the arm  of Auriga, the charioteer. Here, She became tied to a myth that is a lot more gruesome: the myth that Her skin was used to create the sacred Aegis, the shield thus being placed on the arm of the charioteer for protection.

Amaltheia aside, Capricornus is mostly accurately linked to another myth connected to the Titomanchy; the Olympians were in for a rough fight when Zeus led them against the Titans. One of their toughest fights was against the storm-giant Typhôeus (Τυφωευς), a fight so tough, in fact, that the Olympians had to flee from battle. The young Theoi were so scared of the storm-giant, They fled to Egypt, crossing the river Nile in such a hurry that one amongst Them didn't even allow Himself the time to fully change shape so he could cross the river faster. He crossed in the shape of a half-goat, half-fish.

In most modern retellings of the myth, this Theos is identified as Pan, the Arkadian Theos of shepherds and flocks, of mountain wilds, hunting and rustic music. The ancient Hellenes, however, distinguished between several Panes (Πανες), daimones, guardian spirits, who are often conflated into Pan in modern times. Besides Pan, the ancient Hellenes at least distinguished between Agreus (Αγρευς), a Pan-daimon of hunting and rustic prophecy; Nomios (Νομιος), a Pan-daimon of shepherds and pastures; Phorbas (Φορβας), a Pan-daimon of grazing; the Paneidês (Πανειδης), the twelve sons of the Theos Pan; two Italian-born Pan-daimon--Pan Sybarios (Παν Συβαριος) and Phaunos (Φαυνος)--and Aigipan (Αιγιπαν), the Pan-daimon who helped Zeus in his battles with the storm-giant Typhôeus. It was Aigipan who was placed into the sky as the constellation Capricornus.

There are many versions of this myth, about Aigipan's birth, his connection to Zeus and the acts for which he was eventually placed amongst the stars. All are of relatively late design, but the basics are as follows: Aigipan was either a child of Zeus by a variety of mothers, a child of Almatheia--and thus fed alongside Zeus--or the father of Pan. In all versions of the myth, he stood alongside Zeus during the Titan war. Some versions of the myth say that Aigipan put panic (panikos) in the hearts of the Titans during the fight and thus gave Zeus such an edge, He won the war.

Other myths say that after the Titans were defeated, the Theoi thought They had won. Yet, there was one who sought revenge for the defeat of his father: Typhôeus, the most-feared son of Tartaros and Gaea. He came for Zeus, when all Theoi had gathered in Egypt, and the Theoi fled. Impressed by Aigipan's shrewdness in escaping over the river Nile as a sea-goat, Zeus rewarded him by placing him in the sky. In other versions, Typhôeus got a hold of Zeus and in the battle that followed, he ripped Zeus apart limb for limb. He hid the sinews of Zeus's arm or entire body away, but Aigipan got them back for Him, alongside Hermes.

In the last version of the myth, Zeus preemptively goes after Typhôeus, who is hiding in a cave by the sea. He commands Aigipan to lure him out, which Aigipan does in the form of the sea goat. Zeus then brings down a thunderbolt so powerful, it vanquishes Typhôeus and allows Zeus to lock him into Tartaros.

Whatever the case, Aigipan is most likely the Hellenic mythological source of the shape Capricornus has gotten, although Capricornus is also rumored to be an entrance into the Underworld. To find out for yourself, you might have to wait a while. This dim constellation is visible at latitudes between +60° and −90°, and best visible at 21:00 (9 p.m.) during the month of September.